Orchestra AT vocal soli (ATBBB), SATB choir (SATBBB), 2 oboes, 3 trombones, 2 violins, viola, basso continuo - Grade 3

SKU: CA.4006405

Composed by Jan Dismas Zelenka. Edited by Wolfgang Horn. German title: De profundis. Sacred vocal music, Psalms. Choral Score. Composed 1724. ZWV 50. 12 pages. Duration 13 minutes. Carus Verlag #CV 40.064/05. Published by Carus Verlag (CA.4006405).

ISBN 9790007060107. Key: D minor. Language: Latin/English.

The Bohemian composer Jan Dismas Zelenka was a double bass player and church music composer at the Saxon court of the Elector August the Strong and his son Friedrich August II. In the years after 1721 he composed an extensive repertoire of Catholic church music together with the Kapellmeister Johann David Heinichen. These works, together with the Dresden operas composed by Johann Adolf Hasse in quick succession from 1731 onwards, established the reputation of the Saxon court as one of the most important musical centers of the late Baroque period. Zelenka composed this psalm setting De profundis in D minor ZWV 97 in 1724 on the death of his father, including a concluding Requiem verse. This was later replaced by the lesser doxology so that the work can be performed in the office of Christmas week. Both endings are included in this new edition. Three trombones, used as an independent instrumental group, give the work a special tonal color. Score available separately - see item CA.4006400.

Basso (cello/double bass) (solos: STBar - choir: SSAATTBB - 2.2.2.2. - 2.0.0.0. - str)

SKU: BR.OB-5189-26

Urtext. Composed by Felix Bartholdy Mendelssohn. Edited by Christian R. Riedel. Choir; stapled. Orchester-Bibliothek (Orchestral Library). The new edition, based on autographic and printed sources, meets all the requirements of an authoritative performance material. Psalm; Romantic. Part. 10 pages. Duration 12'. Breitkopf and Haertel #OB 5189-26. Published by Breitkopf and Haertel (BR.OB-5189-26).

ISBN 9790004330319. 9 x 12 inches.

Originally, the present work - with a Latin text and the title Non nobis, Domine - was a gift written by Felix Mendelssohn Bartholdy in November 1830 for the 25th birthday of his sister Fanny. Five years later he decided to have it printed, and his publisher Simrock urged him to produce a German translation as well. It is in this form that the setting of Psalm 115 has become known alongside four other Psalms of Mendelssohn's in a compositional scope ranging from church to concert hall.The Urtext edition is based on the main sources, the autograph and the first edition.

The new edition, based on autographic and printed sources, meets all the requirements of an authoritative performance material.

Chorus (with soloists) and orchestra (solos: STBar - choir: SSAATTBB - 2.2.2.2. - 2.0.0.0. - str)

SKU: BR.PB-5189

Urtext. Composed by Felix Bartholdy Mendelssohn. Edited by Christian R. Riedel. Choir; Softbound. Partitur-Bibliothek (Score Library).

The new edition, based on autographic and printed sources, meets all the requirements of an authoritative performance material.

Psalm; Romantic. Full score. 80 pages. Duration 12'. Breitkopf and Haertel #PB 5189. Published by Breitkopf and Haertel (BR.PB-5189).

ISBN 9790004209295. 9 x 12 inches.

Originally, the present work - with a Latin text and the title Non nobis, Domine - was a gift written by Felix Mendelssohn Bartholdy in November 1830 for the 25th birthday of his sister Fanny. Five years later he decided to have it printed, and his publisher Simrock urged him to produce a German translation as well. It is in this form that the setting of Psalm 115 has become known alongside four other Psalms of Mendelssohn's in a compositional scope ranging from church to concert hall.The Urtext edition is based on the main sources, the autograph and the first edition.

The new edition, based on autographic and printed sources, meets all the requirements of an authoritative performance material.

Violin 2 (solos: STBar - choir: SSAATTBB - 2.2.2.2. - 2.0.0.0. - str)

SKU: BR.OB-5189-16

Urtext. Composed by Felix Bartholdy Mendelssohn. Edited by Christian R. Riedel. Choir; stapled. Orchester-Bibliothek (Orchestral Library).

The new edition, based on autographic and printed sources, meets all the requirements of an authoritative performance material.

Psalm; Romantic. Part. 8 pages. Duration 12'. Breitkopf and Haertel #OB 5189-16. Published by Breitkopf and Haertel (BR.OB-5189-16).

ISBN 9790004330296. 9 x 12 inches.

