Instrumental Play-Along-All your favourite instrumental themes are in this superb collection for soloists! The 15 themes include Hollywood hits like 'Axel F' from Beverly Hills Cop and 'Bella's Lullaby' from Twilight; inspirational sports anthems like 'Bugler's Dream' (Olympic Fanfare) and 'Chariots of Fire'; as well as popular TV show theme songs from Hawaii Five-O and I Love Lucy. Includes a full-accompaniment play-along CD with tempo adjustment software.

With the Playalong 20/20 Flute sheet music songbook you get an incomparable collection of 20 of the best pop songs topping the charts of today as well as demonstrations and backing tracks for each song for youto download. All 20 tunes are fantastically arranged in melody line format for the Flute. Featuring some of the best pop hits from the current charts this pop sheet music selection makes these catchy and upbeatsongs accessible for the Flute. Including tunes like 22 by Taylor Swift Right Place Right Time by Olly Murs and One Direction's What Makes You Beautiful this book proves that the Flute is not justfor classical music but can also be a brilliant way to get a unique sound out of popular music. The Playalong 20/20 Flute book will help flautists of all ages and abilities play some truly perfect popsongs. Not only are there many uptempo and fun pop songs included in this collection but you'll also get the slower ballads whose melodies will will sound just as beautiful on the Flute. Tunes likeFrozen's Let It Go Adele's wonderful Someone Like You Wrecking Ball by Miley Cyrus as well as John Legend's huge heartfelt song All Of Me. Whether you're a pop-loving flautist or you're just looking toreinvigorate and freshen up your repertoire Playalong 20/20 Flute sheet music is the collection for you.  Not only do you get these 20 pieces of pop Flute sheet music you'llalso receive an enclosed download card giving you instant online access to demonstration and backing tracks of every single song. Using the demonstration tracks with Flute played by Howard McGill you can hear exactly how songslike Jar Of Hearts and Make You Feel My Love should sound. Then using the backing tracks you can take the lead role playing such gloriously poppy melodies over professionally-recorded backing tracks

With Plenty To Chew On-Seven concert pieces including 'Carmina Banana' and other favourites!When I began putting together a few piano pieces back in 2007 I didn't imagine they would quickly spawn a thriving eleven-volume series entitled Eye-Tunes taking players from 'easy' to grade 8 level. Nor did I imagine these might trigger a further five volumes of arrangements for flute and piano two called Creature Comforts (which predictably enough are comprised of animal-inspired pieces) or indeed the three volumes in this current series Flute Pastilles. While it goes without saying that not all pieces conceived for piano will work equally well for the combination of flute andpiano I'm a great believer that a good tune is frequently one which will transcribe easily. I like to think of these cherry-picked arrangements concise though they are as being 'proper' pieces in that they can earn their keep beyond the confines of the practice room or flute lesson. From Book 1 you will find a sprinkling of more thoughtful pieces such as Wind over Goonhilly Forget-Me-Not and Follow the North Star to offset the more jaunty pieces. These in particular call for a little extra attention to tone colour dynamics and phrase-shaping with some awareness of what the piano part is doing too. Think hard about choosing your tempo for each piece as this is a major contributor to musical character and in the faster moving music aim to articulate the rhythms as crisply as you can so that the music can really spring off the page and come to life for your audience.I must acknowledge as before the inestimable contribution to the success of these pieces made by Gillian Poznansky whose suggestions over the appearance of the scores has made such a difference to how the music is likely to be played. She also came up with a fair number of the titles to these pieces and has done them further service by performing them with me to great aplomb on innumerable occasions in far-flung corners of the globe.

Step into the spotlight and play along with the superb backing tracks on the two specially recorded CDs. Ten of the best hits from Elton John arranged for Flute. / Flûte Traversière

Broadway by Special Arrangement is a collection of eleven songs arranged for the instrumentalist wanting to play in a Jazz style -without the need to learn to improvise. The 'classically' trained amateur or professional performer or the intermediate-level student (III-IV) will enjoy playing these expertly arranged Broadway melodies just for fun or to include as a light piece on a recital or solo-feature concert performance. The ballads and medium-tempo and up-tempo swing tunes are arranged with a play through of the melody followed by a written-out 'variation chorus a return to the melody and an earcatching ending. The piano bass and drumaccompaniment CD will put you right in the band. The CD includes both the solo instrument with the accompaniment track and an accompanimet-alone track for each selection. The inexperienced performer can learn the appropriate style of playing and be comfortable playing in the jazz style before playing along with the rhythm section track. All of the instrument books are for the most part compatible with only minimal changes in the 'variation' section to accommodate the ranges (sometimes including octave options) and unique characteristics of the instruments -but all can be played together. The three-line piano accompaniment book provides a rhythmic 'comping' with chord voicings written out plus the flute part to help in following the soloist or even for the pianist to take a chorus. For the jazzer here is a chance to learn Broadway tunes and to explore playing ballads and the swing style of popular standards. Chord symbols are included to allow for improvistation. By combining his jazz-keyboard chops his 25 years as an instrumental instructor and his superb composing and arranging skills Carl Strommen presents a fully playable exciting and tastefully arranged collection of these immortal and memorable Broadway titles.

