Par RAE JAMES. James Rae has written this set of ten flute duets to introduce student players to the blues style, in conjunction with developing technique. Not only are these pieces fun to play during lessons, but they can also be used as performance pieces. Both flute parts are of equal ability level. For beginning players./ Etude / 2 Flûtes Traversières

Kids Play Blues peut s'utiliser indépendamment de tout autre matériel pédagogique mais forme également un excellent complément à la méthode Ecouter, lire and jouer. Les élèves ont la possibilité d'interpréter des morceaux plus longs mais de même degré de difficulté que ceux de la méthode. / Flûte Traversière / 32 pages / Partition

Ce livre de lecture de niveau intermédiaire avec CD d'accompagnement (12 pistes d'écoute- 12 titres de jeux-long) contient très mélodique, amusant à jouer du blues et des riffs lignes dans divers styles / sent. Les touches et les tempos sont confortables.C'est un excellent outil pour apprendre ce que le jazz solo est tout au sujet. Outre la lecture, vous pouvez improviser sur le play-along pistes à l'aide des cordes pour les titres figurant dans le livre. / Flûte

Apprenez de nombreux plans de Blues pour flûte qui vous serons utiles lors de vos improvisations.Abordez de nombreux styles: Swing, Shuffle, Jazz Rock.Apprenez les 10 gammes les plus connues du Blues.Livre en anglais.Inclus 2 CDs avec les plans joués par les musiciens du 'Los Angeles Studio'. / Flûte

The Bluesier Side of Jazz by Andrew D. Gordon was inspired by the Piano students he teaches at Shepherd University School of Music in Los Angeles and is dedicated to those students: Jungwon Yumiko Yoko Eunice Sooji Hae Ji and Ok Kyu. As with many students that come from a classical background (including himself) it is a difficult transition to learn to play Blues and Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvised solo from the phrases they havelearnt.Andrew's idea for this book is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales.Each of the ten examples are based on common Jazz/Blues chord progressions from Jazz songs such as 'Watermelon Man' 'Blue Monk' 'Tenor Madness' 'Route 66' 'Blue Trane' 'Bag's Groove' starting off with basic I-IV-V chords and increasing in complexity throughout the book. There are over 200 phrases/riffs to choose from that can be learned and applied to many types of jazz songs.

Gary Carpenter'S Blue For Solo Flute. Programme Note: The Last Unaccompanied Monophonic Instrumental Piece I Wrote Was For Tuba And That Was In My Student Days. I Have Avoided The Medium Ever Since. Holly Melia'S Request For A Solo Piece Consequently Raised A Number Of Issues For Me: Mainly Fear And Apprehension And How And Where To Start. Debussy'S Wonderful But Intimidating Essay In This Genre Didn'T Help. The Unexpected Impetus For Starting Blue Though Was Holly'S Asking My Lighting Preference For The First Performance. 'Blue' Was My Instinctive Response And The More I Thought About The Colour Blue The More It Seemed To Me That This Might Be Where The Piece Was Headed.The 'Blues' It Is Not However. But It Does Glance At: The Sea The Sky Yves Klein Sadness Fontana'S Copia Vishuddha Alice Picasso And More. Blue Lasts Approximately 3'17'. A Lighting Plan Is Indicated In The Score But Is Entirely Optional. Blue Is Written To Be Performed From Memory.

Par COHEN JONATHAN. 'Blueshift Red' was commissioned by the West Michigan Flute Orchestra, Julie Sooy, director. From the composer: ?We have all experienced a noisy vehicle going by rapidly and hearing a raised pitch as the vehicle approaches and a lowered pitch as it recedes. This Doppler shift manifests itself in light, as well: light from stars approaching us has its frequency raised, shifting it to the blue end of the spectrum; light from receding stars is shifted to the red. The title, then, refers to something passing quickly.' / Date parution : 2022-11-29/ Répertoire / Ensemble de Flûtes

