Par MARTIN JOSEPH M.. Festival of Faith is a celebration of the life and ministry of Christ. Through hymns, original anthems and scripture readings, we travel with Him down the dusty roads of Galilee and the ancient stone streets of Jerusalem. We climb the windswept hill of Calvary and enter the garden of resurrection. The orchestration creates a soundscape for this dramatic retelling and a full line of companion products are available to support your rehearsals and performance. This significant work is ideal for performances during Eastertide and will have a lasting impact on your community as they remember the life of the Savior. Songs include: Procession of Faith- And Can It Be That I Should Gain- ACall to Faith- Come to the Mountain- Prayer of Restoration- Festival of Palms- In the Breaking of the Bread- Shadow Garden- I Saw the Cross of Jesus- Easter People, Rise- A Call to Alleluia. Score and Parts for Full Orchestra (fl 1-2, ob/enghn, cl 1-2, bn, hn 1-2, tpt 1-3, tbn 1-2, tba, timp, perc 1-2, hp, pno, vn 1-2, va, vc, db) and Consort (fl, cl, tpt 1-2, tbn, perc, kybd) available as a Printed Edition and as a digital download./ Répertoire / SATB

Amoureux de Variété Internationale Et Divers, vous trouverez la partition de vos rêves, que ce soit en format séparé ou en recueil.Cette partition As Long As I Have Music Don Besig Satb est idéale pour les amateurs ou professionnels de musique qui souhaitent acquérir une partition pour Chant Et Piano. / Chant Et Piano / Chanson En Séparée

Craig McLeish writes of The Negro Speaks of Rivers - Langston Hughes (1902-1967) was the first black American to earn his living from writing. He was an innovator of jazz poetry, becoming part of the Harlem Renaissance in the 1920s and 1930s. He wrote plays, short stories, novels, and his poetry was widely read. He was also a journalist, columnist and lecturer. The Negro Speaks of Rivers was perhaps his earliest published work, written when only 17 and while travelling by train to Mexico to visit his father. As the train crossed the Mississippi he suddenly began thinking about how rivers had impacted on Negro history, particularly in the fight against slavery. The four rivers mentioned in the poem lent themselves to using musical influences from those particular regions. However, I have tried to keep these links fairly tenuous to avoid overt pastiche. A few years ago I was fortunate enough to work with Congolese musicians. These sessions led to the intricate rhythms in The Congo . The Mississippi mentions New Orleans, so a jazz fugue seemed the most appropriate compositional device to weave into the texture. The spirit of The Nile was gauged from many hours listening avidly to Egyptian music. Craig McLeish began his musical life as a chorister at St Paul's Cathedral. As a bass guitarist, conductor, musical arranger and composer, he has worked with a wide variety of groups in several genres, and scored a hit with the cult pop band 'Fat and Frantic'. He is musical director of Young Voices UK, and conducts several youth and community choirs in and around Milton Keynes. / Choeur SATB

Commissioned in honor of the 60th anniversary of the Texas Choral Directors Association, I Should Be Glad captures the gratitude that artists feel as they live and work each day. Melody is of the utmost importance throughout as the work climbs from simple two-part singing to eight-part singing at its climax. A prayer of gratitude. / Choeur Mixte Satb A Cappella

Par GOODALL HOWARD. I am Christmas day has all the hallmarks of Goodall's well-loved style: inspiring melodies, beautiful harmonies and well-crafted, accessible parts. In this delightful Christmas carol, the melody weaves between different lines and textures, all underpinned by a flowing piano accompaniment./ Recueil / Choeur Mixte (SATB) et Quelques Instruments

Une collection de cinq hymnes arrangés en style Gospel traditionnel pour le choeur SATB, avec accompagnement au piano.Inclus< i>Go Tell It On The Mountain, et Swing Low, Sweet Chariot. / Voix / 50 pages / niveau : Intermédiaire / Partition

