| Wolfgang Amadeus Mozart:
Missa brevis in D major:
Mixed Choir: Vocal Score Soli, choeur mixte et accompagnement Soli, chœur mixte et piano Barenreiter
The choral scene is in a state of change! On the one hand more and more choirs ...(+)
The choral scene is in a state of change! On the one hand more and more choirs are lacking in male voices yet at the same time more and more female choirs are looking for high-quality literature beyond folksong arrangements. Bärenreiter is responding to these general trends with the publication of arrangements for three-part female choir (SMA) of well-known frequently-performed works.The first editions to be published are Wolfgang Amadeus Mozart’s “Coronation Mass” K.317 (BA 5691) a much-performed work within the standard repertoire and the “Missa brevis in D major” K. 194 (BA 5690-90) a charmingalternative for use in church services. With great skill and sensitivity to the music Heribert Breuer has carefully retained the substance of the original works at the same time giving them a completely new sound quality.- Arrangements for female choir (SMA) based on the Urtext of the “New Mozart Edition”- Idiomatic Piano reductionsThe arranger Heribert Breuer was professor of choral conducting and music theory at the Berlin University of the Arts until 2010. He is founder and director of the Berlin Bach Akademie and has made a name for himself with his numerous arrangements of works from Bach to Schubert.
9.00 GBP - vendu par Musicroom GB |
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| Georg Friedrich Händel:
Dettinger Te Deum - HWV
283: Mixed Choir: Part Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
HWV 283-Handel's Dettinger Te Deum was composed to celebrate England’s vi...(+)
HWV 283-Handel's Dettinger Te Deum was composed to celebrate England’s victory over the French at the Battle of Dettingen. This is Handel’s last and most successful setting of the Te Deum and reveals a deep understanding of the English church music tradition.The sound impact of this broadly conceived work is governed by the choirs in an almost theatrical exegesis of the text. Particularly striking are several borrowings from the Messiah which Handel had just completed.This Barenreiter Urtext edition has been edited by the Baroque specialist Amanda Babington and is based on the Urtext from the Halle HandelEdition.First Urtext editionIncludes a Foreword (Eng/Ger)Straight-forward well-presented Piano reduction (Eng)Full score and performance material (BA10706) and vocal score (BA10706-90) available for sale
6.00 GBP - vendu par Musicroom GB |
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| Georg Friedrich Händel:
Dettinger Te Deum - HWV
283: Mixed Choir: Part Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
HWV 283-Handel's Dettinger Te Deum was composed to celebrate England’s vi...(+)
HWV 283-Handel's Dettinger Te Deum was composed to celebrate England’s victory over the French at the Battle of Dettingen. This is Handel’s last and most successful setting of the Te Deum and reveals a deep understanding of the English church music tradition.The sound impact of this broadly conceived work is governed by the choirs in an almost theatrical exegesis of the text. Particularly striking are several borrowings from the Messiah which Handel had just completed.This Barenreiter Urtext edition has been edited by the Baroque specialist Amanda Babington and is based on the Urtext from the Halle HandelEdition.First Urtext editionIncludes a Foreword (Eng/Ger)Straight-forward well-presented Piano reduction (Eng)Full score and performance material (BA10706) and vocal score (BA10706-90) available for sale
6.00 GBP - vendu par Musicroom GB |
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| Requiem Op. 89 Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Barenreiter
Dvorák's 'Requiem?, for soloists, choir and orchestra, is one of the highlights...(+)
Dvorák's 'Requiem?, for soloists, choir and orchestra, is one of the highlights within the international choral repertoire. Now Bärenreiter is presenting this work in an arrangement by Joachim Linckelmann with chamber orchestra based on the full score from the 'Complete Edition of the Works by Antonín Dvorák?.The arrangement dispenses with all the brass instruments except for a single horn- all that remains of the percussion are the timpani- the organ has also been taken out. The cor anglais and bass clarinet parts can be replaced by an oboe and clarinet (ossia staves in score and parts).This arrangement, which judiciously reduces the richness of Dvorák's original orchestration, makes the work available to a broader range of performers outside professional circles.- Standard choral work with a manageable reduced orchestration- A stylistically appropriate as well as tried and tested arrangement- In keeping with the vocal score H 2924-90 / Choeur Mixte (SATB)
107.10 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Mozart W.a. - Don
Giovanni Kv 527 -
Soloists, Choir And
Orchestra Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Eulenburg
Opera Instrument : soloists, choir and orchestra Type : study score Series : Eu...(+)
