Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX / LUTHER MARTIN. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. / Musique religieuse / Date parution : 1980-07-01/ Répertoire / Choeur SATB, 2 Hautbois, 2 Clarinettes, 2 Bassons,

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX / LUTHER MARTIN. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. / Musique religieuse / Date parution : 1980-07-01/ Répertoire / Choeur SATB, 2 Hautbois, 2 Clarinettes, 2 Bassons,

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX / LUTHER MARTIN. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. / Musique religieuse / Date parution : 1980-07-01/ Répertoire / Choeur SATB, 2 Hautbois, 2 Clarinettes, 2 Bassons,

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX / LUTHER MARTIN. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. / Date parution : 1980-01-01/ Répertoire / Choeur SATB, 2 Hautbois, 2 Clarinettes, 2 Bassons,

Tonalité : A-Moll -. Par GALLUS JACOBUS. Gattungen: Motetten - Verwendung / Anlässe: L Hautbois und Dank - Langue : Allemand / Mottet / Répertoire / Choeur SATB/SATB

Tonalité : C-Dur -. Par HOMILIUS GOTTFRIED AUGUST. Motetten, Psalmen, deutsch - Verwendung / Anlässe: L Hautbois und Dank, Psalmvertonungen - Langue : Allemand / Mottet / Répertoire / Choeur SATB/SATB

Tonalité : B-Dur -. Par VULPIUS MELCHIOR. Gattungen: Motetten, Psalmen, deutsch - Verwendung / Anlässe: L Hautbois und Dank, Psalmvertonungen - Langue : Allemand / Mottet / Répertoire / Choeur SATB/SATB

Tonalité : C-Dur -. Par SCHEIDT SAMUEL. Gattungen: Kirchenlieder, Sätze, Motetten, Psalmen, deutsch - Verwendung / Anlässe: L Hautbois und Dank - Verwendung / Kirchenjahr: Ostern und nachösterliche Freudenzeit - Langue : Allemand / Hymnes et chorals / Répertoire / Choeur SATB/SATB

Tonalité : B-Dur -. Par GREGOR CHRISTIAN FRIEDRICH. L Hautbois und Dank - Verwendung / Kirchenjahr: Advent, Wei cor achten - Langue : Allemand/ Répertoire / Choeur SATB/SATB

Tonalité : G-Moll -. Par ROSSINI GIOACHINO. L Hautbois und Dank - Langue : Latin/ Répertoire / Choeur SATB/SATB

Rv 588. Par VIVALDI ANTONIO. Gattungen: Messen-Sätze - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Langue : Latin / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, Trompette,