Violin and Piano. Composed by James Macmillan. Boosey & Hawkes Chamber Music. Classical. Softcover. 46 pages. Boosey & Hawkes #M060136221. Published by Boosey & Hawkes

Violin & Piano

SKU: SU.94010630

For Violin & Piano. Composed by James Lee III. Strings, Violin. Accompanied by piano. Score & Parts. Subito Music Corporation #94010630. Published by Subito Music Corporation (SU.94010630).

Instrumentation : Violin & Piano
Duration: 22'
Composed: 2018
Published by: Subito Music Publishing.

(For Violin and Piano). By James Matheson. Solo instrument with accompaniment. For Violin, Piano. Premiere: Tereza Stanislav (violin) and Roberto Giordano (piano). Contemporary. Score and part(s). Standard notation. Composed APRIL 05 2007. 32 + pages. Duration 16 minutes. Published by Theodore Presser Company

Violin & Piano

SKU: SU.94010210

For Violin & Piano. Composed by James Lee III. Strings, Violin. Score & Parts. Subito Music Corporation #94010210. Published by Subito Music Corporation (SU.94010210).

Violin, Piano Duration: 17' Composed: 2000 Published by: Subito Music Publishing.

Chamber Music violin, piano

SKU: PR.114402930

For violin And Piano. Composed by James Drew. The premiere performance of this work took place at the Des Moines Art Center, September 12, 1982. Contemporary. Set of performance scores. With Standard notation. 12 pages. Theodore Presser Company #114-40293. Published by Theodore Presser Company (PR.114402930).

UPC: 680160005932. 11 X 8.5 inches.

Chamber Music violin, piano

SKU: PR.144407050

Composed by James Primosch. Set of Score and Parts. With Standard notation. 28+12 pages. Duration 20 minutes. Theodore Presser Company #144-40705. Published by Theodore Presser Company (PR.144407050).

UPC: 680160655519. 9 x 12 inches.

Celebrating 30 years, the Philadelphia Chamber Music Society commissioned a work of 20-25 minutes for violin and piano from James Primosch, University of Pennsylvania professor of music. Primosch had originally thought to create a new sonata, but what developed is more appropriately a set of five character pieces, two of which were directly inspired by poems. Five Poems was premiered in May, 2016, and Primosch's thoughts are recorded at his website: https://jamesprimosch.com /2016/05/10/five-poems-pr emiere/.
Upon receiving a commission from the Philadelphia Chamber MusicSociety for a violin and piano piece in honor of its 30th anniversary, myplan was to write a sonata, a term suggesting a relatively abstractdiscourse. But as the piece developed, the movements struck me ascharacter pieces rather than music employing a more “symphonic”ap proach. When specific poems started to attach themselves in my mindwith two of the movements, the overall title Five Poems became clear.The title of the second movement is a line from Susan Stewart’s“De scent”, which deals with Aeneas’s visit to the underworld. The musicis alternately fiercely driving and quite still, though tense. RobertFrost’s Nothing Gold Can Stay summons fleet scale passages framinglyrical counterpoint. The remaining movements do not refer to specificpoems, but have titles reflecting their expressive tone. Dreamscape ismusing with an improvisatory violin line over shifting pairs of pianochords. Nightsong is a bluesy lullaby that turns highly dramatic.Vision begins with a closely argued struggle but breaks through tosomething spacious and clear.

Violin and Piano. By Hilary Hahn. By Various. Boosey and Hawkes Chamber Music. Classical, Contemporary. Softcover. 340 pages. Boosey and Hawkes #M051107933. Published by Boosey and Hawkes (HL.48023059).

By Jean-Marc Allerme / Vincent Charrier. For violin and piano. Pop / Jazz. Score and CD