Originally, the present work - with a Latin text and the title Non nobis, Domine - was a gift written by Felix Mendelssohn Bartholdy in November 1830 for the 25th birthday of his sister Fanny. Five years later he decided to have it printed, and his publisher Simrock urged him to produce a German translation as well. It is in this form that the setting of Psalm 115 has become known alongside four other Psalms of Mendelssohn's in a compositional scope ranging from church to concert hall.The Urtext edition is based on the main sources, the autograph and the first edition.

The new edition, based on autographic and printed sources, meets all the requirements of an authoritative performance material.

Violin 1 (solos: STBar - choir: SSAATTBB - 2.2.2.2. - 2.0.0.0. - str)

SKU: BR.OB-5189-15

Urtext. Composed by Felix Bartholdy Mendelssohn. Edited by Christian R. Riedel. Choir; stapled. Orchester-Bibliothek (Orchestral Library).

The new edition, based on autographic and printed sources, meets all the requirements of an authoritative performance material.

Psalm; Romantic. Part. 8 pages. Duration 12'. Breitkopf and Haertel #OB 5189-15. Published by Breitkopf and Haertel (BR.OB-5189-15).

ISBN 9790004330289. 9 x 12 inches.

Originally, the present work - with a Latin text and the title Non nobis, Domine - was a gift written by Felix Mendelssohn Bartholdy in November 1830 for the 25th birthday of his sister Fanny. Five years later he decided to have it printed, and his publisher Simrock urged him to produce a German translation as well. It is in this form that the setting of Psalm 115 has become known alongside four other Psalms of Mendelssohn's in a compositional scope ranging from church to concert hall.The Urtext edition is based on the main sources, the autograph and the first edition.

The new edition, based on autographic and printed sources, meets all the requirements of an authoritative performance material.

Viola (solos: STBar - choir: SSAATTBB - 2.2.2.2. - 2.0.0.0. - str)

SKU: BR.OB-5189-19

Urtext. Composed by Felix Bartholdy Mendelssohn. Edited by Christian R. Riedel. Choir; stapled. Orchester-Bibliothek (Orchestral Library).

The new edition, based on autographic and printed sources, meets all the requirements of an authoritative performance material.

Psalm; Romantic. Part. 10 pages. Duration 12'. Breitkopf and Haertel #OB 5189-19. Published by Breitkopf and Haertel (BR.OB-5189-19).

ISBN 9790004330302. 9 x 12 inches.

Originally, the present work - with a Latin text and the title Non nobis, Domine - was a gift written by Felix Mendelssohn Bartholdy in November 1830 for the 25th birthday of his sister Fanny. Five years later he decided to have it printed, and his publisher Simrock urged him to produce a German translation as well. It is in this form that the setting of Psalm 115 has become known alongside four other Psalms of Mendelssohn's in a compositional scope ranging from church to concert hall.The Urtext edition is based on the main sources, the autograph and the first edition.

The new edition, based on autographic and printed sources, meets all the requirements of an authoritative performance material.

Woodwinds (solos: STBar - choir: SSAATTBB - 2.2.2.2. - 2.0.0.0. - str)

SKU: BR.OB-5189-30

Urtext. Composed by Felix Bartholdy Mendelssohn. Edited by Christian R. Riedel. Choir; Folder. Orchester-Bibliothek (Orchestral Library).

The new edition, based on autographic and printed sources, meets all the requirements of an authoritative performance material.

Psalm; Romantic. Set of parts. 36 pages. Duration 12'. Breitkopf and Haertel #OB 5189-30. Published by Breitkopf and Haertel (BR.OB-5189-30).

ISBN 9790004330326. 9 x 12 inches.

Originally, the present work - with a Latin text and the title Non nobis, Domine - was a gift written by Felix Mendelssohn Bartholdy in November 1830 for the 25th birthday of his sister Fanny. Five years later he decided to have it printed, and his publisher Simrock urged him to produce a German translation as well. It is in this form that the setting of Psalm 115 has become known alongside four other Psalms of Mendelssohn's in a compositional scope ranging from church to concert hall.The Urtext edition is based on the main sources, the autograph and the first edition.

The new edition, based on autographic and printed sources, meets all the requirements of an authoritative performance material.

SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo

SKU: CA.3810412

Responsorium. Composed by Johann Christian Bach. Edited by Guido Erdmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Domine Ad Adiuvandum Me Festina E14. Sacred vocal music, Psalms, Latin. Single Part, Violin 2. Warb E 14. 4 pages. Duration 5 minutes. Carus Verlag #CV 38.104/12. Published by Carus Verlag (CA.3810412).

