Par RAO DOREEN. Six hits de série de choeur pour enfants le plus vendu pour les chorales supérieurs (2-4 pt treble voices). Comprend des notes d'enseignants et de prononciation guides. Table des matières : I'll Give My Love une pomme, je suis Goin ' Up A Yonder (gospel), Niska Banja (trad serbe), Kenya mélodies (Kenyan trad.), The Storm est passant au-dessus (gospel), quand je chante. Tout ce que vous avez besoin de former des jeunes chorales. Expérience de la musique chorale (MEC) est un programme basé sur les performances d'éducation musicale développé par primé éducateur Doreen Rao. Il apporte une nouvelle approche intégrée à l'enseignement de la musique, combinant le développement des compétences de performance avec l'acquisition de connaissances musicales. Dans le passé, ces aspects complémentaires de la musique ont été enseignées et traités séparément. Aujourd'hui, nous savons que lorsque les étudiants effectuent les opérations, ils manifestent leur connaissance - ils chantent leur compréhension. Guidé par ce modèle de performance, expérience de musique chorale de Doreen Rao se concentre sur répertoire choral distinctive, varié, multiculturel dans.../ Recueil / Choeur Mixte (SATB)

Arranged for SATB chorus and Piano accompaniment. Commissioned by Gareth Malone for Series Four of BBC TV's 'The Choir' and first performed by Malone and the Military Wives' choir as part of The Royal British Legion's Festival of Remembrance at the Royal Albert Hall on 12th November 2011 in the presence of Her Majesty The Queen. A favourite for the 2011 Christmas Number One, with support from radio DJ Chris Evans who has suggested every choir in the country should sing this song, it's and nbsp - the biggest threat to X-Factor chart domination this year. The text is taken from poems, letters and prayers written by the Military Wives, selected and adapted by Paul Mealor, and a passage from the Book of John: Wherever you are, my love will keep you safe - My heart will build a bridge of light, across both time and space. Wherever you are, our hearts still beat as one, I hold you in my dreams each night, until your task is done. Light up the darkness, my wondrous star, Our hopes and dreams, my heart and yours, forever shining far. Light up the darkness, my prince of peace - May the stars shine all around you, may your courage never cease. Wherever I am, I will love you day by day, I will keep you safe, cling on to faith, along the dark, dark way. Wherever I am, I will hold on through the night - I will pray each day, a safe return, will look now to the light. Greater love hath no man than this, that a man lay down his life for his friends. John 15:13 / SATB Et Piano

Cantata for string orchestra and chorus. Triptych represents the concatenation and re-orchestration of two extant works. Movement I was commissioned with funds from The RVW Trust for the inaugural concert of the Choir of London conducted by Jeremy Summerly in Christ Church, Spitalfields on 18th December, 2004 - the work, premièred as Threnody, was subsequently toured by the Choir to Jerusalem and the West Bank from 19th-26th December, 2004. Movements II and III, commissioned by Portsmouth Grammar School with financial support from the PRS Foundation, were premièred as And There Was a Great Calm in a contiguous version for lower strings and upper voices by the Portsmouth Grammar School Chamber Choir and the London Mozart Players in a concert at Portsmouth Anglican Cathedral on 13th November, 2005 conducted by Nicolae Moldoveanu. The title of this latter section is taken from Thomas Hardy's poem of the same name, written at the signing of the Armistice on 11th November, 1918 - a couplet from which is set, in a moment of tranquillity, in the final movement. Relatively new to living in New York, I am much more aware of the independent, vibrant cultural plurality that exists today - it's probably the single most dazzling facet of the City and is largely responsible for the infamous 'edginess' that pervades daily life there. With this in mind, I set to work on Threnody (movement I here) in 2004 - I wanted to write something that was relevant to the Israeli/Palestinian issue without losing that City 'edge'. The texts, in English, are excerpted from a variety of sources: William Penn, William Blake, the Psalms of David and Muhammad Rajab Al-Bayoumi, an Egyptian poet of the early twentieth-century. Fast and rhythmically influenced by the music of North Africa in its syncopations, this movement was the first composition that evolved entirely from my New York perspective. From the moment that the commission for And There Was a Great Calm (movements II and amp - III here) was offered, I knew the piece I was about to embark upon would end up being linked with Threnody in some way. I realized that what I had been aiming for in Threnody served as a template for this new piece, originally composed for a Remembrance Sunday concert. Musical works connected with commemoration or memorials are often suitably pensive and slow - I wanted to start with that concept, but to bring in some of the relentless urban rhythms that had been such a large influence on my life in the preceding two years. The result is that that the second movement is quiet and gentle (a moment of recollection), while the final movement is much faster and vibrant, returning to a more openly elated rendering of the start of Triptych (the texts here dealing with transmigration and the future). and nbsp - I gratefully acknowledge the assistance of Bruce Ruben and Judith Clurman, as well as that of my parents, with the collation of the texts. Tarik O'Regan New York, February 2006 / Soprano, SATB Et Orchestre De Cordes

