The atmosphere of the Wild West is caught in a striking and most imaginative way by young composer Andreas Schulte in this work. A caravan of gold- and fortuneseekers launch themselves into a big adventure and begin their rush westward. The first movement desciribes these first days of buoyancy and optimism in a crisp march. Near the campfire the pioneers rest themselves and the music expresses feelings of romance nostalgia for the past and hopes for the future. A wistful melody very characteristically communicates these feelings. Relaxation takes place in the third movement which is a musical characterization of a rodeo and its attendant festivities.It is obvious that sometimes something goes wrong and this aspect can also be heard. Nevertheless the valiant rider wins in the end. With a flashback to the beginning the journey is completed musically thus giving the composition a dignified finale. Let the mystic Wild West entrance you. (Wagons ho ....!!) De sfeer van het Wilde Westen wordt door de jonge componist Andreas Ludwig Schulte op een uiterst treffende en beeldende wijze geschetst. Een karavaan van goud- en gelukzoekers stort zich in het grote avontuur en begint de grote reis naar het westen. Het eerste gedeelte beschrijft de eerste dagen van opgewektheid en optimisme in een vlotte mars. Bij het kampvuur komen de pioniers tot rust en worden gevoelens van romantiek heimwee (verleden) en hoop (toekomst) muzikaal weergegeven. Een weemoedige melodie verwoordt die gevoelens op een zeer kenmerkende wijze. De ontspanning vindt plaats in het derde deel waarin een rodeofeest muzikaal wordt verklankt. Met een flashback van het begin wordt de tocht voltooid en de compositie waardig afgesloten. Raak in de ban van het wilde westen!

The word ‘tsunami’ is of Japanese origin. When you look it up in a dictionary you will find that it means ‘a great sea wave produced by submarine earth movement or volcanic eruption’. A megatsunami is the superlative of this awesome expressionof power that nature can create and has catastrophic consequences. When Carl Wittrock completed this composition not many such big earth movements had occurred but since then we have become all too familiar with the disastrousconsequences which a tsunami may have. On the 26th of December 2004 a heavy seaquake took place near the Indonesian island of Sumatra. Tidal waves 10 meters in height ravaged the coastal regions of many countries for miles around. The tsunamitook the lives of thousands of people and destroyed many villages and towns. There are more areas which run the risk of being struck by a tsunami such as the island of La Palma one of the Canary Islands. This island is based on oceaniccrust at a fracture zone and as such is one of nature’s time bombs. The consequences of a natural calamity like a megatsunami are immense. In the case of La Palma the tidal wave will move in the direction of South America where it may reach 50km inland destroying everything on its way. In his composition Wittrock describes an ordinary day which will have an unexpected ending. Right from the beginning there seems to be something in the air the music creating an oppressiveatmosphere of impending disaster. Themes are interrupted broken off suddenly followed by silence suggesting the calm before the storm. Suddenly a short climax (glissandi in the trombone part) indicates the seaquake and the megatsunami isa fact. Hereafter follows a turbulent passage symbolising the huge rolling waves. After nature’s force has spent itself resignation sets in and the composition ends with a majestic ode to nature.

Shelter Island is a small island situated near the end of Long Island a few hours drive east of New York. In the summer it becomes a crowded tourist trap but in the winter it is gloriously deserted and bravely faces the onslaught of the turbulent Atlantic shrouded in sea mists and driving rain. This brass band transcription by Phillip Littlemore is of the first movement of East Coast Pictures originally written for wind band and was commissioned in 1985 by the British Youth Wind Orchestra with funds from National Westminster Bank plc. These three short ‘pictures’ were inspired by several visits by the composer to a small part of the USA’sEast Coast an area that provides great extremes in the geography and the people.

Scored for 1st and 2nd cornet/trumpet F horn or trombone (third part) trombone or baritone (fourth part) and tubaThis great collection of grade 3 music for brass quintet appears on many state contest lists andincludes pieces of varying lengths and styles to suit any performance opportunity. The fourteen works in this series include classics as well as contemporary pieces by the original Rubank composers. A must for your school orchurch library.Contents: Aria and Minuet (A. Scarlatti) • Banter (Dieterich) • Cantilena (Koepke) • Courante and Rigadoon (Ostransky) • Fair and Warmer (Walters) • Festival Prelude (Koepke) FromStephen Foster (arr. Beeler) • If Thou Be Near (Bach) • March Regal (Neibig) • Petite Concertante (Johnson) • Prelude and Badinage (Irons) • A Purcell Suite (Voxman) • Siciliana (Mascagni) • TwoMiniatures (Tcherepnine).

Flugel Horn Tenor Horn & Baritone Trio from Hymn-The River Alladale provides the inspiration for this lyrical piece which has a lilting melody with an unmistakeable Scottish feel. The trio of Flugel Horn Tenor Horn and Baritone provide a wonderful sense of flowing with the river which as the piece progresses broadens and grows stronger as it nears the outlet to the sea by the Summer Isles. Bring a touch of Scots magic to your concert with this delightful piece.

from Hymn of the Highlands - Cornet Solo-The River Alladale provides the inspiration for this lyrical piece which has a lilting melody with an unmistakeable Scottish feel. The trio of Flugel Horn Tenor Horn and Baritone provide a wonderful sense of flowing with the river which as the piece progresses broadens and grows stronger as it nears the outlet to the sea by the Summer Isles. Bring a touch of Scots magic to your concert with this delightful piece.