Dispose de 72 classiques Motown: ABC - Ain't No Mountain High Enough - Baby Love - Ben - Come See About Me - Dancing in the Street - Do You Love Me - facile - une fois dans ma vie - - Heatwave Higher Ground - Puis-je 't - Help Myself I Hear a Symphony I - Il appris par la rumeur - I Second That Emotion - I'll Be There - Jimmy Mack Mercy -, Mercy Me (The Ecology) - My Cherie Amour - Ma fille bébé Ooo Baby - Stop! Au nom de l'amour - Three Times a Lady - - Guerre Where Did Our Love Go - plus! Des lignes mélodiques, accords et paroles, ainsi qu'une section de diagrammes d'accords guitare. / Instruments En Do / 256 pages / Partition

Giulio Briccialdi (1818-1881) has been one of the major European flutists of the Nineteenth Century. Praised by coeval critics as 'the first among the living flutists? in a period when virtuosos were reaching extraordinary levels, Briccialdi was a unique artist with a quintessentially Romantic personality. His refined activity as a composer is nowadays mostly known thanks to his paraphrases on operatic themes and to his didactic output, but it is through his concertos - a real cornerstone in the instrumental virtuosic repertoire of the 1800s - that Briccialdi exploits the pinnacle of his opera-influenced style. Briccialdi's concertos are intended for technically and stylistically advanced performers. / Flûte Traversière Et Piano

Giulio Briccialdi (1818-1881) has been one of the major European flutists of the Nineteenth Century. Praised by coeval critics as 'the first among the living flutists? in a period when virtuosos were reaching extraordinary levels, Briccialdi was a unique artist with a quintessentially Romantic personality. His refined activity as a composer is nowadays mostly known thanks to his paraphrases on operatic themes and to his didactic output, but it is through his concertos - a real cornerstone in the instrumental virtuosic repertoire of the 1800s - that Briccialdi exploits the pinnacle of his opera-influenced style. Briccialdi's concertos are intended for technically and stylistically advanced performers. / Flûte Traversière Et Piano

The long-awaited third volume of the much-loved and often used fake book series. Includes choice standards, motown and pop classics, Blue Note and jazz classics, and even contemporary tunes with no duplication of tunes from Volumes 1 or 2. / Instruments En Do

Par GARDEL CARLOS. Love, fire, passion - as one of the most emotionally-charged dances, the tango is an ideal match for the flute and its duo partner, the piano, as all three join in for a charming musical experience. Argentine tango expert Diego Collatti has arranged five popular tangos originally composed by Carlos Gardel, who greatly influenced the genre with his interpretations and compositions. The lively, electrifying arrangements for flute and piano show Collatti's expertise for instrumentation and reduction as they combine technique and ensemble playing with the glamour and unique atmosphere of South American passion for dancing. With this collection, the musical life of Argentina during the late 20th century - a heritage that is treasured to this day and has currently reached a new popularity - is carried into the world. In a diverse and always authentic musical setting, both voices enter a dialogue of emotions, zeitgeist and character typical for the dance, which is popular around the world. These aspects are essential for diving completely into the music and musically expressing its deeply emotional content. ? 5 popular tango classics presented as a musical dialogue arranged for flute and piano ? Vibrant, expressive and emotional - Discover the qualities of authentic tango music with these intermediate-level duets ? The melodic and rhythmic characteristics combined with unique phrasing and articulation are true to the authentic Argentinian tango ? Interwoven ensemble parts and diverse means of expression bring the unique tango atmosphere to life / Musique traditionnelle / Répertoire / Flûte Traversière et Piano

Per Flauto E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Répertoire / Flûte Traversière et Piano

Step into the spotlight and play along with the superb backing tracks on the specially recorded CD. Ten great hits in top line arrangement by Simon Lesley from Atomic Kitten, Travis, David Gray and S Club 7. Hear full performance versions of the music on Tracks 2-11. The Flute part is then omitted from tracks 12-21 so you can play along with the recorded accompaniments. Suitable for players grade 3-5 standard. / Flûte Traversière