Trio Capriccioso Piano Trio: piano, violon, violoncelle - Intermédiaire Alfred Publishing
(For Violin, Viola, and Piano). Composed by Tom Gerou. For Violin, Viola and Pia...(+)
(For Violin, Viola, and
Piano). Composed by Tom
Gerou. For Violin, Viola
and Piano. Book; Piano
Supplemental; Piano with
Other Instrument; Trio.
Light Concert; Recital.
Late Intermediate. 28
pages. Published by
Alfred Music
Trio Piano Trio: piano, violon, violoncelle Editorial de Musica Boileau
Violin, cello and piano SKU: BO.B.3713 Composed by Joaquim Malats. Publis...(+)
Violin, cello and piano
SKU: BO.B.3713
Composed by Joaquim
Malats. Published by
Editorial de Musica
Boileau (BO.B.3713).
Without doubt,
the most important
chamber music work by
Malats, and one of his
finest compositions, is
his Trio for Violin,
Cello and Piano in B Flat
Major. It was composed in
1898.
Malats
dedicated the Trio to one
of the greatest composers
of all time, Camille
Saint-Saëns, close
personal friend of both
Malats and Granados. An
unknown gem of the
chamber music repertoire,
this Modernist work is
superior in form,
technique and musical
content to similar work
by Granados, Breton,
Chapi and
others.
Malats
had considerable
knowledge and experience
with the trio form. In
1894 at the Sala erard in
Paris he performed four
trios by Beethoven,
Mendelssohn, Godard and
Saint-Saëns with C.
Flesch and Hasselmann.
Given his experiences
with chamber music it is
not surprising that
Malats exhibited such
confidence and security
in writing his Trio
maintaining perfect
balance and dialogue
between the three
instruments which he
achieved through
masterful control of the
formal structure. This
work has a rich harmonic
language and none of the
Nationalist qualities of
his previous pieces.
Instead, it reveals
Malats proximity to then
current European music
yet, at the same time,
exhibits his personal
style and musical
knowledge.
Violin, Violoncello and Piano SKU: AP.36-60783002 Composed by Camille Sai...(+)
Violin, Violoncello and
Piano
SKU:
AP.36-60783002
Composed by Camille
Saint-Saens. String Duo
and Ensemble, Piano Trio,
Conductor Score and
Parts. Master String
Series. Score and
Part(s). LudwigMasters
Publications
#36-60783002. Published
by LudwigMasters
Publications
(AP.36-60783002).
ISBN
9798888528655. UPC:
659359997112.
English.
The piano
trio version of LA MUSE
ET LE POÈTE, Op. 132 was
written by Camille
Saint-Saëns (1835-1921)
in 1910 during a vacation
to North Africa, and that
version premiered at
Queen's Hall on June 7,
1910, with Eugene Ysaÿe
on violin, Jospeh
Hollmann on cello, and
the composer at the
piano. Saint-Saëns
transcribed the version
for violin, cello and
orchestra that same year,
and the same two string
players premiered that
version on October 20 at
the Sarah Bernhardt
Theater in Paris under
Fernand Le Borne. Despite
the title (which was
later added by the
publisher to make it more
marketable), no program
is intended for the work
and neither instrument
represents either the
muse or the poet.
Saint-Saëns himself
referred to the piece as
a conversation between
the two instruments
instead of a debate
between two
virtuosos.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Composed by Alexander Zemlinsky. Edited by Dominik Rahmer. Henle Music Folios. S...(+)
Composed by Alexander
Zemlinsky. Edited by
Dominik Rahmer. Henle
Music Folios. Softcover.
40 pages. G. Henle
#HN578. Published by G.
Henle (HL.51480578).
Russian Rag Piano Trio: piano, violon, violoncelle Bote and Bock
Score and Parts Piano Trio (Score & Parts) SKU: HL.48025074 For Piano ...(+)
Score and Parts Piano
Trio (Score & Parts)
SKU: HL.48025074
For Piano Trio Score
and Parts. Composed
by Elena Kats-Chernin.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. 16 pages.
Duration 180 seconds.
Bote & Bock #M202536179.
Published by Bote & Bock
(HL.48025074).
ISBN
9783793143147. UPC:
196288059721.
9.0x12.0x0.061
inches.
Russian Rag
is one of Elena
Kats-Chernins most famous
pieces. It was arranged
by her for various
instrumentations and was
used, among other things,
as film music in the clay
animation film Mary &
Max. The composer herself
says: Ragtimes are such
fun to write and they
have a somewhat dark
melancholy. Russian music
often has a melancholic
quality, and I was
brought up on Rachmaninov
and Tchaikovsky,
Prokofiev and
Shostakovich. I rarely
write in major keys it
seems and Russian Rag is
no exception, however it
concludesoptimistically
on a major chord..