Compilations regroupant les plus grands titres d'un genre musical spécialement regravées en piano, voix et diagrammes d'accord guitare ou en piano solo en format A4 spiralé afin qu'il reste plat sur le support du piano. / Jazz / Partition / Wiro /

Parlor Gems A Treasury of 19th Century Music for Classical Guitar. In the late eighteenth and nineteenth centuries, the parlor was a room set aside for particular functions. Before the advent of the radio, it was the place where formal presentations were staged, including amateur and semi-professional concerts. This classical guitar solo collection for the intermediate to advanced player offers nine engaging and lyrical European and North American favorites of this bygone era. All of the solos are presented in standard notation only and played on authentic reproductions of period instruments on the book?s online companion recording. Author Joseph Mayes plays works by well-known guitarist-composers Carulli, Coste and Giuliani as well as the lesser-known but deserving ?Kathleen Mavoureen?Romanza? by Frederick N. Crouch arranged by Charles de Janon, and Felix Arndt?s ?Nola,? one of the era?s most popular ragtime piano themes, here transcribed and arranged by William Foden and the author. Includes access to online audio.

With this Berklee Guide you'll learn 12 contemporary jazz Guitar solos from six of the genre's greatest artists: Jim Hall John Scofield Pat Martino Kurt Rosenwindel Biréli Lagréne and Mike Stern.A technical introduction is included for each solo featuring analytical insights and references to its classic recording. The transcribed solos include traditional notation and tablature.Michael Kaplan's Contemporary Jazz Guitar Solos includes the songs: All the Things You Are (John Scofield) Days of Wine and Roses (Biréli Lagrene) St. Thomas (Jim Hall) ThereIs No Greater Love (Mike Stern) How Deep Is the Ocean (How High Is the Sky) (Kurt Rosenwinkel) Oleo (Pat Martino) and more.

A Step-by-Step Breakdown of the Guitar Styles and Techniques of a Modern Jazz Legend. Pat Martino learned how to play superb jazz guitar twice; he emerged as a powerful musical force in the '60s playing pro at age 15 then had to relearn everything after brain surgery in 1980 caused him to forget how to play. With this book/CD pack you can learn the trademark riffs solos and compositions of this remarkable modern jazz guitar virtuoso. Features in-depth explorations of 14 works including All Blues Along Came Betty Blue in Green Nefertiti Oleo Road Song Stone Blue The Visit and more.

Jazz Play-Along Vol.8. Par ROLLINS SONNY. Intermédiaire/Advanced niveau ces airs représentent une grande partie du vocabulaire du joueur de jazz. Ils sont tous considérés comme standards de jazz. Gamme de chansons du simple au complexe, ralentir tempos à rapide. Les changements de la corde sur plusieurs airs sont telles que l'improvisateur novice peut en solo ussingle échelle tels que le Blues ou pentatonique, pourtant, intermédiaires et avancés les joueurs auront toujours beaucoup de défi en jouant sur les changements de corde qui coule et naturel qu'ils vont. D'autres présentent un plus grand défi, avec des tempos rapides, tinatures de 3/4 et rainures en alternance. Quelque chose pour tout le monde. Section rythmique est Dan Haerle, piano - Rufus Reid, basse - Jonathan Higgins, batterie. / Rép International / Recueil / Tout Instrument

Here's a Sonny Rollins bebop standard that should be in every band's library. Mark's chart for young players provides a nice mix of small ensemble sections (3 saxes trumpet trombone and guitar) along with plenty of tutti linesfor the entire ensemble. Flexible solo opportunities allow you to customize this great-sounding chart to fit your own needs.

Par PAGANINI NICCOLO. Paganini’s Inno patriottico con variazioni for solo violin M.S. 81 is a composition dating back to the period between 1796 and 1800, during which he also composed works such as the Carmagnola con variazioni M.S. 1 for violin and guitar, the Grande Concerto M.S. 75, the Tema variato for violin M.S. 82 and the Sonata a violin solo M.S. 83. There is not very much background material regarding the piece: the only certainties we have about it are that it dates from his early period, springs from a Genovese environment and has numerous similarities to the Carmagnola con variazioni M.S. 1: both compositions are based on a sprightly popular theme in 6/8 that can be traced back to the Perigordino, a French dance that first appeared in the Ligurian Apennines during the Napoleonic period. The structure of the Inno patriottico con variazioni substantially follows that of the Carmagnola and Tema variato: a theme followed by a series of variations in which Paganini demonstrates his personal concept of variation. This edition is based on a recently rediscovered, non-autograph source owned by the descendants of Eredi Sivori, in combination with the copy held by the Archivio Storico del Comune di Genova and printed sources./ Répertoire / Violon

