(2013 Revival). By Frank Wildhorn and Leslie Bricusse. For Piano/Keyboard, Vocal...(+)
(2013 Revival). By Frank
Wildhorn and Leslie
Bricusse. For
Piano/Keyboard, Vocal,
Piano/Vocal/Guitar. Vocal
Selections. Softcover.
104 pages. Published by
Hal Leonard
Piano SKU: HL.14001903 Composed by Per Norgard. Music Sales America. Clas...(+)
Piano
SKU:
HL.14001903
Composed
by Per Norgard. Music
Sales America. Classical.
Book [Softcover]. Music
Sales #KP00981. Published
by Music Sales
(HL.14001903).
ISBN
9788759859605.
Danish.
Animals In
Concert - Three pieces
for Piano solo by Per
Norgard. Programme Note
1. A Tortoise's
Tango (1984) - dur.: 4'
2. Light of a Night
- Paul meets bird (1989)
- dur.: 6' 3.
Hermit Crab Tango -
Esperanza (1997) - dur.:
5' The pieces can
be performed together or
one by one. In the1980s,
quite a few finds turned
up in Per Norgard's
music. The material could
be, say, a number of song
birds' equilibrist
melodic lines, the
overtones of the ocean
surf, or waltzing themes
by the schizophrenic
artist Adolf Wolfli
(1864-1930). Or again, as
heard here, it can be the
rhythms and motifs of the
tango and a Beatles song
(with bird), explored in
three independent piano
pieces that form the
Animals in Concert suite,
about which the composer
writes: A
Tortoise's Tango: The
tortoise as tango dancer
must presumably possess
certain rhythmic
peculiarities, which I
have chosen to express by
letting the tune of the
tortoise shuffle broadly,
tripartite through the
strict four partite time
of tango. Tortoise
Tango was the original
title of this piece,
written for Achilles (the
pianist Yvar Mikhashoff),
for his so called tango
project, including new
tangos for piano by
composers from all over
the world. Light of
a Night (Paul meets bird)
was commissioned by
pianist Aki Takahashi. It
is a reworked arrangement
for piano of the Beatles
song Blackbird. As some
of us will recall, the
Beatles on The White
Album let the beautiful
song to the blackbird be
accompanied by an
(apparently) live
blackbird song. It is
this authentic bird-motif
world that in Light of a
Night weaves itself into
the Beatles melody and in
turn is gradually
infected by it, so that a
completely new third
entity ensues: a kind of
Bird-rock ballad (or
maybe it is a
Beatle-bird?).
Hermit Crab Tango
(Esperanza): The tango
situation is quite
special for a Hermit
Crab. It is a well-known
fact that the hermit crab
- this soft animal - must
run the gauntlet among
the many perils at the
bottom of the sea when it
must move hose. I have
chosen to express the
angers by a tango pattern
- sharp as a cactus -
through which the tune,
optimistic, slips to its
new shelter. I have
borrowed the tune from
songwriter Hanne
Methling's Introduction:
'I want to get through
this time!' she sings in
a ecstatically ascending
melody line - and I
believe that these words
must correspond very well
to the mood of the hermit
crab: 'Esperanza'- the
green runners of hope
wind among the
latticework formed by the
tango rows.
SKU: GI.G-10665 Composed by Angela Ammerman. Classical. 204 pages. GIA Pu...(+)
SKU: GI.G-10665
Composed by Angela
Ammerman. Classical. 204
pages. GIA Publications
#10665. Published by GIA
Publications
(GI.G-10665).
ISBN
9781574635379.
