Violin and Piano - easy SKU: BT.DOW-04527-400 Composed by Ferdinand Kuchl...(+)
Violin and Piano - easy
SKU:
BT.DOW-04527-400
Composed by Ferdinand
Kuchler. Dowani 3 Tempi
Play Along. Book with CD.
Composed 2010. 16 pages.
Dowani #DOW 04527-400.
Published by Dowani
(BT.DOW-04527-400).
Piano; Violin (Violin) SKU: HL.50483441 Violin and Piano. Composed...(+)
Piano; Violin (Violin)
SKU: HL.50483441
Violin and Piano.
Composed by Alfred
Schnittke. String
Orchestra. Classical,
Contemporary, Madrigal,
Rondo. 32 pages. Sikorski
#SIK1914. Published by
Sikorski (HL.50483441).
8.25x11.75x0.108
inches.
Congratulat
ory Rondo is for violin
and piano. Madrigal in
Memorium Oleg Kagan is
written for unaccompanied
violin.
Score and Part Piano Accompaniment; Violin (Score and Solo Part) - easy SKU: ...(+)
Score and Part Piano
Accompaniment; Violin
(Score and Solo Part) -
easy
SKU:
HL.49045444
For
Violin and Piano Schott
Student Edition
Repertoire. Composed
by Oskar Rieding. Edited
by Benjamin Ramirez and
Wolfgang Birtel. This
edition: Saddle
stitching. Sheet music.
Schott Student Edition.
Repertoire. Softcover.
Op. 22/3. 16 pages.
Schott Music #SE1009.
Published by Schott Music
(HL.49045444).
ISBN
9790001162005. UPC:
841886028746.
9.25x12.0x0.058 inches.
German - English -
French. (ed. Wolfgang
Birtel, Benjamin Ramirez)
Schott Student Edition
Repertoire.
This
Rondo, which originally
was the third of four
easy performance pieces
in a cycle for violin and
piano (Op. 22), is one of
Rieding's most popular
and frequently performed
pieces in violin lessons
for beginners. This
edition is part of the
new Schott Student
Edition series which
offers varied literature
at five different levels
of difficulty, from 1
(easy) to 5 (difficult),
for instrumental
lessons.
About Schott
Student
Edition
Th
e Schott Student Edition
gathers instrumental
works for music lessons
providing a unique and
varied repertoire
resource including
standard teaching works,
lesser known pieces which
are perfectly suited to
lessons as well as to
student concerts and
competitions.
Th
e repertoire is divided
into levels 1-5, from
very easy to difficult,
and includes works from
the Renaissance up to
modern performance
pieces. Each title is
graded, from very easy
works for beginners up to
demanding pieces for more
advanced students who are
preparing for further
study or
examinations.
Ev
ery work in the series
has been carefully
selected and edited by
experienced music
teachers. The editions
also contain a wealth of
information on the pieces
as well as useful advice
on studying, rehearsing
and interpreting the
works. The first titles
to be published in the
Schott Student Edition
series contain works for
violin, violoncello,
flute, clarinet and
recorder. Further
editions are in
preparation.
(for Violin and Piano Critical Urtext Edition Heifetz Collection). Composed by C...(+)
(for Violin and Piano
Critical Urtext Edition
Heifetz Collection).
Composed by Camille
Saint-Saens (1835-1921).
For Violin, Piano
Accompaniment. LKM Music.
Softcover. 20 pages.
Lauren Keiser Music
Publishing #S511021.
Published by Lauren
Keiser Music Publishing
For Violin and Piano. By Ludwig van Beethoven. Edited by S. Brandenburg. This ed...(+)
For Violin and Piano. By
Ludwig van Beethoven.
Edited by S. Brandenburg.
This edition: HN291.
Violin. Henle Music
Folios. Pages: Score = 24
* Vl Part = 8. Urtext
edition-paper bound. 32
pages. Published by G.
Henle
Violin and piano - intermediate SKU: HL.49008678 Rondo alla turca from...(+)
Violin and piano -
intermediate
SKU:
HL.49008678
Rondo
alla turca from piano
sonata A major.
Composed by Wolfgang
Amadeus Mozart. Edited by
Jules Danbe. This
edition: Saddle
stitching. Sheet music.
Einzelausgaben (Single
Sheets). Classical. 12
pages. Schott Music #ED0
2593. Published by Schott
Music (HL.49008678).
ISBN 9790001088138.
UPC: 840126938968.
