Playalong 50/50: Flute includes 50 pop hits arranged for flute. Step into the spotlight and play these 50 pop hits with specially recorded backing tracks (available online). Includes full performance versions of all the songs- the instrumental part is then omitted so you can play along with the recorded accompaniments. / Flûte

Grado Elemental. Par GUBSER CLAUDIA. Para 4 y 5 flautas.Kommet ihr Hirten (Venid Pastores) - Corre corre Hijito (Panxolina de Nadal) - Leise rieselt der Schnee (Suavemente caen los copitos de nieve) - Llegó la Navidad - Ihr Kinderlein kommet (¡Venid pastorcillos!) - We wish you a merry - Kling, Glöckchen (Suena Campanita) - Auf, auf, ihr Buben (Levantaros Chicos) - Auf, auf, ihr Hirten (Levantaros pastores) - Suusser die Glocken erklingen (Dulce sonar de campanas) - O Tannenbaum (El Abeto) - Stille nacht (Noche de paz) - Tochter Zantate Domino) - Was soll das bedeuten (Una noche muy especial)/ Recueil / 4 Flûtes Traversières

per flauto. Par ROMITELLI FAUSTO. I met Fausto Romitelli in the early Eighties, while he was still studying composition with Umberto Rotondi at the Conservatory in Milano. Though he was very young, he already showed the signs of a strong and unconventional personality. In a morespecific way, besides a very strong bias towards instrumental experimentation, I was impressed by his irresistible urge to explore routes that are unrelated or even contradictory with reference to the rules resulting from the styles and aesthetics ofstructuralism. So, it seemed to me very natural that he should write music for me: Dia nykta was composed in the wake of a verse written by an ancient Greek poet. The world première occurred in Milano on the 18th of December 1983, as part of the concert season of “Musica rara” at the theatre La Commenda. Anna Maria Morini / Niveau : Intermédiaire / Musique contemporaine / Date parution : 1905-07-04/ Répertoire / Flûte Traversière

La référence AL25733 de l'éditeur Leduc dont l'auteur célèbre est Dominutti, qui a pour titre 3 Impressions, a été écrite et composée pour Flûte Traversière et plus particulièrement pour Flûte Et Piano. Cette partition musicale appartient à la catégorie Classique. / Flûte Et Piano / Partition

Par COMINETTI ENNIO. Raccolta di composizioni per flauto (violino/oboe) e pianoforte destinate a giovani esecutori. 13 brani tratti dalla letteratura Barocca e Classica, il cui scopo è quello di abituare gli studenti, fino dai primi anni di studio, alla pratica fondamentale della musica d'insieme. L'estensione della prima voce consente, oltre al flauto, l'esecuzioviolino o all'oboe. Le composizioni presentate sono per entrambi gli strumentisti di agevole lettura./ Recueil / Flûte Traversière et Piano

Concerto pour flûte traversière, violon, basson et basse continue (RV 96) Concerto « La notte » pour flûte traversière (ou violon), 2 violons, basson et basse continue (RV 104)Concerto pour flûte traversière, violon, basson et basse continue, ou 2 - violons, violoncelle et basse continue (RV 106). Présentation de Michel Giboureau. Compositeur : VIVALDI Antonio
Auteur : GIBOUREAU Michel
Collection : Dominantes Contenu :
Concerto pour flûte traversière, violon, basson et basse continue (RV 96), manscrit autographe en partition : Largo - presto - largo, andante ? presto ? largo - allegro - Concerto « La notte » pour flûte traversière (ou violon), 2 violons, basson et basse continue (RV 104), manuscrit autographe en partition : [C] ? largo ? allegro - Concerto pour flûte traversière, violon, basson et basse continue, ou 2 violons, violoncelle et basse continue (RV 106), copie d'époque en parties séparées, (flauto raversiere ? violino ? bassono obligato ? cembalo) : allegro, largo, allegro Format : 24 x 33
Nombre de pages : 64
Date de parution : 01/2005