Opera Instrument : soloists, choir and orchestra Type : study score Series : Eulenburg Miniature Scores Nombre de Pages : 688 Content : Vorwort - Revisionsbericht - Preface - Editorial Notes - Ouvertüre - 1. Akt - 2. Akt
51.70 EUR - vendu par Woodbrass Délais: Sur commande |
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| Giuseppe Verdi: Quattro
Pezzi Sacri: Mixed Choir:
Vocal Score Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Carus Verlag
Giuseppe Verdi's Quattro Pezzi Sacri for SATB and Piano.The single works forming...(+)
Giuseppe Verdi's Quattro Pezzi Sacri for SATB and Piano.The single works forming the sacred music cycle 'Quattro pezzi sacri' were composed as independent pieces between 1889 and 1897. The scoring ranges from solo voices a cappella to double choir with large orchestra. In 1898 the year of their first joint performance Verdi had them published together as 'Quattro pezzi sacri'. With the composition of the 'Quattro pezzi sacri' in the last years of his life Verdi thus returned to his church musician origins. Already at the age of 10 Verdi performed the duties of organist in his home congregation and later in Busseto where he received his first music lessons. Themasses at the collegiate church in Busseto formed some of his most important musical impressions. During the time Verdi composed 'Falstaff' his last opera he was once again composing sacred music this time in a conscious encounter with historical models such as Palestrina and Bach.
13.80 GBP - vendu par Musicroom GB |
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| Cheryl Frances-Hoad:
Amy's Last Dive: Women's
Choir: Vocal Score Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Partition] Cadenza Music
Cheryl Frances-Hoad's Amy's Last Drive for Soloists Womens Choir and Orchestra....(+)
Cheryl Frances-Hoad's Amy's Last Drive for Soloists Womens Choir and Orchestra.Duration: 2 hours
19.99 GBP - vendu par Musicroom GB |
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| Britten Benjamin -
Cantata Misericordium Op.
69 - Mixed Choir ,
Soloists And Orchestra Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Boosey and Hawkes
Instrument : mixed choir (SATB), soloists (TBar) and orchestraType : choral scor...(+)
Instrument : mixed choir (SATB), soloists (TBar) and orchestraType : choral scoreNombre de Pages : 22
9.50 EUR - vendu par Woodbrass Délais: Sur commande |
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| Paul Mealor Jonjo Kerr
Military Wives? Choir
Paul Mealor: In My
Dreams: Mixed Soli, choeur mixte et accompagnement Soli, chœur mixte et piano Novello & Co Ltd.
Paul Mealor wrote In My Dreams for The Military Wives Choir Jonjo Kerr and Gare...(+)
Paul Mealor wrote In My Dreams for The Military Wives Choir Jonjo Kerr and Gareth Malone for their first album In My Dreams. This version is for Tenor solo SSA chorus and Piano. Also available for Tenor solo SSA chorus Piano Harp Percussion and Strings and for SATB chorus and Piano.
3.25 GBP - vendu par Musicroom GB |
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| Requiem Op. 89 Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Barenreiter
Dvorák's 'Requiem?, for soloists, choir and orchestra, is one of the highlights...(+)
Dvorák's 'Requiem?, for soloists, choir and orchestra, is one of the highlights within the international choral repertoire. Now Bärenreiter is presenting this work in an arrangement by Joachim Linckelmann with chamber orchestra based on the full score from the 'Complete Edition of the Works by Antonín Dvorák?.The arrangement dispenses with all the brass instruments except for a single horn- all that remains of the percussion are the timpani- the organ has also been taken out. The cor anglais and bass clarinet parts can be replaced by an oboe and clarinet (ossia staves in score and parts).This arrangement, which judiciously reduces the richness of Dvorák's original orchestration, makes the work available to a broader range of performers outside professional circles.- Standard choral work with a manageable reduced orchestration- A stylistically appropriate as well as tried and tested arrangement- In keeping with the vocal score H 2924-90 / Violon II
7.90 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Requiem Op. 89 Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Barenreiter
Dvorák's 'Requiem?, for soloists, choir and orchestra, is one of the highlights...(+)
Dvorák's 'Requiem?, for soloists, choir and orchestra, is one of the highlights within the international choral repertoire. Now Bärenreiter is presenting this work in an arrangement by Joachim Linckelmann with chamber orchestra based on the full score from the 'Complete Edition of the Works by Antonín Dvorák?.The arrangement dispenses with all the brass instruments except for a single horn- all that remains of the percussion are the timpani- the organ has also been taken out. The cor anglais and bass clarinet parts can be replaced by an oboe and clarinet (ossia staves in score and parts).This arrangement, which judiciously reduces the richness of Dvorák's original orchestration, makes the work available to a broader range of performers outside professional circles.- Standard choral work with a manageable reduced orchestration- A stylistically appropriate as well as tried and tested arrangement- In keeping with the vocal score H 2924-90 / Violon I
