By Traditional. Arranged by Elliot Del Borgo. Beginning String Orchestra. FJH Beginning Strings. Score for this title: ST6092S. Extra part for this title: ST6092P. String Orchestra. Level: 1. Score and Set of Parts. Published by The FJH Music Company Inc.

Organ

SKU: SU.80101404

For Organ. Composed by Carson Cooman. Keyboard, Organ. Score. Zimbel Press #80101404. Published by Zimbel Press (SU.80101404).

Organ Symphony No. 2 (2017) was written for and is dedicated to German organist Philip Hartmann. In all of my works that employ larger-scale forms (not just organ compositions), I am continually looking for different ways of providing the form and structure. My first organ symphony (2013) comprised three larger movements that charted a progression from dark to light. By contrast, this second organ symphony comprises 12 shorter movements that together build a larger structure out of varied emotional states. Although the movements are different in character, there are connections of harmony and motive across them. One goal behind this work is that it be suitable for effective performance on almost any organ, small or large. Most organ symphonies require a large instrument. By contrast, this piece can be played effectively on even a small organ with a limited number of stops (even a one manual organ with an octave pedal board). It can also be very effective on a large symphonic organ with many different colors and a huge tutti. Registration is left to the performer's discretion, and the organist is strongly encouraged to use the full extent of whatever resources are available. Instrumentation: Organ Duration: 34' Composed: 2017 Published by: Zimbel Press.

Orchestra (Full Score) - Grade 4

SKU: HL.14032192

Full Score. Composed by Per Norgard. Music Sales America. 20Th Century, Classical. Softcover. 188 pages. Edition Wilhelm Hansen #KP00865. Published by Edition Wilhelm Hansen (HL.14032192).

ISBN 9788759858394. 12.0x16.5x0.78 inches. International (more than one language).

Symphony No. 6 for orchestra, 1997-99. Preface / Program Note:... with the Lord a day is like a thousand years, and a thousand years is like a day(New Testament, 2 Peter 3:8)My SYMPHONY NO. 6 was commissioned by the Danish National Radio Symphony Orchestra, the Gteborg Symphony Orchestra and the Oslo Philharmonic Orchestra, to be premiered at the millenium 2000.The subtitle AT THE END OF THE DAY can be understood literally or it can mean when all is added up. However, in my opinion, nothing ever quite adds up, there is always something missing, any ending will be provisional ...This symphony appears to end only a few minutes into the first movement, the first passage, as the music fades away to almost-silence, after a start of flying colours. But then there is still something, a small motive (first heard in the initial sound-waves) which reappears, hesitant, but persistent, and this embryo is what leads on the musical progression. An agitated section of many instrumental voices comes next, until all the voices become obsessed with the same phrase, a see-saw motive based on thirds. This section evolves into almost martial ferocity, when broken off by a tutti descent into an extreme bass-world (a bass-world which actually permeates the whole symphony, emplyoing instruments that I have never used before: double-bass tuba, double-bass trombone, double-bass clarinet, and bass flute).The second movement, the second passage, apparently takes off where the first passage ended, but now the events are more ambiguous, and the same music may be perceived as fast-moving one moment and slow-moving the next. This section is a kind of passacaglia, the characteristic baroque bass-variation.Without a break follows the third and last passage, in a contrasting high register. The music is rhythmically knotty as well as freely flowing. As in the beginning of the symphony, a never-ending descent or fall breaks off the events, and at the very end a delta of new beginnings, of other worlds, is revealed ....The symphony is dedicated to Helle, my wife. - Per Norgard.

Keyboard (Masterworks Book). Published by Alfred Publishing. (22529) ISBN 073903698X. Originally compiled and edited by Louis Kohler, this edition contains some of the most popular keyboard sonatinas, rondos and other works (including symphonic transcriptions) of Beethoven, Clementi, Haydn, Kuhlau and Mozart, among others. In clarifying this edition, editor Allan Small has removed impractical fingerings and unnecessary accidentals found in other editions. The Alfred Masterwork Library CD Editions conveniently combine each exceptional volume with a professionally recorded CD that is sure to inspire artistic performances.

Full Score

SKU: HL.367873

Full Score. Composed by Donald Crockett. LKM Music. Softcover. Lauren Keiser Music Publishing #X054076. Published by Lauren Keiser Music Publishing (HL.367873).

ISBN 9781705140291. UPC: 840126966657. 9.0x12.0x0.655 inches.

