Cette pièce, dédiée à Joëlle Léandre, est une commande du Ministère de la...(+)
Cette pièce, dédiée à Joëlle Léandre, est une commande du Ministère de la Culture pour contrebasse solo, sans projet de chorégraphie à l'origine. L'idée d'une chorégraphie est venue se greffer par la suite alors que j'étais en résidence de compositeur à Metz, sur la proposition de Susan Buirge, également en résidence à Metz au même moment que Joëlle Léandre et moi-même. C'est ainsi que j'ai eu l'idée de cette Danse de l'aube. Ce titre fait allusion au combat de Jacob avec l'ange, texte de la Genèse: Jacob resta seul et quelqu'un lutta avec lui jusqu'au lever de l'aurore . Ce passage est généralement interprété comme étant le symbole de la lutte avec Dieu que Jacob, la hanche démise, a vu face à face cette nuit-là. Edith Canat de ChizyEnregistrement:1 CD aeon, AE0210, MovingIrisations - Tiempo - Moving - Hallel - Vivere - Danse de l'aubeTrio à cordes de Paris, Quatuor Parisii, D. Tosi, M. SiffertCompositeur/Auteur : CANAT de CHIZY Edith Discipline/Instrument : contrebasse solo Support : Partition Style/Genre : contemporain Date de parution : janv.-98 Nombre de pages : 6
The Double Bass part for Michael Hurd’s Swingin’ Samson an enormo...(+)
The Double Bass part for Michael Hurd’s Swingin’ Samson an enormously fun pop cantata. Divided into six sections this lively and toe-tapping show is fabulous for schools or amateur performance. Highlights of the cantata include the scene in a barber’s shop with a background of snipping scissors. This is followed by a splendid music-hall song where the whole audience can join in! The finale describes the Philistine’s party - set as a square dance - at the end of which Samson pulls down the whole building! Bring the house down with this wonderful 10 minute cantata!
Par TURLAND PETE. Pete Turland gets more out of a standup bass than any other pl...(+)
Par TURLAND PETE. Pete Turland gets more out of a standup bass than any other player I've ever had the pleasure of experiencing. He's easily the most innovative and charismatic slapper in Canada and probably the US as well. He brings respect to an often unheralded instrument and uncovers a whole realm of sonic possibilities. Why not learn from the best' / Niveau : Débutant / Méthode / Guitare Basse Country
sette esercizi da suonare e cantare per sei solisti (1968, rev. 1976) per contra...(+)
sette esercizi da suonare e cantare per sei solisti (1968, rev. 1976) per contrabbasso. Par PANNI MARCELLO. Sette Esercizi Da Suonare E Cantare Per Sei Solisti (1968, Rev. 1976) Per Contrabbasso / Niveau : Intermédiaire / Répertoire / Contrebasse
Par GILMORE S.. For All musicians wishing to learn fantastic bass lines. While r...(+)
Par GILMORE S.. For All musicians wishing to learn fantastic bass lines. While reading from the book, play along with the bassist on the recording (sold separately) until you feel you’ve mastered his “feel” and nuances. Then, using the special stereo separation on all of our Play-A-Long recordings, switch the bassist off and play along by yourself with just the piano and drums! This book (like all the Aebersold bass line transcription books) is a great study in professional bass line construction, and is a natural companion to the Aebersold Play-A-Longs. Combo instructors can use this book to give their bass students instant, professional bass lines. Includes notes in bass clef withchord symbols above each measure. THIS BOOK: Transcribed bass lines to the chord changes of: Blue Moon, Don’t Blame Me, I Left My Heart In San Francisco, Invitation, Just Friends, Laura, My Secret Love, No Greater Love, On The Trail, On Green Dolphin Street, Once In Awhile, Over The Rainbow, Spring Is Here, Star Eyes, Stompin’ At The Savoy, The Shadow Of Your Smile, You Stepped Out Of A Dream, and Without A Song. / Rép International / Recueil / Guitare Basse
Tout au plus, le programme 'Air' de Johann Sebastian Bach, il peut 'demeurer Jé...(+)
Tout au plus, le programme 'Air' de Johann Sebastian Bach, il peut 'demeurer Jésus ma joie' en popularité avec son record série: Le choeur final de la cantate BWV 147 'Coeur, bouche, action et vie' est dans sa simplicité et la perfection tout en un véritable 'accrocheur' devenir où vous pouvez à peine entendre assez. Ce traitement rend ce point culminant classique accessible à bout conférence et concert pour quatuor à cordes et double basse ad libitum ou orchestre à cordes. / Contrebasse
Improvisation is at the heart of jazz, but knowing how to play stylistically cor...(+)
Improvisation is at the heart of jazz, but knowing how to play stylistically correctly in a large jazz ensemble is also a necessity. How to Play Bass in a Big Band offers tips, suggestions, examples and a play along CD to help you put it all together. The repertoire covers many jazz styles from Basie to Latin and African-influenced music to ECM and contemporary jazz (the Vanguard Jazz Orchestra, Bob Brookmeyer, etc.). / Contrebasse Ou Guitare Basse
Dirt Simple Upright Bass. Although designed for newcomers to the upright bass an...(+)
