60 popular themes from the movies in arrangements for solo Clarinet (level 2-3). The books in Alfred's Ultimate Movie Instrumental Solos series feature 60 film favourites in solo arrangements for Flute Clarinet Alto Saxophone Tenor Saxophone Trumpet Horn in F Trombone Violin Viola and Cello with optional Piano accompaniment. All wind instrument arrangements are fully compatible and can be successfully performed as ensembles or solos by students who have completed the first book of any standard band method. A fully orchestrated accompaniment MP3 CD is provided featuring each song as a live performance demo track followed by a play-along track. The CDalso contains a PDF of the Piano Accompaniment and Alfred's Tempo Changer Software. Please note: Due to level considerations regarding keys and instrument ranges the wind instrument arrangements are not compatible with the string instrument arrangements in this series.

Par LEFEVRE / DUDLEY. Concerto No. 4 - for clarinet solo, 2 oboes, 2 horns and strings; Concerto No. 6 - for clarinet solo, 2 oboes, 2 bassoons, 2 horns and strings/ Répertoire / Clarinette et Orchestre

Three-Part Flexible Compositions for any combination of Brass, Woodwinds & Strings. Par AMY ADAM / CRAIG ALAN / MIKE HANNICKEL / ANN LINDS. Three-Part Flexible Compositions For Any Combination Of Brass, Woodwinds And Strings / Niveau : Facile / Répertoire / Clarinette en Sib

A work for solo clarinet in B flat timpani percussion and strings commissioned by the London Symphony Orchestra. It was first performed in September 1991 at the Barbican Centre London by Andrew Marriner (clarinet) and theLondon Symphony Orchestra directed by Michael Tilson Thomas.This is a special item which is made to order. Please e-mail our Mail Order Department for further information.

This trio collection of 15 keyboard, vocal and instrumental pieces covering the Baroque to the 20th Century periods can be played together in harmony by any number or combination of instruments. Woodwinds, brass, strings and percussion can play in like-instrument or mixed instrumentation. It's an all-purpose folio that makes classical music fun! Contains: Adagio (Corelli) * Andantino (Turk) * Canon (Caldara) * German Dance, Wo0 13, No. 2 (Beethoven) * Landler (Schubert) * Passacaglia (Purcell) * March (Satie) * Minuet, Hob. XVI, No. 5 (Haydn) * Rigaudon (Daquin) * Romance (Schumann), Rosamunde (Schubert) * Trio in F (Bach) * The Village Maiden (Rameau) * Waltz (Tchaikovsky) * Waltz in B Minor, Opus 39, No. 11 (Brahms).

Work for Clarinet solo. The composer writes 'The title refers to several levels in the piece. Partly a method I have used where three lines are weaved so they become one line here the clarinet which can (nearly) only play one tone at the time. Either the three parts disappear and become one waving melodic line as in the beginning of the piece. Or they are put in different registers of the clarinet so they are heard as separate lines weaving into one another. On a different level there is three different sequences which are also weaved into one another; one which rises (for instance in the beginning) and one which falls and one which falls in parallels in severalregisters. These three sequences become faster and faster every time they reappear. The idea of weaving melodic lines was inspired by Bach’s pieces for solo strings where he in a marvellous way established several simultaneous melodic lines without simultaneous sounding notes. This happened by weaving parts which in other works would sound simultaneously into one another so that only one note was heard at the time. This meant that in that long line which was heard as the instrument’s development of the piece other melodies were weaving around each other with different focuses. Woven Lines was commissioned by DUT with support from the Danish Arts’ Council.'

Composed in 1990 for solo Clarinet Timpani Percussion and Strings John Tavener's The Repentant Thief was inspired by the biblical story of the two criminals who were crucified alongside Jesus atGolgotha. This work contrasts dance-like material with melancholy laments bound together by a refrain with a recitative-like character recalling Greek folk and Orthodox traditions. This edition is for Clarinet withPiano reduction.

The Flex-Ability series is ideal for solos, duets, trios, quartets, or any size ensembles, including woodwinds, brass, strings and percussion. Players of various abilities, levels 1?3, can play together. An optional play-along CD is available separately. The 11 ?classical? themes come from opera, symphony, piano and lute compositions, but are arranged in rock, jazz, swing and other contemporary styles. Here is a fun way to learn about these classics. Composer biographies and program notes are included.Titles: Overture from the opera The Barber of Seville * Bourée from Lute Suite No. 1 * Habañera from the opera Carmen * Theme from Hungarian Dance No. 5 * Minuet from Anna Magdalena Bach Notebook * Theme from The New World Symphony * Ode to Joy from Symphony No. 9 * Theme from Pomp and Circumstance * Prince of Denmark's March * Toreador from the opera Carmen * Overture from the opera William Tell.

Playable on any 3 instruments or any number of instruments in ensemble-Pop Trios for All is a versatile educational and fun series intended for like or mixed instruments to perform in any size group or combination of instruments. All books are in score format with each line increasing in difficulty from Grade 1to Grade 3-4. Alternate passages and notation are included to suit instrumental ranges. With no page turns required the songs and measures are consistent which makes finding rehearsal points quick and convenient. Perfect for concerts with family andfriends recitals auditions and festivals. Available for brass woodwinds strings and percussion.Titles are: Old Time Rock and Roll * Sing Sing Sing * Hedwig´s Theme * You Raise Me Up * All I Wanna Do * The Magnificent Seven * This Is It! * Mack the Knife * Can You Read My Mind' * Crazy In Love * The Pink Panther * Star Wars Main Title *I´ll Be There For You * American Idiot * Hips Don`t Lie.

Solo and Chamber Works-Signs Games and Messages are series for solo instruments and small chamber ensembles. Each of the three notions refers to an essential factor in Kurtág's music. Signs ties in with the composer's period of study in Paris as a young man when he could not compose merely put graphic signs on the paper. (Additionally the word points to inspiration gained from the art of Klee and Michaux.) Games links with his nine-volume series for the piano with that title. Messages conveys the very personal content of these works in that these short pieces are actually diary notes and missives to musicians and friends important to Kurtág.The collection - like his earlierfive series for stringed instruments - does not form a coherent cycle. The pieces can be played individually or in various orders or among pieces from Signs Games and Messages written for other instruments.

Great Clarinet Quintets(2). Mozart's friendship with Anton Stadler, the clarinetist in Vienna's Royal-Imperial Court Orchestra, led to the composition of his beloved Quintet in A Major. The four-movement piece is arranged for clarinet, two violins, viola, and cello. Brahms's Clarinet Quintet in B minor, also in four movements, is equally popular and often recorded as a companion to Mozart's work. Professional and amateur musicians alike will appreciate this convenient single-volume publication of these frequently performed quintets. Both scores were reproduced from authoritative sources. Durable but inexpensive, this edition features a sturdy binding that allows pages to remain open on music stands for years of use and enjoyment.