Sonate In Es Für Klavier Op. 81a Les Adieux-Composed in 1809–10 Beethoven’s Sonata Op.81a expresses his very personal feelings. He titled its three movements “Das Lebe wohl” (The Farewell) “Die Abwesenheit” (The Absence) and “Das Wiedersehn” (The Return) in reference to the hasty departure of his good friend and patron Archduke Rudolph of Austria who fled Vienna with the imperial family on 4 May 1809 to escape Napoleon’s approaching troops. Beethoven referred to Op.81a as a “characteristic sonata” not in the sense that it had an underlying programme but because it lent musical expression to his feelings. He reacted angrily when hispublisher printed French translations of its title and movement headings. This however did not prevent Op.81a from becoming widely known by its French name “Les Adieux”. - Introduction by Misha Donat - Notes on performance practice by Jonathan Del Mar and Misha Donat - Scholarly-critical Urtext edition at the cutting edge of scholarship - Elegant engraving and optimal page turns - Informative Introduction (Eng/Ger) - Includes a Critical Commentary (Eng)

Transcriptions from Buckley's Banjo Guide of 1868. Par TWISS TIM. Early American Banjo by Tim Twiss provides complete banjo tablature transcriptions of the instrumental solos that first appeared in standard notation in Buckley's Banjo Guide of 1868. This modern tablature edition of over 100 mid-19th century jigs, waltzes, polkas, hornpipes and reels provides insight to the transition between the African down-stroke technique, which preceded claw-hammer style and the newer, more refined plucking technique. James Buckley (1803 â' 1872), sometimes referred to as the 'Father of the Classical Banjo,â? was one of the most prolific transcribers of early banjo music. His compositions and arrangements were performed on the minstrel stage, andhis scholarly discipline produced a lasting record of banjo music of his era. This repertoire collection includes easy tunes as well as more complex pieces suited for the concert stage. The player will delight in discovering how fresh and unusual some of this music sounds, even todayâ'all in modern banjo tab. While best experienced on a period reproduction, gut-string fretless banjo in a lower tuning, any 5-string banjo in C tuning (gCGBD) may be used to interpret this collection. Includes access to online audio. Early American Banjo by Tim Twiss provides complete banjo tablature transcriptions of the instrumental solos that first appeared in standard notation in Buckley's Banjo Guide of 1868. Thismodern tablature edition of over 100 mid-19th century jigs, waltzes, polkas, hornpipes and reels provides insight to the transition between the African down-stroke technique, which preceded claw-hammer style and the newer, morerefined plucking technique. James Buckley (1803 and ndash - 1872), sometimes referred to as the and ldquo - Father of the Classical Banjo, and rdquo - was one of the most prolific transcribers of early banjo music. His compositions andarrangements were performed on the minstrel stage, and his scholarly discipline produced a lasting record of banjo music of his era. This repertoire collection includes easy tunes as well as more complex pieces suited for theconcert stage. The player will delight in discovering how fresh and unusual some of this music sounds, even today and ndash - all in modern banjo tab. While best experienced on a period reproduction, gut-string fretless banjo ina lower tuning, any 5-string banjo in C tuning (gCGBD) may be used to interpret this collection. Includes access to online audio. / Niveau : Intermédiaire à Avancé / Musique traditionnelle d'Amérique du Nord / Date parution : 2018-05-04/ Recueil / 5-String Banjo

These tunes represent a large portion of the jazz player?s vocabulary. They are all considered jazz standards. Songs range from simple to complex, slow tempos to fast. The chord changes on several tunes are such that the novice improviser can solo using a single scale such as the Blues or Pentatonic scale, yet intermediate and advanced players will still have plenty of challenge playing on the flowing and natural chord changes as they go by. Others present a greater challenge, with fast tempos, 3/4 time signatures and alternating grooves. Something for everyone. Rhythm section is Dan Haerle, piano; Rufus Reid, bass; Jonathan Higgins, drums.Doxy - Oleo - St. Thomas - Pent Up House - Blue Seven - Airegin - Valse Hot - Tenor Madness - Solid

For Bass Clef Instruments-The ultimate resource for studying the work of Miles Davis. For Bass Clef instruments.The Miles Davis Omnibook contains 50 note-for-note transcriptions of his recorded solos for: Airegin • All Blues • All of You • Au Privave • Bags' Groove • Billie's Bounce (Bill's Bounce) • Blue Haze • Budo • But Not for Me • Bye Bye Blackbird • Diane • Dig • Doxy • E.S.P. • Footprints • Four • Freddie Freeloader • A Gal in Calico • Green Haze • I Waited for You • I'll Remember April • If I Were a Bell • It Could Happen to You • It's Only a Paper Moon • Jeru • K.C. Blues • Love Me or Leave Me • Miles Ahead • Milestones • My Funny Valentine • Oleo • On GreenDolphin Street • The Serpent's Tooth • Seven Steps to Heaven • Sippin' at Bells • So What • Solar • Some Day My Prince Will Come • Stablemates • Stella by Starlight • Stuff • Summertime • The Surrey with the Fringe on Top • The Theme • Trane's Blues • Tune Up • Walkin' • Well You Needn't (It's over Now) • Woodyn' You and Yesterdays.