9.25x12.0x0.05
inches.
By Oskar Rieding. For Violin, Piano Accompaniment. Music Sales America. 20th Cen...(+)
By Oskar Rieding. For
Violin, Piano
Accompaniment. Music
Sales America. 20th
Century. 10 pages.
Bosworth and Co.
#BOE004577. Published by
Bosworth and Co.
Violin and Piano - early intermediate SKU: BT.DHP-1115233-400 By Nico Dez...(+)
Violin and Piano - early
intermediate
SKU:
BT.DHP-1115233-400
By
Nico Dezaire. By
Ferdinand Kuchler. De
Haske Study and Play.
Book with CD. Composed
2011. 24 pages. De Haske
Publications #DHP
1115233-400. Published by
De Haske Publications
(BT.DHP-1115233-400).
ISBN 9789043136204.
9x12 inches.
English-German-French-Dut
ch.
The
Concertino op. 12
by the German violinist,
composer and violin
educator Ferdinand
Küchler (1867-1937) is
a three-movement work
that is ideal for the
development of playing in
first and third position.
The first movement is
both powerful and playful
in character, and its
themes that follow on
from each other rapidly,
producing a concise
sonata form. The second
movement has been written
in a three-part song form
(A-B-A). The A section
has a cantabile
atmosphere, whereas
section B is more
dramatic. The third
movement is a rondo (with
a refrain and episodes).
The refrain is joyful in
spirit, and the episodes
present
variation.
Het
Concertino op. 12
van Ferdinand Küchler
(1867-1937) is een
driedelig werk. Voor de
leerling is dit het
ideale werk om aan de
eerste en derde positie
te werken. Het eerste
deel is krachtig en
speels tegelijk. Het
tweededeel is in de vorm
van een driedelige lied
geschreven (A-B-A). Het
derde deel is een
rondo.
Das
Concertino op. 12
von Ferdinand Küchler
(1867-1937) ist ein
dreisätziges Werk, mit
dem Schüler
ausgezeichnet an ihrem
Spiel in der ersten und
dritten Lage arbeiten
können. Der erste Satz
ist kraftvoll und
verspielt zugleich; der
zweite Satz wurde in der
Form eines dreistimmigen
Liedes geschrieben
(A-B-A). Der dritte Satz
ist ein Rondo.
Il
Concertino op. 12
di Ferdinand Küchler
(1867-1937) è un brano
in tre movimenti, ideale
per praticare la prima e
terza posizione. Il primo
movimento è al
contempo potente e
gioioso, il secondo in
forma di un canto a voci
(A-B-A), mentre il terzo
movimento è un
rondò.
Violin and piano - easy to intermediate SKU: HL.49003966 Edited by Gustav...(+)
Violin and piano - easy
to intermediate
SKU:
HL.49003966
Edited by
Gustav Lenzewski. This
edition: Paperback/Soft
Cover. Sheet music.
Edition Schott.
Classical. 80 pages.
Schott Music #ED 2789.
Published by Schott Music
(HL.49003966).
For violin and orchestra Violin and Piano. By Camille Saint-Saens. Arranged by G...(+)
For violin and orchestra
Violin and Piano. By
Camille Saint-Saens.
Arranged by Georges
Bizet. This edition:
DF1586400. Editions
Durand. Book only. 32
pages. Published by
Editions Durand.
Composed by Jascha Heifetz, edited by Eric Wen. Collection and set of performanc...(+)
Composed by Jascha
Heifetz, edited by Eric
Wen. Collection and set
of performance parts for
violin solo and piano
accompaniment. With
bowings, fingerings,
introductory text and
discography. 128 pages.
Published by Carl
Fischer.
Violin and Piano. Composed by Camille Saint-Saens (1835- 1921). Edited by Peter...(+)
Violin and Piano.
Composed by
Camille Saint-Saens
(1835-
1921). Edited by Peter
Jost.
Sheet music. Henle Music
Folios. Classical.
Softcover.
G. Henle #HN1238.
Published
by G. Henle
Violin and Piano SKU: AY.VLP3174PM Composed by Carles M. Eroles. Strings ...(+)
Violin and Piano
SKU:
AY.VLP3174PM
Composed
by Carles M. Eroles.
Strings - Violin. Score &
Parts. Duration 9'.
Periferia Publishing
#VLP3174PM. Published by
Periferia Publishing
(AY.VLP3174PM).
ISBN
9790543572980.
