Pour Quintette de Vents. Par TOMASI HENRI. French composer and conductor, Henri Tomasi (1901-1971) published Five Secular and Sacred Dances for Wind Quintet in 1963. As with his other wind compositions, Five Secular and Sacred Dances was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured into musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoire and wenton to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learnt during the summers with his Grandmother in to his compositions. Five Secular and Sacred Dances is a reduction arrangement of his work of the same name for Chamber Orchestra. Comprising five movements; 1) Rural Dance, 2) Secular Dance, 3) Sacred Dances, 4) Bridal Dance, and 5) Warrior Dances, Five Secular and Sacred Dances is one of three Wind Quintets by the composer. This Tomasi piece is suitable to an advanced Wind Quintet, providing an exciting alternative addition to the ensemble repertoire./ Répertoire / Quintette à vent

Par RACHMANINOV SERGEI / HINZE GUDRUN (Arr.). Gudrun Hinze has masterfully arranged these Selections from Sergei Rachmaninoff's Rhapsody on a Theme of Paganini for Flute Quintet. The Rhapsody, originally composed for solo piano and orchestra was written during the summer of 1934 and was premiered by the Philadephia Orchestra, under the direction of Leopold Stokowski and with Rachmaninoff at the piano, on November 7 of that year. Included in this arrangement are the following variations: Introduction and Variation I, Tema, Variation II, Variation III, Variation VI, Variation VII, Variation IX, Variation X, Variation XI, Variation XIX, Variation XX, and Finale. / Date parution : 2022-11-29/ Répertoire / 5 Flûte Traversières

Le bois Boosey et la méthode de laiton répond aux exigences nouvelles et changeantes dans l'enseignement : il contribue à rendre individuel et en groupe enseignement plus facile, plus intégrée et plus efficaces. Le bois Boosey et la méthode de laiton fournit tout ce dont vous avez besoin pour l'enseignement de la musique par le biais de l'instrument. Son approche unique développe des compétences générales musicales grâce à un programme de qualité solo et ensemble de musique, des activités supplémentaires et un CD audio y compris les activités de l'écoute. Parce que la méthode est basée sur un programme clair, elle fournit un système facile à utiliser pour l'enseignement et toutes les ressources souples, que vous avez besoin pour chaque situation, si individuel, groupe ou mixte d'enseignement de l'instrument. Cette série offre un programme d'enseignement instrumental tandis que le développement technique et musicalité. / Flûte Traversière

Par BOYD ANNE. Composed in 1979, Goldfish Through Summer Rain is a piece for flute and piano by Australian composer Anne Boyd. Boyd studied music at the University of Sydney, where she was one of Peter Sculthorpes first students. Her music is regularly performed world-wide. The hallmarks of her musical style are its transparency, gentleness and delicacy – attributes whichreflect her long involvement with Asian traditions especially those of Japan and Indonesia./ Répertoire / Flûte Traversière et Piano

Par TOMASI HENRI. French composer and conductor, Henri Tomasi (1901-1971) published Concertino for Flute in 1946. As with his other wind compositions, Concertino was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured into musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoire and went on to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learnt during the summers with his Grandmother into his compositions. Concertino for Flute and Piano Reduction is a highly unusual and modern work in three movements; 1) Cadence and Allegretto, 2) Largo, and 3) Finale. This Tomasi piece is suitable to advanced flautists, providing an exciting, alternative addition to the instrument's repertoire./ Répertoire / Orchestre Flûte Traversière et Piano

Par TOMASI HENRI. French composer and conductor, Henri Tomasi (1901-1971) composed Le Petit Chevrier Corse in 1952. As with his other woodwind compositions, Le Petit Chevrier Corse was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured in to musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoireand went on to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learnt during the summers with his Grandmother. This is apparent in Le Petit Chevrier Corse for Flute and Piano or Harp accompaniment. This Tomasi piece is suitable to intermediate level flautists and its popularity has been proven by its inclusion in the ABRSM grade 5 syllabus since 2005./ Répertoire / Flûte Traversière et Piano ou Harpe

The music of small forms and of chamber-music instrumentations was to become the focus of the French composer Gabriel Fauré (1845-1924). In 1874, after many years spent in the provinces, the teacher of Camille Saint-Saëns took the position of organist in Paris; later he not only worked as a church musician but also as a teacher. In the summer of 1887 Fauré wrote his Pavane opus 50, originally intended for a concert providing light entertainment, which soon gained wide popularity as an orchestral setting without and with the chorus added by Fauré. The romantic, slightly melancholy melody is a catchy tune which, thanks to the present arrangement, can now also be performed soloistically with piano accompaniment.