Commissione d by Caramoor Music Festival in New York and premiered July 14, 2017 by the Argus Quartet, this work is in no small part a response to this quartet's sense of adventure and expressive emotional range. Inspired by two end-of-civilization novels the composer was reading prior to composing the work, the quartet unfolds in a single movement, loosely based on plot lines in both novels. One of the novels includes a Traveling Symphony, an assortment of musicians and actors who travel the countryside for decades playing symphonies, jazz and orchestral arrangements of popular music alongside performances of Shakespeare plays, reminiscent of medieval troupes traveling the countryside in plague-ridden times. The work is written so that the quartet embodies the Traveling Symphony, not only playing music but also singing and 'stage whispering' fragments of King Lear and other text across the collection of nine scenes.

Score and Parts

SKU: HL.367874

Score and Parts. Composed by Donald Crockett. LKM Music. Softcover. Lauren Keiser Music Publishing #X504092. Published by Lauren Keiser Music Publishing (HL.367874).

ISBN 9781705140307. UPC: 840126966664. 9.0x12.0x0.523 inches.

Commissione d by Caramoor Music Festival in New York and premiered July 14, 2017 by the Argus Quartet, this work is in no small part a response to this quartet's sense of adventure and expressive emotional range. Inspired by two end-of-civilization novels the composer was reading prior to composing the work, the quartet unfolds in a single movement, loosely based on plot lines in both novels. One of the novels includes a Traveling Symphony, an assortment of musicians and actors who travel the countryside for decades playing symphonies, jazz and orchestral arrangements of popular music alongside performances of Shakespeare plays, reminiscent of medieval troupes traveling the countryside in plague-ridden times. The work is written so that the quartet embodies the Traveling Symphony, not only playing music but also singing and 'stage whispering' fragments of King Lear and other text across the collection of nine scenes.

Composed by Anton Bruckner (1824-1896). Duet or Duo; Masterworks; Piano Duet (1 Piano, 4 Hands); Solo Small Ensembles. Kalmus Edition. Masterwork; Romantic. Book. 84 pages. Kalmus Classic Edition #00-K02046. Published by Kalmus Classic Edition

(1st Movement). By Wolfgang Amadeus Mozart (1756-1791). Arranged by Scott Stanton. Concert band. Build-A-Band Series. Grade 3. Score and set of parts. Composed 2011. Duration 3 minutes, 4 seconds. Published by C.L. Barnhouse

Composed by Gustav Mahler (1860-1911). Duet or Duo; Masterworks; Piano Duet (1 Piano, 4 Hands); Solo Small Ensembles. Kalmus Edition. Masterwork; Romantic. Book. 72 pages. Kalmus Classic Edition #00-K03673. Published by Kalmus Classic Edition

By Robert W. Smith. Concert band. Spotlight Series. Audio recording available separately (item CL.WFR349). Grade 3.5. Score and set of parts. Composed 2007. Duration 7 minutes, 5 seconds. Published by C.L. Barnhouse

Grade 3

SKU: CL.012-3627-75

Composed by Robert W. Smith. Concert Band. Spotlight Series. Audio recording available separately (item CL.WFR349). Oversized, spiral-bound score. Composed 2007. Duration 7 minutes, 5 seconds. Opus III Wind Orchestra Publications #012-3627-75. Published by Opus III Wind Orchestra Publications (CL.012-3627-75).

This stunning composition by Robert W. Smith is actually a full symphony in smaller proportions. The piece was composed to commemorate the Battle of Bad Axe, the historic last Indian-American battle fought east of the Mississippi River. Written in four descriptive movements entitled Foreshadows, Warriors, Carnage, and Elegy, the piece evokes powerful sounds and imagery through contemporary scoring techniques while being technically accessible to most concert bands. Unique percussion effects combined with creative scoring provide an experience that your band and audience will not soon forget.

About C.L. Barnhouse Spotlight Series

The Barnhouse Spotlight series includes publications for solo instruments with concert band accompaniment. These publications are designed to feature outstanding members of your band as soloist, and to provide unique and entertaining programming options. Solo parts are graded more difficult than the band accompaniments

By Antonin Dvorak. Arranged by Ruth Elaine Schram. For SSAB choir (optional cello). Choral. Octavo. Published by Shawnee Press.

By Frank Ticheli. Concert band. Suitable for the most advanced high school bands, community, college, university, and professional bands. Level: Grade 6. Conductor Full Score. Duration 21:00. Published by Manhattan Beach Music.

Orchestra Solo voices, SSAATB chorus, Fl, Ob, Clt, Fg, Cor, Tr, Trb, Timp, 2 Vl, Va, Vc, Cb, [Org] - Grade 3

SKU: CA.4007650

Arrangement for chamber orchestra (arr. J. Linckelmann). Composed by Felix Bartholdy Mendelssohn. Arranged by Joachim Linckelmann. Carus digital: Extra digital products. Full Score. MWV A 18. Duration 62 minutes. Carus Verlag #4007650. Published by Carus Verlag (CA.4007650).

