Song Cycle for Chorus and Orchestra-Written for the Greenwich High School choir ...(+)
Song Cycle for Chorus and Orchestra-Written for the Greenwich High School choir and orchestra Emmy award-winning and Grammy-nominated musician and GHS parent Rob Mathes wrote a song cycle entitled Far From Here as a tribute to the GHS students' and their upcoming graduation. The three movements include: Yesterday/My Home Where Shall I Go' You'll Find Me Singing to create an impressive showcase for high school musicians.
Op. 89. Par BRAHMS JOHANNES. The Three Fates
or Parcae
were the goddesses of fat...(+)
Op. 89. Par BRAHMS JOHANNES. The Three Fates
or Parcae
were the goddesses of fate in Greek-Roman mythology
and sang on themes of curse and fate. The Parzenlied in Goethe?s verse drama ?Iphigenie auf Tauris? is concerned with these themes and became the model for Johannes Brahms?s setting. His Gesang der Parzen (Song of the Fates) op. 89 describes in thrilling
eruptive sounds the fight to overcome the mythical curse through the purity of truthful
noble actions and the power of hope.With a duration of around 12 minutes
the work can be combined with Brahms?s ?German Requiem? in concert. / Date parution : 2023-03-11/ Répertoire / SAATBB et Orchestre
with Orchestral Accompaniment-Reprinted from authoritative Breitkopf and Härtel...(+)
with Orchestral Accompaniment-Reprinted from authoritative Breitkopf and Härtel sources this collection features a variety of Brahmss most cherished choral works with orchestral accompaniment. Selections include:- Rhapsodie für eine Altstimme Männerchor und Orchester Op. 53 (Rhapsody for an Alto Mens Choir and Orchestra)- Schicksalslied von Friedrich Hölderlin für Chor und Orchester Op. 54 (Song of Destiny by Friedrich Hölderlin for Choir and Orchestra)- Nänie von Friedrich Schiller für Chor und Orchester Op. 82 (Nänie by Friedrich Schiller for Choir and Orchestra)- Gesang der Parzen von Goethe für sechsstimmigen Chor und Orchester Op. 89 (Song of the Fates by Goethe for Six-Part Chorus and Orchestra)- Ave Maria für Frauenchor mit Orchester oder Orgel-Begleitung Op. 12 (Ave Maria for Womens Chorus with Orchestral or Organ Accompaniment)- Begräbnisgesang für Chor und Blasinstrumente Op. 13 (Funeral Song for Chorus and Wind Instruments)- Gesänge für Frauenchor mit Begleitung von zwei Hörnern und Harfe Op. 17 (Songs for Womens Chorus Accompanied by Two Horns and Harp)- Ellens zweiter Gesang aus Walter Scotts 'Fräulein vom See' von Schubert für Sopran dreistimmigen Frauenchor vier Hörnern und zwei Fagotte Op. 52(Ellens Second Song from Walter Scotts 'Lady of the Lake' by Schubert for Soprano Solo Three-partWomens Chorus Four Horns and Two Bassoons)This edition features a new English translation of the original Editors Commentary as well as new translations of song lyrics.
Opera seria in tre atti-Rinaldo HWV 7a; Opera in three acts.Version of 1711. Thi...(+)
Opera seria in tre atti-Rinaldo HWV 7a; Opera in three acts.Version of 1711. This was Handel’s first opera for London first performed at the theatre in the Haymarket in February 1711. It was strong in both music (including recomposed versions of some movements that Handel had previously written for his operas in Italy) and staging: a contemporary described the opera as ‘filled with Thunder and Lightening Illuminations and Fireworks’. Urtext of the Halle Handel Edition. Full score (BA4033) & vocal score (BA4033-90) available for sale. Performance material (BA4033-72) available for hire
Par SCHWARTZ STEPHEN. From ?The Prince of Egypt? (the Dreamworks animated film o...(+)
Par SCHWARTZ STEPHEN. From ?The Prince of Egypt? (the Dreamworks animated film of the life of Moses), the majestic and inspirational opening melody gradually builds in intensity and grandeur leading to a simple and lyrical Hebrew prayerthat unfolds into a great choral outpouring of emotion at the final breathtaking chorus. May be performed with piano alone, with CD accompaniment or with the full instrumental orchestration ? a truly unforgettable concertmoment! / Date parution : 2022-04-02/ Répertoire / Orchestre et Choeur
Edition Complète. Par RAMEAU JEAN-PHILIPPE. Rameau's only surviving opera based...(+)
Edition Complète. Par RAMEAU JEAN-PHILIPPE. Rameau's only surviving opera based on a libretto by Voltaire has survived in two versions (1745 and 1746), whereby the 1745 version was long considered lost. Volume IV.12 of the series ?Opera omnia Rameau? presents a complete edition which enables performances of both versions.
