| Shawn Crouch: The Light
of Common Day: SATB:
Vocal Score Chorale SATB SATB, Piano [Vocal Score] Schirmer
Shawn Crouch's The Light Of Common Day for SATB choir with Piano accompaniment. ...(+)
Shawn Crouch's The Light Of Common Day for SATB choir with Piano accompaniment. This beautiful choral work features a text excerpted from the poignant and insightful Wordsworth poem. ComposerShawn Crouch has crafted music that flows as if one long line or brushstroke of continuous sound. The Light Of Common Day was commissioned by Tom Cunningham and the Manhattan Choral Ensemble andis dedicated to Kathleen Lockwood. The piece has been recorded by Seraphic Fire on their album Reincarnation: A Century of American Choral Music.
13.75 GBP - vendu par Musicroom GB |
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| Common Worship Gospel
Acclamations - SATB: SATB Chorale SATB Kevin Mayhew
Common Worship for the celebration of Holy Communion introduces a Gospel Acclama...(+)
Common Worship for the celebration of Holy Communion introduces a Gospel Acclamation to be sung before the reading of the Gospel. In this collection of Acclamations there is a common Alleluia setting (or Praise toYou O Christ from Ash Wednesday to Maundy Thursday) followed by the proper text for singing by the choir.
6.99 GBP - vendu par Musicroom GB Délais: En Stock |
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| Cary Ratcliff: Ode to
Common Things: SATB:
Vocal Score Chorale SATB SATB, Piano [Vocal Score] Schirmer
featuring Texts of Pablo Neruda Craig Hella Johnson Choral Series-Cary Ratcliff'...(+)
featuring Texts of Pablo Neruda Craig Hella Johnson Choral Series-Cary Ratcliff's charming and refreshing oratorio Ode To Common Things is a setting of poetry by Chilean writer Pablo Neruda who over the course of his life wrote odes to ordinary everydayobjects five of which were chosen for the Ratcliff setting. Starting with the percussive Ode to Things the music sweeps through many moods moving into a deep and emotional Ode to the Bed and the reflectiveOde to the Guitar. The final two movements Ode to Scissors and Ode to Bread complete the connection to everyday life. For SATB divisi chorus soloists with Piano reduction. Orchestra available onrental.
13.99 GBP - vendu par Musicroom GB |
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| Tarik O'Regan: All Things
Common: SATB: Vocal Score Chorale SATB [Vocal Score] Novello & Co Ltd.
Tarik O'Regan's All Things Common for SATB choir unaccompanied. Composed 2017. D...(+)
Tarik O'Regan's All Things Common for SATB choir unaccompanied. Composed 2017. Duration: 4 minutes
3.99 GBP - vendu par Musicroom GB Délais: En Stock |
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| Common Praise: SATB:
Vocal Work Chorale SATB [Vocal Score] Canterbury Press
The Definitive Hymn Book (Hardback)-Since it was first introduced in the Summer ...(+)
The Definitive Hymn Book (Hardback)-Since it was first introduced in the Summer of 2000 Common Praise the new Hymns Ancient & Modern has sold over one hundred thousand copies and been adopted by parishes in every diocese in England and Wales including eight English cathedrals and in five of the seven dioceses in Scotland. It is also used in numerous schools colleges hospitals residential homes retreat houses religious communities crematoria missions and military garrison chapels.
32.00 GBP - vendu par Musicroom GB Délais: En Stock |
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| Henry Chadwick: Common
Praise: SATB: Vocal Score Chorale SATB [Vocal Score] Canterbury Press
Melody Edition-Common Praise' is the first major revision of 'Hymns A&M' for alm...(+)
Melody Edition-Common Praise' is the first major revision of 'Hymns A&M' for almost 50 years and is destined to become the essential new music resource for 21st century worship. 629 items from earliest sources to the present; inclusive language where appropriate.
27.50 GBP - vendu par Musicroom GB |
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| Audrey Snyder: Common
Ground: Mixed Choir a
Cappella: Vocal Score Chorale SATB [Vocal Score] Hal Leonard 11.25 GBP - vendu par Musicroom GB |
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| Nico Muhly: Marrow: SATB:
Vocal Score Chorale SATB [Vocal Score] St Rose Music Publishing
Nico Muhly's Marrow composed for SATB choir unaccompanied with texts from Psalm...(+)
Nico Muhly's Marrow composed for SATB choir unaccompanied with texts from Psalm 63 vv.1–3 6–8 Book of Common Prayer (1662). Commissioned by the Netherlands Chamber Choir for the project 150 Psalms to be premiered by the Tallis Scholars during Utrecht Early Music Festival September 1st 2017. Duration: c. 3 minutes. 'Last September in one weekend in Utrecht settings were sung of all 150 Psalms by 150 different composers covering 1000 years of choral music. The Tallis Scholars were one of the four choirs taking part and among their contributions was this new piece by Nico Muhly. The words are from the Book ofCommon Prayer version of Psalm 63 with the title teasingly taking one word from ‘My soul shall be satisfied even as it were with marrow and fatness.’ Cries of ‘O God’ provide a fluid background to an almost plainchant-like proclamation of the text at start and finish with other voices gradually joining the psalm text in the central section until all unite on ‘when my mouth praiseth thee with joyful lips’. For a choir happy to subdivide into 4S 2A 2T and 2B it is a setting of imagination and beauty.' - Sunday by Sunday
3.99 GBP - vendu par Musicroom GB Délais: En Stock |
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| M Gould: Hosanna Amen
(from Quotations): SATB:
Vocal Score Chorale SATB SATB, Piano [Vocal Score] Schirmer
Morton Gould's Hosanna Amen from 'Quotations' for Double Chorus of Mixed Voices ...(+)
Morton Gould's Hosanna Amen from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'theearly bird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
7.50 GBP - vendu par Musicroom GB |
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| M Gould: Bird In Hand
From Quotations With
Orchestra: SATB: Vocal
Score Chorale SATB SATB, Piano [Vocal Score] Schirmer
Morton Gould's A Bird In Hand from 'Quotations' for Double Chorus of Mixed Voice...(+)
Morton Gould's A Bird In Hand from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'theearly bird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
8.75 GBP - vendu par Musicroom GB |
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| M Gould: Ballads From
Quotations: SATB: Vocal
Score Chorale SATB SATB, Piano [Vocal Score] Schirmer
Morton Gould's Ballads from 'Quotations' for Double Chorus of Mixed Voices and W...(+)
Morton Gould's Ballads from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'the earlybird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
8.75 GBP - vendu par Musicroom GB |
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| James MacMillan: Te Deum:
SATB: Vocal Score Chorale SATB [Vocal Score] Boosey and Hawkes
Book of Common Prayer 1662-This work was composed in 2001 and first performed a...(+)
Book of Common Prayer 1662-This work was composed in 2001 and first performed at matins on 3rd February 2002 at the Chapel Royal of St Peter ad Vincula HM Tower of London by the Choir of the Chapels Royal. It is a truly beautiful setting of text from the Book of Common Prayer from 1662. Arranged for SATb choir with Organ accompaniment.