ISBN 9790007293581. German/English.

Men delssohn described his 1840 work “Lobgesang” as “a symphony for chorus and orchestra”. It is now firmly established in the standard repertoire of the major oratorio choirs. For many choirs, Lobgesang remains on their wishlist of works they want to sing. But what can be done if the choir is to small, the budget is limited, and the performance space is tight?Here, the experienced arranger and orchestral musician Joachim Linckelmann offers an excellent tried-and-tested solution. In his arrangement for soloists, chorus, and chamber orchestra, he has reduced the wind instruments from the original 17 to just 7 single instruments. The string parts remain largely identical to the original, but can also be played by smaller numbers. And the vocal parts (soloists and choir) remain unaltered in this arrangement, so that they can be sung from the piano reductions and choral scores of the Carus Urtext edition.•,Major work which can now be performed by smaller choirs•,Wind and brass parts of the original version reduced to seven single instruments•,Vocal scores and choral scores from the original version can be used•,carus plus: the work (original version) is available in carus music, the Choir Coach, and in the Carus Choir Coach series (audio only). Score available separately - see item CA.4007600.

Basso (cello/double bass) (2.2.2.2 - 2.2.0.0 - timp - str)

SKU: BR.OB-5373-26

Hafner Music: Hafner Symphony with March in D major K. 408/2 (385a) - Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Henrik Wiese. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Symphony; Dances/marches; Classical. Part. 12 pages. Duration 20'. Breitkopf and Haertel #OB 5373-26. Published by Breitkopf and Haertel (BR.OB-5373-26).

ISBN 9790004341032. 10 x 12.5 inches.

Wolfgang Amadeus Mozart wrote his Hafner Symphony K. 385 in the summer of 1782 on the occasion of the elevation into the nobility of his friend and patron Sigmund Hafner. Next to the well-known movements, this version (A) also contained the March K. 408/2 (385a) and possibly a second, no longer extant minuet. Called Hafner=Musique by Mozart, the work was unquestionably a serenade at first. In early 1783 Mozart then reduced the Hafner Music for his subscription concert at the Vienna Burgtheater on 23 March 1783 to a four-movement symphony. This is the form in which the work was first printed in 1785 (Version B). For a further performance, Mozart added flute and clarinet parts to the symphony. In 1805, this version (C) was published by Andre in Offenbach, who thus began making it known.The primary sources of the present Breitkopf Urtext edition are the autographs to K. 385 and K. 408/2 (385a). It thus becomes possible for the first time to play all three versions of the Hafner Music, since the variants of Versions A and B can be easily discerned through indications in footnotes and notes in small print.

Orchestra

SKU: BA.BA06861

Sinfonie (1923-1928). Composed by Leos Janacek. Arranged by Leoš Faltus and Miloš Štedron. This edition: complete edition, urtext edition. Linen. Complete Critical Edition of the Works of Leos Janacek H/3. Complete edition, Score, Set of parts. Duration 40 minutes. Baerenreiter Verlag #BA06861_00. Published by Baerenreiter Verlag (BA.BA06861).

ISBN 9790260104211. 34.3 x 27 cm inches.

Leoš Janácek’s symphonic fragment Dunaj (The Danube) dates from the period of the composition of “Katya Kabanova”. The composer was not concerned with a musical-picturesque description of a river landscape, but with the mythical link between women’s destinies and water.

“Pale green waves of the Danube! There are so many of you, and one followed by another. You remain interlocked in a continuous flow. You surprise yourselves where you ended up – on the Czech shores! Look back downstream and you will have an impression of what you have left behind in your haste. It pleases you here. Here I will rest with my symphony.” Thus Leoš Janácek described the idea behind the composition project which occupied him in 1923/24. However, after further work, it remained incomplete in 1926. His “symphony” entitled Dunaj has survived as a continuously-notated, four-movement bundle of sketches in score form. It is one of the works which occupied him until his death. The scholarly reconstruction by the two Brno composers Miloš Štedron and Leoš Faltus closely follows the original manuscript.

