Le plomb est une série intégrée pour saxophone alto, clarinette, flûte, piano, saxophone ténor, trompette et violon. Dans chaque édition, toutes les chansons sont dans la même clé au concert pitch, permettant aux différents instruments à jouer ensemble. Symboles de corde sont inclus au concert pitch pour utilisation par piano ou de la guitare. ' Take the Lead Smash Hits ' contient des arrangements de hits graphique qui englobe une vaste gamme de chansons dans une variété de styles dont les hits de Westlife, Nelly Furtado Christina Aguilera et entendre dire. Il s'agit d'une excellente occasion pour les jeunes joueurs à jouer leurs hits graphique préférée, fournissant le répertoire de l'excellent concert ainsi qu'en encourageant la progression de la technique. Avec un choix de sauvegarde de CD accompagnement ou en jouant avec guitare ou piano ' Prendre les devants ' offre une flexibilité ultime fois enseignant et les étudiants. Table des matières : Je suis comme un oiseau - il pleut hommes - Lady marmelade - hors de portée - il vous serez - Uptown Girl - la façon de votre amour - tout nouveau/ Recueil / Flûte Traversière et Piano

Ce livre passionnant avec accompagnement CD mettant en vedette de vrais musiciens, couvrant de nombreux styles de musique légère, y compris le swing, pays, rumba, rock lent, disco, mambo, cha-cha et rock. Ce livre peut être utilisé avec un clavier ou piano (livre disponible séparément) pour une exécution en concert ou en tant qu'élément d'audition court. / Flûte Traversière Ou Violon / 32 pages / niveau : Elémentaire - Moyen / Partition Cd

Arrangeur: David Overton. Par GALWAY JAMES. This collection of songs were written and arranged for Sir James Galway as concert pieces by David Overton, his longtime arranger. They are all based to some extent on traditional Irish Melodies. The first three are contrasting tunes: 'Spinning Song,” the beautiful slow melody 'She moved through the fair,” and the more up-tempo 'Star of the County Down.” These were so successful in the original flute and piano version, as printed here, that Overton was requested to write versions for strings and for orchestra, which were equally successful and have formed a regular part of Galway's concert repertoire. 'Badinereelerie” is more light-hearted work, first written for Sir James Galway in 1984. Since then, he has played it countless times as printed here, and in a version for flute and orchestra. The surprising mixture of Bach (and Handel and others) with reels and Irish traditional tunes, and even a few English traditional tunes thrown in for good measure, has delighted audiences all over the world. The piece's rousing conclusion includes an optional switch to penny whistle, a practice that Galway writes, 'I have always taken advantage of.”/ Recueil / Flûte Traversière et Piano

The music of small forms and of chamber-music instrumentations was to become the focus of the French composer Gabriel Fauré (1845-1924). In 1874, after many years spent in the provinces, the teacher of Camille Saint-Saëns took the position of organist in Paris; later he not only worked as a church musician but also as a teacher. In the summer of 1887 Fauré wrote his Pavane opus 50, originally intended for a concert providing light entertainment, which soon gained wide popularity as an orchestral setting without and with the chorus added by Fauré. The romantic, slightly melancholy melody is a catchy tune which, thanks to the present arrangement, can now also be performed soloistically with piano accompaniment.