By Giovanni Battista Pergolesi. Edited by Richard Proulx. Arranged by Richard: R...(+)
By Giovanni Battista
Pergolesi. Edited by
Richard Proulx. Arranged
by Richard: Realization
Proulx. For Voices: SAB.
Instruments: Basso
continuo (cello, bassoon,
double bass); 2 trumpets
in B or C (instruments
optional). Ars Antiqua
Choralis Series Sacred. 6
pages. Published by GIA
Publications. Level:
easy.
SAB choir, SATB choir, SSA adult, bass, cello, harpsichord, double bass, organ <...(+)
SAB choir, SATB choir,
SSA adult, bass, cello,
harpsichord, double bass,
organ
SKU:
GH.CG-6221S
Composed
by Heinrich Schutz. Basso
continuo parts. With
Language: Swedish.
Gehrmans Musikforlag #CG
6221S. Published by
Gehrmans Musikforlag
(GH.CG-6221S).
By Johnny Cymbal and Sha Na Na. Arranged by Roger Emerson. For Choral, Tenor Sax...(+)
By Johnny Cymbal and Sha
Na Na. Arranged by Roger
Emerson. For Choral,
Tenor Saxophone (3-Part
Mixed). Pop Choral
Series. 16 pages.
Published by Hal Leonard
For Three-Part Mixed Voices with Keyboard. By Traditional. Arranged by Eliazbeth...(+)
For Three-Part Mixed
Voices with Keyboard. By
Traditional. Arranged by
Eliazbeth Campbell. Mixed
choir. For Treble Voice
I, Treble Voice II, Bass
Voice, Keyboard. Choral.
Piano/Vocal Score. 8
pages. Published by Carl
Fischer.
By Susan Bentall Boersma, music by David Lantz III. Choir Secular. For Opt. Guit...(+)
By Susan Bentall Boersma,
music by David Lantz III.
Choir Secular. For Opt.
Guitar/Mandolin, Bass,
and Violin (3-Part Mixed
Choir (SAB)). Choral
Octavo. Choral Designs.
12 pages. Published by
Alfred Music Publishing
Slap That Bass Chorale 3 parties SAB, Piano [Octavo] Alfred Publishing
By George Gershwin (1898-1937) and Ira Gershwin. Arranged by Larry Shackley. Cho...(+)
By George Gershwin
(1898-1937) and Ira
Gershwin. Arranged by
Larry Shackley. Choir
Secular. 3-Part Mixed
Choir (SAB). Choral
Octavo. Pop Choral. 20th
Century. Choral Octavo.
16 pages
By Meghan Trainor. By Kevin Kadish and Meghan Trainor. Arranged by Roger Eme...(+)
By Meghan Trainor. By
Kevin
Kadish and Meghan
Trainor.
Arranged by Roger
Emerson.
For Choral (SAB and
Solo).
Pop Choral Series. 20
pages.
Published by Hal Leonard
Composed by Susan Bentall Boersma, music by David Lantz III. Choir Secular. For ...(+)
Composed by Susan Bentall
Boersma, music by David
Lantz III. Choir Secular.
For Opt. Guitar/Mandolin,
Bass, and Violin (Women's
Choir). Choral Octavo.
Choral Designs. Secular.
12 pages. Published by
Alfred Music
By Meghan Trainor. By Kevin Kadish and Meghan Trainor. Arranged by Roger Eme...(+)
By Meghan Trainor. By
Kevin
Kadish and Meghan
Trainor.
Arranged by Roger
Emerson.
For Choral (SOP. I/II /
ALTO
/ SOLO). Pop Choral
Series.
20 pages. Published by
Hal
Leonard
Newborn King Chorale 3 parties SAB [Octavo] Carl Fischer
Composed by Gary E. Parks. For SAB choir, optional electric bass, optional percu...(+)
Composed by Gary E.
Parks. For SAB choir,
optional electric bass,
optional percussion.
Octavo. 12 pages.
Duration 2 minutes, 2
seconds. Published by
Carl Fischer
By Gabriel Faure; Desmond Ratcliffe (Editor). For SSA, Piano or Organ Accompanim...(+)
By Gabriel Faure; Desmond
Ratcliffe (Editor). For
SSA, Piano or Organ
Accompaniment. Romantic,
Sacred. Sheet Music. 42
pages. Published by
Novello and Co Ltd.
I Thank You, Lord Chorale 3 parties SAB, Piano [Octavo] Hope Publishing Company
By Joseph M. Martin. For SAB choir and piano with optional orchestration and rhy...(+)
By Joseph M. Martin. For
SAB choir and piano with
optional orchestration
and rhythm. The Joseph M.
Martin Choral Series.
General Worship, Praise
and Worship, Thanksgiving
and Gratitude, Sacred.
Octavo. 12 pages.
Published by Hope
Publishing Company
By Wolfgang Amadeus Mozart (1756-1791). Arranged by Heribert Breuer / Martin Foc...(+)
By Wolfgang Amadeus
Mozart (1756-1791).
Arranged by Heribert
Breuer / Martin Focke.
