Diese Sammlung vereint rund 50 alte und neue Chorsätze unter dem Motto des Trierer Chorfestivals 2015 ?Gott liebt diese Welt'.Motetten, Volkslieder und Geistliche Lieder, Spirituals, Wechselgesänge sowie Kanons in verschiedenen Sprachen und Besetzungen sind vertreten und machen sie zur idealen Grundlage für das Singen in der Messe, im Gottesdienst und bei Chorbegegnungen. Die Sammlung ist insbesondere auch auf Kinder- und Jugendchöre zugeschnitten.Im Juli 2015 findet unter dem Dach des Bistums Trier das 7. Deutsche Chorfestival ?Pueri Cantores' statt. Grundsatz des Deutschen Chorverbandes ?Pueri Cantores' ist die Begegnung durch gemeinsames Singen. Dies wird auch mit den regelmäßig veranstalteten Chorfestivals auf diözesaner, nationaler und internationaler Ebene gepflegt.- Für Messe und Konzert- Geistliches und Weltliches- Verschiedene Besetzungen (SSA, SATB), teilweise mit TasteninstrumentAus dem Inhalt?Also hat Gott die Welt geliebt' (S. Strohbach)- ?God so loved the world' (B. Chilcott)- ?A Song of Thanksgiving' (M. Patterson)- ?Peace I leave with you' (J. Barnard)- ?Verleih uns Frieden' (C. Mawby)- ?Du bist das Brot, das den Hunger stillt' (T. Quast)- ?Die Gedanken sind frei' (M. Nagel)- ?Der Weg zur Oper' (O. Gies)- Chorimprovisationen von O. Sperling und M. Balzer u.a. / Choeur Mixte

The Woman of Samaria (Op. 44) was a sacred cantata written for the Birmingham Triennial Music Festival in 1867. It was written in the style of Medelssohn’s Elijah which had premiered at the same festivaltwenty years earlier. The chorus Abide With Me is a setting of the poem by Henry Francis Lyte for SATB choir and Piano accompaniment. Sir William Sterndale Bennett (1816-1875) was anEnglish composer pianist and conductor. He entered the Royal Academy of Music studying Violin Piano and composition. He spent time in Germany with Mendelsohn and Schumann before becoming Professor of Music at the Universityof Cambridge and later Principal of the RAM.

La poésie sur laquelle se fonde cette composition est la Ballade de la vie extérieure ( la Ballade des Äusseren Lebens ) sous la plume de l'auteur viennois Hugo von Hofmansthal ( 1874-1929 ) . Il est connu pour , entre autres choses , son livrets pour les oeuvres de Richard Strauss ( Der Rosenkavalier , Ariadne auf Naxos , Elektra ) et en tant que fondateur du Festival de Salzbourg . Von Hofmansthal était l'un des derniers des symbolistes allemands . Au centre de ce mouvement littéraire a été l'unification des mondes internes et externes . La recherche du sens est une pierre angulaire de ce mouvement fin-de- siècle .Dans la Ballade des Äusseren Lebens ( Ballad of Life externe ) , le non-sens de l'existence est exprimée en limitant , métaphores d'une oppression ambiance qui se reflète dans la musique . En fin de compte , l'homme est capable d'établir l'ordre de paraître le chaos . Le poète exprime puissamment dans une ligne non - rimes de poésie :'Et pourtant , celui qui dit ' soir ', dit beaucoup ,Un mot , dont la profondeur et le débit de la douleur '.Cette composition suit la structure globale de la ballade , qui est écrit en rimes trois lignes rima - verrouillage terza .L' oeuvre chorale peut être effectuée par un choeur de chambre , mais aussi par un ensemble beaucoup plus vaste. Les pièces sont principalement à quatre voix (SATB) , mais il ya aussi six parties ( SAATBB ) . Un accord est prévu pour huit voix .Le compositeur a mené ce travail à sa première , à ouvrir en 2013 Choral International Biennale de Aachen . Le choeur était composé de quatre choeurs de chambre : Aachen Youth Choir , Carmina Mundi , Aachen Chamber Choir et Aachen Madrigal Choir / Choeur Mixte

Création du 7 septembre 2007, à Sarlat, dans le cadre du Festival du Périgord Noir, par l'ensemble vocal Sequenza 9.3, sous la direction de Catherine Simonpietri. / Choeur Mixte (SSSAAATTTBBB) A Cappella

60 Highlights for Frauenchor-All piano accompaniments to the first volume of Reine Frauensache! released on occasion of the German Choir Festival in Stuttgart in May 2016. Divided into four sections (Secular Sacred Folklore and Popular) the collection covers newer compositions which are part of the repertoire of many womenâ??s choirs already as well as ageless beautiful titles from older eras; music spans from Palestrina Telemann Gounod Brahms Distler and Chaminade to Nancy Telfer Sandra Milliken Sarah Quartel and riks EÅ¡envalds.

Jenkyns’s songs for children can best be described as art songs for the youngest singers. Their ranges and technical requirements are just right for the younger age groups and their lyrics as in The Bats are perfectly gauged for their performers.Peter Jenkyns was a 20th century British composer singer and educator who wrote a series of songs for primary-aged children sensitively arranged and with charming lyrics of his own creation. Jenkyns was the headmaster of two primary schools outside of London for whose choirs he composed songs for the St Albans’ Schools Music Festival. He was also a highly-regarded Gilbert and Sullivan patter-song singer and he founded a localGilbert & Sullivan society which is still thriving.

Imogen Holst 1907-84 was a much-loved source of inspiration for countless musicians and students who encountered her over the years of her involvement with the Dartington Summer School of Music and the Aldeburgh Festival.This book conveys her infectious enthusiasm and insight as a choral conductor. Here she sets out clearly and concisely a wealth of practical information on the physical business of conducting which will be of particular value to the amateur conductor. She deals with the forming and training of a choir the presentation and rehearsal of the music and how to approach public performances and competitions. Her final chapter gives adviceon the rehearsal of specific choruses by Purcell Handel and Britten.Originally published in 1973 this edition has been corrected and updated by Lowinger Maddison Archivist for the Holst Foundation.