Dirt Simple Upright Bass. Although designed for newcomers to the upright bass and bluegrass music in general, this unique approach to creating basslines has something for everyone! The first half focuses on bass-playing essentials, giving the reader a solid technical footing with the instrument. Then, using his own baritone voice and the classic bluegrass song, 'Going Down the Road Feeling Bad,' author Nate Sabat reveals his creative process in crafting effective basslines from the song's melody and chord progression. The second half focuses on bass playing within the specific context of complementing bluegrass vocals. Well beyond what you might expect from an introductory method, Nate tastefully guides the reader by presenting multiple composed bassline options for each of five well-known bluegrass songs: Rabbit in the Log, Don't this Road Look Rough and Rocky\', Long Journey Home, I Am a Pilgrim, and Angel Band.Nate's warm, pitch-perfect vocals can be heard on virtually every track, giving this method an undeniable musicality. A lightly accompanied vocal track with no bass is also provided, so you can be the sole upright or electric bassist in the band. You'll not only want to back Nate up'but sing harmony with him too! The impulse to sing can't help but influence your bass playing in a natural and positive way. Nate provides notated versions of the eight major scales most commonly used in bluegrass. Once you get them under your fingers, you'll soon be able to play along with the book's 50 companion online recordings.With its simple harmonic palette and repetitive nature, bluegrass music offers bassists the perfect opportunity to become musically literate. If you've hesitated to learn to read music, this is the time and place to eliminate that drawback. Working through these 46 pages will provide the tools and confidence needed to create your own engaging and musical basslines and hopefully, you'll be inspired to continue your bluegrass bass journey for years to come. Includes access to online audio.
This new book from one of the most popular bass players in the business brings p...(+)
This new book from one of the most popular bass players in the business brings players great tools to improve their skills. Bass players can advance their knowledge of the fingerboard, improve intonation and time, develop flexibility and work though modes and scales presented in the book. This work combines music and technique in one powerful package! Langue : en anglais
For All musicians wishing to learn fantastic bass lines. While reading from the ...(+)
For All musicians wishing to learn fantastic bass lines. While reading from the book, play along with the bassist on the recording (sold separately) until you feel you?ve mastered his ?feel? and nuances. Then, using the special stereo separation on all of our Play-A-Long recordings, switch the bassist off and play along by yourself with just the piano and drums! This book (like all the Aebersold bass line transcription books) is a great study in professional bass line construction, and is a natural companion to the Aebersold Play-A-Longs. Combo instructors can use this book to give their bass students instant, professional bass lines. Includes notes in bass clef with chord symbols above each measure.Transcribed bass lines to chord changes similar to: Body And Soul, Cherokee, I?ll Remember April, It?s You Or No One, Stella By Starlight, There Will Never Be Another You, The Song Is You, and What Is This Thing Called Love. Langue : en anglais
Bass School 3 Contre Basse[Partition + CD] Alfred Publishing
The Suzuki Method® of Talent Education is based on Dr. Shinichi Suzuki's view t...(+)
The Suzuki Method® of Talent Education is based on Dr. Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Dr. Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the 'mother-tongue' approach. Now available as a book and CD kit. / Contrebasse
This volume is a step-by-step approach to improvisation in jazz, rock and pop mu...(+)
This volume is a step-by-step approach to improvisation in jazz, rock and pop music. Each chapter is based on easy music which can be practised together with the play-along CD. The textbook can also be used by a band at schools or music schools (for pupils with at least 2 years of instrumental lessons). / Contrebasse
Bass School 2 Contre Basse[Partition + CD] Alfred Publishing
The Suzuki Method® of Talent Education is based on Dr. Shinichi Suzuki's view t...(+)
The Suzuki Method® of Talent Education is based on Dr. Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Dr. Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can are taught using the 'mother-tongue' approach. Now available as a book and CD kit. / Contrebasse
18 Lektionen / 18 Lessons-The long awaited Sassmannshaus method Early Start on t...(+)