Voltaire refers to Metastasio in his libretto in that he wishes to liberate the opera from the gallant milieu and to make it a moralizing stage work that is equally edifying and political. After a prologue dedicated to envy personified, the tyrants Bélus and Bacchus are chased out of the Hall of Fame and finally Trajan is crowned with laurels for defeating the rebels, forgiving them and ultimately turning the Hall of Fame into a public temple.
The music contains many remarkable passages, such as a richly orchestrated overture, the famous monologue ?Profonds abîmes du Ténare? with obbligato bassoons, and Trajan's artful final scene ?Ramage d'oiseaux?./ Répertoire / Chant et Orchestre
Op. 89. Par BRAHMS JOHANNES. The Three Fates, or Parcae, were the goddesses of f...(+)
Op. 89. Par BRAHMS JOHANNES. The Three Fates, or Parcae, were the goddesses of fate in Greek-Roman mythology, and sang on themes of curse and fate. The Parzenlied in Goethe?s verse drama ?Iphigenie auf Tauris? is concerned with these themes and became the model for Johannes Brahms?s setting. His Gesang der Parzen (Song of the Fates) op. 89 describes in thrilling, eruptive sounds the fight to overcome the mythical curse through the purity of truthful, noble actions and the power of hope.With a duration of around 12 minutes, the work can be combined with Brahms?s ?German Requiem? in concert. / Date parution : 2023-03-11/ Répertoire / SAATBB et Orchestre
Serenade in three parts-Handel set the myth about the love of the shepherd Acis ...(+)
Serenade in three parts-Handel set the myth about the love of the shepherd Acis for the sea nymph Galatea from Ovid?s ?Metamorphoses? a total of three times: in the cantata ?Aci Galatea e Polifemo? HWV 72 (1708) the masque ?Acis and Galatea? HWV 49a (1718) and finally the pasticcio-like serenata ?Acis and Galatea? HWV 49b (1732) of which the original version is now made available in its complete form for the first time. A particular charm is provided by the use of two languages in the serenata. The work was originally conceived in English as was required for the first performance. However Handel?sItalian singers were criticised for their poor command of English ? so in the end many numbers were sung in Italian. The extensive appendix to the vocal score includes the additional arias and newly composed movements for the versions used in the 1734 and 1736 performances. - Urtext edition based on the ?Halle Handel Edition? - English and Italian original text with singable German translation - Extensive foreword in two languages (Ger/Eng) - Clear straightforward piano reduction - Full score (BA10700) and vocal score (BA10700-90) available for sale performance material (BA10700-72) for hire
For Children's voices and Orchestra. Commissioned by the BBC for the BBC Proms. ...(+)
For Children's voices and Orchestra. Commissioned by the BBC for the BBC Proms. First performance in the presence of Her Majesty The Queen on 19th July 2006 in the Royal Albert Hall London by the BBC Symphony Orchestra andmassed children’s voices conducted by Jiri Belohlavek.
Sparrow Mass-Arrangement for female choir (SMezAA) based on the Urtext of the ?N...(+)
Sparrow Mass-Arrangement for female choir (SMezAA) based on the Urtext of the ?New Mozart Edition?.Straightforward Piano reduction.Mozart?s ?Missa in C major? (K. 220) nicknamed the ?Sparrow Mass? for its frequently recurring characteristic motifs in the violins has retained a firm place in the choral repertoire to the present day. Now it has been arranged for female choir and is appearing as part of the recently started ?Bärenreiter Female Choir? series.Heribert Breuer has judiciously transferred the tenor and bass solos to the high voices and incorporated the original soprano and alto parts largely unchanged into the solo and chorusparts. He has thereby retained the work?s original substance while giving it a wholly new and delightful sound.Heribert Breuer was professor of choral conducting and music theory at Berlin University of the Arts until 2010. He is the founder and director of the Berlin Bach Akademie and has made a name for himself with his many arrangements of works from Bach to Schubert.The vocal score is compatible with the performance material of the original work for mixed chorus BA 5343.
