Slavonic Dances op. 72 for Piano Four-hands-With the publication of the second volume all of the ?Slavonic Dances? are now available in Urtext. Following the resounding success of the first series op. 46 which immediately made the composer famous around the world thepublisher urged him to write more. Dvo ák only got down to work on them eight years later announcing ?I think these will be very different?. And indeed the difference cannot be missed: the second series is singled out bygreater formal freedom and more colourful harmony. Whereas Opus 46 is for the most part characterised by sparkling high spirits (HN757) in Opus 72 there are also quieter notes: melancholy and poetry find their way into theexuberant dance.

La référence R13172 1 de l'éditeur Billaudot dont l'auteur célèbre est Alkan Charles-Valentin, qui a pour titre TROIS MARCHES OPUS 40 Nø1 EN LA BEMOL, a été écrite et composée pour Piano 4 mains et Plus et plus particulièrement pour Piano 4 Mains. Cette partition musicale appartient à la catégorie Classique. / Piano 4 Mains / Partition

La référence R13172 2 de l'éditeur Billaudot dont l'auteur célèbre est Alkan Charles-Valentin, qui a pour titre TROIS MARCHES OPUS 40 Nø2 EN MI BEMOL, a été écrite et composée pour Piano 4 mains et Plus et plus particulièrement pour Piano 4 Mains. Cette partition musicale appartient à la catégorie Classique. / Piano 4 Mains / Partition

[Werke für Klavier zu vier Händen - Band 1] / Classique / Editeur : Willi Kahl / Partition, sans indications de doigtés / Broché / Edition Urtext

Arrangements für ein Klavier zu vier Händen. Par BRAHMS JOHANNES. With Critical Report/ Répertoire / Piano 4 Mains

Piano Concerto no. 4 in c minor op. 44. Despite its unusual form - a structure with two sections, each comprising two movements that are to be played without interruption - this work from 1875 enjoyed great success from the start. In its balanced proportion of solo part to orchestra, it corresponds almost perfectly to the model of the ?symphonic concerto? and numbers among the most popular concerti by this French composer. For the first edition of 1877, no less a figure than Gabriel Fauré undertook the piano transcription of the orchestral part - an optimal basis for Johannes Umbreit?s piano reduction for the first Urtext edition ever of this work. As for the Piano Concerti no. 2 and no. 5 already issued by Henle, Pascal Rogé, one of the greatest experts on Saint-Saëns? piano works, also provided the fingerings for this edition.