Ausgewählte Sätze. Par MAHLER GUSTAV. These technically approachable arrangements for the piano of some of Mahler's most significant works, invite us to explore the sound world of their creator./ Répertoire / Piano

Arrangement: Scott Daniel. Par SCOTT DANIEL. Faites un voyage dans le temps à Vienne vieille - ville de l'intrigue courtois, assignation secrète, boules masqué au Palais de Schönbrunn, voitures élégants dans le Prater - un monde classique, ordonné évoqués par la musique de Haydn, Mozart, Beethoven et Schubert. Au XVIIIe siècle cède la place à la romantique du XIXe siècle dans les souches lyriques de Brahms et les valses tourbillonnants, abandonnés de Johann Strauss le jeune - une époque quand la ville elle-même a été transformée en une salle de bal sans fin, scintillante. Enfin, explorez le monde de Fin de Siecle introspectif, de Gustav Mahler, dont lyrisme passionné mais angoissé annonçait la chute de la dynastie des Habsbourg et la fin de l'âge d'or de Vienne comme capitale plus opulente de EuAvailablee. 150 ans de musique plus glorieuse du monde, écrit pour l'une des plus belles villes de EuAvailablee, est contenue dans le présent volume. Jouer de la musique et laissez-vous être ramené à Vienne - ville de rêves./ Recueil / Piano

No. 1-4. Par ULLMANN VIKTOR. Ullman‘s seven Piano Sonatas were written between 1936 and 1944. Though rediscovered as recently as 1990, they are now available in a number of recordings. Neo-classical in approach, the piano writing and the use of polytonality places them closer to Skriabin and Prokofiev than to the works of Ullman‘s teachers Arnold Schoenberg and Alois Hába – this applies also to the Piano Concerto, written during the same period. The numerous quotes from Mozart, Wagner, Mahler, and Dukas to folksongs and tunes from operettas are particulary interesting in this context./ Répertoire / Piano

Par MAHLER GUSTAV. Arrangé par S. Blet / Niveau : Elémentaire / contemporain / Répertoire / Piano

Lower Intermediate to Intermediate. 103 arrangements of must-know classical standards by 41 composers at the lower intermediate to intermediate level. BACH: Air on the G String · Arioso · Jesu, Joy of Man's Desiring · Sheep May Safely Graze · Sleepers, Awake BEETHOVEN: Theme from Symphony No. 5 · Theme from Symphony No. 6 · Theme from Symphony No. 7 · Ode to Joy from Symphony No. 9 BIZET: Themes from Carmen · Farandole from L'Arlésienne Suite No. 2 BOCCHERINI: Minuet from String Quintet BORODIN: Polovetsian Dances from Prince Igor BRAHMS: Hungarian Dance · Lullaby · Theme from Symphony No. 1 · Theme from Variations on a Theme by Joseph Haydn CLARKE: Trumpet Voluntary (The Prince of Denmark's March) DVORÁK: Themes from Symphony No. 9 ELGAR: Nimrod from Enigma Variations · Pomp and Circumstance March No. 1 FAURE: Pavane · Pie Jesu · Sicilienne GOUNOD: Ave Maria adapted from Prelude in C Major by JS Bach GRIEG: Anitra's Dance from Peer Gynt Suite · Morning from Peer Gynt Suite · Solveig's Song from Peer Gynt Suite · Theme from Piano Concerto HANDEL: Harmonious Blacksmith · Bourrée from Music for the Royal Fireworks · Largo (Ombra mai fu) from Serse · Where'er You Walk from Semele · Hornpipe from Water Music HOLST: Jupiter Chorale from The Planets HUMPERDINCK: Evening Prayer from Hansel and Gretel MAHLER: Adagietto from Symphony No. 5 MASSENET: Meditation from Thaïs MENDELSSOHN: Nocturne from A Midsummer Night's Dream MOZART: Theme from Clarinet Concerto · Minuet from Don Giovanni · Allegro from Eine kleine Nachtmusik · Theme from Piano Concerto No. 20 · Theme from Piano Concerto No. 21 · Theme from Symphony No. 40 MUSSORGSKY: Promenade from Pictures at an Exhibition OFFENBACH: Can-Can from Orpheus in the Underworld · Barcarolle from The Tales of Hoffmann PACHELBEL: Canon in D PAGANINI: Caprice No. 24 from 24 Caprices PARRY: Jerusalem PONCHIELLI: The Dance of the Hours from La Gioconda PUCCINI: O mio babbino caro from Gianni Schicchi · Themes from Madama Butterfly PURCELL: Rondeau from Abdelazar ROSAS: Over the Waves ROSSINI: Themes from The Barber of Seville · Theme from William Tell SCHUBERT: Ave Maria · Serenade · Theme from Symphony No. 8 (Unfinished) · Theme from Symphony No. 9 · To Music · The Trout · SEMTANA: The Moldau from My Homeland SOUSA: The Liberty Bell · The Stars and Stripes Forever · The Washington Post STRAUSS I: Radetzky March STRAUSS II: Emperor Waltz · On the Beautiful Blue Danube · Tales from the Vienna Woods · Tritsch-Tratsch Polka · Viennese Blood · Wine, Women, and Song TCHAIKOVSKY: Themes from 1812 Overture · Marche slave · Dance of the Reed Flutes from The Nutcracker · Waltz of the Flowers from The Nutcracker · Theme from Piano Concerto No. 1 · Theme from Romeo and Juliet Theme from Swan Lake · Theme from Symphony No. 5 · Theme from Symphony No.6 VERDI: Grand March · La donn / Niveau : Facile / Classique / Recueil / Piano

