Robert Sund's Gentlemen Only is a varied collection for men's choir, covering all genres from pop to gospel and jazz to classical music. It contains, among others, a vocal arrangement of Brahms' Hungarian Dance No. 5 as well as She's leaving home by the Beatles or Piaf's La vie en Rose. In the last decades, Sund arranged all the pieces for his chamber choir 'Orphei Drängar'. Now these successful arrangements, most of which have been released on CD, are available for men's choir. Some of the arrangements contain piano accompaniment and solos. The programme can be complemented by choreographies or scenic performances. / Choeur D'Hommes (TTBB)

Elton John's Can You Feel The Love Tonight from The Lion King. This breathtaking ballad is arranged here in a sonorous setting for a cappella ensembles. Available: SATB a cappella SSAA a cappella TTBB a cappella. Performance Time: Approx. 4:00.

Candlemas Eve (R. 96) was written in 1949. It is a madrigal for Male Voice Choir (TTBB) with a Piano reduction provided for rehearsal purposes. The text comes from a poem by the English poet Robert Herrick (1591-1674) which extols the joy of how the fresh Spring foliage comes forth to replace the winter evergreens. Ernest J Moeran (1894-1950) was an English composer who followed the tradition of R. Vaughan Williams and John Ireland by collecting preserving and using many folk songs mainly from Norfolk Suffolk and Ireland.

This highly popular and traditional song is set by C.F. Chudleigh Candish for men's voices with full Piano accompaniment.

Your singers will love rehearsing and performing this rhythmic celebration based on traditional African music. Layered vocal lines call and response and the vitality of the conga claves and djembe will bring freshness and energy to your concert!

In his use of authentic Englsh folksongs Gnostic texts and Vedic hymns one can discern Holst’s search for a compositional Voice beyond the constraints of the European canon in the early 1900’s. In 1916 hepublished Six Choral Folk Songs of which Cornish folk tune I Love My Love is the fifth number.The song is a tale of a girl ‘in Bedlam’ who awaits her love’s return from the sea. It moves into Dorian mode and outagain with a particularly effective sighing motif in the middle section. Gustav Holst has earned a place among the most revered of late 19th and early 20th century composers and is best known for his enduring Orchestral suite ThePlanets.

With its sumptuous, layered harmonies this beautiful choral arrangement of White Christmas is the ideal piece for choruses seeking an impressive centrepiece for their festive programme. Arranged for TTBB choir with piano accompaniment by Christopher Hussey, you can add some luxurious, jazz inspired splendour to your seasonal repertoire this Christmas! / Choeur TTBB Et Piano

See if you can keep a straight face as you sing these “serious” examples of fine choral literature! From the Turtle Creek Chorale Series comes a brilliant collection of settings of “Mary Had a LittleLamb.” Arranger Eric Lane Barnes presents a wonderful music history lesson with these marvelous tongue-in-cheek Lambscapes set in Gregorian chant baroque German classical and Italian operatic styles. For high schoolthrough adult choirs this humorous collection is a must!!!

enthält 10 Singpartituren und 1 Klavierpartitur für Chor TTBB-Santiano is German Shanty and Irish Folk/Pop band from north-western Germany (Flensburg area). Here?s their song Der Wind ruft meinen Namen set for male choir with piano accompaniment. Comes in a binder with one piano score (8 pages) and 10 vocal scores (4 pages each) both shrinkwrapped together in one pack. Both piano and vocal scores can be ordered separately from the Bosworth Chor Edition in Cologne.

Choral work score for TTBB Choir.Three texts alternate. Except for the Alliuatic Antiphons they are texts concerning the Mother of God taken from Orthodox Services. The mood is of quiet ecstasy in praise of the Holy Motherof God whose womb He made a throne and whose belly He made more spacious than the Heavens.Ideally the music is performed in a large acoustic hall so that the echoes can be heard to die away in the commas between thevarious sections. The sound should be warm rich and sonorous.