The Green Machine Team Chorale 2 parties 2 parties [Partition + CD] - Facile Hal Leonard
(A Mini-Musical to Recycle, Replenish, and Renew!). By Jill Gallina and Michael ...(+)
(A Mini-Musical to
Recycle, Replenish, and
Renew!). By Jill Gallina
and Michael Gallina.
2-Part Book and CD.
Musicals. Hal Leonard
#CD0442. Published by Hal
Leonard
Duets for Holiday and Life Cycle Celebrations. Performed by Michael Isaacson. Tr...(+)
Duets for Holiday and
Life Cycle Celebrations.
Performed by Michael
Isaacson.
Transcontinental Music
Folios. Size 8.5x11
inches. 48 pages.
Published by
Transcontinental Music
Publications.
String Quartet SKU: FG.55011-553-8 Allerheiligentag III. Composed ...(+)
String Quartet
SKU:
FG.55011-553-8
Allerheiligentag
III. Composed by
Jyrki Linjama. Classical.
Score and Parts. Fennica
Gehrman #55011-553-8.
Published by Fennica
Gehrman (FG.55011-553-8).
Jyrki Linjama's
second string quartet
(2018) is subtitled
Allerheiligentag III. The
material for the
Allerheiligentag cycle is
a Finnish folk chorale
for All Saints' Day (no.
146 in the Finnish Hymn
Book). The first work in
the cycle is a string
trio (2007), the second a
piece for orchestra
(2009), and the fourth
and fifth are solo works
for viola da gamba and
violin.The composer
tells: The choice of
topic and material for
the string trio was
originally prompted by
the venue at which it was
to be premiered: the old
church on the island of
Seili (Sjalo). The bleak
history of the island's
leper and mental hospital
evoked images of
suffering and death. I
got so attached to the
harsh and beautiful
melody that it began to
generate a whole cycle.
The string quartet is in
three movements
(slow-quick-slow) tensed
in different ways by
contrasts. The first
movement has both
swinging softness and
cutting sharpness, the
Scherzo the wildness of a
dance of death and
lyricism, and the finale
the irrevocability of a
funeral march and tender
melodiousness.
Cypresses Quatuor à cordes: 2 violons, alto, violoncelle [Set de Parties séparées] Barenreiter
Zypressen by Antonin Dvorak (1841-1904). String quartet. For violin 1, violin 2,...(+)
Zypressen by Antonin
Dvorak (1841-1904).
String quartet. For
violin 1, violin 2,
viola, cello (2
violins/viola/cello).
Chamber music.
Gesamtausgabe der Werke
von Antonin Dvorak IV/7.
Czech title: Cypriae.
Classical. Set of parts.
Publication language:
Czech/German/English/Fren
ch. Published by Editio
Baerenreiter Praha
String Quartet SKU: HL.14015287 Composed by Simon Holt. Music Sales Ameri...(+)
String Quartet
SKU:
HL.14015287
Composed
by Simon Holt. Music
Sales America. Classical.
Score. Composed 2002. 24
pages. Chester Music
#CH62854. Published by
Chester Music
(HL.14015287).
ISBN
9781844491360.
7.0x10.0x0.114
inches.
This is
part 2 of the cycle 'A
Ribbon Of Time', composed
for the Royal
Philharmonic Society
Music Award for
Chamber-scale Composition
2002.
2 violins SKU: HL.49044130 9 Duets. Composed by Barbara Heller. Ed...(+)
2 violins
SKU:
HL.49044130
9
Duets. Composed by
Barbara Heller. Edited by
Ulla Levens. This
edition: Saddle
stitching. Sheet music.
String. Softcover.
Composed 2012/2013. 44
pages. Duration 10'.
Schott Music #VLB187.
Published by Schott Music
(HL.49044130).
ISBN
9790001197601.
Play
ing in a duo is great fun
for professional
musicians and amateurs
alike and can inspire
creative music making.
These pieces represent
encounters between two
people, with each of the
nine compositions taking
a specific moment or mood
as its theme. Titles and
indications of style and
tempo will give
performers ideas for
interpretation, with
markings relating to
technique, articulation,
bowing and fingerings
offered for guidance. For
players who would like to
work out their own
interpretation of these
Dialogues, the second
section of the book
includes an unmarked
score of the same pieces
(with no indications of
dynamics, fingerings,
bowings, articulation or
phrasing). This
additional score is
intended for use by
instrumental teachers who
wish to work with their
pupils on marking up and
arranging pieces of music
for string
instruments.These
Dialogues are aimed at
young people and adult
musicians, too. They may
be played as a cycle in
the order given in this
book, or else combined at
will. Individual
Dialogues may serve as
useful teaching material,
for student auditions or
for inclusion in student
concerts or chamber
performances. Their
musical content and
brevity make these duets
particularly suitable
repertoire for youth
music competitions. The
overall duration of the
set of Dialogues is about
fifteen minutes.
Choir Secular (2-Part choir) SKU: AP.48333 Composed by Andy Beck. Perform...(+)
Choir Secular (2-Part
choir)
SKU:
AP.48333
Composed by
Andy Beck. Performance
Music Ensemble; Single
Titles. Alfred Choral
Designs. Secular. Choral
Octavo. 8 pages. Alfred
Music #00-48333.
