In preparation for Carol Wincenc's landmark Naumburg Award Recital at New York's Lincoln Center, she asked composer Daniel Paget to create a work drawn from the world of wonderful Romanian folk music for nai, or panpipes. The result was Romania!, Fantasy for Flute and Piano, a duet suggestive of both the nai and the cimbalom (hammered dulcimer). The work is a brilliant tip-of-the-hat to Wincenc's Austro-Hungarian heritage and her inner tzigane-style temperament. Great care has been taken to select dynamics and articulations that allow the phrases to make the best use of the flute's capabilities, given the rich harmonic language typical of this part of the world. Filled withmeltingly beautiful lyricism and dazzling technical gestures, this new edition is bound to bring years of enjoyment to all those who have it. In preparation for Carol Wincenc's landmark Naumburg Award Recital at New York's Lincoln Center, she asked composer Daniel Paget to create a work drawn from the world of wonderful Romanian folk music for nai, or panpipes. The result was Romania!, Fantasy for Flute and Piano, a duet suggestive of both the nai and the cimbalom (hammered dulcimer). The work is a brilliant tip-of-the-hat to Wincenc's Austro-Hungarian heritage and her inner tzigane-style temperament. Great care has been taken to select dynamics and articulations that allow the phrases to make the best use of the flute's capabilities, given the rich harmonic language typical of this part of the world. Filled withmeltingly beautiful lyricism and dazzling technical gestures, this new edition is bound to bring years of enjoyment to all those who have it. / Date parution : 1905-07-10/ Recueil / Flûte Traversière et Piano

It was in 1990 - more than 250 years after the publication of 'Il Pastor Fido' - that the masterful forgery was exposed: not Antonio Vivaldi but in fact the French composer Nicolas Chédeville (1705-1782) turned out to be the true author of this sonata collection, which was subtly foisted upon the unsuspecting Parisian public in the middle of the 18th Century, at the height of Vivaldi's popularity in France. Vivaldi himself never came to know anything of the misuse of his name and musical intellectual property.'Il Pastor Fido' offers a 'Mélange' of very simple, movements and gallantries in the French style, as well as some throughout original movements of exceptionally fine music and powerful compositional ideas. Approximately ninety percent of 'Il Pastor Fido? is Chédeville's own work - for the remainder, he adopted and built upon themes (or those which he thought to be) by Vivaldi, all the while demonstrating a thorough understanding of the style that he was striving to imitate.As with all of Chédeville's other works and numerous other collections from the time, the original title mentions a series of instruments, all of which are suitable for performing these sonatas: the musette, hurdy-gurdy, flute, oboe and violin. Whilst the first two, which were popular instruments at the time and corresponded to the Arcadian sensibilities of the Age of Enlightenment, have long since been out of fashion, the flute is particularly well suited today to reflect the pastoral character - noted in the title of the collection ('Il Pastor Fido?: the Faithful Shepherd) - of the music.The Bärenreiter Urtext edition was edited by the reputable Vivaldi scholar and conductor Federico Maria Sardelli. In addition to the musical text of the six sonatas, it contains a detailed preface (German / English), which not only tells the enthralling story of the forgery and reveals the 'ingredients? required for such a composition. It also contains inspiring information on performance practice, whilst presenting a critical report with references to readings and editorial decisions. / Flûte (ou Hautbois, Violon) Et Basse Continue

Par DEHNHARD TILMANN. Tilmann Dehnhard’s “A String of Thoughts” is a challenging new work for flute and piano. It makes use of several modern playing techniques covered in Dehnhard’s book “The New Flute” and also those touched upon in his previous publication “Flutebeatboxing”. Glissandi, sing-and-play, bisbigliandi and reverse sound are all included, along with some thought-provoking ideas for the pianist! Students with a good grasp of conventional technique will relish the chance to get to grips with these new ideas or perhaps use the piece for college entry audition. / Date parution : 2023-03-21/ Répertoire / Flûte et Piano

14 Middle-Grade Duets From The Last Four Centuries. With so many young flautists in the musical world today it is only natural to pair them up and give them some wonderful duets to play. It's amazing what 'big” music, these two small instruments can cope with - indeed, in the eighteenth century the flute duet was almost the gramophone record of the time as countless operatic arias were brought to the public in arrangements for this pairing. This book draws on some of those miniaturizations, from Mozart's and Weber's operas, coupled with earlier music from Telemann and Boismortier and rounded off with more modern pieces from Richard Rodney Bennett and a (specially written) piece by Holzeis-Augustin which introduces some contemporary music techniques. All these duets are great fun and well within the reach of intermediate players. Intermediate-level compositions and arrangements of music from Telemann and Mozart to Richard Rodney Bennett Includes a lively composition by Maria Holzeis-Augustin All duets are suitable as concert pieces and for competitions/ Recueil / 2 Flûtes Traversières

Par SUZUKI SHINICHI. FOR THE STUDENT This material is part of the worldwide Suzuki Method of teaching. Companion recordings should be used with these publications. In addition, there are viola part books that go along with this material. FOR THE TEACHER In order to be an effective Suzuki teacher, a great deal ongoing education is required. Your national Suzuki association provides this for its membership. Teachers are encouraged to become members of their national Suzuki associations and maintain a teacher training schedule, in order to remain current, via institutes, short-term programs and long-term programs. You are also encouraged to join the International SuzukiAssociation. FOR THE PARENT Credentials are essential for any teacher you choose. We recommend you to ask your teacher for his credentials, especially those relating to traning in the Suzuki Method. The Suzuki Method should be a positive one, where there exists a wonderful, fostering relationship between child, parent and teacher. So choosing the right teacher is of the utmost importance. / Niveau : Intermédiaire / Pédagogie / Méthode / Flûte Traversière