39.70 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Antonín Dvo?ák: Requiem
Op.89 B.165 Chamber
Version - Violin I: Mixed
Choir: Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Barenreiter
Standard choral work with a manageable reduced orchestration.A stylistically app...(+)
Standard choral work with a manageable reduced orchestration.A stylistically appropriate as well as tried and tested arrangement.Compatible with Vocal score H 2924-90.Dvo ák?s Requiem for soloists choir and orchestra is one of the highlights within the international choral repertoire. Now Bärenreiter is presenting this work in an arrangement by Joachim Linckelmann with chamber Orchestra based on the full score from the Complete Edition of the Works by Anton n Dvo ák.The arrangement dispenses with all the brass instruments except for a single Horn; all that remains of the Percussion arethe Timpani; the Organ has also been taken out. The cor anglais and Bass Clarinet parts can be replaced by an Oboe and Clarinet (ossia staves in score and parts).This arrangement which judiciously reduces the richness of Dvo ák?s original orchestration makes the work available to a broader range of performers outside professional circles.
5.50 GBP - vendu par Musicroom GB |
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| Te Deum For The Victory
At The Battle Of
Dettingen (HAENDEL GEORG
FRIEDRICH) Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Hwv 283. Par HAENDEL GEORG FRIEDRICH. The “Dettinger Te Deum” was written to...(+)
Hwv 283. Par HAENDEL GEORG FRIEDRICH. The “Dettinger Te Deum” was written to celebrate England’s victory over the French at the Battle of Dettingen. It is Handel’s last and most successful setting of the “Te Deum” and reveals a deep understanding of the English church music tradition. The sound impact of this broadly conceived work is governed by the choirs in an almost theatrical exegesis of the text. Particularly striking are several borrowings from the “Messiah” which Handel had just completed. This edition, edited by Baroque specialist Amanda Babington, is based on the Urtext from the “Halle Handel Edition”. - First Urtext edition - Includes a Foreword (Eng/Ger) - Idiomatic, well-presented piano reduction (Eng) Handel 's Dettinger Te Deum was composed to celebrate England’s victory over the French at the Battle of Dettingen. This is Handel ’s last and most successful setting of the Te Deum and reveals a deep understanding of the English church music tradition. The sound impact of this broadly conceived work is governed by the choirs in an almost theatrical exegesis of the text. Particularly striking are several borrowings from the Messiah which Handel had just completed. This Barenreiter Urtext edition has been edited by the Baroque specialist Amanda Babington and is based on the Urtext from the Halle HandelEdition. First Urtext edition Includes a Foreword (Eng/Ger) Straight-forward, well-presented Piano reduction (Eng) Full score and performance material (BA10706) and vocal score (BA10706-90) available for sale/ Répertoire / Alto Solo, Ténor Solo, Basse Solo, Choeur Mixte et
62.40 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Elijah (Elias) Opus 70
(MENDELSSOHN-BARTHOLDY
FELIX) Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Peters
Par MENDELSSOHN-BARTHOLDY FELIX. Felix Mendelssohn’s oratorio Elijah caused a ...(+)
Par MENDELSSOHN-BARTHOLDY FELIX. Felix Mendelssohn’s oratorio Elijah caused a sensation at its world première performance, sung in English, in Birmingham UK in August 1846. The huge forces marshalled for the occasion delighted the audience, who demanded no fewer than eight encores and loudly acclaimed the composer despite an injunction to observe the solemnity of the occasion by refraining from applause. Elijah has been an essential repertoire work for choral societies ever since. Published on the 175th anniversary of that famous premiere, Edition Peters is proud to present a new English-language Urtext edition of the vocal score containing the original libretto by William Bartholomew. Edited and with a preface by the highly respected musicologist Klaus Burmeister, the edition also includes a foreword ‘Mendelssohn and Birmingham’ by Simon Halsey, one of the world’s foremost choral directors (Chorus Director City of Birmingham Symphony Orchestra Choruses; Artistic Director, Orfeó Català Choirs and Artistic Adviser, Palau de la Música, Barcelona; Choral Director, London Symphony Orchestra and Chorus; Artistic Director, Berliner Philharmoniker ‘Vokalhelden’ Programme). The edition complements and is designed to be used in conjunction with the existing German/English full score (EP11345) and orchestral parts. An associated German language vocal score is also available (EP11347). Edition Peters Vocal Scores are the choice of the world’s leading choirs and chorus masters. They are practical, reliable, high-quality editions containing expert piano reductions. / Date parution : 2022-07-20/ Répertoire / Solistes, Choeur et Orchestre
22.00 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Mass in F minor - WAB 28