Cont
ributors: Jaimie
Abney-Giraldo •
Angela Ammerman •
Han Sol Chang •
Charles R. Ciorba •
Jeanne Crowley •
Vivian Gonzalez •
Monica Guido •
Kristina Hamester •
Essel Linton •
Linda Apple Monson
• Marcia Neel
• Tony Sauza
• Ida Steadman Very
few music teachers are
prepared to address the
needs of the rapidly
growing population of
English Language Learners
(ELLs). Whether you have
just one ELL in your
classroom or 50, this
book provides
discipline-specific tips,
strategies, examples,
classroom management
recommendations and much
more. Written by
experienced music
educators with
backgrounds in concert
band, modern band,
chorus, orchestra,
mariachi, special
education, higher
education, general music
and administration, this
highly interactive text
will guide you to reach
optimal engagement with
ALL students while
addressing communication
barriers. Being in
orchestra made me feel
safe and welcome because
we all speak the same
language: music.
—Janine  Â
Manila, Philippines After
music, I feel changed. I
don’t feel sleepy
and worrying, and also
I’m not afraid of
mistakes. I am wanting to
play again.
—Somsak  Â
Chiang Mai, Thailand It
was like playing with
others with no words. No
words, yet we were able
to understand what we
wanted by looking at each
other’s eyes, body
motion, and listening to
each other. —Da
Hoen   Seoul,
South Korea Music brings
people together. Music is
about seeing myself in
another and letting
another see themselves in
me. —Larisa Brasov
  Romania Last
year, I missed 150 days
of school. I just
didn’t go to
school. This year, I
haven’t missed a
day… The only
difference in my life is
this program right here.
This program has saved my
life, and now, I am going
to graduate.
—Maria  Â
Mexico.
Saxophone, Accordion, Double Bass SKU: HL.14033723 Composed by Karsten Fu...(+)
Saxophone, Accordion,
Double Bass
SKU:
HL.14033723
Composed
by Karsten Fundal. Music
Sales America. Classical.
Score. 15 pages. Music
Sales #KP01526. Published
by Music Sales
(HL.14033723).
ISBN
9788759891322.
Danish.
Together
Apart/Apart Together for
Saxophone, Accordion and
Double Bass was composed
by Karsten Fundal in
2004. Written for and
commissioned by Poing.
Programme note: This
piece is the 3rd in a row
of pieces, which
concentrates on a
rhythmical relationship
that continues to puzzle
me. It is actually two
relationships embedded.
The 1st is a pattern that
is very inspired by the
composer Per Norgard, who
in the beginning of the
90's got very preoccupied
with the idea that you
can have rhythms that
never meet. This happens
if you start a rhythm,
like a quintuplet, on the
beat and one, like a
triplet, off beat. This
can, with different
rhythms, give very
intricate interwoven
patterns, that gives the
illusion that they are
not cyclic. In my case I
use the two ratio five to
seven, in the described
way. This rythms have the
strange property that if
you take each 5th note of
the seven and each 7 note
of the five you get a
ratio almost identical:
49:50. This is very
intriguing, as you can
use the possibility of
letting them be equal or
the possibility of
letting them interfere.
In the first case you get
an interlocking rhythm
which is smooth: an equal
rhythmic pattern. In the
second case you get a
similar situation, but
where one of them is one
short after 50 of the
other ones, which results
in a disturbing almost
equality, but not quite.
Therefore the title:
because when I use the
unequal rhythm I put the
two layers in a similar
tone register, or a
similar way of playing,
and when I use the equal
one I put them a part
tone wise speaking. This
is a very technical
description, but it is
very hard to put it in
more wide terms, but you
might compare it with
driving in a train and
looking at two fence rows
behind each other: if the
poles are placed exactly
halfway between each
other you will experience
an illusion of a fast
jump if there is enough
distance between them, as
a result of the
perspective. If they are
placed in a way that
there are almost the same
numbers of poles, like
49:50, you will
experience a very complex
pattern, which seems
unpredictable. But of
course when using it in
music the whole thing is
somewhat different, but
even then it gives an
idea of my preoccupation.
What also intrigues me is
that the relations are
very hard to use in a
musical way, and that is
also quire a challenge.'
Finally I have to say
that I enjoyed very much
writing for Poing, as
these crazy guys are
capable of doing almost
anything you want in an
nearly literal sense. -
Karsten Fundal summer
2004.
