SATB choir, organ accompaniment - Intermediate

SKU: GI.G-3420

Composed by Mark V. Smith. Advent 1 A, Christ the King C. Choral. Sacred. Octavo. 12 pages. GIA Publications #3420. Published by GIA Publications (GI.G-3420).

English. Text Source: Psalm 122:1–4, 6–7, Book of Common Prayer, 1979. Scripture: Psalm 122:1–4, 6–7.

Text Source: Martin Luther, para: F. Bland Tucker, alt.

(from 'Nocturnes'). By Morten Lauridsen (1943-). SATB. Peermusic Classical. Softcover. 12 pages. Peermusic #62128-122. Published by Peermusic

SATB choir a cappella - Intermediate

SKU: MN.CH-1312

Composed by Joseph Leonard. Sacred Jewish Choral Music Series. Octavo. Laurendale Associates #CH-1312. Published by Laurendale Associates (MN.CH-1312).

Scripture: Psalms 19.

In Jewish daily and Sabbath worship services, a central section of the liturgy is the collection of prayers known as Amidah, which means standing, because the prayers are chanted standing. The majority of the Amidah prayers entered the service c. 100 C.E. (Common Era). a concluding prayer was added later, concluding with the sentence May the words... from Psalm 19.

Composed by Patrick Rooney. For SATB choir, a cappella. Pathways Series. Octavo. Duration 4 minutes. Published by Imagine Music

SATB choir, divisi, piano reduction, piano, string orchestra - Intermediate

SKU: GI.WW1628

Multi-movement work with choir and string orchestra. Composed by Ola Gjeilo. Walton Choral. Classical. Vocal score. 80 pages. Walton Music #WW1628. Published by Walton Music (GI.WW1628).

UPC: 785147012665. English. Text by Charles Anthony Silvestri.

The text for Dreamweaver is based on parts of the well-known Norwegian medieval folk poem Draumkvedet, an epic ballad that has a lot in common with Dante’s The Divine Comedy. The protagonist, Olav Åsteson, falls asleep on Christmas Eve and sleeps for thirteen days. He wakes up and rides to church to describe his dreams to the congregation about his brave, beautiful, terrifying, and ultimately redeeming journey through the afterlife. For this composition, the Draumkvedet poem has been adapted into a playful interpretation in English penned by Charles Anthony Silvestri.

SATB choir, cantor, assembly, keyboard accompaniment, flute, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, trombone, violin 1, violin 2, cello, guitar - Early intermediate

SKU: GI.G-10297

Composed by Peter M. Kolar. Mass. Sacred. Octavo. With guitar chord names. 64 pages. GIA Publications #10297. Published by GIA Publications (GI.G-10297).

UPC: 785147029717. English, Spanish. Text Source: Revised Order of Mass 2010, Lectionary for Mass. Misal Romano, tercera edición

A versatile Mass setting for use throughout the liturgical year, Mass of the Sun of Justice / Misa Sol de Justicia is fully bilingual, singable entirely in English or in Spanish, or any pastoral combination of both languages. At its core, this setting is built on assembly-minded melodies. Much of the choral writing is two-part, albeit spelled out in four voices, whereby the basses frequently double the soprano melody, and the alto and tenor lines essentially share a single harmony in their respective ranges, splitting only at cadence points for a fuller effect. Optional descants and divisi further expand the voicing possibilities. The additional instrumentation is particularly spirited, further enhancing these sung texts for solemn occasions. “Sun of justice” is a term used to reference Christ with respect to his second coming, as found in the ancient “O” antiphons. This title appears in the Lectionary among the Alleluia options for the common of the Blessed Virgin Mary, and is, in fact, assigned to the feast of Our Lady of Guadalupe, celebrated within the Advent season. As such, the music is “Advent-like” in nature—joyful and filled with hope.  ~~~~~ Una Misa versátil para usar durante todo el año litúrgico, Mass of the Son of Justice / Misa Sol de Justicia es completamente bilingüe, se puede cantar completamente en inglés o en español, o en cualquier combinación pastoral de ambos idiomas. En esencia, este arreglo se basa en melodías para la asamblea. Gran parte de la escritura coral es de dos partes, aunque escrito para cuatro voces, por lo que los bajos con frecuencia duplican la melodía de soprano, y las líneas de alto y tenor comparten esencialmente una sola armonía en sus respectivos rangos, dividiéndose solo en los puntos de cadencia para una melodía más completa. Los discante y divisi opcionales amplían aún más las posibilidades de sonorización. La instrumentación adicional es particularmente animada, mejorando aún más estos textos cantados para ocasiones solemnes. Sol de justicia es un término que se usa para referirse a Cristo con respecto a su segunda venida, como se encuentra en las antífonas O antiguas. Este título aparece en el Leccionario entre las opciones de Aleluya para el común de la Santísima Virgen María y, de hecho, está asignado a la fiesta de Nuestra Señora de Guadalupe, celebrada dentro del tiempo de Adviento. Como tal, la música es en esencia de adviento—alegre y llena de esperanza. ~~~~~ Preview select songs from this mass setting in the video below:.