Dramatic poem for Soloists, Choir and Orchestra. Par GADE NIELS WILHELM. Gade co...(+)
Dramatic poem for Soloists, Choir and Orchestra. Par GADE NIELS WILHELM. Gade composed the cantata ?The Crusaders? op. 50 for soloists, choir and orchestra (termed as ?Dramatic Poem? in the original print) in the summer of 1865; it was premiered on 24 April 1866.
Together with the cantatas ?Kalanus? and ?Zion? written later, the work constitutes, in Gade?s understanding, a ?kind of trilogy? which centers on different manifestations of the ?longing for the true light?.
The libretto of ?The Crusaders? by Carl Andersen is based on motives from Torquato Tasso?s ?Jerusalem Delivered? and spreads these over three sections which themselves are subdivided multiple times: I In the Desert ? II Armida - III Towards Jerusalem./ Répertoire / Chant et Orchestre
Organ Coro I-The Missa in F of 1734 for two or four choirs is probably Pergolesi...(+)
Organ Coro I-The Missa in F of 1734 for two or four choirs is probably Pergolesi’s most important work for choir and orchestra. The nickname 'Missa Romana' was added later in reference to a performance given in Rome during Pergolesi’s lifetime.This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome. Choirs III and IV are reproduced in smaller type and are added to the version for double choir in order to intensify the overall sound. This allows the work to be performed not only with two choirs but also in the delightful enlarged version for fourchoirs. Rounding off the edition are an informative Foreword (Eng/Ger) and a Critical Commentary (Eng).First publication with choirs III and IV.Can be performed with both two or four choirs.Idiomatic well-presented Piano reduction.Full score performance material (BA8958) and vocal score (BA8958-90) available for sale.
This is the Full Score and Parts for The Voices Of Our Ancestors by Thea Musgrav...(+)
This is the Full Score and Parts for The Voices Of Our Ancestors by Thea Musgrave. This work is scored for a chorus with soloists (Soprano Mezzo-Soprano Tenor and Baritone) Brass Quintet and Organ. A full performance of the work lasts around 30 minutes. The text for The Voices Of Our Ancestors is drawn from 12 poems that are united in their attempt to answer the question of human existence. Inspired by these poems Musgrave composed this work which was first performed on 9th July at St Bride's church Fleet Street as part of the City of London Festival.
The Missa in F of 1734 for two or four choirs is probably Pergolesi’s mos...(+)
The Missa in F of 1734 for two or four choirs is probably Pergolesi’s most important work for choir and orchestra. The nickname 'Missa Romana' was added later in reference to a performance given in Rome during Pergolesi’s lifetime.This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome. Choirs III and IV are reproduced in smaller type and are added to the version for double choir in order to intensify the overall sound. This allows the work to be performed not only with two choirs but also in the delightful enlarged version for fourchoirs. Rounding off the edition are an informative Foreword (Eng/Ger) and a Critical Commentary (Eng).First publication with choirs III and IV.Can be performed with both two or four choirs.Idiomatic well-presented Piano reduction.Full score performance material (BA8958) and vocal score (BA8958-90) available for sale.
Chorale (for Concert Band, Fanfare Band and String Ensemble). Par SCHWARZ OTTO M...(+)
Chorale (for Concert Band, Fanfare Band and String Ensemble). Par SCHWARZ OTTO M.. Un ami a demandé à Otto M. Schwarz de composer un choral pour les funérailles de son enfant. Lux Aeterna (lumière éternelle) est en fait une partie d?un requiem mais dans cette composition il n?y a pas de rapport au texte latin original. Les personnes qui ont vécu des expériences de mort, mentionnent une lumière vive. La musique oscille entre des passages tristes, plein d'espoir et implorants, posant des questions sans réponse. Elle se conclue cependant par un accord majeur apaisé qui reflète le calme et la chaleur de cette lumière laquelle promet le salut. / Date parution : 2022-04-12/ Recueil / Ensemble flexible à 4 parties