18 Lektionen / 18 Lessons-The long awaited Sassmannshaus method Early Start on the Double Bass is now here. At last students of the largest instrument in the string family can make use of this tried and tested method for beginners developed by Egon Sassmannshaus for the other string instruments and applied here to the double bass by Holger Sassmannshaus and J. Peter Close. This method will meet the needs of the growing number of young bass students. “Early Start on the Double Bass” encompasses everything that one would expect from a Sassmannshaus method: an easy start progression at a suitable rate many cross-references to the other string instruments songsand scales in different positions from early on as well as many duets. Lively and colourful illustrations by Charlotte Panowsky complete the edition. For more than three decades “The Sassmannshaus Tradition” has been the household name for excellence in beginner string methods in German-speaking countries. The English editions for violin viola and violoncello which were introduced to the international market in 2008 have proven to be very successful particularly in the United States. Kids to the Bass!While children learning other string instruments can start as early as the age of four the appropriate age to begin the double bass is approximately eight (possibly even six); this allows for a faster progression than on the other string instruments and the method consists of only three volumes. The first volume will be published separately in an English and a German edition; the following two volumes will have German and English text in each book. Original compositions by Boguslaw Furtok enrich the volumes. Based on the tried-and-tested Sassmannshaus methods for violin viola and cello Volume 1: Separate editions in German and English Volumes 2 and 3: Bilingual German/English editions Moderate increase in difficulty Position playing duets Includes new original compositions by B. Furtok Volume 3 with piano accompaniments to 7 pieces The authorsHolger Sassmannshaus is a double bass player with the Niederrheinische Sinfoniker in
This Bass Part book is ideally complimented by the Suzuki Bass School Volume 3 P...(+)
This Bass Part book is ideally complimented by the Suzuki Bass School Volume 3 Piano accompaniment book catalogue number 0874873770. The Suzuki Method of Talent Education is based on Dr. Shinichi Suzuki's view that every child is born with ability and that man is the son of his environment. According to Dr. Suzuki a world-renowned violinist and teacher the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the 'mother-tongue' approach.
32 Trios That Can Be Played by Any Combination of Instruments-If you're a Double...(+)
32 Trios That Can Be Played by Any Combination of Instruments-If you're a Double Bass player and you have a couple of friends who play another stringed instrument then Compatible Trios for Strings is the book for you! This collection contains 32 trios in a variety of styles from classical to folk music to original pieces that will be fun to play with any combination of three string instruments.Trios are a great way to learn how to play in a chamber music setting and this unique collection gives you the opportunity to do it with anyone else who plays a string instrument making the combinations of instruments that can be used extensive. Compatible Trios for Strings are perfect for use in school setting whenstudents come in at lunchtime or after school and want to play for fun with their friends. The flexibility of these trios makes them a must-have for any string player.Available for:Violin - CFBF83Viola - CFBF84Cello - CFBF85Double Bass - CFBF86
Bass School 1 Contre Basse[Partition + CD] Alfred Publishing
The Suzuki Method® of Talent Education is based on Dr. Shinichi Suzuki's view t...(+)
The Suzuki Method® of Talent Education is based on Dr. Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Dr. Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the 'mother-tongue' approach. Now available as a book and CD kit. / Contrebasse
26 Trios That Can Be Played by Any Combination Of String Instruments-These versa...(+)
26 Trios That Can Be Played by Any Combination Of String Instruments-These versatile trios are written so that they can be performed by any combination of three string instruments. With books available for Violin Cello Viola and Bass there will always be an opportunity to play no matter what instruments are available!The arrangements and compositions by prominent string pedagogue Doris Gazda will sound full and satisfying with only three players all the way up to a full string orchestra. The music selection covers a wide variety of musical styles that will provide hours of enjoyment and performance options. There is even an arrangement of the 'Bridal Chorus' from the opera Lohengrin should you have the opportunity to play at awedding!The trios are progressively organized by level of difficulty to enable the performers to gradually advance in skill.
32 Quartets That Can Be Played by Any Combination of String Instruments-Chamber ...(+)
32 Quartets That Can Be Played by Any Combination of String Instruments-Chamber music is an essential part of learning to play an instrument and these versatile quartets are written so that they can be performed by any combination of four string instruments. Arranged by prominent string pedagogue Doris Gazda these pieces will sound full and satisfying with only four players all the way up to a full string orchestra. The selection of music in this collection covers a wide variety of musical styles that will provide hours of enjoyment and performance options. Progressively organized by level of difficulty as the performers advance in their skills these quartets are a welcome addition to the repertoire of all string players.