SATB choir, organ accompaniment, trumpet 1 in B-flat, trumpet 2 in B-flat, horn in f, trombone, tuba - Beginning

SKU: GI.G-5051

Composed by Richard Proulx. Ordinary Time 29 C, Children. Choral. Sacred. Octavo. 16 pages. GIA Publications #5051. Published by GIA Publications (GI.G-5051).

English. Text Source: Psalm 121, Book of Common Prayer, 1979. Scripture: Psalm 121.

Richard Proulx’s beautifully crafted setting of Psalm 121 is an ideal choice for festive gatherings or evening liturgies. The familiar first line of the psalm “I lift my eyes up to the hills” is prefaced by an equally evocative passage for solo French horn.

By John Mccreary. Arranged by John Mccreary. Text: Book of Common Prayer (1928). For SATB Choir. (Accompaniment: Organ). Sacred. Level: Medium Advanced Adult. 8 pages. Published by Hinshaw Music Inc.

By Gerald Near (1942-). For SATB chorus and organ, with opt. congregation. Easter, Christ the King. Sacred. Medium. Octavo. 11 pages. Published by MorningStar Music Publishers

SATB choir, organ accompaniment - Beginning

SKU: GI.G-7713

Composed by Calvin Fuller. Baptism of the Lord, Christ the King. African American Church Music Series. Sacred. Octavo. 12 pages. GIA Publications #7713. Published by GIA Publications (GI.G-7713).

UPC: 785147771302. English. Text Source: Psalm 29:1-4, 9-11 from The Book of Common Prayer (1979) of the Episcopal Church, USA. Text by Jeremy Taylor. Scripture: Psalm 29:1–4, 9–11.

This fanfare-like setting of Psalm 29 will capture the attention of your assembly, inviting them to give praise and glory to God. There is a nice interplay between the choir and the organist that occurs throughout, gently subsiding as the text closes with “the LORD shall give his people the blessing of peace.”.

SATB choir, divisi, piano reduction - Late intermediate

SKU: GI.G-8685

Arranged by Brandon Waddles. Christmastide, Eastertide. Evoking Sound. Music Education. Octavo. 16 pages. GIA Publications #8685. Published by GIA Publications (GI.G-8685).

UPC: 785147868507. English. Text Source: African American spiritual.

This new arrangement from Brandon Waddles has a rhythmic lilt, common to many traditional spirituals, combined with the “sound” that developed into the chord structure of gospel song during the 1960s. A piano reduction is provided for rehearsal.

SATB choir, keyboard accompaniment

SKU: GI.G-527

Level 2. Composed by John M. Feierabend. Choral. Conversational Solfege. Music Education. Octavo. GIA Publications #527. Published by GIA Publications (GI.G-527).

Text by Noel Goemanne.

Conversat ional Solfege is a dynamic and captivating first-through-eighth grade general music program that enables students to become independent musical thinkers with the help of a rich variety of folk and classical music. It is organized around increasingly complex rhythmic and melodic content. Each new rhythmic or melodic element is discovered first in patterns and then reinforced with folk songs, rhymes, and classical examples. Central to the Conversational Solfege program is the use of music harvested from our rich and diverse American musical history. This variety of music serves as a common thread that spans and bonds generations. Each book contains varied song material so the teacher can select appropriate music for the lower grades or older beginners. This 12-step teaching method carefully brings students from readiness to, ultimately, creating music through inner hearing and then transferring their musical thoughts into notation—in other words, to compose music! This CD provides 14 classical selections referenced in Conversational Solfege Level 2. These examples provide reinforcement for emerging literacy skills, and they also enable students to listen to wonderful classical examples with greater attention. Listening to classical music can be challenging for elementary students. With nothing to hang onto, the many notes can be too much to comprehend and attention soon wanes. But with minimal literacy skills, students will have enough musical information to discover that classical music can be accessible and appealing. In the included booklet, timings are given for each selection and the portions of the music that are readable by the students are reproduced. Whether using this CD with Conversational Solfege instructional materials or simply as a resource of classical music with simple to read rhythmic and melodic material, both teachers and students will delight in discovering this wonderful music through literacy. This series is a complete, innovative approach to teaching music that will stay fresh year after year. CONTENTS Conversational Solfege Unit 5: 1. Antonin Dvorak • New World Theme Conversational Solfege Unit 6: 2. Franz Joseph Haydn • Theme from  the Surprise Symphony, 3. Camille Saint-Sans • Turtles from Carnival of the Animals, 4. Ludwig van Beethoven • Symphony No. 7, 2nd Movement, 5. Josef Strauss • Feuerfest (Fireproof) Polka, Op. 269 Conversational Solfege Unit 7: 6. Jacques Offenbach • Can-Can, 7. Dmitry Kabalevsky • Pantomime from the Comedians, 8. Edvard Grieg • In the Hall of the Mountain King Conversational Solfege Unit 9 and Unit 11: 9. Jacques Offenbach • Barcarolle Conversational Solfege Unit 10: 10. Edvard Grieg • Morning Conversational Solfege Unit 11: 11. Ottorino Respighi • Ground in G Conversational Solfege Unit 12: 12. Johann Sebastian Bach • Jesu, Joy of Men's Desiring, 13. Jean Sibelius • Finlandia Conversational Solfege Unit 13: 14. Ludwig Van Beethoven • Symphony No. 6, Movement 5  John M. Feierabend is Professor Emeritus and former Director of Music Education at The Hartt School of Music, University of Hartford, Connecticut.

