La référence GB4415 16 de l'éditeur Billaudot dont l'auteur célèbre est Charpentier Marc-Antoine, qui a pour titre TE DEUM-HYMNE A LA JOIE-SEXTUOR OP17(MENUET)-SERENADE-CBASSE, a été écrite et composée pour Orchestre et plus particulièrement pour Orchestre Junior. Cette partition musicale appartient à la catégorie Classique. / Orchestre Junior / Partition

La référence GB3717 15 de l'éditeur Billaudot dont l'auteur célèbre est Brahms Johannes, qui a pour titre VALSE (OPUS 33 Nø5)-SARABANDE-TAMBOURIN VIOLONCELLE ET BASSON, a été écrite et composée pour Orchestre et plus particulièrement pour Orchestre Junior. Cette partition musicale appartient à la catégorie Classique. / Orchestre Junior / Partition

La référence GB3492 8 de l'éditeur Billaudot dont l'auteur célèbre est Desportes Yvonne, qui a pour titre 9 IMAGES VERSION PART 4A VIOLONCELLE BASSON, a été écrite et composée pour Orchestre et plus particulièrement pour Orchestre Junior. Cette partition musicale appartient à la catégorie Classique. / Orchestre Junior / Partition

La référence GB3773 15 de l'éditeur Billaudot dont l'auteur célèbre est Mendelssohn Bartholdy Felix, qui a pour titre 2 ROMANCES SANS PAROLES VIOLONCELLE BASSON, a été écrite et composée pour Orchestre et plus particulièrement pour Orchestre Junior. Cette partition musicale appartient à la catégorie Classique. / Orchestre Junior / Partition

La référence GB4248 15 de l'éditeur Billaudot dont l'auteur célèbre est Diabelli Anton, qui a pour titre ANDANTINO - AVE MARIA - ROMANCE - VIOLONCELLE - BASSON, a été écrite et composée pour Orchestre et plus particulièrement pour Orchestre Junior. Cette partition musicale appartient à la catégorie Classique. / Orchestre Junior / Partition

La référence GB4730 15 de l'éditeur Billaudot dont l'auteur célèbre est Grieg Edvard, qui a pour titre QUATRE MORCEAUX - VIOLONCELLE (BASSON), a été écrite et composée pour Orchestre et plus particulièrement pour Orchestre Junior. Cette partition musicale appartient à la catégorie Classique. / Orchestre Junior / Partition

La référence GB4248 11 de l'éditeur Billaudot dont l'auteur célèbre est Diabelli Anton, qui a pour titre ANDANTINO - AVE MARIA - ROMANCE - TROMBONE OU TUBA - TRB BASSE, a été écrite et composée pour Orchestre et plus particulièrement pour Orchestre Junior. Cette partition musicale appartient à la catégorie Classique. / Orchestre Junior / Partition

La référence GB3390 6 de l'éditeur Billaudot dont l'auteur célèbre est Mozart Wolfgang Amadeus, qui a pour titre MON COEUR SOUPIRE-MENUET SAXOPHONE TENOR - CLARINETTE BASSE, a été écrite et composée pour Orchestre et plus particulièrement pour Orchestre Junior. Cette partition musicale appartient à la catégorie Classique. / Orchestre Junior / Partition

In Circles - 16 Imaginary Dances for 18 Players (2010). Parts are available on hire: hire@ewh.dk Instr.: FluteOboeClarinet in BbBass ClarinetBassoonHorn2 Trumpets In BbTenor-Bassposaune2 PercussionistsPiano2 ViolinsViola2 CellosDouble Bass Programme note About five years ago the Ensemble Modern commissioned a composition giving me relatively free rein over instrumentation duration and completion date. I was very excited about the opportunity and eager to start work but first I had to finish asymphony and a cello concerto. However when I wanted to begin writing the piece for Frankfurt inspiration became silent and remained silent for the next three years apart from the two works for chamber orchestra: I experienced my first writer’s block. This was not my first commission but the first time that I was seriously worried about a piece and started thinking about the commissioning ensemble and its expectations. If anything I held the Ensemble Modern in too high esteem. The ensemble is notorious for being a group of all-rounders who have already seen and done everything. However it was simply time for me to challenge my self-belief as composer and to search out what kind of composer I really am. Whatever the true reason was I still didn’t get anything down on paper. Nothing would gel. In 2008 a stipend from a New York foundation led me to an Italian lavender-castle from the 15th century far away from everything else deep in Umbria. The deadline for my first opera moved dangerously closer but was barely started. The next commission for an orchestra was also waiting in addition to the piece for EM: only empty sheets.  When I came home six weeks later though I hadn’t finished anything the spell was broken. Behind the massive walls drafts had been created for what within the