Par BOYD ANNE. Composed in 1979, Goldfish Through Summer Rain is a piece for flute and piano by Australian composer Anne Boyd. Boyd studied music at the University of Sydney, where she was one of Peter Sculthorpes first students. Her music is regularly performed world-wide. The hallmarks of her musical style are its transparency, gentleness and delicacy – attributes whichreflect her long involvement with Asian traditions especially those of Japan and Indonesia./ Répertoire / Flûte Traversière et Piano

10 great studies in the style and language of bebop. Par SNIDERO JIM. The Essence of Bebopis the new series by critically acclaimed New York saxophonist Jim Snidero. The Essence of Bebop reveals the heart and soul of this groundbreaking jazz style and is the first real 'manual' for mastering bebop. The 10 enjoyable-to-play studies are inspired by Miles Davis, Charlie Parker, John Coltrane, Sonny Rollins and many more, offering a unique basis for study and analysis. Historical insights as well as recommended listening and reading make this edition an indispensable part of jazz education. The soloist Anders Bostrom is known, among other things, as a versatile flutist in numerous Broadway productions. ?But what if you aren?t a student or a professional' The Essence of Bebop still has immense value to those interested in bebop and hard bop. By encouraging readers to understand the music?s intent, slow down their listening, and focus on the swinging, the series can help a jazz newcomer dig this cerebral, often pulse-pounding music.? - Morgan Enos, Discogs/ Etude / Flûte Traversière

Flûte Method - Learning Made Easy. Par KASTELEIN / KLAAS DE JONG. Each volume in the Step by Step series contains 14 structured lessons, a DVD (Volume 1 only) and 2 CDs. The aim of this book is to provide all beginners with an opportunity to have fun whilst learning to play their instrument. The 2 CDs contain performances of each piece to demonstrate how it should be done, along with play along tracks. The separate piano accompaniment book that is available for live performances also helps to develop the listening and interactive skills required for playing as part of an ensemble. Throughout the clearly presented lessons the student will find entertaining pieces, games and other activities which reinforce the area of learningwithin the lesson. Step by Step, together with the DVD, demonstrates the more practical aspects of playing and is a comprehensive and innovative method designed to achieve the theoretical and technical knowledge required for playing. Due to the fact that Step by Step proceeds at a slow place it is an ideal method for younger learners or those who need to progress at a more gradual rate. Step by Step - A definitive method covering all aspects of learning to play. / Niveau : Intermédiaire / Méthode / Flûte Traversière

Tilmann Dehnhard: A String of Thoughts for flute and piano UE36747 'A String of Thoughts' by Tilmann Dehnhard is a challenging new work for students of the flute interested in mastering modern playing techniques. Tilmann Dehnhard's 'A String of Thoughts' is a challenging new work for flute and piano. It makes use of several modern playing techniques covered in Dehnhard's book 'The New Flute' and also those touched upon in his previous publication 'Flutebeatboxing'. Glissandi, sing-and-play, bisbigliandi and reverse sound are all included, along with some thought-provoking ideas for the pianist! Students with a good grasp of conventional technique will relish the chance to get to grips with these new ideas or perhaps use the piece for college entry audition.

The New Essential Companion. Henrik Wiese, the internationally renowned orchestral and solo flautist, has spent four years compiling what promises to be the definitive guide to audition repertoire for students preparing for a seat in a professional orchestra. He has worked with his own students in Salzburg as they engaged in auditions, as well as with other professional players and his teaching colleagues at the conservatorium. He sourced repertoire lists from job advertisements past and present and referred to other audition lists such as those of Baxtresser and Wye. Considerable research has gone into the differences between existing editions of the chosen pieces even, surprisingly, from twentieth century composers such as Prokofiev and Stravinsky. 'The Flute Audition” then looks at practical matters such as page turns and metronome markings. Wiese comments, for example, that Hindemith's own recording takes a passage from 'Symphonic Metamorphoses” markedly slower than in the score. The result of all this painstaking research is the most comprehensive collection of international audition pieces yet published in a single volume. 'This is an excellent collection of orchestral excerpts for the next generation of young musicians. You can use it to prepare for auditions anywhere in the world. Whether it's for an opera house, symphony or chamber orchestra, everything you need is here.'/ Recueil / Flûte Traversière

Arrangements individuels de 31 favoris irlandais avec grande qualité sonore accompagnement CD. / Flûte

Par WANDERS JOEP. 18 Intermediate Duets And 4 Spanish Solo Pieces/ Recueil / 1 ou 2 Flûtes Traversières

Une fantastique collection contenant des mélodies de renommée mondiale quarante-neuf, spécialement disposées en touches faciles et les plages pour le débutant à intermédiaire joueur par Jack Long. Comprend de Jérusalem, le pouvoir de l'amour, Unchained Melody. / Flûte Traversière / 80 pages / Partition

A superb collection of easy-to-play arrangements for solo melody line instruments, complete with chord symbols in concert pitch. Includes 'Be'Bop'A-Lula', 'I Believe', 'Rocket Man' and 'Woman'. / Flûte Traversière