24 Selections from Shows and Albums. Performed by Jason Robert Brown. By Jason ...(+)
24 Selections from Shows
and Albums. Performed by
Jason Robert Brown. By
Jason Robert Brown.
Piano/Vocal/Chords
Composer Collection
(Arrangements for piano
and voice with guitar
chords). Size 9x12
inches. 248 pages.
Published by Hal Leonard.
ISBN 1423401034.
(For Percussion Ensemble). By Jim Casella. For Glockenspiel, xylophone, 2 vibrap...(+)
(For Percussion
Ensemble). By Jim
Casella. For
Glockenspiel, xylophone,
2 vibraphones (with bows
and mallets), two
marimbas (low A),
standard set of 4
timpani, piano, chimes,
waterphone (or bowed
music stand), 2 suspended
cymbals, triangle, 2
cowbells, finger cymbals,
temple blocks, military
drum, tam t (15 players).
This edition: Percussion
ensemble. Concert
Percussion Ensembles.
Medium-Advanced. Folio
parts on CD-Rom. 16
pages. Duration 4:00.
Published by Tapspace
Publications
By John Carter. (SATB). Scripture Reference: Matthew 5:16. Christ's Presence, E...(+)
By John Carter. (SATB).
Scripture Reference:
Matthew 5:16. Christ's
Presence, Encouragement,
Guidance, Renewal and
Sacred. Print Music
Single (SATB). 8 pages.
Published by Hope
Publishing Company.
Choir; guitar; organ; percussion; piano SKU: HP.C5535R Composed by John C...(+)
Choir; guitar; organ;
percussion; piano
SKU:
HP.C5535R
Composed by
John Carter. Piano with
Optional Guitar, Organ,
Percussion, Piano.
General Worship, Christ's
Presence, Encouragement,
Guidance, Renewal,
Sacred. Rhythm Parts.
Hope Publishing Company
#C5535R. Published by
Hope Publishing Company
(HP.C5535R).
UPC:
763628255350. Mary Kay
Beall. Matthew
5:16.
Original
anthem With a text based
on Matthew 5:16 by Mary
Kay Beall and original
music by John Carter,
this new anthem addresses
the theme of Christian
friendship and hope for
tomorrow. The gentle,
slow-gospel style
combined with its
positive message of
letting our light shine
in this world makes this
an all around useful
anthem for choirs of all
ages. The Rhythm Parts:
Piano, Electric Guitar,
Electric Bass, Hammond B3
Organ, and Drum Kit.
Organ, Soprano, Organ Accompaniment, Ensemble, SATB SKU: HL.14035061 Comp...(+)
Organ, Soprano, Organ
Accompaniment, Ensemble,
SATB
SKU:
HL.14035061
Composed
by Per Norgard. Music
Sales America. Classical.
Score. 74 pages. Music
Sales #KP00036. Published
by Music Sales
(HL.14035061).
ISBN
9788759862353.
English-Danish.
Win
ter Cantata /
Vinterkantate (1976) by
Per Norgard for a
variable ensemble of
soloist, mixed choir and
instruments (minimum:
vocalist and organ).
Programme Note: When in
1975 I had finished
composing my 3rd Symphony
(begun in 1973), I wrote
three simple melodies for
two psalm texts by Ole
Sarvig: The Year and
Choral Hymn. These three
tunes were derived from
the same material as the
second movement of the
3rd Symphony and could be
harmonized together in
several different tempo
relationships at the same
time - like fractals -
which inspired me to
write several choral and
instrumental works in the
following decade based on
these melodies: Frost
Psalm, Winter Cantata,
Winter Hymn, Cantica and
others. One of these
'Sarvig melodies' is now
included in the new
Danish Hymnbook, under
the title Aret(The Year).