Arrangeur: James Galway. Par LETHIERE CHARLES. Charles Le ThiÚre's Maritana Fantasy is a lyrical and dramatic work along the lines of the famous Fantaisies of Paul Taffanel and Francois Borne. It is based on themes from the three act opera Maritana, the first of six operas composed by William Vincent Wallace. The plot, which is often cited as the inspiration for Gilbert and Sullivan's comic opera, The Yeoman of the Guard, tells the story of Don Caesar, an imprisoned man who weds a woman while awaiting execution. He escapes to search for his bride in disguise, and soon realizes that she is the gypsy street singer he'd first heard in the public square, the beautiful Maritana. This exclusive edition has been carefullyedited by Sir James Galway, and includes helpful performance and breathing advice from the world-renowned flute artist and teacher. Charles Le Thi and eacute - re's Maritana Fantasy is a lyrical and dramatic work along the lines of the famous Fantaisies of Paul Taffanel and Francois Borne. It is based on themes from the three-act opera Maritana, the first of six operas composed by William Vincent Wallace. The plot, which is often cited as the inspiration for Gilbert and Sullivan's comic opera, The Yeoman of the Guard, tells the story of Don Caesar, an imprisoned man who weds a woman while awaiting execution. He escapes to search for his bride in disguise and soon realizes that she is the gypsy street singer he'd first heard in the public square, the beautiful Maritana. This exclusive edition has been carefullyedited by Sir James Galway and includes helpful performance and breathing advice from the world-renowned flute artist and teacher. / Niveau : 4 / Opéra-opérette / Répertoire / Flûte Traversière et Piano

Dans cet ouvrage pratique qui s'adresse aussi bien aux élèves débutants qu'à ceux déjà plus avancés, on trouvera le support nécessaire à toute bonne préparation d'une séance de travail de son instrumentTrois grands chapitres y sont développés :Le travail du son : autour des sons filés et des octaves ;Les exercices techniques : pour la gymnastique des doigts et l'approfondissement des octaves mis en rythmes ;Les gammes et arpèges : gammes majeures, mineures et chromatiques ; arpèges majeurs, mineurs, de 7e de dominante et accords diminués.C'est un cahier indispensable pour accompagner efficacement les flûtistes - et durant de nombreuses années - dans la pratique quotidienne de leur instrument. / Flûte traversière / Billaudot

Cela faisait longtemps que je voulais écrire une pièce pour flûte seule. En fait, depuis Eolia, une oeuvre des années 80 dans laquelle j'avais essayé de détourner le jeu volubile normal de la flûte tel qu'on l'employait dans la littérature traditionnelle. Dans Loops, le son de la flûte et les techniques de jeu importent moins finalement que les processus de transformation mis en oeuvre. Le titre de la pièce annonce et désigne déjà le principe d'écriture. Il y a un côté allitératif dans ce titre et je tiens absolument à conserver l'esprit qui caractérise ce genre de pièces. Je pars de petits motifs rythmiques qui se répètent et se transforment au fur et à mesure. En fait, ce sont des formules simples qui, par ajout ou soustraction successifs, finissent par créer elles-mêmes de nouvelles boucles. Ce qui m'intéresse, c'est ce qu'il y a entre les deux, la façon dont on y arrive et dont on en repart. Le résultat du processus m'importe peu. La boucle, elle, m'intéresse parce qu'il y a répétition et la répétition m'intéresse parce qu'elle est au fondement de toute transformation dans le temps. Dans cette oeuvre, le principe est poussé à l'extrême. Avec Open music, J'ai trouvé un système pour implémenter cette idée de répétition et de bouclage, tout un programme qui permet de prévoir la façon dont doivent se dérouler les transformations. Je n'avais encore jamais utilisé la boucle de façon aussi dépouillée, avec un seul instrument. Cette idée est pourtant prédominante dans toutes mes pièces. Il y a toujours eu ce principe de répétition dans ma musique. Sur le plan formel, il permet à l'auditeur de mieux comprendre, d'avoir des repères. Loops est une pièce que j'ai faite de façon très objective, mais à partir d'éléments intuitifs, improvisés vocalement lors de conférences. Je tente certaines choses ludiques. Je les teste... Un peu à la manière de Schoenberg lorsqu'il construisait ses contrepoints et ses carrés... Contenu : Compositeur/Auteur : HUREL Philippe
Discipline/Instrument : flûte solo Support : Partition
Style/Genre : contemporain
Date de parution : nov.-99
Niveau de difficulté : 5
Nombre de pages : 4