Music played an enormous role in the works of William Shakespeare, while his own sonnets, poems and soliloquies have provided continuing inspiration for many composers through the years. The Novello Shakespeare Choral Collection, inspired by the 400th anniversary of the Bard's death in 2016, is an exciting anthology of choral works that are settings of Shakespeare's words. For choirs of all types and abilities, this collection has been edited by David Wordsworth so that all the pieces are fantastic both to sing and hear.The collection features some beautiful settings that have well and truly stood the test of time, such as Thomas Arne's Blow, Blow, Thou Winter Wind and Henry Leslie's How Sweet The Moonlight Sleeps. More recent settings from 20th century and contemporary composers include Ernest Moeran's Sigh No More, Ladies, Gary Carpenter's Lo, Here, The Gentle Lark and John Tavener's Fear No More and Look In Thy Glass.Not only this, the Shakespeare Choral Collection boasts several works that were specially commissioned, including John Joubert's Be Not Afeard, Richard Sisson's Light Thickens and Pawel Lukaszewki's Weary With Toil, I Haste Me To My Bed. Some pieces have never appeared before in print, such as those by Kevin Olsen, Bernard Hughes and John Gardner. These songs truly are a joy to perform, with some relatively simple arrangements that are purely fun to sing, while some more complex settings that will be thoroughly rewarding for choirs and audiences alike.A total of 26 fantastic works comprise The Novello Shakespeare Choral Collection, which would work as a wonderful concert programme on its own, or could provide a wealth of options for choirs looking to expand their repertoire with a range of unique settings. Also included is a fascinating introduction by editor David Wordsworth, and notes describing each piece.Words written by indisputably the greatest writer in the English language can only be matched with music by composers of talent and renown such as these. The Novello Shakespeare Choral Collection is an essential anthology of stunning settings of beautiful words which will be performed and enjoyed for many years to come. / Choeur Mixte (SATB)

Par LAURIDSEN MORTEN. Morten Lauridsen's I Will Lift Up Mine Eyes was written for Stephen Layton and Polyphony and has been recorded on Lauridsen: Nocturnes (Hyperion, CDA 67580). Purchase the sheet music here arranged for mixed vocal chorus. In speaking of Lauridsen in his book Choral Music in the Twentieth Century, the author Nick Strimple says of him, 'he is the only American composer in history who can be called mystic, [whose] probing, serene work contains all the elusive and indefinable ingredient which leaves the impression that all questions have been answered [. . . ] From 1993 Lauridsen's music rapidly increased in international popularity, and by the centuy's end he hadeclipsed Tandall Thompson as the most frequently performed American choral composer'. This piece is from Faber's Choral Signature Series which introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. the series draws in a rich diversity of living composers and includes both lighter and more challenging contemporary works, offering a thrilling array of varied styles./ Feuillet / SATB

The shame and pain of the cross was transformed into a triumphant symbol of hope through the message of Easter. This well-crafted 25-minute five song cantata beautifully and poetically depicts the Easter journey with fresh songs and familiar hymns . . . from reflection to resurrection. It's easily prepared, yet powerful, and perfect for large and small choirs alike. It can be performed as a complete cantata or as separate anthems during Lent, Holy Week, and Easter. Titles: Ride On! * I Am * Sing an Alleluia * The Alleluia Tree * Rejoice! My Redeemer Lives! / Choeur (SATB)

Dan Schutte's modern classic 'Here I Am, Lord' is seamlessly paired with a beloved hymn to create an inspired new setting of these favorites. Mary McDonald's careful craftsmanship shines through in this offering. / Choeur Mixte (SATB)

Tarik O'Regan's I Listen To The Stillness Of You is taken from his larger work 'Mass Observation'. Mass Observation was commissioned for the University of Michigan Chamber Choir, Jerry Blackstone, conductor, thanks to support from the William K. and Delores S. Brehm Choral Commissioning Fund, and the Barbara Abramoff Levy Fund. / SATB

Du compositeur Copland Aaron cette partition musicale dont le titre est Old American Songs I a été composée pour tous les amateurs ou professionnels de Baryton. Fan de Classique vous trouverez votre bonheur dans cette partition musicale des éditions Boosey

The Tallis Psalter comprises a collection of Tallis's 9 tunes for Archbishop Parker's Psalter, preces and responses, the Magnificat and Nunc dimittis (Dorian Service) and a number of easily learnable anthems, all by Tallis. David Skinner is one of the leading scholars in editing music of this period, and this book will be attractive to choirs looking for easily performable and new versions of Tallis choral works. 'I was delighted to see this neat little book cataining the English church music, expressing the simplicity of the needs of the reformed church and the needs of current Anglican choirs.' - Clifford Bartlett, Early Music Review / Choeur Mixte (SATB)

Par BREWBAKER DANIEL. I carry your heart arranged for mixed voice choir with piano accompaniment by Daniel Brewbaker. / Choral Music / Répertoire / Voix Mixtes et Piano