ISBN 9790007215088. Language: Latin.

At the age of just 20, Johann Christian Bach, the youngest son of Johann Sebastian Bach, the Kantor of St. Thomas's, left behind the Lutheran musical tradition of his family: he went to Italy, converted to Catholicism there and successfully composed operas for Turin, Milan and Naples. Frequently overlooked are the Catholic Bach's exquisite church music works, almost all written in the years 1757-1760, and which had a significant influence on his time in Italy. These include large-scale Vesper settings with impressive, symphonic-style instrumental introductions, sometimes anticipating Mozartian idioms. Bach's Domine ad adjuvandum me, an immediately captivating work, was written for the opening of Vespers; it seems to be carried along by a sense of euphoric purpose and a dynamic lightheartedness which positively radiates southern European temperament. The work is published in the authoritative Stuttgart Urtext edition, based on the rediscovered Hamburg autograph manuscript. Score and part available separately - see item CA.3810400.

SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo

SKU: CA.3810405

Responsorium. Composed by Johann Christian Bach. Edited by Guido Erdmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Domine Ad Adiuvandum Me Festina E14. Sacred vocal music, Psalms, Latin. Choral Score. Warb E 14. Duration 5 minutes. Carus Verlag #CV 38.104/05. Published by Carus Verlag (CA.3810405).

ISBN 9790007215057. Language: Latin.

At the age of just 20, Johann Christian Bach, the youngest son of Johann Sebastian Bach, the Kantor of St. Thomas's, left behind the Lutheran musical tradition of his family: he went to Italy, converted to Catholicism there and successfully composed operas for Turin, Milan and Naples. Frequently overlooked are the Catholic Bach's exquisite church music works, almost all written in the years 1757-1760, and which had a significant influence on his time in Italy. These include large-scale Vesper settings with impressive, symphonic-style instrumental introductions, sometimes anticipating Mozartian idioms. Bach's Domine ad adjuvandum me, an immediately captivating work, was written for the opening of Vespers; it seems to be carried along by a sense of euphoric purpose and a dynamic lightheartedness which positively radiates southern European temperament. The work is published in the authoritative Stuttgart Urtext edition, based on the rediscovered Hamburg autograph manuscript. Score available separately - see item CA.3810400.

SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo

SKU: CA.3810419

Responsorium. Composed by Johann Christian Bach. Edited by Guido Erdmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Domine Ad Adiuvandum Me Festina E14. Sacred vocal music, Psalms, Latin. Set of Orchestra Parts. Warb E 14. Duration 5 minutes. Carus Verlag #CV 38.104/19. Published by Carus Verlag (CA.3810419).

ISBN 9790007215118. Language: Latin.

At the age of just 20, Johann Christian Bach, the youngest son of Johann Sebastian Bach, the Kantor of St. Thomas's, left behind the Lutheran musical tradition of his family: he went to Italy, converted to Catholicism there and successfully composed operas for Turin, Milan and Naples. Frequently overlooked are the Catholic Bach's exquisite church music works, almost all written in the years 1757-1760, and which had a significant influence on his time in Italy. These include large-scale Vesper settings with impressive, symphonic-style instrumental introductions, sometimes anticipating Mozartian idioms. Bach's Domine ad adjuvandum me, an immediately captivating work, was written for the opening of Vespers; it seems to be carried along by a sense of euphoric purpose and a dynamic lightheartedness which positively radiates southern European temperament. The work is published in the authoritative Stuttgart Urtext edition, based on the rediscovered Hamburg autograph manuscript. Score and parts available separately - see item CA.3810400.

SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo

SKU: CA.3810409

Responsorium. Composed by Johann Christian Bach. Edited by Guido Erdmann. This edition: urtext. 1x 38.104/21 oboe 1, 1x 38.104/22 oboe 2, 1x 38.104/31 horn 1, 1x 38.104/32 horn 2. Stuttgart Urtext Edition: Bach vocal. Domine Ad Adiuvandum Me Festina E14. Sacred vocal music, Psalms, Latin. Set of Orchestra Parts. Warb E 14. Duration 5 minutes. Carus Verlag #CV 38.104/09. Published by Carus Verlag (CA.3810409).

ISBN 9790007215064. Language: Latin.

