Here are six of the most studied, performed, and recorded trios for piano, violin, and cello. They include the popular trio in D Major, Op. 70, No. 1, which was named the Ghost trio by Beethoven's student, Carl Czerny, who thought the eerie second movement suggested the specter of Hamlet's father. Additional works include the trio in E-flat Major, Op. 1, No. 1; the trio in G Major, Op. 1, No. 2; the trio in C Minor, Op. 1, No. 3; the trio in E-flat Major, Op. 70, No. 2; and the trio in B-flat Major, Op. 97, also known as the Archduke trio. These works are reproduced from the authoritative Breitkopf and Härtel editions. Durable but inexpensive, this edition features a sturdy binding that allows pages to remain open on music stands for years of use and enjoyment. Reprinted from the definitive 19th-century Breitkopf and Härtel edition, published in Leipzig.

Musica arcaica #1 ' est la première pièce dans une série de oeuvres de musique de chambre dans laquelle Schneider comme un compositeur examine la musique des autres cultures (chants, danses, entre autres). Le vieux chypriote Pastourelle Voskos inspiré le compositeur à appliquer les techniques de composition archaïque de drone, hétérophonie et ostinato. La chanson exprime différentes ambiances : la première moitié de la chanson est dominée par l'aspiration lament im Pferch eingesperrt bin ich geboren, im Pferch werde ich sterben'. Définit la seconde moitié du fantastique et perdu, mais aussi avec fierté subi une pensée de la mort ' Niemand von euch kennt den Tod, noch das Altern! ' à la musique. Schneider présente ces émotions de façon convaincante et passionnante au moyen d'instruments. / Violon, Violoncelle Et Piano

Replaces H 1128-Piano Trio B-Flat Major Op.21Score & PartsDvorák?s ?Trio In B-Flat Major? op. 21 the first of his four works for Violin Violoncello and Piano was composed in 1875 and premiered two years later.This edition presents the musical text from Volume IV/9 of the ?Complete Edition of the Works of Anton n Dvorák?. The Violoncello part has been newly engraved and the sections which were written in treble clef have been transferred to tenor clef.In his Foreword Dvorák authority David R. Beveridge vividly describes the work?s genesis and reception on the basis of the latest researchfindings.Standard work from the chamber music repertoireNewly engraved Violoncello partNew Foreword by David R. Beveridge (Eng/Cz/Ger)