An Intermediate Method for Individual or Group Instruction. Par BLACK DAVE / BERNOTAS CHRIS. Part of the Sound Innovations family, Sound Percussion fills the need for a comprehensive percussion method that provides a clear progressions of notes, rhythms, and skills that can be used for group or individual lessons. Sound Percussion has a clear and flexible approach with plenty of reinforcement. Books are available: Teacher's Score - Snare Drum and Bass Drum - Mallet Percussion - Timpani - Accessory Instruments. Sound Percussion contains seven sections covering everything from setting up the instruments to percussion ensemble performance. Sections include: Sound Preparation - Sound Rhythm - Sound Meter - Sound Rudiments - Sound Rolls - Sound Effects - Sound Performance.Directors can work through the book(s) progressively, or jump from sectiontosection in order to address the specific educational needs of their students. The mallet book, however is more sequential by nature of note introduction. Skills are introduced with a backwardbydesign approach. Learning goals are first identified, and then exercises are logically designed with obtainable steps that lead you toward achieving that goal. This is particularly helpful for mallet note recognition and snare drum rolls. Sound Percussion is a comprehensive resource that's perfect for teaching your students the fundamentals necessary to becoming wellrounded percussionists. / Niveau : Intermédiaire / Méthode / Méthode / Timbales

Percussion teaching material-This Percussion world edition contains selected pieces for use in Trinity College London Grade Timpani examinations. Includes an insert with all Piano accompaniments where applicable.

Grades 1 - 5-This is the first of two books covering the timpani grades for the popular London College of Music and Media percussion exams. Two pieces and a study are included for each grade and there are examples of sight-reading tests and sample viva voce questions. The LCM requirements unlike those for other examinations syllabuses replace scales and rudiments with tuning tests and marks are awarded for musicianship as well as for technical ability from the earliest stages.

A vos chaudrons ! Référence : A260 001 P Instruments : Percussion / Méthodes and initiation Percussion : Timbales / Timbales solo Collections : Timpani Spirit Compositeurs : SCHMITT Pierre-Olivier

Par MANTOVANI BRUNO. Contrary to what one might think, it is particularly difficult to write a solo or concertante work for an instrument that a person is very familiar with. Whenever I encounter this situation, I always feel a certain reserve or prudence, or even apprehension about leaning toward facility, in terms of gestures. Lack of objectivity can result in the imagination being more instrumental than purely musical. However, when Benoît Cambreling came to me proposing that I write a concerto for timpani, I did not hesitate for an instant because this instrument possesses extraordinary and often under exploited musical potential. This percussion instrument often provides a type of harmonic and rhythmic base in the orchestra, but can also assume the role of a soloist. I began by writing an etude for solo timpani making use of glissandi, rhythmic inflections, as well as the melodic potential. Once this first step was completed, I began to 'orchestrate' the etude, or rather to extend the instrumental material into the orchestra by creating illusions of resonance, doublings, and echoes. Sometimes, the timpani also become a reservoir of ideas for the orchestra capable of triggering textures (as in instrumental electronic music). Here however, the instrument is above all treated in a melodic manner, reinforced, or not, by orchestral instruments that create a backdrop and the illusion of extension./ Répertoire / Timbales

La référence AL26115 de l'éditeur Leduc dont l'auteur célèbre est Beethoven/Remy, qui a pour titre Symphonies Volume 2 Timbales, a été écrite et composée pour Percussions et plus particulièrement pour Timbales. Cette partition musicale appartient à la catégorie Classique. / Timbales / Partition

La référence AL29057 de l'éditeur Leduc dont l'auteur célèbre est Batigne Jean, qui a pour titre Nouvelles Timbales Francaises Volume 1/Cahier 2 : Son-Gestique, a été écrite et composée pour Percussions et plus particulièrement pour Timbales. Cette partition musicale appartient à la catégorie Pédagogie. / Timbales / Partition

Category: Percussion - Miscellaneous Educational Books and ManualsFormat: Book and 2 CDsCovers traditional and contemporary timbale patterns, rhythms for cowbell, cascara, cymbal, and more, tuning and maintenance, basic reading and notation, and patterns for school music ensembles. With two CDs of audio examples and play-along tracks.

Twenty Studies for Timpani by Jacques Delécluse (born 1933) is a set of twenty studies written for 2-5 Timpani and inspired by symphonic repertoire. Written for intermediate-level they require some technical knowledge. Twenty Studies for Timpani features some meter and multiple pitch changes and the studies are written with increasing difficulty. This set will definitely help to master a good technique on Timpani The author Jacques Delécluse is a soloist at the Paris Orchestra and a professor at the Conservatoire National de Musique de Paris. He has conceived a keyboard-percussioninstruments that held his name and is also the author of a series of seven books “À la manière de” for Drums and Piano.

Par RENDON VICTOR. Ce livre vous propose d'apprendre les rythmes afrocubains. Chaque rythme est présenté pour les timbales, avec conga y bongo, puis suivi d'une adaptation pour batterie. En anglais et espagnole. / Méthode en français / Méthode / Batterie et Percussions

This book/CD package teaches Timbales as played by the master percussionist Changuito. Topics include setup tuning the clave fills independence exercises listening recommendations and a glossary of terms. Various styles are studied such as Danzon Abanico Chachacha Mambo Pilon Mozambique Merensongo Conga 6/8 Rhythms Timba Songo Laye and Afro-Cuban. Examples on the CD are performed by Changuito.

Three Dances for Solo Timpani was written in 1998 and dedicated to percussionist Neil Grover. The dances can be performed as individual solo works or together as a suite. Melodic intervals and timbre contrasts provide color for each dance. Subtle ambiguity in rhythm, pulse, and pacing create a challenge for the performer and listener. The composer was influenced by several different styles and periods of music in the writing of Three Dances.

Features the complete Timpani parts to 26 standard orchestral overtures by Beethoven Berlioz Brahms Dvorak Liszt Mendelssohn Mozart Rossini Schubert Tchaikovsky Wagner and Weber. Includes Prometheus Overture Roman Carnival Overture Academic Festival Overture Carnival Overture Les Preludes A Midsummer Night's Dream Overture Cosi Fan Tutte Overture Don Giovanni Overture The Magic Flute Overture Wilhelm Tell Overture The Flying Dutchman Overture Oberon Overture and many others.