At the age of just 20, Johann Christian Bach, the youngest son of Johann Sebastian Bach, the Kantor of St. Thomas's, left behind the Lutheran musical tradition of his family: he went to Italy, converted to Catholicism there and successfully composed operas for Turin, Milan and Naples. Frequently overlooked are the Catholic Bach's exquisite church music works, almost all written in the years 1757-1760, and which had a significant influence on his time in Italy. These include large-scale Vesper settings with impressive, symphonic-style instrumental introductions, sometimes anticipating Mozartian idioms. Bach's Domine ad adjuvandum me, an immediately captivating work, was written for the opening of Vespers; it seems to be carried along by a sense of euphoric purpose and a dynamic lightheartedness which positively radiates southern European temperament. The work is published in the authoritative Stuttgart Urtext edition, based on the rediscovered Hamburg autograph manuscript. Score and parts available separately - see item CA.3810400.

SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo

SKU: CA.3810411

Responsorium. Composed by Johann Christian Bach. Edited by Guido Erdmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Domine Ad Adiuvandum Me Festina E14. Sacred vocal music, Psalms, Latin. Single Part, Violin. Warb E 14. 4 pages. Duration 5 minutes. Carus Verlag #CV 38.104/11. Published by Carus Verlag (CA.3810411).

ISBN 9790007215071. Language: Latin.

At the age of just 20, Johann Christian Bach, the youngest son of Johann Sebastian Bach, the Kantor of St. Thomas's, left behind the Lutheran musical tradition of his family: he went to Italy, converted to Catholicism there and successfully composed operas for Turin, Milan and Naples. Frequently overlooked are the Catholic Bach's exquisite church music works, almost all written in the years 1757-1760, and which had a significant influence on his time in Italy. These include large-scale Vesper settings with impressive, symphonic-style instrumental introductions, sometimes anticipating Mozartian idioms. Bach's Domine ad adjuvandum me, an immediately captivating work, was written for the opening of Vespers; it seems to be carried along by a sense of euphoric purpose and a dynamic lightheartedness which positively radiates southern European temperament. The work is published in the authoritative Stuttgart Urtext edition, based on the rediscovered Hamburg autograph manuscript. Score and part available separately - see item CA.3810400.

SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo

SKU: CA.3810449

Responsorium. Composed by Johann Christian Bach. Edited by Guido Erdmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Domine Ad Adiuvandum Me Festina E14. Sacred vocal music, Psalms, Latin. Single Part, Organ. Warb E 14. 4 pages. Duration 5 minutes. Carus Verlag #CV 38.104/49. Published by Carus Verlag (CA.3810449).

ISBN 9790007215125. Language: Latin.

At the age of just 20, Johann Christian Bach, the youngest son of Johann Sebastian Bach, the Kantor of St. Thomas's, left behind the Lutheran musical tradition of his family: he went to Italy, converted to Catholicism there and successfully composed operas for Turin, Milan and Naples. Frequently overlooked are the Catholic Bach's exquisite church music works, almost all written in the years 1757-1760, and which had a significant influence on his time in Italy. These include large-scale Vesper settings with impressive, symphonic-style instrumental introductions, sometimes anticipating Mozartian idioms. Bach's Domine ad adjuvandum me, an immediately captivating work, was written for the opening of Vespers; it seems to be carried along by a sense of euphoric purpose and a dynamic lightheartedness which positively radiates southern European temperament. The work is published in the authoritative Stuttgart Urtext edition, based on the rediscovered Hamburg autograph manuscript. Score and part available separately - see item CA.3810400.

SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo

SKU: CA.3810413

Responsorium. Composed by Johann Christian Bach. Edited by Guido Erdmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Domine Ad Adiuvandum Me Festina E14. Sacred vocal music, Psalms, Latin. Single Part, Viola. Warb E 14. 4 pages. Duration 5 minutes. Carus Verlag #CV 38.104/13. Published by Carus Verlag (CA.3810413).

ISBN 9790007215095. Language: Latin.

At the age of just 20, Johann Christian Bach, the youngest son of Johann Sebastian Bach, the Kantor of St. Thomas's, left behind the Lutheran musical tradition of his family: he went to Italy, converted to Catholicism there and successfully composed operas for Turin, Milan and Naples. Frequently overlooked are the Catholic Bach's exquisite church music works, almost all written in the years 1757-1760, and which had a significant influence on his time in Italy. These include large-scale Vesper settings with impressive, symphonic-style instrumental introductions, sometimes anticipating Mozartian idioms. Bach's Domine ad adjuvandum me, an immediately captivating work, was written for the opening of Vespers; it seems to be carried along by a sense of euphoric purpose and a dynamic lightheartedness which positively radiates southern European temperament. The work is published in the authoritative Stuttgart Urtext edition, based on the rediscovered Hamburg autograph manuscript. Score and part available separately - see item CA.3810400.

SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo

SKU: CA.3810414

Responsorium. Composed by Johann Christian Bach. Edited by Guido Erdmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Domine Ad Adiuvandum Me Festina E14. Sacred vocal music, Psalms, Latin. Single Part, basso continuo. Warb E 14. 4 pages. Duration 5 minutes. Carus Verlag #CV 38.104/14. Published by Carus Verlag (CA.3810414).

ISBN 9790007215101. Language: Latin.

At the age of just 20, Johann Christian Bach, the youngest son of Johann Sebastian Bach, the Kantor of St. Thomas's, left behind the Lutheran musical tradition of his family: he went to Italy, converted to Catholicism there and successfully composed operas for Turin, Milan and Naples. Frequently overlooked are the Catholic Bach's exquisite church music works, almost all written in the years 1757-1760, and which had a significant influence on his time in Italy. These include large-scale Vesper settings with impressive, symphonic-style instrumental introductions, sometimes anticipating Mozartian idioms. Bach's Domine ad adjuvandum me, an immediately captivating work, was written for the opening of Vespers; it seems to be carried along by a sense of euphoric purpose and a dynamic lightheartedness which positively radiates southern European temperament. The work is published in the authoritative Stuttgart Urtext edition, based on the rediscovered Hamburg autograph manuscript. Score and part available separately - see item CA.3810400.

SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo

SKU: CA.3810403

Responsorium. Composed by Johann Christian Bach. Edited by Guido Erdmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Domine Ad Adiuvandum Me Festina E14. Sacred vocal music, Psalms, Latin. Vocal score. Warb E 14. Duration 5 minutes. Carus Verlag #CV 38.104/03. Published by Carus Verlag (CA.3810403).

ISBN 9790007143978. Language: Latin.

At the age of just 20, Johann Christian Bach, the youngest son of Johann Sebastian Bach, the Kantor of St. Thomas's, left behind the Lutheran musical tradition of his family: he went to Italy, converted to Catholicism there and successfully composed operas for Turin, Milan and Naples. Frequently overlooked are the Catholic Bach's exquisite church music works, almost all written in the years 1757-1760, and which had a significant influence on his time in Italy. These include large-scale Vesper settings with impressive, symphonic-style instrumental introductions, sometimes anticipating Mozartian idioms. Bach's Domine ad adjuvandum me, an immediately captivating work, was written for the opening of Vespers; it seems to be carried along by a sense of euphoric purpose and a dynamic lightheartedness which positively radiates southern European temperament. The work is published in the authoritative Stuttgart Urtext edition, based on the rediscovered Hamburg autograph manuscript. Score available separately - see item CA.3810400.

(solos: STBar - choir: SSAATTBB - 2.2.2.2. - 2.0.0.0. - str)

SKU: BR.CHB-5210-02

Urtext. Composed by Felix Bartholdy Mendelssohn. Stapled. Chor-Bibliothek (Choral Library).

The new edition, based on autographic and printed sources, meets all the requirements of an authoritative performance material.

Psalm; Romantic. Choral score. 16 pages. Duration 12'. Breitkopf and Haertel #ChB 5210-02. Published by Breitkopf and Haertel (BR.CHB-5210-02).

ISBN 9790004411322. 7.5 x 10.5 inches.

Originally, the present work - with a Latin text and the title Non nobis, Domine - was a gift written by Felix Mendelssohn Bartholdy in November 1830 for the 25th birthday of his sister Fanny. Five years later he decided to have it printed, and his publisher Simrock urged him to produce a German translation as well. It is in this form that the setting of Psalm 115 has become known alongside four other Psalms of Mendelssohn's in a compositional scope ranging from church to concert hall.The Urtext edition is based on the main sources, the autograph and the first edition.

SATB choir, organ - Intermediate

SKU: MN.50-6411

Composed by Gerald Near. Catholic Year A Lent5; Year A Lent5;. 21st Century. Octavo. MorningStar Music Publishers #50-6411. Published by MorningStar Music Publishers (MN.50-6411).

UPC: 688670564116. Scripture: Psalms 130.

Commissioned by the All Souls Episcopal Church Choir and performed at the Region VII American Guild of Organists Convention.

