Often Referred to as the African-American National Anthem . Composed by ...(+)
Often Referred to as
the African-American
National Anthem .
Composed by J. Rosamond
Johnson, words by James
Weldon Johnson. Arranged
by Bob Phillips. This
edition: with Chorus.
Part(s); Score; String
Orchestra. Sound
Innovations for String
Orchestra. Folk;
Multicultural. 80 pages.
Published by Alfred Music
(AP.44827).
(A Practical Application of Rudolf von Laban's Movement Language). By James Jord...(+)
(A Practical Application
of Rudolf von Laban's
Movement Language). By
James Jordan with Meade
Andrews and Giselle
Wyers. Book and DVD. 362
pages. Published by GIA
Publications
Orchestra SKU: AP.12-0571540104 Concerto for Trombone and Orchestra(+)
Orchestra
SKU:
AP.12-0571540104
Concerto for Trombone
and Orchestra.
Composed by Carl Vine.
Full Orchestra;
Masterworks; Performance
Music Ensemble; Single
Titles. Faber Edition.
Form: Concerto. 20th
Century; Masterwork.
Score. Faber Music
#12-0571540104. Published
by Faber Music
(AP.12-0571540104).
ISBN 9780571540105.
English.
Inspired
by Oliver Sacks's
fascinating exploration
of atypical mental
states, Five
Hallucinations, Carl
Vine's trombone concerto,
was premiered in October
2016 by Michael Mulcahy
and the Chicago Symphony
Orchestra under James
Gaffigan. Each movement
of the 20-minute concerto
is based on a different
hallucination, from the
ominous Doppelgänger
to the rather absurd The
Lemonade Speaks.
Hawkes Pocket Score 1554. Composed by James Macmillan. Boosey and Hawkes ...(+)
Hawkes Pocket Score
1554. Composed by
James Macmillan. Boosey
and Hawkes Scores/Books.
Classical. Softcover. 76
pages. Boosey and Hawkes
#M060132148. Published by
Boosey and Hawkes
(HL.48024126).
Choir Secular For Upper Voices and Piano or Orchestra SKU: PE.EP73416A (+)
Choir Secular For Upper
Voices and Piano or
Orchestra
SKU:
PE.EP73416A
For
High Voices and Piano (or
Orchestra). Composed
by James Burton. Arranged
by Art by Jackie Morris
and Robert Macfarlane.
Choral Works (Secular) -
Upper Voices. Edition
Peters. Book. 68 pages.
Duration 00:32:00.
Edition Peters
#98-EP73416A. Published
by Edition Peters
(PE.EP73416A).
Two
versions - with
orchestral or with piano
accompaniment. The vocal
score is the same for
both
versions.
James
Burton is a composer but
also a conductor. He is
conductor of the
Tanglewood Festival
Chorus and choral
director of the Boston
Symphony.
The
book The Lost Words,
exquisitely designed, has
won multiple awards and
is an international
best-seller. The vocal
score includes Jackie
Morris's beautiful
imagery in its cover
design.
Orchestra - Grade 2.5 SKU: AP.44827S Often Referred to as the African-...(+)
Orchestra - Grade 2.5
SKU: AP.44827S
Often Referred to as
the African-American
National Anthem.
Composed by J. Rosamond
Johnson. Arranged by Bob
Phillips. This edition:
with Chorus. Performance
Music Ensemble; Single
Titles; String Orchestra.
Sound Innovations for
String Orchestra. Folk;
Multicultural. Score. 8
pages. Duration 2:40.
Alfred Music #00-44827S.
Published by Alfred Music
(AP.44827S).
UPC:
038081518176. English.
James Weldon
Johnson.
The poem
and original hymn-like
music of Lift Every Voice
and Sing, by James and J.
Rosamond Johnson,
reverberate through the
decades of the civil
rights movement.
Originally performed for
Booker T. Washington in
1900, it is sometimes
called the
African-American National
Anthem. This setting, by
Bob Phillips, teaches 6/8
and uses chromatic
alterations in first
position. A vocal lead
sheet is included in the
reproducible educational
packets. The
cross-curricular
programming possibilities
are vast. (2:40).
Orchestra SKU: SU.94010400 For Orchestra. Composed by James Lee II...(+)
Orchestra
SKU:
SU.94010400
For
Orchestra. Composed
by James Lee III.
Orchestra. Study Score.
Subito Music Corporation
#94010400. Published by
Subito Music Corporation
(SU.94010400).
2,1 2,1 2,1
2,1; 4331; timp, perc(3),
cel, hp; stgs Duration:
11' Composed: 2013
Published by: Subito
Music Publishing
Performance materials
available on rental:
Alas! Babylon’s
Final Sunset is
another installment in my
series of works that
musically comment on the
biblical books of Daniel
and Revelation. The
principal source of
inspiration for this
works comes from the 18th
chapter of the book of
Revelation. This chapter
states that the career of
Babylon the Great is
finally coming to an end.
The music begins with a
mysterious pianissimo
tremolo accompanied by
tam-tam and bass drum.
The initial flourishes in
the oboes and English
horn serve as the
principal motive of
warning. As the music
continues, there are
varying degrees of
agitation among the
strings and woodwinds.
Throughout the work there
are rhythmic motives in
the brass, percussion,
and various woodwind
instruments that sing and
speak Babylon is Fallen
in triple meter. As the
tutti ensemble arrives at
a climax, the orchestral
texture becomes thinner
and slightly transparent.
As the music continues,
the opening motive
returns in the oboes,
however the counterpoint
produces a series of solo
laments. These passages
are intended to provide
picturesque images of
these words: And the
voice of harpers, and
musicians, and of pipers,
and trumpeters, shall be
heard no more at all in
thee; and no craftsman,
of whatsoever craft he
be, shall be found any
more in thee; and the
sound of a millstone
shall be heard no more at
all in thee; And the
light of a candle shall
shine no more at all in
thee. and the voice of
the bridegroom and of the
bride shall be heard no
more at all in thee: for
thy merchants were the
great men of the earth;
for by thy sorceries were
all nations deceived. And
in her was found the
blood of prophets, and of
saints, and of all that
were slain upon the
earth. Rev. 18:22-24 The
following passages
musically comment on the
historical career of
Babylon with a sense of
her impending
destruction. The series
of laments transforms
into the more emphatic
rhythmic motive Babylon
is Fallen. The orchestral
texture begins to become
more condense, once
again, with the initial
flourishes of, but with
notable variations.
Finally, the celesta,
harp, oboes, English
horn, and strings sing
profundities that are
finally transformed into
a minor mode tonality
that fades away with the
ringing of the tam-tam.
Babylon has finally seen
her last sunset.