Choral (SATB choir a cappella)

SKU: HL.124203

Composed by William Bolcom. E.B. Marks. Classical. Octavo. 8 pages. Published by Edward B. Marks Music (HL.124203).

ISBN 9781480367388. UPC: 884088964702. 6.75x10.5 inches.

Commissione d by the New York Virtuoso Singers and its conductor Harold Rosenbaum for the Singers' 25th Anniversary. “Why Was Cupid a Boy?” is a short William Blake poem untied to one of the larger works, though it reprises a common theme in Blake: the bewilderment of Man faced with Love contrasted with Woman's relative comfort in it.

Composed by Stephen Main. For Choral (SATB Divisi). Walton Choral. 16 pages. Walton Music #WW1531. Published by Walton Music

(No. 4 from Inexpressible Wonder). By Georgy Sviridov. For SATB choir (div). Choral octavo. Language: Church Slavonic. Published by Musica Russica

By Morten Lauridsen (1943-). SATB. Peermusic Classical. Softcover. 4 pages. Peermusic #62330-122. Published by Peermusic

By Mark Weston. For SATB choir (3-part mixed choir) and piano. Novelty, Concert. Octavo. Published by Heritage Music Press. (15/2021H)

SATB a cappella

SKU: GI.G-009451

Arranged by Steven R. Janco. Sacred. Octavo. 8 pages. GIA Publications #009451. Published by GIA Publications (GI.G-009451).

UPC: 641151094519.

This traditional African-American spiritual speaks of hope and trust in its biblical references to feasting with all believers at a common table. Steve has shaped his arrangement to be expressive and spirited, with interplay among the four-part voices, developing differently in each verse. The fourth verse mimcs the text of flying with the upper voices while the basses hold the melody. Your choir will sound impeccably polished with this fine a cappella writing.

By Paul Basler. (SATB). Walton Choral. Size 6.75x10.5 inches. 16 pages. Published by Walton Music.

SATB choir, Organ - Medium

SKU: PL.9641

Composed by Randall Giles. Parish/Cathedral. Choral, General, Hymn. Octavo. Paraclete Press #9641. Published by Paraclete Press (PL.9641).

This beloved text has been given a fresh setting by Randall Giles. It is set in a hymn-like manner, with each verse growing in excitement. The final Let All the World adds a soprano descant and a rich organ harmonization to conclude the work in a blaze of glory. This setting would be appropriate as a hymn for congregation as well as an anthem for choir. Its straightforward style makes it accessible to choirs of all abilities.

Gile's setting of George Herbert's Antiphon: Let all the World in every corner Sing begins very simply, with clear, common-practice block chords; there is even a small homage to Ralph Vaughn William's setting in the Five Mystical Songs: My God and King is set in hemiolae. What looks deceptively simple on paper is, in fact, a very sophisticated piece. The spacing and voicing of the simple chords are perfectly calculated to ring, and the organ grows so imperceptibly in intensity and complexity that the piece reaches its grand conclusion seamlessly. - AAM Journal.

By Randall Thompson. Text: Book of Common Prayer 1928. For SATB Choir. (Mixed Voices). Mass, Community Service Music. Choral. Published by E.C. Schirmer Publishing.

By Gwyneth W. Walker (1947-). For SATB Choir and piano [or full orchestra] (Mixed Voices). Secular, General. Choral. Moderately easy. Octavo. 12 pages

Composed by John F. Hudson. For SATB choir divisi, soprano voice solo, piano accompaniment. Evoking Sound Series. Music Education. Medum. Octavo. 16 pages. Published by GIA Publications

Arranged by Mark Zuckerman. Text: Avrom Reisen. For SATB Choir unaccompanied. (Mixed Voices). Secular. Choral. Published by E.C. Schirmer Publishing.

(Book of Common Prayer 1662). By Richard Shephard. For SATB Chorus and Organ accompaniment. Royal School of Church Music. Sacred. Easy. Text language: English. 12 pages

Composed by Karen Marrolli. Ordination/Installation. MorningStar Music Publishers #50-5151. Published by MorningStar Music Publishers

Composed by Kenley Kristofferson. Octavo. Published by Cypress Choral Music (C3.CP1208).