Programme Note WHIRLS´ WORLD (1970) for wind quintet. ?Whirl´s World? was composed in 1970 as one of a series of works which explored the so-called musical ´difference-phenomenon´. This term (which I coined in connection with a series of lectures in California that year) indicates a motivic duplicity in which two - often very simple - melodic ideas come ´out of phrase´ with each other giving rise to a course of constantly changing conditions. In Whirl´s World the difference phenomenon is heard from the beginning where a three-note motif and a four-note motif are set against each other. It all proceeds lake a lightning-fast series of chess moves; first notenumber 1 of the three-note motif is moved then note number 1 of the four-note motif thereafter note number 2 of the three-note motif - and so on. This fast opening flows into a slow section in which the differences now appear as ´fluctuations´ between very closely related tones (of which one is sung by the musician). There is only one movement built up as an organic growth from slow to furiously fast whirling and back again to slow which can be heard as ´slow-motion whirls´ as a water-world of ripples and bubbles. All this is framed by the introduction described above and a corresponding conclusion in which the movement is now descending ending in the resolute bass full-stop. Per Norgård

Wind Quintet No.2 Op.15 is a piece by Danish composer Svend Westergaard.Svend Westergaard's music is always thematically/motivically structured such that the works in various ways are built up as variations elaborations and experimental treatments of recognisable material giving the music cohesive power and comprehensible logic.

J.S. Bach's four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach's extremely productive time in Cöthen which ended in 1721.Unfortunately the only sources that have come down to us are copyist parts from Leipzig . These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the ' New Bach Edition? .At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter's new edition of Bach's great four suites now presents the Urtext as found in the ' New Bach Edition? i.e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a 'Violino concertato? part.- Urtext editions of these important works- Newly engraved parts and fully realized continuo- For the first time an alternative version of the Overture and Air to the D major suite BWV 1068 with ' Violino concertato ? is included / Flûte Et Orchestre

Dorisch, Mixolydisch und Pentatonik Bluestonleitern. Par DICKBAUER KLAUS. Klaus Dickbauer makes scales and blues scales for flute fun - his modern approach to elementary technique is an invaluable and highly effective training tool for developing improvisation skills. In the previous edition, Klaus Dickbauer covered major scales, triads, and interval exercises - combined with groovy beats - in a fresh and contemporary way. He now continues his well-thought-out approach to scales with a concentration on Dorian, Mixolydian, pentatonic, and blues scales - The perfect tools for building first improvisation skills on the flute. Methodically sound exercises train patterns and motifs to equip the student with a sense of confidence and an appetite for learning the art of improvisation. ? The perfect warm-up for groups and ensembles ? Elementary studies for developing confidence and an interest in learning to improvise ? Groovy tunes and motifs are combined with proven and tested playing pieces to guarantee fun and a positive attitude ? Includes a Play-Along CD to help students become well-acquainted with the concept The musical material is divided into three voices. This layout serves pedagogic purposes while facilitating ensemble playing. Voices can easily be doubled or switched in order to accommodate different ability levels and unite heterogeneous groups. The included CD provides the necessary drive while maintaining stability and authenticity - making this innovative volume even more effective. The sheet music editions for other instruments (Flute, Violin, Recorder, Clarinet, Trumpet, Tenor Saxophone, Alto Saxophone) can be freely combined and make various ensemble combinations possible. Click here for example videos and an overview of all available editions: www.universaledition.com/grooveconnection/ Etude / Flûte Traversière

Flute Improvisation Made Easy introduces the art of improvisation to flutists of all skill levels. The book covers basics of improvisation including rhythm modes scales call and response and typical forms like the blues.Written suggestions and transcribed improvisations guide the player in how to perform these musical elements. The accompanying audio includes separate solo flute and backup tracks.