For solo soprano/solo
alto/solo tenor/solo
bass/female choir:
SmezA/2 oboes/2 horns/2
clarions/timpani/2
violins/basso continuo
(violoncello/contrabass/b
assoon/organ). Sta
By Irv Rothenberg. For Choir. (3-Part Mixed). Choral Octavo. Choral Designs. No...(+)
By Irv Rothenberg. For
Choir. (3-Part Mixed).
Choral Octavo. Choral
Designs. Novelty;
Secular, Christmas.
Choral Octavo. 8 pages.
Published by Alfred
Publishing.
Faithfulness Chorale 3 parties SAB, Piano Hope Publishing Company
Choral SAB chorus and piano SKU: HP.C6289 Composed by Joel Raney. Piano A...(+)
Choral SAB chorus and
piano
SKU:
HP.C6289
Composed by
Joel Raney. Piano
Accompaniment with
Optional Orchestra.
Thanksgiving, General
Worship, God -
Faithfulness, Praise of
God. Octavo. 12 pages.
Hope Publishing Company
#C6289. Published by Hope
Publishing Company
(HP.C6289).
UPC:
763628162894.
Origi
nal hymn tune Thomas
Chisholm's beloved hymn
text is given a new
melody and dynamic choral
treatment by Joel Raney,
complete with a powerful
orchestral accompaniment,
now also available for
medium-high voice vocal
soloists. . The familiar
words of this classic
hymn come to life afresh
in this compelling new
treatment. The
orchestration by Brant
Adams includes parts for
conductor's score, 2
flutes, oboe, 2 clarinets
in B-flat, bassoon, 2
horns in F, 3 trumpets in
B-flat, 2 trombones, bass
trombone or tuba,
timpani, percussion 1 and
2, harp, 2 violins,
viola, cello, and double
bass.
SAB chorus and piano SKU: HP.C6264 Composed by Gloria Gaither, Phil McHug...(+)
SAB chorus and piano
SKU: HP.C6264
Composed by Gloria
Gaither, Phil McHugh, and
Sandi Patty. Arranged by
Mary McDonald. Piano
Accompaniment with
Optional Orchestra. Palm
Sunday, General Worship.
Octavo. 12 pages. Hope
Publishing Company
#C6264. Published by Hope
Publishing Company
(HP.C6264).
UPC:
763628162641.
Popul
ar praise song by
Gloria Gaither,
Phil McHugh &
Sandi Patty Ideal
for Palm Sunday, this
popular praise song sets
the tone as it tells the
story of Jesus, the man
from Galilee, entering
Jerusalem. The familiar
refrain brings it all
together: there is
strength in the Name of
the Lord. Blessed is he
who comes in the Name of
the
Lord!
Orchestratio
ns: Conductor's Score,
Flute, Oboe(or Soprano
Sax or Clarinet),
Clarinet, Horn (or Alto
Sax or Clarinet), 2
Trumpets (or Alto Sax), 2
Trombones (or Tenor Sax
or Baritone T. C. ),
Percussion, Piano,
Acoustic Guitar
(w/separate Capo Guitar
Pt. ), Electric Bass,
Drums, Violins 1 & 2,
Viola (or Clarinet),
Cello/Bassoon (or Bass
Clarinet).
By Wolfgang Amadeus Mozart. Arranged by Patrick M. Liebergen. For Choir. (3-Par...(+)
By Wolfgang Amadeus
Mozart. Arranged by
Patrick M. Liebergen. For
Choir. (3-Part Mixed).
Choral Octavo. Choral
Designs. Masterwork.
Choral Octavo. 12 pages.
Published by Alfred
Publishing.
SAB choir, piano accompaniment, flute 1, flute 2, oboe 1, oboe 2, clarinet 1 in ...(+)
SAB choir, piano
accompaniment, flute 1,
flute 2, oboe 1, oboe 2,
clarinet 1 in B-flat,
clarinet 2 in B-flat,
bassoon 1, bassoon 2,
horn 1 in f, horn 2 in f,
horn 3 in f, horn iv in
f, violin 1 & 2, viola,
cello, bass - Early
intermediate
SKU:
GI.G-11043
Arranged
by James S. Cole. Simple
Gifts. Tune Name:
Samanthra. Sacred.
Octavo. GIA Publications
#11043. Published by GIA
Publications
(GI.G-11043).
English.
Text Source: O Thou,
in Whose Presence,
Joseph Swain, 1761-1796,
alt. Text by Swain,
Joseph.
Spark of Light Chorale 3 parties SSA, Piano Carl Fischer
Choral SSA Choir and Piano SKU: CF.CM9747 Composed by Andrew Steffen. Dur...(+)
Choral SSA Choir and
Piano
SKU:
CF.CM9747
Composed by
Andrew Steffen. Duration
3 minutes, 4 seconds.
Carl Fischer Music
#CM9747. Published by
Carl Fischer Music
(CF.CM9747).
ISBN
9781491162354. UPC:
680160921102. Key: E
lydian. English. The
Vastness of the Universe
Jonas Hallgrimsson
(1807-1845).
AboutÃ
‚ Jónas
HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.ÂÂ
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃÂ
³nas HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.ÂÂ
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃÂ
³nas HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.ÂÂ
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃÂ
³nas HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.ÂÂ
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃÂ
³nas HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.ÂÂ
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃÂ
³nas HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.ÂÂ
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work justice.