Published by Alfred Music
(AP.48333).
UPC:
038081551562.
English.
Once
again, composer Andy Beck
captures the magic of
childhood in a piece
that's written expressly
for developing choirs.
Ample echo-singing and
sensible vocal ranges
will help young singers
take off the training
wheels and quickly find
success. Add in a
positive message about
the power of persistence,
and you've got a winning
combination!
About Alfred
Choral
Designs
Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests.
Vistas. Composed
by Shulamit Ran. Set of
Score and Parts. With
Standard notation. 42 +
112 pages. Duration 25
minutes. Theodore Presser
Company #114-40698.
Published by Theodore
Presser Company
(PR.114406980).
UPC:
680160010806.
Shula
mit Ran’s second
string quartet, subtitled
“Vistas,â€
occupies a large canvas
that is cast in a
traditional fourmovement
mold, where the outer
movements present,
explore, and later return
to the work’s
principal musical
materials, surrounding a
slow movement and
scherzo-type third
movement with a trio. In
addition to tempo-based
titles, the individual
movements have subtitles
that are evocative of
each movement’s
character, as follows: I.
Concentric: from the
inside out II. Stasis
III. Flashes IV.
Vistas. My second
string quartet,
“Vistasâ€, is
a work cast in a
traditional four-movement
formal mold, with the
outer movements,
presenting and later
returning to the
work’s principal
musical materials,
surrounding a slow
movement and a
scherzo-type third
movement.While the four
movements’
“properâ€
names -- Maestoso con
forza, Lento, Scherzo
impetuoso, and
Introduzione; Maestoso e
grande – give some
indication of the general
character of the
individual movements, I
have also subtitled, less
formally, each movement
as follows:Â 1)
Concentric:Â from the
inside out 2)Â
Stasis 3) FlashesÂ
4) Vista. The images
evoked by these titles
tell one, I think, a bit
more about the inner
workings of the
quartet.In the first
movement, a prominently
presented opening pitch
(E) reveals itself, as
the movement unfolds, to
be a center of gravity
from which ever-growing
cycles of activity
gradually evolve.Â
While various important
themes come into being as
the movement progresses,
their impact on the
listener has, I believe,
a great deal to do with
their juxtaposition and
relationship to the
initial central point of
gravity.Stasis is, as the
name implies, a movement
where activity seems, at
times, almost
suspended. Being
also, as Webster’s
Dictionary reminds us,
“a state of static
balance and equilibrium
among opposing tendencies
or forces,†it
develops various
materials, including ones
from the first movement,
without bringing them to
points of
resolution.Flashes is
short and very fast,
evoking in my mind the
quick shimmer of
fireflies, a
“sudden burst of
lightâ€, but also a
“brief
timeâ€. Perhaps,
even, a
“smile�Final
ly, the last movement,
Vista, is not only
“a view or
outlookâ€, but also
“a comprehensive
mental view of a series
of remembered or
anticipated
events.â€Â After
a brief recall of the
opening of the second
movement, this movement
brings back all the
important themes of the
first movement in their
original order. But
just as going back can
never really mean going
back in time, the
movement is much more
than recapitulatory.Â
By cutting through
previously transitory
passages and presenting
the main ideas in a
fashion more direct yet
more evolved, it also
sheds new light on
earlier events, offering
a retrospective, synoptic
view of the first
movement as it brings to
culmination the work as a
whole. “Vistasâ
€ was commissioned by
C. Geraldine Freund for
the Taneyev String
Quartet of what was then
Leningrad. It was the
first commission given in
this country to a Soviet
chamber ensemble since
the 1985 cultural
exchange accord between
the Soviet Union and the
United States.
String quartet SKU: HL.49019756 Composed by Paul Hindemith. This edition:...(+)
String quartet
SKU:
HL.49019756
Composed
by Paul Hindemith. This
edition: Full-cloth
binding. Sheet music.
Edition Schott.
Hardcover. 212 pages.
Schott Music #PHA504-20.
Published by Schott Music
(HL.49019756).
ISBN
9783795794712.
11.0x15.0x0.982
inches.
The work of
Paul Hindemith is
encyclopedic in nature.
From the outset, he
worked in all musical
genres and devised
several of his musical
ideas and projects not as
individual,
self-contained works but
as work cycles with
different functional
relationships. These
contrasting pieces
complement each other if
experienced as part of
the overall structure.
Hindemith himself not
only wanted a complete
edition of his collected
works but had begun
planning it; at his death
he left a detailed list
of ‚Unpublished
pieces for an eventual
complete
edition‘.The
Complete Works contain
all finished works in all
extant versions, newly
engraved for the edition.
Sketches and fragments
are published in
appendices of the
relevant volume, and are
evaluated in the
Introduction and Critical
Commentary by the
respective volume
editor.Each volume
contains a preface by the
editorial directors and
an introduction by the
volume editor,
delineating the genesis
and performance history
of the work, with
authentic performance
instructions, an
evaluation of extant
recordings by Paul
Hindemith himself and a
Critical Commentary.The
Complete Works of Paul
Hindemith are thus
presented in a critical,
scholarly edition which
is equally appropriate
for study and
performance. Hindemith
researchers will welcome
the numerous first
publications of works by
the composer, and
practical musicians will
appreciate the newly
prepared, philologically
ordered performance
material.