Volume 3 is perfect for jazz ensemble directors looking for one book to keep their students engaged and progressing all year long, as well as any musician interested in Sher Music's series of world-famous fake books. At over 200 pages, THE REAL EASY BOOK - VOL.3 comes in C, Bb, Eb and bass clef versions. It features 5-10 tunes from each historical era of jazz: Trad Jazz, The Swing Era, Classic Bebop, West Coast Jazz, The Blue Note Era, Contemporary Jazz, ''Groove'' Jazz, Brazilian Jazz and Afro-Cuban Jazz. The wide variety of styles included means that every jazz combo will be able to find exactly the material that fits their needs.Difficulty ranges from very simple blues, like Charlie Parker's ''Now's The Time'' to deep, but still playable, contemporary tunes, like Mike Stern's ''These Times.'' Also featured are some great beginning trad jazz arrangements of ''Bill Bailey'' and ''Alexander's Ragtime Band'', including separate clarinet and trombone obligato parts to get that authentic Dixieland feeling!In addition to the tunes and educational material, there are also fun and informative introductory texts for each section. These short histories of each era of jazz introduce both the flavor of the era, and a discussion of the musical innovations that each one brought to the evolution of jazz.The end result is a multi-dimensional teaching tool that will keep band directors and their students smiling all year long! / Instruments En Do

Flute. Par . Here is an economical collection of 15 complete arrangements in a variety of styles. Perfect for quickly building a library of great sounding charts. Playable with 3 saxes, 2 trumpets, 1 trombone, piano, drums. Includes: Ain't No Mountain High Enough; Baby, It's Cold Outside; Blue 'n' Moody; Blue Train; Come Fly with Me; Final Countdown; Green Onions; Hawaii Five-O Theme; Livin' on a Prayer; Puttin' on the Ritz; Sesame Street Theme; Sway (Quien Sera); 25 or 6 to 4; What'd I Say; and You've Got a Friend in Me. Full-band demo recordings are included. Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. / Date parution : 2022-04-05/ Recueil / Flûte Traversière

Dorisch, Mixolydisch und Pentatonik Bluestonleitern. Par DICKBAUER KLAUS. Klaus Dickbauer makes scales and blues scales for flute fun - his modern approach to elementary technique is an invaluable and highly effective training tool for developing improvisation skills. In the previous edition, Klaus Dickbauer covered major scales, triads, and interval exercises - combined with groovy beats - in a fresh and contemporary way. He now continues his well-thought-out approach to scales with a concentration on Dorian, Mixolydian, pentatonic, and blues scales - The perfect tools for building first improvisation skills on the flute. Methodically sound exercises train patterns and motifs to equip the student with a sense of confidence and an appetite for learning the art of improvisation. ? The perfect warm-up for groups and ensembles ? Elementary studies for developing confidence and an interest in learning to improvise ? Groovy tunes and motifs are combined with proven and tested playing pieces to guarantee fun and a positive attitude ? Includes a Play-Along CD to help students become well-acquainted with the concept The musical material is divided into three voices. This layout serves pedagogic purposes while facilitating ensemble playing. Voices can easily be doubled or switched in order to accommodate different ability levels and unite heterogeneous groups. The included CD provides the necessary drive while maintaining stability and authenticity - making this innovative volume even more effective. The sheet music editions for other instruments (Flute, Violin, Recorder, Clarinet, Trumpet, Tenor Saxophone, Alto Saxophone) can be freely combined and make various ensemble combinations possible. Click here for example videos and an overview of all available editions: www.universaledition.com/grooveconnection/ Etude / Flûte Traversière

100 Ultimate Blues Riffs for Flute is written by internationally acclaimed author and instructor Andrew D. Gordon. This product is an exhaustive guide to the various phrases or ?riffs? that make up Blues flute playing both from a rhythmic and soloing standpoint. This book is ideal for most levels of musicianship from the beginner/intermediate student who is interested in understanding and playing the Blues to more advanced players that need new ideas to help stimulate their creativity. It is also useful as a tool for improving one?s sight reading abilities with the examples being in many different keys and rhythms. The 12 barBlues progression and the Blues scale are also explained. Included with this book are audio files with each example recorded twice. The first version of each example has the flute playing along with a rhythm section and the second version just has the rhythm section playing so that the flautist can play along.