Ole Sarvig's poem Aret
(The Year) is Danish,
perhaps Scandinavian in
character, but its
symbolic atmosphere is
global (now snow is
covering the whole
earth). The basic
composition of this
cantata - based on
Sarvig's many verses -
was done by letting
soloist, choir and
instruments change in
feelings and moods: from
the almost silent,
inward-looking beginning
(I: Chorale dolorosa) to
a dancelike and happy
optimism (II: A heaven
germ on winged foot
thrust deep into the
earth its root), followed
by nightmarish tone rows
as the year-wheel of
fortune is turning (III:
Sacrifice - The Year) and
the temptations of the
snake (IV: In Paradiso) -
to the allegorical fights
between egoism and
altruism (V:The Cycle -
Autumn. Purgatory) before
the waiting for a
disaster- atmosphere at
the end of this choral
Odysse. Winter Cantata
was from the beginning
(1976) designed as an
open work, to be arranged
by different combinations
of soloists, choir and
(different) instruments.
The printed version by
Per Norgard and Ivan
hansen for soloist, mixed
choir and instruments
(obo, violin, trombone,
vibraphone/percussion and
organ) is from 1990. The
work is available in both
the (original) Danish
version (Vinterkantate)
and an English version
(Winter Cantata),
translated by Helen and
Ole Sarvig. (Per
Norgard).
Mrs. Henderson Presents Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Scomegna Edizioni Musicali
(soundtrack from the movie). Arranged by Giancarlo Gazzani. For Concert band. Fi...(+)
(soundtrack from the
movie). Arranged by
Giancarlo Gazzani. For
Concert band. Film Music,
Musical. Grade 3.5. Score
and set of parts.
Duration 9:00. Published
by Scomegna Edizioni
Musical srl
By the River Fanfare - Intermédiaire/avancé De Haske Publications
Fanfare Band - Grade 4 SKU: BT.DHP-1115063-120 Composed by Jan Van der Ro...(+)
Fanfare Band - Grade 4
SKU:
BT.DHP-1115063-120
Composed by Jan Van der
Roost. Concert and
Contest Collection Brass
Band en Fanfare. Concert
Piece. Score Only.
Composed 2012. 52 pages.
De Haske Publications
#DHP 1115063-120.
Published by De Haske
Publications
(BT.DHP-1115063-120).
9x12 inches.
English-German-French-Dut
ch.
Jan Van der
Roost and the
commissioner of this work
have strong personal
ties, making By the
River a very personal
work for both of them.
The first part is
pastoral and describes
the rural character of
what is actually an
industrial region. The
next movement, a dynamic
allegro that creates an
exciting contrast to the
first. All instruments
are put to good use,
letting everyone have
their moment in the
limelight. All the
interesting thematic and
melodic elements Van der
Roost creates will keep
the audience engaged
through to the very last
note!
De
opdrachtgever van dit
werk is op meerdere wijze
verbonden aan de
componist. Hierdoor is
By the River een
zeer persoonlijk en
indrukwekkend werk
geworden. Het eerste deel
heeft het karakter van
een pastorale en
beschrijfthet landelijke
karakter van een - in
basis - industrieel
gebied. In sterk contrast
daarop volgt een
dynamisch allegro met
toespelingen op Leonard
Bernstein. Alle registers
van het moderne
blaasorkest komen aan hun
trekken in Bythe
River. Maar ook het
publiek wordt flink op de
proef gesteld, wil het
alle thematische en
melodische elementen van
dit afwisselende werk
doorgronden..!
Dem
Auftraggeber dieses
Werkes ist der Komponist
in mehrfacher Weise sehr
verbunden, wodurch By
the River ein sehr
persönliches und
eindringliches Werk
geworden ist. Der erste
Teil ist von pastoralem
Charakter und beschreibt
den ländlichen
Charakter einer
eigentlichen
Industrieregion. Stark
kontrastiv folgt darauf
ein dynamisches Allegro
mit einer Anspielung auf
Leonard Bernstein. Alle
Register des modernen
Blasorchesters sind in
By the River
gefordert, genau wie die
Aufmerksamkeit des
Publikums, wenn es alle
thematischen und
melodischen Elemente
dieses
abwechslungsreichen
Werkes erfassen
will.