A whole conglomeration of motifs stands behind the incomplete work. What at first seems like a counterpart to Smetana’s Vltava, in fact doesn’t turn out to be a musical depiction of the Danube. On the contrary, the fateful link between the destiny of women, water and death permeates the range of motifs found in the work. It seems to be no coincidence that Janácek, whilst working on the opera Katya Kabanova, in which the Volga, as the river bringing death plays an almost mythical role, planned a Danube symphony, and that its content was linked with the destiny of women: in the sketches, two poems were found which may have provided the stimulus for several movements of the symphony. He copied a poem by Pavla Kriciková into the second movement, in which a girl remarks that whilst bathing in a pond, she was observed by a man. Filled with shame, the young naked woman jumps into the water and drowns. The outer movements likewise draw on the poem “Lola” by the Czech writer Sonja Špálová, published under the pseudonym Alexander Insarov. This is about a prostitute who asks for her heart’s desire: she is given a palace, but then goes on a long search for it and is finally no longer wanted by anyone. She suffers, feels cold and just wants a warm fire. Janácek adds his remark “she jumps into the Danube” to the inconclusive ending.

To these tangible literary models is added Adolf Veselý’s verbal account which reports that the composer wanted to portray “in the Danube, the female sex with all its passions and driving forces”. The third movement is said to characterise the city of Vienna in the form of a woman.

It is evident that in his composition, Janácek was not striving for a simple, natural lyricism. The River Danube is masculine in the Slavic language – “ten Dunaj” – and assumes an almost mythical significance in the national character, indeed often also a role bringing death. The four movements are motivically conceived. Elements of sound painting, small wave-like figures in the first movement, motoric, driving movements in the third are obvious evocations of water. And the content and the literary level are easy to discover. The “tremolo of the four timpani”, which was amongst Janácek’s first inspirations, appears in the second movement. It is not difficult to retrace in it the fate of the drowning bather. The oboe enters lamentoso towards the end of the movement over timpani playing tremolo, its descending figure is taken over by the flute, then upper strings and intensified considerably. The motif of drowning – Lola’s despair – returns again in the fourth movement in the clarinet, before the work ends abruptly and dramatically.

One special effect is the use of a soprano voice in the motor-driven third movement. The singer vocalises mainly in parallel with the solo oboe, but also in dialogue with other parts such as the viola d’amore, which Janácek used in several late works as a sort of “voice of love”.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Orchestra piccolo, English horn, B-clarinet, contrabassoon-4, 1-4 percussion-harp-strings

SKU: PE.EP73404

Composed by Rihards Dubra. Full Orchestra. Edition Peters. Book. Duration 00:37:00. Edition Peters #98-EP73404. Published by Edition Peters (PE.EP73404).

ISBN 9790577018348. 297 x 420 mm inches. English.

Rihards Dubra (born Latvia, 1964) wrote his Symphony No. 2 in 2014. It is a large-scale work, over 30 minutes long, in three movements (titled 'Visio', 'Cantus', 'Et vidi...'), for large orchestra comprising triple wind and brass, percussion and harp.

Speaking of symphonic writing, the composer says: 'I don't think a symphony should speak about small, everyday things and issues; it should speak of global, fundamental and substantial things. Only then does it justify the name 'symphony'. It must be something serious.'

This full score (EP 73404) is now available as part of the Peters Baltic Library.

• Peters Baltic Library is a new series of full scores of orchestral music by contemporary composers from the Baltic States.
• Published in partnership with the leading music publisher from the region: Musica Baltica.
• Peters Baltic Library presents a rich selection of compositions that demonstrates both the distinctiveness and the variety of stylistic approaches adopted by the region's most prominent composers.

< br>This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.

Orchestra

SKU: HL.14018903

Composed by Asbjorn Schaathun. Music Sales America. Score Only. Edition Wilhelm Hansen #KP01025. Published by Edition Wilhelm Hansen (HL.14018903).

Danish.

Les Cloches De Monsigneur Grieg (1993-99) for small Symphony Orchestra by Asbjorn Schaathun. 'Edvard Grieg's 'Bell Ringing' for Piano Op.54, No.6 ... seen through Monsigneur A. Schaathun's half shut eyes...' Commissioned by the The Norwegian Radio Orchestra.

Les Cloches De Monsigneur Grieg (1993-99) for small Symphony Orchestra by Asbjørn Schaathun.

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'Edvard Grieg's 'Bell Ringing' for Piano Op.54, No.6... seen through Monsigneur A. Schaathun's half shut eyes...'

Commissioned by the The Norwegian Radio Orchestra.

Small Orchestra

SKU: SU.24200210

For Small Orchestra. Composed by Max A. Friedman. Chamber Music, Larger Chamber Ensemble. Study Score. Subito Music Corporation #24200210. Published by Subito Music Corporation (SU.24200210).

Arrangement of 2016 Chamber Symphony.1,picc 1 1,bcl 1; 2111; timp, perc; stgs Duration: 8 Composed: 2018 Published by: Asher Rose Music.

Arranged by Allan Small. Collection for easy solo piano. 64 pages. Published by Alfred Publishing.