SATB choir, organ - Late Intermediate

SKU: MN.50-6013

Composed by Philip Young. Year C Pentecost5; Year A Proper 25 (30). 21st Century. Octavo. MorningStar Music Publishers #50-6013. Published by MorningStar Music Publishers (MN.50-6013).

UPC: 688670560132. Scripture: Psalms 42.

Based on Psalm 42, a passage with particular meaning for church musicians. It outlines the journey frequently taken by Christians from despair to remembrance to supreme faith and hope. The anthem opens with dissonance reflecting the longing soul and moves to a reflective call to hope in God.

SATB choir, [basso continuo]

SKU: CA.3410100

Composed by Johann Christoph Friedrich Bach. Edited by Klaus Hofmann. Arranged by Johann Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Ich lieg und schlafe. Sacred, Motets, Psalms, German; Stuttgart Urtext editions; Occasions: Morning, Midday, Evening, Mourning, Death; Use during church year: Holy Week. Full score. BR JCFB H 100. 40 pages. Duration 15 minutes. Carus Verlag #CV 34.101/00. Published by Carus Verlag (CA.3410100).

ISBN 9790007051860. Language: German/English.

The autograph contains no reference to accompaniment by instruments, and a purely vocal performance of the work would doubtless be completely appropriate. On the other hand, nothing speaks against instrumental support of the voices, as it is known from the performance practice of Johann Sebastian Bach.

By Samuel Scheidt (1587-1654). Edited by Herrmann, Ursula. For SSAT/ATBB Choir. Sacred, Motets, Psalms, German; Use during church year: End of the church year, Pentecost. Level 3. Score. Language: German. 12 pages. Duration 3 min

By Wolfgang Amadeus Mozart (1756-1791). Edited by Schulze, Willi. Arranged by Paul Horn. For Soli STB, SATB Choir, 2 Clarinos/Trumpets, Timpani, 2 Violins, Basso continuo, [3 Trombones]. KV 193. Full score available separately - see item CA.4005200. Magnificat, Psalms, Latin; Stuttgart Urtext editions; Occasions: Praise and thanks, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Psalms, Daily hours; Use during church year: Epiphany. Level 2. Set of instrumental parts (except strings). Language: Latin. Composed 1774. 44 pages. Duration 10 min

By Wolfgang Amadeus Mozart. Edited by Schulze, Willi. Arranged by Paul Horn. For Soli STB, SATB Choir, 2 Clarinos/Trumpets, Timpani, 2 Violins, Basso continuo, [3 Trombones]. KV 193. Full score available separately - see item CA.4005200. Magnificat, Psalms, Latin; Stuttgart Urtext editions; Occasions: Praise and thanks, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Psalms, Daily hours; Use during church year: Epiphany. Choral score with Soli. Language: Latin. Composed 1774. 16 pages. Duration 10 min. Published by Carus Verlag (German import).

By Wolfgang Amadeus Mozart (1756-1791). Edited by Schulze, Willi. Arranged by Paul Horn. For Soli STB, SATB Choir, 2 Clarinos/Trumpets, Timpani, 2 Violins, Basso continuo, [3 Trombones]. This edition: paperbound. KV 193. Full score available separately - see item CA.4005200. Magnificat, Psalms, Latin; Stuttgart Urtext editions; Occasions: Praise and thanks, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Psalms, Daily hours; Use during church year: Epiphany. Level 2. Part: Organ. Language: Latin. Composed 1774. 12 pages. Duration 10 min

SKU: CA.203500

Composed by Various. Edited by Brigitte Frohlich, Jurgen Ochs, Karin Karle, Leo Langer, Matthias Degott, Meinrad Walter, Michael Meuser, and Wilm Geismann. Choral collections. Freiburger Chorbuch Ii +Cd. Sacred vocal music, Unison hymns, Hymn settings, Motets, Whole church year / Omni tempore, Praise and thanks, Psalms. Package. Carus Verlag #CV 02.035/00. Published by Carus Verlag (CA.203500).

ISBN 9790007097325.

The new Freiburger Chorbuch 2 is here! In this new collection the editorial team under the direction of Wilm Geismann, Music Director of the Freiburg Diocese, presents fitting and proven pieces ranging from baroque choral movements to new sacred songs. In this successor to the extremely successful first Freiburger Chorbuch special emphasis was placed on finding pieces from the English-Anglican tradition with poetic and singable German texts. Both the edition for choral directors, together with a CD and the choral edition may be obtained at a special introductory price through 30 June 2012.