Description A second collection of Spirituals by the late Moses Hogan that provides a wealth of repertoire for worship and concert performance. 28 wonderful gospel and religious songs, all set for SATB full mixed choir and the track list includes: Blind Man , Give Me Jesus and I Am A Poor Pilgrim . With a foreward by Mormon Tabernacle Choir Director, Craig Jessop, this new collection of Moses Hogan originals and arrangements is essential for every director's library and is a fitting tribute to to this great American composer and conductor. Songlist A Spiritual Reflection Cert'nly Lawd Climbin' Up The Mountain de Blin' Man Stood On The Road And Cried Deep River Give Me Jesus Glory, Glory, Glory To The Newborn King Hold On! I Am His Child I Got A Home In-A Dat Rock I'll Make The Difference Let The Light Of Heaven Shine On Me Lift Every Voice For Freedom Like A Mighty Stream Mister Banjo Music Down In My Soul My God Is So High No Hidin' Place O Magnify The Lord Old Time Religion Ride On, King Jesus Stand By Me Surely He Died On Cavalry Swing Low, Sweet Chariot There's A Man Goin' Round We Shall Walk Through The Valley In Peace Who Built The Ark?

Description Noël! 3 is an exciting collection of Advent, Christmas and Epiphany music for mixed-voice choirs, from the easy to learn to the more challenging and unconventional. The contents range from the Baroque to the present: familiar settings of traditional and lesser-known carols through the ages to Howells, Berkeley and Warlock, and works by today's composers including Richard Rodney Bennett, Paul Mealor, John Tavener, Francis Pott and Richard Allain. Mixed-voice choirs of all levels will enjoy these new arrangements of favourite carols as well as stimulating original works for the Christmas season. Songlist A Lullaby of the Nativity [Blackford, Richard] A Spotless Rose [Mealor, Paul] Annunciation [Tavener, John] As I Lay Upon A Night [Hall, Jamie W.] Balulalow [Allain, Richard] Balulalow [Burton, James] Benedicamus Domino [Warlock, Peter] Bright Star Carol [Muhly, Nico] Child Of The Stable's Secret Birth [Rathbone, Samuel] Coventry Carol [Bennett, Richard Rodney] Deck The Hall With Boughs Of Holly (Arr. Adrian Lucas) [Traditional] Ding Dong! Merrily On High (Arr. Malcolm Williamson) [Traditional] Hereford Carol (Arr. Christopher Robinson) [Traditional] Hodie Christus Natus Est [Locklair, Dan] Hurry On To Bethlehem (Arr. Jonathan Wikeley) [Traditional] I Saw Three Ships [Bennett, Richard Rodney] I Wonder As I Wander (Arr. Matthew O'Donovan) [Niles, John Jacob] In The Bleak Mid Winter [Allain, Richard] In The Snow [Cleary, Pippa] In Wintertime [Berkeley, Lennox] Infant Holy, Infant Lowly [Roberts, Keith] Joseph And The Angel [Terry, Richard Runciman] Joseph Lieber, Joseph Mein [Praetorius, Hieronymus] Lo, How A Rose E'er Blooming (Arr. Jan Sandström) [Praetorius, Michael] Lullay, My Liking [Hill, David] Lute-Book Lullaby [Pott, Francis] Mary, That Mother Mild (Arr. Adrian Lucas) [Gesangbuch, Kölner] My Jesu, Sleep [Harvey, Adam] O Holy Night! (Arr. John West) [Adam, Adolphe] O Magnum Mysterium [Locklair, Dan] O Mortal Man (Sussex Mummers' Carol) (Arr. Herbert Howells) [Traditional] O Radiant Dawn [MacMillan, James] Quelle est cette odeur agréable (Arr. Matthew O'Donovan) [Traditional] The Burning Babe [Wikeley, Jonathan] The Holly and The Ivy [Thompson, Stuart] There Is No Rose [Cusworth, Andrew] This is the Truth Sent From Above (Arr. Ralph Vaughan Williams) [Traditional] Tomorrow Shall Be My Dancing Day (Arr. Stuart Nicholson) [Traditional] Tua Bethlem Dref (Arr. Geoffrey Webber) [Traditional] 'Twas In The Winter Cold [Barnby, Joseph] Walking In The Air [Blake, Howard] We Wish You A Merry Christmas (Arr. John Gardner) [Traditional] Wexford Carol (Arr. Timothy Noon) [Traditional] Winter's Wait [Whitbourn, James] Xicochi [Fernandes, Gaspar]

Arrangeur: Jonathan Wikeley. Pop Carol Singing is the indispensible collection for carol singers who wish to add to the lighter side of their repertoire. Equally suitable for school and community choirs, or for those who want to get together for a good sing, these 24 simple, SATB arrangements have been specially designed to be hugely effective in performance, but equally easy and quick to learn. The a cappella arrangements ensure that they can be sung anytime and anywhere. Including classics such as All I Want for Christmas is You , Wonderful Christmastime and Merry Christmas, Darling , alongside old favourites such as White Christmas , Winter Wonderlandand , Have yourself a merry little Christmas , this collection has everything the carol singer needs, and will leave audiences and singers alike bursting with good cheer. Pop Carol Singing is the indispensible collection for carol singers who wish to add to the lighter side of their repertoire. Equally suitable for school and community choirs, or for those who want to get together for a good sing, these 24 simple, SATB arrangements have been specially designed to be hugely effective in performance, but equally easy and quick to learn. The a cappella arrangements ensure that they can be sung anytime and anywhere. Including classics such as All I Want for Christmas is You , Wonderful Christmastime and Merry Christmas, Darling , alongside old favourites such as White Christmas , Winter Wonderlandand , Haveyourself a merry little Christmas , this collection has everything the carol singer needs, and will leave audiences and singers alike bursting with good cheer. / Pop and rock / Recueil / SATB