Grade 1 Flute Pieces allows you to learn a diverse range of popular solo works that have all been carefully chosen with the specifications of the major exam boards in mind. This particular book is perfect forGrade 1 flautists including some classic tunes and contemporary pop hits. The included download card also gives you instant online access to full backing tracks for every song. This fantasticsongbook includes valuable supplementary repertoire for beginning Grade 1 flautists of any age. These particular Flute Pieces will aid with your technique and theoretical skills while alsoallowing you to play some incredible tunes that will help to enhance your musicality. Including such contemporary pop classics as Taylor Swift's 22 One Direction's Best Song Ever Adele's Make You Feel MyLove and Coldplay's Sky Full Of Stars  these familiar tunes will be fun to play for any flautist. Not only this but a big collection of timeless pop tunes are included such as TheBeatles' Yesterday Frank Sinatra's My Way and Elvis Presley's All Shook Up such familiar favourites allowing everyone to enjoy Grade 1 Flute! Each of the tunes features songbackground notes and brief performance guidance while at the beginning of the songbook is an introductory section featuring an invaluable fingering chart. With a fantastically diverse collection of oldand new pop songs some beautifully crisp engraving and helpful performance tips for each song this is the perfect songbook for Grade 1 flautists. It will help hone the techniques necessary for major exam boards while enabling you to develop a versatile repertoire and have fun playing some familiar songs.

'A fragment of the main theme came to me one day during a visit to Switzerland in August 2004. I filed it away in my memory and developed it into a piece when I got home. The 'bluesy' harmony in the fourth bar of the theme suggested that the piece should be called Valse Bleue.' Angela Morley was born in Leeds Yorkshire England in 1924. She was a professional woodwind player in her teens and twenties and at twenty-six after studying harmony counterpoint and composition with Matyas Seiber and conducting with Walter Goehr gave up playing and embarked on a career as an arranger and composer.

From Fancies Pour Piano-This Sérénade is the first of 7 pieces collectively called 'Fancies' originally written for piano in 1915.Gabriel Marie Grovlez (1879-1944) was born in Lille Northern France in 1879 and died in war-torn Paris in 1944. From among his teachers who include Gédalge and Lavignac Fauré must surely rank as his strongest influence and this is readily heard in his small but significant oeuvre of solo piano pieces as well as his music for stage and chamber ensembles. Interestingly most of the piano music was published over a period of around a dozen years (1907-1919) and in the lull between these works and his Impressions (two pieces) of 1934 Grovlez wascompositionally preoccupied with songs and chamber pieces many of which languish patiently on the shelf awaiting a wholehearted appraisal. There is as well as his notable penchant for elegance and poetical lyricism a considerable wit to enjoy too (take Les nes The Donkeys from L'Almanach aux images for example) and indeed the fact that Grovlez's middle years were spent fulfilling the duties of assistant conductor and choir leader of the Opéra-Comique seems especially revealing of the man's musical personality and capacity for successfully intertwining serious and less serious genres.Grovlez was quite a cosmopolitan character; besides making a notable mark in his native country (he was latterly a professor of chamber music at the Paris Conservatoire) he travelled to the United States and Africa as well as across Europe. Although we tend to remember Grovlez today for his influence primarily as a composer in the mould of Fauré or Debussy bringing a quirky quality to some of his writing more than occasionally reminiscent of Poulenc it was as a conductor that Grovlez initially made an impact. Moreover we should not overlook the fact that he gave the inaugural performances of some highly treasured works by the likes of Ravel (Ma Mère l'Oye) and Fauré (Dolly Suite) a piano duet which has earned an especially important

Instrumental Play-Along. Par QUEEN. 17 chansons du groupe Queen avec accompagnement en ligne. Sommaire : Another One Bites the Dust - Bohemian Rhapsody - Crazy Little Thing Called Love - Fat Bottomed Girls - Killer Queen - Radio Ga Ga - Somebody to Love - Under Pressure - We Are the Champions - We Will Rock You - You're My Best Friend - et bien d'autres. Les accompagnements sont accessibles en ligne à l'aide du code unique fourni avec le recueil et peuvent être téléchargés ou écoutés en streaming. Les fichiers audio incluent PLAYBACK +, un lecteur multi-fonctions qui vous permet d'accélérer ou ralentir le tempo, de changer de tonalité, ou de travailler en boucle certains passages !/ Recueil / Flûte Traversière

109 chansons de George et Ira Gershwin. Format Real Book / Instruments En C / Partition