In the Summer of 2008, the long-awaited Indiana Jones And The Kingdon Of The Crystal Skull hit our cinemas. Filled with the intrigue and drama characteristic of all the classic Indiana Jones films, Harrison Ford once again reprised his role as our adventerous hero. This book includes selections from that film arranged for Flute with a fully orchestrated CD accompaniment. The flute book is compatible with that for clarinet, alto saxophone, tenor saxophone, trumpet, french horn and trombone. A piano accompaniment is available separately (order no. 31799) and includes a CD that features various instrument demo tracks from the series.The book contains a carefully edited part that is appropriate for the intermediate level player. The CD includes a demo track, which features a live instrumental performance, followed by the play-along track itself. Also included are eight pages of colour photographs from the movie.Raider's March; Marion's Theme; The Adventures Of Mutt; Irina's Theme; The Journey To Akator.

for Flute. If you play an instrument and you're a Disney fan, you'll love this collection of 101 favorites to learn and play! Songs include: Beauty and the Beast - Can You Feel the Love Tonight - A Dream Is a Wish Your Heart Makes - Evermore - Go the Distance - He's a Pirate - I See the Light - Kiss the Girl - Let It Go - Mickey Mouse March - Reflection - A Spoonful of Sugar - True Love's Kiss - We're All in This Together - When You Wish upon a Star - A Whole New World - You've Got a Friend in Me - Zip-A-Dee-Doo-Dah - and more./ Recueil / Flûte Traversière

Become the featured soloist on twenty specially recorded arrangements of some fantastic hit songs from past and present! Part of the hugely successful Take The Lead series, this bumper edition gives you the opportunity to learn songs as diverse as Angels by Robbie Williams and Gershwin's Fascinating Rhythm , arranged as accessible Flute solos with Guitar chord symbols. The music is complete with two CDs - a set of full professionally recorded backing tracks and a disc of demonstration performances that will help you learn the songs. Take The Lead is an integrated series for Alto Sax, Clarinet, Flute, Trumpet, and Piano. In each edition all the songs are in the same concert pitch key, so the different instruments can play together - ideal for school groups and ensembles. / Niveau : Facile / Date parution : 2005-12-15/ Recueil / Flûte Traversière et Piano

Par KEMBER JOHN. New York's famous Broadway is home to some of the best musicals ever written and nowhere better represents the glitz and glamour of the stage. Play Broadway features songs from 10 of the best shows from across the decades, including classic greats Anything Goes, The Sound of Music, Grease, Chicago and The Lion King . All the songs inside this songbook have been carefully arranged for intermediate Flute players, with fun backing tracks and Piano accompaniments to download from the enhanced CD. / Niveau : Assez Facile / Recueil / Flûte Traversière et Piano

TCL Flute Exam Pieces from 2023: Initial. Graded books for Flute exams from 2023. Each book contains a selection of 12 accompanied and unaccompanied pieces for the grade, covering a range of styles and periods, with duets up to Grade 3. Performance notes for all pieces in the book give valuable insights, tips and suggestions. Downloadable demo and backing audio is included.

A cheerful suite lyrical and full of freshness. 3 movements. Scoring: Flute/Piano. Performance Level 7 or 7.'This suite for Flute and Piano is in three movements and it is delightful. It will suit players from about Grade 5 (ABRSM) standard. The Piano part is very approachable for the intermediate standard player.'         - Flutewise

Work for Flute and Guitar commissioned by Clive Conway and Gerald Garcia.Anthony Payne: 'As a passionate Elgarian for most of my musical life I was fascinated by the prospect of writing something which reflected or somehowincorporated his Memorial Chimes written for the Loughborough Carillon a piece moreover which I did not know although I pride myself on an intimate acquaintance with the greater part of his output. My own style is a far cryfrom that of the English late-romantics which I so love but I have recently discovered how to relate to their music in more than just spiritual and emotional particulars and in Spring's Shining Wake I produced a gloss of Delius'In a Summer Garden finding equivalents in my vocabulary for each of that work's procedures somethings approaching the original closely and sometimes shadowing it from afar.p>When I saw the Elgar I immediately realised that thiskind of approach was out of the question. For one thing it is quite a short piece and frankly it is not one of the master's great inspirations. It does however possess one characteristically haunting phrase and I saw how Icould draw it within my own harmonic and textural orbit not the sort of idea to base a work on but a happy little discovery such as one often makes during the course of composing a work.I accordingly set out to write a shorttone poem which somehow draws together the sonorous 'objets trouvés' which float into the mind during intense contemplation of a still landscape memories of the past (the Elgar) intimations of magic in the wind sudden intenseperceptions of the cosmic forces of which we form such an insignificant part ominous vibrations borne on the air from some other existence.