Nico Muhly's Step Team for 9 players. Full score.'Stepping is a form of almost militaristic dancing involving the entire body as well as the voice. The routines are highly choreographed and precise but maintain an expressive freedom that comes out of the energy required to pull off the moves. In writing this piece for the Chicago Symphony MusicNOW I wanted to avoid too much delicate pointillistic writing and instead focused on making the nine players function as one team with a singular rhythmic agenda. Whenever the Chicago Symphony comes to New York I am always impressed with the massive steakhouse-style proportions of the brasssound so this score features the Bass Trombone as a guide for the harmonic and lyrical material.At a certain point in the piece the rhythmic unisons begin to break down and individual players or groups of players start slowing down or speeding up against the pulse. The Bass Trombone works as a unifying element here announcing the changes between sections. Some scattered pulses ensue and the brass section continuously shepherds the other instruments back into line. Step Team ends with a duet between the Bass Trombone and the Piano with a series of ornaments from the other players.' - Nico MuhlyInstrumentation: Flute Bassoon Horn in F Tenor Trombone Bass Trombone Piano Violin Viola Cello

Arrangement and Orchestration by Andrea Cappellari. Full score and 26 parts: 1) C Instr. (Flute Violin) / 1) Bb Instr. (Clarinet Soprano Sax. Trumpet) / 2) C Instr. (Flute Violin Oboe) / 2) Bb Instr. (Clarinet) / 3) C Instr. (Violin Viola) / 3) Bb Instr. (Clarinet Soprano Sax.) / 4) C Instr. (VViola) / 4) Bb Instr. (Clarinet Soprano Sax.) / 5) C Instr. (Violin Viola) / 5) Eb Instr. (Alto Sax.) / 6) C Instr. (Violin Viola) / 6) Eb Instr. (Alto Sax.) / 7) C Instr. (Violin Viola Oboe) / 7) Bb Instr. (Clarinet Soprano Sax. Trumpet) / 7nstr. (Alto Sax.) / 8) C Instruments(Violin Viola) / 8) Bb Instr. (Clarinet Soprano Sax. Trumpet) / 8) Eb Instr. (Alto Sax.) / Guitar/ Piano 1 / Piano 2 / Bass Cello Bassoon / Timpani / Maracas / Cymbals Bass drum / Snare drum / Four Hands Pialibitum. Performance possibile also without Piano.

Per Nørgård's Bach to the Future (reduced version) for two Percussion soloists and ten instruments (2010).Commissioned by and dedicated to Safri Duo. A Concerto in three movements based on Preludes by J.S. Bach for Percussion Duo and Orchestra. Reduced version 2010 by Steve Ferre approved by the composer for Percussion Duo (unchanged) and ten instruments (5 woodwind 5 strings)1 Flute dbl. Piccolo and Alto Flute in G1 Oboe dbl. Cor Anglaid in FY1 Clarinet in Bb dbl. Bass Clarinet in Bb1 Bassoon1 Horn in F1 Violin 11 Violin 21 Viola1 Cello1 DoubleBassThe score is written in C Original version for Percussion Duo and Orchestra: KP00615

It S Heaven-Anton Bruckner's Seventh Symphony unlocked by Mark Goddard for flexible ensemble. This arrangement retains the essence of the great work yet is easy to play flexible and concise.Available in three separate versions - woodwind (SP1192) brass (SP1193) and strings (SP1194) - which combine together as required.Woodwind pack includes the full score plus 12 parts: Part 1: Flute and/or Oboe and/or B Flat Clarinet/Soprano SaxophonePart 2: Oboe and/or B Flat Clarinet and/or E Flat Alto SaxophonePart 3: B Flat Clarinet and/or E Flat Alto SaxophonePart 4: Bassoon and/or B FlatClarinet/Bass Clarinet and/or B Flat Tenor Saxophone and/or E Flat Baritone Saxophone

Graham Buckland has arranged a rich variety of spirituals in this edition for variable Instrumental Ensemble. This edition consists of a full score and five individual instrumental parts. The full score includes a part of Piano Keyboard or Guitar and also contains the texts to the spirituals for a singer. In some cases additional vocal parts ad libitum are added. All arrangements are compatible with the edition for choir 64 Spirituals a cappella (BA 7574).The parts include:Melody I in C and Bb (Violin clef)Melody II in C and Bb (Violin clef)Melody III in C (Violin clef; bass clef)Melody III in C and F (Viola clef; hornpart)Melody III in Bb and Eb (Violin clef)For variable ensembleTexts to the spirituals included for singersLevel of difficulty: easy to mediumCompatible with 64 Spirituals a cappella (BA 7574)

For Flute Clarinet Bass Clarinet Horn Piano Violin Cello Live Delay and Spacialising Effects.