By the
River è
un’opera alla
quale Jan Van der Roost
è particolarmente
affezionato. La prima
parte si apre su un
motivo pastorale e
descrive il carattere
rimasto rurale di alcuni
popoli che vivono in
regioni ormai
industrializzate. Segue
un dinamico allegro,
breve ma che ricorda la
musica di Leonard
Bernstein. Una
composizione che
sollecita tutti i
registri della banda e
che entusiasmer il
pubblico!
By the River Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1115063-010 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1115063-010
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2011.
De Haske Publications
#DHP 1115063-010.
Published by De Haske
Publications
(BT.DHP-1115063-010).
9x12 inches.
Jan
Van der Roost and the
commissioner of this work
have strong personal
ties, making By the
River a very personal
work for both of them.
The first part is
pastoral and describes
the rural character of
what is actually an
industrial region.The
next movement, a dynamic
allegro that creates an
exciting contrast to the
first. All instruments
are put to good use,
letting everyone have
their moment in the
limelight. All the
interesting thematic and
melodic elements Van der
Roost createswill keep
the audience engaged
through to the very last
note!
De
opdrachtgever van dit
werk is op meerdere wijze
verbonden aan de
componist. Hierdoor is
By the River een
zeer persoonlijk en
indrukwekkend werk
geworden. Het eerste deel
heeft het karakter van
een pastorale en
beschrijfthet landelijke
karakter van een - in
basis - industrieel
gebied. In sterk contrast
daarop volgt een
dynamisch allegro met
toespelingen op Leonard
Bernstein. Alle registers
van het moderne
blaasorkest komen aan hun
trekken in Bythe
River. Maar ook het
publiek wordt flink op de
proef gesteld, wil het
alle thematische en
melodische elementen van
dit afwisselende werk
doorgronden..!
Dem
Auftraggeber dieses
Werkes ist der Komponist
in mehrfacher Weise sehr
verbunden, wodurch By
the River ein sehr
persönliches und
eindringliches Werk
geworden ist. Der erste
Teil ist von pastoralem
Charakter und beschreibt
den
ländlichenCharakter
einer eigentlichen
Industrieregion. Stark
kontrastiv folgt darauf
ein dynamisches Allegro
mit einer Anspielung auf
Leonard Bernstein. Alle
Register des modernen
Blasorchesters sind in
By the River
gefordert, genau wie
dieAufmerksamkeit des
Publikums, wenn es alle
thematischen und
melodischen Elemente
dieses
abwechslungsreichen
Werkes erfassen
will.
By the River Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1115063-140 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1115063-140
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2011. 52
pages. De Haske
Publications #DHP
1115063-140. Published by
De Haske Publications
(BT.DHP-1115063-140).
9x12 inches.
Jan
Van der Roost and the
commissioner of this work
have strong personal
ties, making By the River
a very personal work for
both of them. The first
part is pastoral and
describes the rural
character of what is
actually an industrial
region. The next
movement, a dynamic
allegro that creates an
exciting contrast to the
first. All instruments
are put to good use,
letting everyone have
their moment in the
limelight. All the
interesting thematic and
melodic elements Van der
Roost creates will keep
the audience engaged
through to the very last
note!
De
opdrachtgever van dit
werk is op meerdere wijze
verbonden aan de
componist. Hierdoor is
By the River een
zeer persoonlijk en
indrukwekkend werk
geworden. Het eerste deel
heeft het karakter van
een pastorale en
beschrijfthet landelijke
karakter van een - in
basis - industrieel
gebied. In sterk contrast
daarop volgt een
dynamisch allegro met
toespelingen op Leonard
Bernstein. Alle registers
van het moderne
blaasorkest komen aan hun
trekken in Bythe
River. Maar ook het
publiek wordt flink op de
proef gesteld, wil het
alle thematische en
melodische elementen van
dit afwisselende werk
doorgronden..!