Description The Ultimate Gospel Choir Book - Volume 5 features 17 great gospel songs for mixed voices (SAB/SATB), soloist and Piano. Arranged by Jeff Guillen. Songlist Blessing (Go With Peace) Come, O Come, Our Voices Raise Free At Last Gospel Medley Higher Ground It Is Well It's Alright I've Got A Feeling Jesus Loves Me Milky White Way Morning Praise Pilot Me Proem (Grace and Peace) Ride On King Jesus Sometimes I Feel Study War No More Sweet By And By

An iconic text and tune have been thoughtfully set by Shane Warby for the BYU Singers. A simple two-part opening eventually builds into a dynamic proclamation of 'I can sing because I'm free!? A statement of surety in a God who watches even the smallest creatures. / Choeur Mixte (SATB)

Rütti's increasingly popular contemporary arrangement of this traditional carol, dedicated to Stephen Jackson and the Wooburn Singers. / Choeur SATB Et Orgue

Psalm 23, John 1 :13 Isaiah 60:1, Revelation 21:1, Isaiah :7. Par TROTTA MICHAEL JOHN. Designed to be accessible for the choir looking to prepare a larger work within the constraints of limited rehearsal time, this work provides conservative ranges and straightforward rhythms that allow time to craft a more artistic performance. Cast in eight movements, this major work draws on texts that examine the many facets of death, the pain of transitions, and the hope and joy of a better place. The work is scored for choir, organ or piano, and optional string orchestra. Each of the movements is available separately; the work as a whole or as individual parts is recommended for concert or liturgical service use. Movements: 1. Do Not Stand at My Grave and Weep; 2. I Seek a Faith; 3. The Lord Is My Shepherd; 4. A Light Shines in the Darkness; 5. Death Shall Be No More; 6. I Saw a New Heaven; 7. Love Conquers All; 8. Gaelic Blessing (Deep Peace). / Date parution : 2021-11-03/ Répertoire / Ch?ur Mixte SATB et Orgue ou Piano

Aus: Musae Sioniae I, 1605. Par PRAETORIUS MICHAEL. Tonalité : B-Dur - / Mottet / Répertoire / Choeur SATB/SATB

Par WEBERN ANTON. Composer and choir master Clytus Gottwald comments on his transcription of Anton Webern’s Im Sommerwind (1904) as follows: “First of all I had to eliminate all those parts of the source material that had strictly instrumental designs, reducing the work – to quote Wolfgang Rihm – to its singable remnant. What was so surprising, however, was that such a reduction did not lead to a meaningless sequence of fragments, but that the fragments turned out to be – with regard to harmony and motifs – so closely related to each other that the result proved an impressive ‘work within a work’. The reduction uncovered something that could be called the ‘essence’ of the work. In order to make the singable remnant singable, I used fragments from Bruno Wille’s poem Im Sommerwind, which Webern had used as a basis for his composition.”/ Répertoire / Choeur Mixte SATB

The Royal Swedish Court commissioned this piece for the celebration of the Mass on Annunciation to the Blessed Virgin Mary (March 17, 2013). The music depicts Mary's sorrow as the mother of a child that belongs not to her, but to all mankind.'My music is my own and I have never tried to be original. That has always been my motto and I have only tried to use music to express all the feelings which life has to offer. This has led people to describe my music as 'so sad that it sounds like birds who have lost their wings' but also as 'the happiest classical music that we have ever heard'.My compositions are almost all sacred. They express not only my own faith but also my appreciation and respect for the timeless texts that have been used for centuries and centuries.Mårten Jansson (b. 1965), elected member of the Föreningen svenska tonsättare (the Society of Swedish Composers), graduated from the Royal College of Music, Stockholm (KHM) with an MFA degree in Music Education, Dalcroze Eurhythmics and Voice. For more than ten years he was the music director and conductor of 'Carmen?, one of the most prominent womens' vocal ensembles in Sweden. He currently teaches choral conducting and music theory as well as giving vocal tuition at the Bolandgymnasiet and Musikskolan in his home town of Uppsala. / Choeur Mixte (SATB)

Par PART ARVO. I have developed a highly formalised compositional system, which I have been using to write my music for twenty years. Summa is the most strict and enigmatic work in this series, said Arvo Pärt in 1994. The neutral title itself embodies the essence of the content as the work is based on the text of the Latin Credo. The great simplicity of the piece masks its complexity. The underlying rules ensure that on the surface a cycle of continuous change is created while the deep structure possesses an order of stillness. Saale Kareda/ Répertoire / Choeur SATB ou Soliste