The
material introduced by
the piano of the
beginning a solo is the
one that serves of
vertebral axis of the
work, that has nearly the
form of a rondo. This
introduction is based on
isolated, naked notes,
with a constant rythm of
the eighths that create a
big intervalic space
between them. Later on,
that will be used as a
support to an espressive
melody of the violin,
that will take this
material and will expose
it in pizzicato. In this
way will be used as
accompaniment to a very
suggestive and lyric
fragment of the piano
that covers nearly all
the registers of the
instrument. This will
lead to a second section
of the work, of a very
rythmic and intense
character of both
instruments. The third
section, the most
expressive of the work,
it's iniciated with some
chords of the piano that
little by litlle
dissapear and remembers
the introduction. Here,
the violin develops a
melody of big lirism,
supported by the piano
witht he material of the
introduction, but this
time there are non
isolated notes but full
chords that disintegrate
again at the end, taking
up again the idea of a
fragment of the first
section of the piece by
means of the piano. Far
from free instrumental
effects, the work looks
mainly for a direct
communication with the
listener.
Edited by Florence Titmus. Arranged by Daniel Kelley. For Violin and Piano. Solo...(+)
Edited by Florence
Titmus. Arranged by
Daniel Kelley. For Violin
and Piano. Solos.
Recital. Level:
Intermediate/Advanced.
Piano Score and Solo
Part. Published by Last
Resort Music Publishing.
Violin, Piano SKU: BA.BA11086 Composed by Thomas Daniel Schlee. Stapled. ...(+)
Violin, Piano
SKU:
BA.BA11086
Composed
by Thomas Daniel Schlee.
Stapled. Urauffuhrung
24.10.2017, Wien.
Performance score, Part
(1). Opus 82. 20/9 pages.
Baerenreiter Verlag
#BA11086_00. Published by
Baerenreiter Verlag
(BA.BA11086).
ISBN
9790006564446. 32.5 x
25.5 cm inches.
A
suite whose movements
always deliver something
other than what they seem
to promise. But
throughout, the two
instruments and
respectively their
players act like two
people in very specific
situations:
I.:
The opening movement is
reserved for the piano;
the initially earnest,
solitary cantilena
intensifies creating
expectation.
Suddenly II.: the
violin sounds. Its moving
figures replace the now
silent piano, also
soloistically. III.
„Passacaglia“
: The title is taken
literally – the
two instruments/persons
encounter each other in
the street. Two musical
characters who meet at a
specific point, recognize
each other, but move on
again, each one by
itself. IV.
„Rondo“: The
two of them dance
together. Before me, I
saw people dancing the
Sardana – a round
dance – in front
of the cathedral of
Barcelona. Four themes in
different time signatures
circle ceaselessly
between the two
instruments. V.
„Fuga“: At
last, regardless, panic
flight – again the
title is taken literally
... Human, only too human
…
For Violin and Piano. By Camille Saint-Saens. Edited by Gustave Saenger. Arrange...(+)
For Violin and Piano. By
Camille Saint-Saens.
Edited by Gustave
Saenger. Arranged by
Gustave Saenger. For
Piano, Violin. Solo part
with piano reduction.
Opus 28. 16 pages.
Published by Carl
Fischer.
(with Piano Accompaniment) Edited by Josef Gingold. For violin solo and piano ac...(+)
(with Piano
Accompaniment) Edited by
Josef Gingold. For violin
solo and piano
accompaniment. Format:
violin solo book. With
solo part, standard
notation, fingerings,
bowings and piano
accompaniment. Classical.
60 pages. 9x12 inches.
Published by G. Schirmer,
Inc.
Violon et Piano [Set de Parties séparées] - Intermédiaire Schirmer
Composed by Camille Saint-Saens (1835-1921), arranged by Henry Schradieck. For v...(+)
Composed by Camille
Saint-Saens (1835-1921),
arranged by Henry
Schradieck. For violin
and piano. Schirmer
Library Vol..224. Format:
set of performance parts
(includes separate pull
out violin part). With
solo part and piano
accompaniment. Romantic
period. 20 pages. 9x12
inches. Published by G.
Schirmer, Inc..
Edited by Elizabeth Turnbull. Set of performance parts (includes separate pull-o...(+)
Edited by Elizabeth
Turnbull. Set of
performance parts
(includes separate
pull-out violin part) for
violin and piano. With
solo part and piano
accompaniment. 55 pages.
Published by Music Sales.