Dem
Auftraggeber dieses
Werkes ist der Komponist
in mehrfacher Weise sehr
verbunden, wodurch By
the River ein sehr
persönliches und
eindringliches Werk
geworden ist. Der erste
Teil ist von pastoralem
Charakter und beschreibt
den ländlichen
Charakter einer
eigentlichen
Industrieregion. Stark
kontrastiv folgt darauf
ein dynamisches Allegro
mit einer Anspielung auf
Leonard Bernstein. Alle
Register des modernen
Blasorchesters sind in
By the River
gefordert, genau wie die
Aufmerksamkeit des
Publikums, wenn es alle
thematischen und
melodischen Elemente
dieses
abwechslungsreichen
Werkes erfassen
will.
By the
River è
un’opera alla
quale Jan Van der Roost
è particolarmente
affezionato. La prima
parte si apre su un
motivo pastorale e
descrive il carattere
rimasto rurale di alcuni
popoli che vivono in
regioni ormai
industrializzate. Segue
un dinamico allegro,
breve ma che ricorda la
musica di Leonard
Bernstein. Una
composizione che
sollecita tutti i
registri della banda e
che entusiasmer il
pubblico!
By the River Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band (Score & Parts) - Grade 4 SKU: HL.44011061 Composed by Jan V...(+)
Concert Band (Score &
Parts) - Grade 4
SKU:
HL.44011061
Composed
by Jan Van der Roost. De
Haske Concert Band.
Concert Piece. Set (Score
& Parts). Composed 2011.
De Haske Publications
#1115063010. Published by
De Haske Publications
(HL.44011061).
UPC:
884088640064. 9x12
inches.
Jan Van der
Roost and the
commissioner of this work
have strong personal
ties, making By the
River a very personal
work for both of them.
The first part is
pastoral and describes
the rural character of
what is actually an
industrial region.The
next movement, a dynamic
allegro that creates an
exciting contrast to the
first. All instruments
are put to good use,
letting everyone have
their moment in the
limelight. All the
interesting thematic and
melodic elements Van der
Roost createswill keep
the audience engaged
through to the very last
note!
De
opdrachtgever van dit
werk is op meerdere wijze
verbonden aan de
componist. Hierdoor is
By the River een
zeer persoonlijk en
indrukwekkend werk
geworden. Het eerste deel
heeft het karakter van
een pastorale en
beschrijfthet landelijke
karakter van een - in
basis - industrieel
gebied. In sterk contrast
daarop volgt een
dynamisch allegro met
toespelingen op Leonard
Bernstein. Alle registers
van het moderne
blaasorkest komen aan hun
trekken in Bythe
River. Maar ook het
publiek wordt flink op de
proef gesteld, wil het
alle thematische en
melodische elementen van
dit afwisselende werk
doorgronden..!
Dem
Auftraggeber dieses
Werkes ist der Komponist
in mehrfacher Weise sehr
verbunden, wodurch By
the River ein sehr
personliches und
eindringliches Werk
geworden ist. Der erste
Teil ist von pastoralem
Charakter und beschreibt
den landlichenCharakter
einer eigentlichen
Industrieregion. Stark
kontrastiv folgt darauf
ein dynamisches Allegro
mit einer Anspielung auf
Leonard Bernstein. Alle
Register des modernen
Blasorchesters sind in
By the River
gefordert, genau wie
dieAufmerksamkeit des
Publikums, wenn es alle
thematischen und
melodischen Elemente
dieses
abwechslungsreichen
Werkes erfassen
will.
By the
River (Pres de la
rivere) est une oeuvre
que Jan van der Roost
affectionne tout
particulierement. La
premiere partie s'ouvre
sur motif plutot pastoral
et decrit le caractere
assez rural des gens du
paysvivant dans une
certaine region
industrielle. Un
dynamique allegro amene
en contraste un bref clin
d'oeil a Leonard
Berstein. Afin de pouvoir
restituer cette
composition dans toute sa
diversite, l'ensemble des
registres del'orchestre
d'harmonie contemporain
sera sollicite. Votre
attentif auditoire en
restera epoustoufle
!