(BRUCKNER ANTON) Soli, choeur mixte et accompagnement Soli, chœur mixte et piano Carus Verlag
Par BRUCKNER ANTON. Bruckner?s mighty Mass in F minor is one of his most signifi...(+)
Par BRUCKNER ANTON. Bruckner?s mighty Mass in F minor is one of his most significant creations and one of the great 19th-century choral works. The composer uniquely succeeds in exploring faith through the lens of music. In doing so, he ventures into extreme forms of expression, which caused some disgruntlement among the musicians at rehearsals for the premiere in November 1868. In subsequent years, however, the work has gradually become more accepted, and today presents a highly appealing challenge to advanced choirs. The Carus edition presents the Mass in F minor as the final 1893 version based on the autograph and the surviving copies from the copyist. As an Urtext edition it follows the latest scholarly standards ready for the Bruckner anniversary year in 2024! / Date parution : 2023-06-01/ Répertoire / Solistes [SATB], Double Choir et Piano
134.70 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Messe C-Dur Op. 86
(BEETHOVEN LUDWIG VAN) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Barenreiter
Arrangeur: Andrea Campora. Par BEETHOVEN LUDWIG VAN. Beethoven’s sacred works ...(+)
Arrangeur: Andrea Campora. Par BEETHOVEN LUDWIG VAN. Beethoven’s sacred works include two settings of the Mass. The “Mass in C major”, completed and premiered in 1807, has been unjustly described as a preliminary step towards the great “Missa solemnis”. Yet it is a self-contained and, for its time, decidedly modern piece of church music. Drawing on the rich body of sources, Beethoven specialist Barry Cooper suggests practical solutions to the work’s musical and interpretative problems. His deep study of the sources convinced him to include a fully realized organ part in the score, just as Beethoven envisioned it for the first printed edition. As stated in the sources, the parts for the soloists and choir are notated on joint staves to demonstrate that the soloists are also to sing the choral passages. Rounding off this Urtext edition are a Foreword on the work’s genesis and a detailed Critical Commentary. - Score with realization of the organ part - Bilingual Foreword (Eng/Ger) and Critical Commentary (Eng) - Idiomatic piano reduction Features of the Barenreiter Urtext edition of Beethoven 's Mass In C Major : Score with realisation of the Organ part Bilingual Foreword (Eng/Ger) and Critical Commentary (Eng) Straight-forward Piano reduction Full score and performance material (BA9039) and Vocal score (BA9039-90) available for sale Amongst Beethoven ’s sacred works are two settings of the Mass. The Mass In C Major was completed and premiered in 1807 and has been unjustly described as a preliminary step towards the great Missa solemnis. Yet it is a self-contained and, for its time, distinctly modernpiece of sacred music. Beethoven specialist Barry Cooper has drawn on a rich body of sources to suggests practical solutions to the work’s musical and interpretative problems. His in-depth study of the sources convinced him to include a fully realised Organ part in the score, just as Beethoven envisioned it for the first printed edition. As stated in the original sources, the parts for the soloists and choir are notated on joint staves to demonstrate that the soloists are also to sing the choral passages. This Barenreiter Urtext edition is rounded off with a foreword on the work’s genesis and a detailed critical commentary. / Messe / Répertoire / Solistes, Choeur Mixte et Orchestre
98.30 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Requiem D-Moll Kv 626
(MOZART WOLFGANG AMADEUS) Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Partition] Breitkopf & Härtel
Par MOZART WOLFGANG AMADEUS. Piano scores for mixed choir, solo voice and piano....(+)
Par MOZART WOLFGANG AMADEUS. Piano scores for mixed choir, solo voice and piano. Soli: SATB and Choir: SATB / Hymnes et chorals / Répertoire / Choeur Mixte, Soprano et Orchestre
13.20 EUR - vendu par LMI-partitions Délais: En Stock |
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| 8. Sinfonie (PENDERECKI
KRZYSZTOF) Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur d'étude / Miniature] Schott
Lieder der Vergänglichkeit for three soloists (SMezBar), mixed choir and orches...(+)
Lieder der Vergänglichkeit for three soloists (SMezBar), mixed choir and orchestra. Par PENDERECKI KRZYSZTOF. The form of this work is not so much based on the classical symphony, but is closer to a song cycle structure which has now grown to include 13 movements for choir and orchestra. The Romantic characteristics and form of the 8th Symphony are both reminiscent of Gustav Mahler’s choral symphonic works and his Lied von der Erde. Krzysztof Penderecki here extends and augments his expressive musical material, for example through cluster techniques and glissandi, possibilities which he has been systematically exploring since the 1950s. He has compiled the texts from poetry by Eichendorff, Rilke, Brecht, Kraus, Hesse, Goethe, Bethge and von Arnim on the theme of ’forests and trees’, which has long been close to his heart as demonstrated by his private arboretum near Luslavice (’my personal Ithaca’) containing over 1500 species of trees./ Répertoire / Solistes, Choeur et Orchestre