One of the least known of the great Russian pianists of the late 19th and early 20th Centuries, Alexander Siloti (1863-1945) was one of the most influential and progressive. As a concert promoter, he introduced the music of dozens of composers to the Russian public in the famous Siloti Concerts of 1903-1917, including Albeniz, Debussy, de Falla, Delius, Elgar, Enesco, Mahler and Schoenberg. A student of Liszt (and one of the teachers of Rachmaninoff), Siloti is a central figure in the development of the great age of the piano virtuoso. As with many of his colleagues, transcribing and arranging existing music for the piano was a major part of Siloti's activity, and since he madeno recordings, his published transcriptions are one of the few existing keys we have to his musical taste and philosophy. In an extended biographical essay, Dr. Charles Barber explores this issue and writes cogently about the style and influence of this remarkable man. The Alexander Siloti Collection is dominated by Siloti's remarkable transcriptions and arrangements of the music of J.S. Bach, notable particularly for their pianistic character and faithfulness to the unique genetic code of Bach's design. Some of the Bach works included are: Prelude in B Minor, BWV855a, Gigue from Suite in Bb Major, Chaconne in D Minor, the Organ Preludes in E Minor and G Minor and the celebrated Toccata and Fugue in D Minor, BWV 565. Music by Gluck, Mozart and Chopin is also contained in this generous compilation of pianistic wizardry. This addition to The Master's Collection is likely to be one of the most talked about piano folios of the year. (288 pages, smythe sewn binding).Prelude in B MinorAdagioAirChaconne in D MinorGigueAndanteFantasia in C MinorOrgan Prelude in E MinorParaphraseOrgan Prelude in G MinorPreludePrelude from Cantata No. 29Prelude from Cantata No. 35SicilianoToccata and Fugue in D MinorMelodyVariationsVariations in F MajorEtude No. 25 in F MinorScherzo in B-flat MinorAu bord d'une sourceAu lac de WallenstadtConsolation No. 3 in D-flat MajorConcert Etude in D-flat MajorSposalizioIl PenserosoSursum CordaLe cygneHumoresqueTheme original et variationsA Song of IndiaFour Russian Folk SongsFour Russian Folk SongsFour Russian Folk SongsTwelve Themes from Famous WaltzesTwelve Themes from Famous WaltzesNo. 3. On the Beautiful Blue DanubeTwelve Themes from Famous WaltzesTwelve Themes from Famous WaltzesTwelve Themes from Famous WaltzesTwelve Themes from Famous WaltzesTwelve Themes from Famous WaltzesTwelve Themes from Famous WaltzesTwelve Themes from Famous WaltzesTwelve Themes from Famous WaltzesTwelve Themes from Famous WaltzesEtude in C-sharp MinorPoemeRomanzePrelude in G-sharp Minor / Piano / Carl Fischer

Cette collection en grande série de musique classique au monde dispose de 60 extraits de 46 symphonies par une douzaine de compositeurs bien-aimés, fidèlement transcrits pour facile de piano solo intermédiaire. Compositeurs représentés sont: Beethoven, Berlioz, Brahms, Bruckner, Dvorák, Haydn, Mahler, Mendelssohn, Mozart, Schubert, Schumann et Tchaikovsky. Le livre donne également une brève biographie de chaque compositeur. / Piano

Opus 19. Par SCHOENBERG ARNOLD. One of the answers found by Schönberg?s circle to the question about how musical processes could be shaped without a tonal context was in the extreme streamlining of the form. With Schönberg?s Six Little Piano Pieces op. 19 of 1911, the concentration on the essential is legendary. Behind its fleeting gestures lie hidden depths, shown especially through its supposed reference in the last piece to Gustav Mahler?s funeral on 21 May 1911. With his carefully considered fingerings, Emanuel Ax invites all pianists to engage with these miniatures anew. The Henle Urtext edition publishes this modern classic in a new, generously laid out music setting. / Date parution : 2022-04-05/ Répertoire / Piano

Par BRAHMS JOHANNES. The Piano Pieces Op. 119 are less a loose collection of pieces than a self-contained cycle. Johannes Brahms's piano work reach their conclusion and fulfilment in these pieces, and the forebodings of death in the E-flat minor Intermezzo Op. 118 #6 are metamorphosed into late-Romantic otherworldliness. Johannes Brahms wrote to Clara Schumann about the Intermezzo Op. 119 #1: 'I am tempted to copy out a little piano piece for you, since I would like to know how you find it. It is full of dissonances! They may be correct and legitimate - but perhaps not to your liking, in which case I wish they were less correct but more appealing and to your taste. The little piece is exceptionally melancholic, and it would be an understatement to say that it must 'be played very slowly'. Every bar and eyery note must sound ritard., as if one wanted to squeeze the melancholy with ecstasy and contentment out of every single one of those dissonances! Oh God, the description alone will make you eager!' Ulrich Mahlert has revised this edition of the 'Klavierstücke' Op. 119 on the basis of the author's copy of the composer, and wrote a detailed and informative preface to the new edition./ Répertoire / Piano