Sunrise was commissioned by Backshore Artists Project Inc. on the occasion of Carol Wincenc’s 40th anniversary on the concert stage and underwritten by a generous grant from Linda and Stuart Nelson.The work is dedicated to Carol Wincenc for this very special occasion.It starts slowly with the bass flute leading a dark dream-like section with a theme that is marked rubato seductive. The viola echoes this melody but ties to move it to another key. Eventually the tempo quickens as the harp adds a new theme which the others soon copy.A new section svegliato (awakening) follows where the harp and viola encourage the flute to join them in a sprightly scherzo whichgrows to a climax to herald the sunrise. Here the viola leads with a glowing theme. After the flute has echoed this melody the mood quietens and in a peaceful coda the flute ‘remembers’ the theme from the very opening: it is now bathed in sunlight and is marked luminous.

Par REGER MAX. «Je comprends parfaitement ce qui manque à notre musique d’aujourd’hui: un Mozart!» Avec ses trios composés dans un style volontairement classique, Reger espérait fournir la preuve du contraire à ces «ignorants» qui lui reprochaient son «manque d’âme» et sa «complexité». Il choisit une formation instrumentale tout à fait particulière pour ses Sérénades op. 77a et 141a: il laisse de côté les registres bas- les sonorités claires de la flûte, du violon et de l’alto dessinent des figures sonores enjouées, des mélodies plaisantes à l’oreille. Pourtant, le style propre de Reger reste partout sous-jacent. Ces deux sérénades, qui ne sont pas trop exigeantes sur le plantechnique, peuvent non seulement figurer au programme d’un concert, mais aussi constituer un divertissement bienvenu lors d’une réunion impromptue de musique de chambre. ? / Partition brochée / Répertoire / Flûte Traversière, Violon et Alto

Arrangeur: John Glenesk Mortimer. Par VIOLA ANSELM. / Niveau : Confirmé / Répertoire / Flûte Traversière et Piano ou Orgue

Le travail moyenne dans les trois dernières sonates de musique de chambre a été composée au printemps 1915 directement après la sonate pour violoncelle (HN 633). La combinaison innovante de sons - un instrument à vent, un instrument à cordes, et un instrument à cordes pincées - contribue grandement à l'impression de mélancolie contenue. Debussy lui-même confirmé, en disant: 'C'est terriblement triste. Et je ne sais pas s'il faut rire ou pleurer à ce sujet? ? Peut-être les deux en même temps 'À une autre occasion, il a souligné les similitudes avec son propre style de composition dans les années 1890, en remarquant de la sonate: ' Cela me rappelle un très vieux Claude Debussy - celui des Nocturnes '. / Flûte, Alto Et Harpe

Par HAENDEL GEORG FRIEDRICH. For transverse flute and guitar (Viola da gamba, Violoncello or Bassfidel ad libitum) For transverse flute and guitar (Viola da gamba, Violoncello or Bassfidel ad libitum)/ Répertoire / Flûte Traversière et Guitare

Chord Studies · Rhythm Studies. Learn to play jazz harmonies and rhythms on the flute. This book combines Joe Viola's two classic texts of the Technique of the Flute series: Chord Studies and Rhythm Studies. You will learn melody, harmony, rhythm and improvisation techniques. In Chord Studies you will practice jazz harmonies and scales. In Rhythm Studies you will practice rhythms in simple and compound meters, with a variety of articulations, dynamics and phrase structures. Learn to play jazz harmonies and rhythms on the Flute. This book combines Joe Viola 's two classic texts of the Technique of the Flute series: 'Chord Studies” and 'Rhythm Studies.” You will learn melody, harmony, rhythm and improvisation techniques. In 'Chord Studies” you will practice jazz harmonies and scales. In 'Rhythm Studies” you will practice rhythms in simple and compound meters, with a variety of articulations, dynamics and phrase structures. / Pédagogie / Etude / Flûte Traversière

Aus Den 44 Duos Für Zwei Violinen. Par BARTOK BELA (ARR.FERESHTEH RAHBARI). Béla Bartók's '44 Duos” for violins are a set of marvelous musical miniatures that draw on the composer's love of Eastern European folk music. Ranging from easy to advanced standard, they have long been the province only of string players with arrangements first for cellos and more latterly for violas. Now they are available to delight flautists and will be ideal for recitals, either as a main program item or as encores, just as violinists have enjoyed them since their composition. Arranger Fereshteh Rahbari comments that it is thanks to the development of the flute over the last four decades, especially in its speaking quality, that these effective new arrangements could be made./ Répertoire / 2 Flûtes Traversières

Giles Swayne wrote this piece to commemorate the life of his brother-in-law Nii Sackey Codjoe who came to England from Ghana as an illegal worker. Sackey's goal was to make money to give himself a better future in his home country but he was made redundant with the result that his life fell apart. He gambled and drank away all the money he had saved and eventually died of heart failure. Sackey's story is all too common but none the less tragic for that. He left no children and his warmth and laughter were blotted out by a world for which he was not adequately equipped leaving nothing behind. Nobody except a handful of kind Ghanaian church people came to hiscremation which was paid for by the hospital where he died.In the piece a simple 25-bar refrain is gradually transformed recurring four times. These four refrains are interspersed by four episodes which give a musical portrait of aspects of Sackey's life and character. After the fourth refrain comes the final section Valediction in which we hear his pulse (represented by flute horn and viola) falter and cease while the harp quietly plays the melody of a hymn which was a favourite of Sackey's:'Rock of ages cleft for me Let me hide myself in thee...'

Music Minus One Flute-This Telemann concerto is a jewel in the best Baroque way and the Correte sonata is also a treasure for any flutist. Includes a high-quality printed music score and a compact disc containing a complete performance with soloist then a second version with the accompaniment minus the soloist. Performed by Rameau Trio: Jean Antrim flute Accompaniment: Fortunato Arico viola da gamba Jocelyn Chaparro harpsichord

The iconic minuet from Mozart’s Eine Kleine Nachtmusik is among the best known and most frequently performed works of classical musical. Originally composed for two Violins Viola Cello and Bass the work is most frequently performed in Orchestral arrangement though many other adaptations and arrangements have been created including this simplified version for an unusual combination of instruments.

Par SUZUKI SHINICHI. FOR THE STUDENT This material is part of the worldwide Suzuki Method of teaching. Companion recordings should be used with these publications. In addition, there are viola part books that go along with this material. FOR THE TEACHER In order to be an effective Suzuki teacher, a great deal ongoing education is required. Your national Suzuki association provides this for its membership. Teachers are encouraged to become members of their national Suzuki associations and maintain a teacher training schedule, in order to remain current, via institutes, short-term programs and long-term programs. You are also encouraged to join the International SuzukiAssociation. FOR THE PARENT Credentials are essential for any teacher you choose. We recommend you to ask your teacher for his credentials, especially those relating to traning in the Suzuki Method. The Suzuki Method should be a positive one, where there exists a wonderful, fostering relationship between child, parent and teacher. So choosing the right teacher is of the utmost importance. / Niveau : Intermédiaire / Pédagogie / Méthode / Flûte Traversière