71.40 EUR - vendu par LMI-partitions Délais: Sur commande |
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| The Dream Of Gerontius
(ELGAR EDWARD) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] Carus Verlag
Op. 38. Par ELGAR EDWARD. This is the best of me, wrote Edward Elgar after the f...(+)
Op. 38. Par ELGAR EDWARD. This is the best of me, wrote Edward Elgar after the final measure of his Dream of Gerontius. Premiered in 1900, in Great Britain the work has long been a standard work in the repertoire of large oratorio choirs. Elgar?s moving, poetic setting of the eponymous poem by Cardinal John Henry Newman is about a dying man and his journey beyond death to God. Before the eyes of the listeners, a musical image of the soul is created which flies past mocking demons to God with its protecting angel at its side, is allowed to look at him briefly, then faces the purgatorial fire of salvation confident and comforted. The work is a real rarity in the history of oratorio, and for large choirs it is a thrilling alternative to the established repertoire of Requiem settings. Its popularity is thanks to the suggestive, often sensuous power of the music, the great choral scenes of the demons and the Angel, and the three impressive solo parts. All previous editions were reprints based on the historic first printed materials, which are inconsistent. By contrast, Carus has produced a modern, newly-engraved edition, compatible in all sections, which takes all the sources into consideration and evaluates the autograph manuscript in detail. For this edition the complete orchestral material is available on sale, and the vocal score and full score contain both English and German singing texts. The full score is also available digitally. / Date parution : 2022-05-31/ Répertoire / Solistes, Ch?ur SATB et Orchestre
175.50 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Litaniae Lauretanae B.M.V
In B (MOZART WOLFGANG
AMADEUS) Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Partition] Carus Verlag
B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is th...(+)
B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the 'church trio'' of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Chapel of Schloss Mirabell. / Hymnes et chorals / Date parution : 2001-06-01/ Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin
5.80 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Litaniae Lauretanae B.M.V
In B (MOZART WOLFGANG
AMADEUS) Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Partition] Carus Verlag
B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is th...(+)
B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the 'church trio'' of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Chapel of Schloss Mirabell. / Hymnes et chorals / Date parution : 1990-03-01/ Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin
9.40 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Litaniae Lauretanae B.M.V
In B (MOZART WOLFGANG
AMADEUS) Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Carus Verlag
B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is th...(+)
B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the 'church trio'' of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Chapel of Schloss Mirabell. / Hymnes et chorals / Date parution : 1990-03-01/ Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin
7.90 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Litaniae Lauretanae B.M.V
In B (MOZART WOLFGANG
AMADEUS) Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Partition] Carus Verlag
B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is th...(+)
B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the 'church trio'' of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Chapel of Schloss Mirabell. / Hymnes et chorals / Date parution : 2005-06-01/ Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin
3.20 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Litaniae Lauretanae B.M.V
In B (MOZART WOLFGANG
AMADEUS) Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Partition] Carus Verlag
B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is th...(+)
B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the 'church trio'' of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Chapel of Schloss Mirabell. / Hymnes et chorals / Date parution : 2005-06-01/ Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin
3.20 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Litaniae Lauretanae B.M.V
In B (MOZART WOLFGANG
AMADEUS) Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Partition] Carus Verlag
B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is th...(+)
B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the 'church trio'' of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Chapel of Schloss Mirabell. / Hymnes et chorals / Date parution : 2001-05-01/ Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin
11.20 EUR - vendu par LMI-partitions Délais: En Stock |
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