From Fancies Pour Piano-This Sérénade is the first of 7 pieces collectively called 'Fancies' originally written for piano in 1915.Gabriel Marie Grovlez (1879-1944) was born in Lille Northern France in 1879 and died in war-torn Paris in 1944. From among his teachers who include Gédalge and Lavignac Fauré must surely rank as his strongest influence and this is readily heard in his small but significant oeuvre of solo piano pieces as well as his music for stage and chamber ensembles. Interestingly most of the piano music was published over a period of around a dozen years (1907-1919) and in the lull between these works and his Impressions (two pieces) of 1934 Grovlez wascompositionally preoccupied with songs and chamber pieces many of which languish patiently on the shelf awaiting a wholehearted appraisal. There is as well as his notable penchant for elegance and poetical lyricism a considerable wit to enjoy too (take Les nes The Donkeys from L'Almanach aux images for example) and indeed the fact that Grovlez's middle years were spent fulfilling the duties of assistant conductor and choir leader of the Opéra-Comique seems especially revealing of the man's musical personality and capacity for successfully intertwining serious and less serious genres.Grovlez was quite a cosmopolitan character; besides making a notable mark in his native country (he was latterly a professor of chamber music at the Paris Conservatoire) he travelled to the United States and Africa as well as across Europe. Although we tend to remember Grovlez today for his influence primarily as a composer in the mould of Fauré or Debussy bringing a quirky quality to some of his writing more than occasionally reminiscent of Poulenc it was as a conductor that Grovlez initially made an impact. Moreover we should not overlook the fact that he gave the inaugural performances of some highly treasured works by the likes of Ravel (Ma Mère l'Oye) and Fauré (Dolly Suite) a piano duet which has earned an especially important

Piccolo and Piano Reduction. This work was commissioned by the Royal Philharmonic Orchestra. It was first performed on 23 April 1997 by Stewart McIlwham and the Royal Philharmonic Orchestra conducted by the composer. Thethree movements should be played without a break.The piccolo may have obvious limitations as a solo instrument but Davies is not one to shirk a challenge. What he does is to play with the stereotypical modes of the instrument so that the military ?pipe and drum? effect is hinted at near the beginning of the third movement while the jaunty manner is recalled at the close of the first but as through a veil. A potentially comic partnership with the bassclarinet is also dignified when the two instruments engage in meditative dialogue in the second movement.Duration c. 15 minutes.Study Score on sale. Conductor's score and orchestral parts are available on hire.

Par LUTZ GREG. Turtle and Rabbit by Greg Lutz for Flute Choir and Narrator. A new take on a familiar story! In regards to the Percussion parts, there are a few ways which they can be performed. Optimally, with a large enough flute choir, one player from each of the involved parts (Piccolo, Flute 2, 3, and 4) would be able to play the parts at the times indicated in their parts. Additionally, a separate percussion part is included and can be played by a single player. Or lastly, they can be considered optional and omitted entirely (of course, not optimal). / Date parution : 2022-11-29/ Répertoire / Ensemble de Flûtes

Ten fantastic arrangements of popular film themes and big-screen hits arranged for Flute, by Jack Long. The Guest Spot books include a practical playing guide and a CD of backing tracks and accompaniments to play-along with. There is a full performance version of the music on the first set of tracks and then the Flute part is then omitted from the second set, allowing you to play along with the recorded accompaniments. Featuring top line arrangements for each of the eleven massive songs, Film Themes Playalong For Flute is a terrific extension to your repertoire and includes popular favourites such as: A Whole New World (Aladdin), Love Is All Around (Four Weddings and a Funeral), and Take My Breath Away (Top Gun) . / Flûte Traversière

Twelve arias from the Bach cantatas selected and edited as flute duets. These bass arias as written by Bach consist only of the vocal line (1st Flute) and basso continuo (2nd Flute). The bass figures have been omitted, but each aria-duet is presented in its entirety. Excellent material for teacher-pupil duets.