For Violone-Very little is known about the two sonatas which appear here in thei...(+)
For Violone-Very little is known about the two sonatas which appear here in their original keys. They were placed in the library of the Music School in Oxford at the end of the seventeenth century in a form convenient for playing (i.e. unbound). The library was catalogued by Hake between 1850 and 1855 and the sonatas were eventually bound in 1855 with other instrumental and vocal manuscripts of the same period some of which are dated 1698.The sonatas are both inscribed on the title page Sonata Violone Solo. Col Basso per l'Organo o Cembalo. A third sonata bears the words Sonata Violino e Violoncino … di Giovannino del Violone. Giovannino (=Little or Young John) musthave been a performer and although the third sonata has been copied by a different hand it is conceivable that Giovannino is a connecting link between the three. He cannot however be assumed to be their author.The Violone was a six-stringed instrument with frets and there is evidence to suggest that the Contrabasso of the same period was similar but probably a little larger; the Violoncino (=Little Violone or Violoncello) must have been smaller. The word 'Violone' was also used as a collective term embracing all members of the Viol family which means that the sonatas might well have been written for a tenor or a bass Viol and not necessarily a Violone as such. Indeed when they are played on a Violone or Double Bass the continuo bass line must be played at a lower pitch than the solo instrument to prevent inversion of the intended harmony. (The use of a Violone/Double Bass continuo or 16' organ tone would overcome this problem.)The editor has added no ornaments or embellishments to the solo part as it appears in the original manuscript. It is open to debate whether a Violone player owing to the very nature of his instrument would have used any but the simplest melodic decorations. Nevertheless the performer should acquaint himself thoroughly with those seventeenth century traditions that are known today (see Dart
(Downes Mike)-This is a comprehensive approach to the construction of improvised...(+)
(Downes Mike)-This is a comprehensive approach to the construction of improvised bass lines. Intended for beginners and professionals alike the book deals with playing in '2' creating walking bass lines 3/4 time using a 'broken feel' modal and slash-chord harmony ballads and much more. Each chapter is full of fundamental and advanced concepts and ideas accompanied by transcribed examples from the masters of jazz bass playing. Mike Downes is currently the head of the bass departement at prestigious Humber College in Toronto. He is much in demand as a clinician and he continues to be one of the most sought after bassists in Canada.
English Edition-The long awaited Sassmannshaus method Early Start on the Double ...(+)
English Edition-The long awaited Sassmannshaus method Early Start on the Double Bass is now here. At last students of the largest instrument in the string family can make use of this tried and tested method for beginners developed by Egon Sassmannshaus for the other string instruments and applied here to the double bass by Holger Sassmannshaus and J. Peter Close. This method will meet the needs of the growing number of young bass students.
Par STANCZYK MARCIN. In the mid-twentieth century, Wladyslaw Strzeminski painted...(+)
Par STANCZYK MARCIN. In the mid-twentieth century, Wladyslaw Strzeminski painted a series of solaristic pictures entitled Powidoki swiatla (?Afterimages of light?), illustrating the optical impressions triggered by gazing at the sun. They can be observed when we look at the sun and then suddenly turn our eyes to a white sheet of paper. We then see a reflection of the light ? a trail in blue, contrasting with the yellow. The reflection of the notes in this work are their harmonics. The three movements are formed from the relationship between the fundamental pitches and their overtones. The first is built on the principle of the mutual contrast between the sounding ?light? and its ?afterimages?. In the second movement, the transitions between the ?lights? and their ?afterimages? are smooth, while in the third, the juxtaposing of fundamentals and overtones is initially smooth, but then alters in the direction of the contrast from the beginning of the work. / Date parution : 2022-12-12/ Répertoire / Contrebasse
A Comprehensive Guide with Detailed Instruction for Acoustic and Electric Bass-T...(+)
A Comprehensive Guide with Detailed Instruction for Acoustic and Electric Bass-The Hal Leonard Jazz Bass Method is your complete guide to learning jazz bass. Author Matthew Rybicki guides you through the essential knowledge you need to create your own walking bass lines and improvised solos in the classic jazz style. This book with online audio access uses standard chord progressions and songs to teach you about accompanying and improvising in the style of players like Ray Brown Paul Cahmber Scott LaFaro and many others. Lessons include: walking basics; chords and scales; blues; rhythm changes; string raking; soloing; technique; chord substitution; pedal points and ostinato; standard notation plus tab for electric bass; and much more! Audio isaccessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK a multi-functional audio player that allows you to slow down audio without changing pitch set loop points change keys and pan left or right.