Composed by Cecilia McDowall. For SATB choir, a cappella. Mixed Voices. New Horizons. Christmas, Choral Leaflet. Level C (moderately difficult). Vocal score. 8 pages. Duration 4'. Published by Oxford University Press

By Leon Jessel. Arranged by Jeff Funk. For Opt. Snare Drum. (SATB, a cappella). Choral Octavo. Secular, Christmas. Level: Moderate (grade III). Choral Octavo. 12 pages. Published by Alfred Publishing.

(Movement 1 from from the Path of Beauty ). By Chen Yi. Mixed chorus. For SATB Chorus, A Cappella. 8 pages. Duration 2 minutes. Published by Theodore Presser Company

((from NONSENSE)). Composed by Paul John Rudoi. For Choral (SATB DV A Cappella). Walton Choral. Walton Music #WW1569. Published by Walton Music

A Madrigal from A Garland for the Queen. By Michael Tippett. (SSATB A Cappella). Schott. Size 8.25x11.75 inches. 12 pages. Published by Schott.

By Ola Gjeilo. (SSAATTBB A Cappella). This edition: WW1400. Walton Choral. 36 pages. Published by Walton Music.

SSA a cappella. By Kathy Armstrong. (SSA A Cappella). CME INTERMEDIATE SERIES. Size 7x10.5 inches. 6 pages. Published by Boosey & Hawkes.

SATB a cappella. By Charles Villiers Stanford. Arranged by Simon Halsey. (SATB a cappella). Faber Program Series. Size 6.8x10.5 inches. 32 pages. Published by Faber.

Composed by John Rutter (1945-). For SATB choir unaccompanied. Mixed Voices. John Rutter Anniversary Edition. Secular. Level A (very easy). Octavo. 12 pages. Duration 2 minutes. Published by Oxford University Press

From A Midsummer Night's Dream. Composed by Felix Bartholdy Mendelssohn (1809-1847). Arranged by Jerry Brubaker. Full Orchestra; Masterworks; Part(s); Score; SmartMusic. Belwin Concert Full Orchestra. Form: Transcription. Masterwork Arrangement; Romantic. 106 pages. Published by Belwin Music (AP.41234).

By Hywel Davies. For SATB choir, a cappella. Mixed Voices. Christmas, Choral Leaflet. Vocal score. 8 pages. Duration 3'. Published by Oxford University Press

Composed by Young. Christmas Songs and Carols - Mixed Voices. Voice Junction. Vocal score. 20 pages. Duration 3'. Oxford University Press #9780193539488. Published by Oxford University Press

Bob Chilcott Songbook by Bob Chilcott. For SATB choir accompanied and a cappella. Mixed Voices. Secular, Choral Collection. Vocal score. 72 pages. Published by Oxford University Press (OU.

From the Series Forgotton Peoples. By Veljo Tormis. (SATB DV A Cappella). Boosey and Hawkes Large Choral. Softcover. Size 8.25x11.75 inches. 57 pages. Published by Boosey & Hawkes.

Arranged by Fred Bock. (SATB A Cappella). Gentry Publications. 6 pages. Published by Hal Leonard.

Arranged by Larry Nickel. (SATB A Cappella). Pavane Choral. Secular. Size 6.8x10.5 inches. 8 pages. Published by Pavane Publishing.

String Orchestra Orchestra - Grade 1

SKU: XC.DSO2003

Composed by Peter Terry. Da Capo String Orchestra Series. Concert and Contest. Concert and contest. Set of parts. Excelcia Music Publishing #DSO2003. Published by Excelcia Music Publishing (XC.DSO2003).

UPC: 812598034196. 9 x 12 inches.

Using only the first 6 notes of the D-major Scale, composer Peter Terry has created a fun and engaging piece that features optional Gioro. This work is also great for introducing lighter articulations to your ensemble.

By Robert Sund, Helga Henschen. (SATB a cappella). Walton Choral. Published by Walton Music.

(20 Arrangements for Mixed Choir) Compiled by Carsten Gerlitz. Collection for SATB choir (A Cappella). 60 pages. Published by Schott.

By David MacIntyre. For SSSAA choir, a cappella. Octavo. Published by Cypress Choral Music

SongStream 1 by Bob Chilcott; Peter Hunt. For SAB choir accompanied and a cappella. Mixed Voices. Secular, Choral Collection. Vocal score. 64 pages. Published by Oxford University Press

Composed by Kenneth Hesketh. Score; Wind Band. Faber Edition: Faber Wind Band Series. Form: Dance. 20th Century; Masterwork. Published by Faber Music (AP.12-0571570496).

Performed by The King's Singers, The King's Singers. Arranged by The King's Singers. (SATB DV A Cappella). King's Singer's Choral. Size 6.7x10.5 inches. 72 pages. Published by Hal Leonard.

Violin and Orchestra (Score)

SKU: HL.14008406

Composed by Sir Peter Maxwell Davies. Music Sales America. 20th Century. Book [Softcover]. Composed 1999. 94 pages. Chester Music #CH60978. Published by Chester Music (HL.14008406).

ISBN 9780711948716.

A work for solo violin and orchestra, commissioned by Donald McDonald for the 21st birthday of the Scottish Chamber Orchestra and the 60th birthday of the composer. It was first performed in November 1993 in Glasgow, by James Clark and the Scottish Chamber Orchestra conducted by Maxwell Davies. The spell is one quoted by George Mackay Brown in his book An Orkney Tapestry: 'Let not plough be put to acre except a fiddle cross first the furrow.' Davies's dancing concerto imagines the fiddler following a route from field to field, from dance to dance, accompanied by a bunch of companions in the form of an orchestra. As the music goes on, so it gets brighter and livelier, moving from the dark colouring of clarinets, bassoons and strings to full ensemble with prominent brass and (solo) tuned percussion, as if the dancers as much as the fields were beginning to glow with new life. Score (miniature). Duration c. 20mins.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet, Euphonium, Euphonium T.C., Flute, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Shaker, Snare Drum, Tom-tom, Trombone, Trumpet, Tuba, alto Saxophone and more. - Grade 1

SKU: CF.BPS148

Composed by Kevin Hilbun. Set of Score and Parts. Carl Fischer Music #BPS148. Published by Carl Fischer Music (CF.BPS148).

ISBN 9781491163443. UPC: 680160922239.

Dance of the Crows was composed with the image of Renaissance-style dances in mind. In addition, some Danse Macabre concept started to form in my mind. I could see this melody as a part of some larger narrative in which a character attends a dance, and everything is beautiful and in sync. But when the character starts to look closer, things aren't what they seem. The dancers are actually animalistic hybrids, and the decorations are mockeries of life rather than celebrations of life. The food is inedible, and the shadows seem to have eyes. And that's why, though the melody is simple and largely on the beat, it elicits an uncomfortable and offbeat feeling.Performance Notes:The melody should have a calm almost restrained feeling until m. 17 when things should take a slightly more aggressive turn. Be sure to bring out the dynamics during the percussion break at m. 29 and the outro at m. 41. Feel free to use as many shaker-like instruments as desired in the Percussion 2 part. Use the largest possible tom-tom for the Percussion 3 part. Be sure to have the bass drum player mute all staccato notes with the hand.