By the
River e un'opera alla
quale Jan Van der Roost e
particolarmente
affezionato. La prima
parte si apre su un
motivo pastorale e
descrive il carattere
rimasto rurale di alcuni
popoli che vivono in
regioni
ormaiindustrializzate.
Segue un dinamico
allegro, breve ma che
ricorda la musica di
Leonard Bernstein. Una
composizione che
sollecita tutti i
registri della banda e
che entusiasmera il
pubblico!
By the River Fanfare - Intermédiaire/avancé De Haske Publications
Fanfare Band - Grade 4 SKU: BT.DHP-1115063-020 Composed by Jan Van der Ro...(+)
Fanfare Band - Grade 4
SKU:
BT.DHP-1115063-020
Composed by Jan Van der
Roost. Concert and
Contest Collection Brass
Band en Fanfare. Concert
Piece. Set (Score &
Parts). Composed 2012. De
Haske Publications #DHP
1115063-020. Published by
De Haske Publications
(BT.DHP-1115063-020).
9x12 inches.
English-German-French-Dut
ch.
Jan Van der
Roost and the
commissioner of this work
have strong personal
ties, making By the
River a very personal
work for both of them.
The first part is
pastoral and describes
the rural character of
what is actually an
industrial region. The
next movement, a dynamic
allegro that creates an
exciting contrast to the
first. All instruments
are put to good use,
letting everyone have
their moment in the
limelight. All the
interesting thematic and
melodic elements Van der
Roost creates will keep
the audience engaged
through to the very last
note!
De
opdrachtgever van dit
werk is op meerdere wijze
verbonden aan de
componist. Hierdoor is
By the River een
zeer persoonlijk en
indrukwekkend werk
geworden. Het eerste deel
heeft het karakter van
een pastorale en
beschrijfthet landelijke
karakter van een - in
basis - industrieel
gebied. In sterk contrast
daarop volgt een
dynamisch allegro met
toespelingen op Leonard
Bernstein. Alle registers
van het moderne
blaasorkest komen aan hun
trekken in Bythe
River. Maar ook het
publiek wordt flink op de
proef gesteld, wil het
alle thematische en
melodische elementen van
dit afwisselende werk
doorgronden..!
Dem
Auftraggeber dieses
Werkes ist der Komponist
in mehrfacher Weise sehr
verbunden, wodurch By
the River ein sehr
persönliches und
eindringliches Werk
geworden ist. Der erste
Teil ist von pastoralem
Charakter und beschreibt
den ländlichen
Charakter einer
eigentlichen
Industrieregion. Stark
kontrastiv folgt darauf
ein dynamisches Allegro
mit einer Anspielung auf
Leonard Bernstein. Alle
Register des modernen
Blasorchesters sind in
By the River
gefordert, genau wie die
Aufmerksamkeit des
Publikums, wenn es alle
thematischen und
melodischen Elemente
dieses
abwechslungsreichen
Werkes erfassen
will.
By the
River è
un’opera alla
quale Jan Van der Roost
è particolarmente
affezionato. La prima
parte si apre su un
motivo pastorale e
descrive il carattere
rimasto rurale di alcuni
popoli che vivono in
regioni ormai
industrializzate. Segue
un dinamico allegro,
breve ma che ricorda la
musica di Leonard
Bernstein. Una
composizione che
sollecita tutti i
registri della banda e
che entusiasmer il
pubblico!
Score Only Concert Band - beginning SKU: HL.44010916 Grade 0.5 - Score...(+)
Score Only Concert Band -
beginning
SKU:
HL.44010916
Grade
0.5 - Score Only.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Mike Hannickel. Curnow
Music Concert Band.
Classical, Festival. 16
pages. Published by
Curnow Music
(HL.44010916).
UPC:
884088585488.
9.0x12.0x0.036
inches.
Give your
young musicians a chance
to know Mozart a little
better. Two Mozart operas
are represented in this
very easy suite, along
with a lovely theme from
a Mozart piano sonata.
Whether you choose to use
this suite for your next
concert performance or in
that first festival
experience, letting young
musicians play melodies
from the world's finest
composers is always a
good idea.