3.75 GBP - vendu par Musicroom GB |
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| M Gould: Postscript From
Quotations With
Orchestra: SATB: Vocal
Score Chorale SATB SATB, Piano [Vocal Score] Schirmer
Morton Gould's Postscript from 'Quotations' for Double Chorus of Mixed Voices an...(+)
Morton Gould's Postscript from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'the earlybird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
17.50 GBP - vendu par Musicroom GB |
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| M Gould: Early Bird From
Quotations With
Orchestra: SATB: Vocal
Score Chorale SATB SATB, Piano [Vocal Score] Schirmer
Morton Gould's The Early Bird from 'Quotations' for Double Chorus of Mixed Voice...(+)
Morton Gould's The Early Bird from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'theearly bird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
8.75 GBP - vendu par Musicroom GB |
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| M Gould: Hallelujah Amen
From Quotations: Double
Choir: Vocal Score Chorale SATB SATB, Piano [Partition] Schirmer
Morton Gould's Hallelujah Amen from 'Quotations' for Double Chorus of Mixed Voic...(+)
Morton Gould's Hallelujah Amen from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'theearly bird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
17.50 GBP - vendu par Musicroom GB |
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| M Gould: Walkin On Air
From Quotations: Double
Choir: Vocal Score Chorale SATB SATB, Piano [Partition] Schirmer
Morton Gould's Walkin'On Air from 'Quotations' for Double Chorus of Mixed Voices...(+)
Morton Gould's Walkin'On Air from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'theearly bird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
8.75 GBP - vendu par Musicroom GB |
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| M Gould: Sermon From
Quotations With
Orchestra: Double Choir:
Vocal Score Chorale SATB SATB, Piano [Partition] Schirmer
Morton Gould's Sermon from 'Quotations' for Double Chorus of Mixed Voices and Wi...(+)
Morton Gould's Sermon from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'the earlybird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
8.75 GBP - vendu par Musicroom GB |
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| John Jacobson Roger
Emerson: Math Rocks:
Mixed Choir a Cappella:
Classroom Chorale SATB SATB A Cappella Hal Leonard
Cross-Curricular Music Fun for the Classroom Performance/Accompaniment CD-Rocki...(+)
Cross-Curricular Music Fun for the Classroom Performance/Accompaniment CD-Rockin' with arithmetic is what it's all about! Reinforce basic math concepts that support Common Core State Standards and promote higher level learning while rockin' to the beat. From Hal Leonard's popular Rock 'n' Learn series this study for Grades 3-5 explores the 4 basic operations (add subtract multiply divide) computing the area of basic shapes the metric system fractions and decimal equivalents estimating and much more - all put to music for learning that lasts! Perfect for Music class or Math class the Teacher Book includes reproducible melody sheets with chord symbols and simple choreography and worksheet activities that incorporate Common Core State Standards in Math! For performance options a script is also included that introduces each of the eight original songs. Groove along with the singer recordings on the enclosed Listening CD! Also available is an Enhanced P/A CD with performance and accompaniment-only song tracks and PDFs of the piano/vocal arrangements with choreography lyrics and worksheets for lots of performance and projection options! For additional value receive all components in the Classroom Kit. Suggested for Grades 3-5.
51.00 GBP - vendu par Musicroom GB |
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| John Harbison: Abraham:
SATB: Vocal Score Chorale SATB SATB/SATB (Double) [Vocal Score] Schirmer
Double Choir with Double Brass Choir-This 6-minute sacred motet by John Harbison...(+)
Double Choir with Double Brass Choir-This 6-minute sacred motet by John Harbison was premiered in January 2004 at the Vatican. Featuring a text from Psalm 17 it was composed to strengthen the ties between the Jews Christians and Muslims and depicts Abraham asfather of many nations - in Harbison's words: a bridge a mode of communication and a point of commonality. An accessible work for both concert and worship.
2.50 GBP - vendu par Musicroom GB |
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| Tarik O'Regan: Corpus
Christi Service: SATB:
Vocal Score Chorale SATB [Vocal Score] Novello & Co Ltd.
Another wonderful sacred composition by the gifted choral composer Tarik O'Rega...(+)
Another wonderful sacred composition by the gifted choral composer Tarik O'Regan. A complete original nmusical setting of the Corpus Christi Service and the Celebration of Holy Communion as laid out in Order One of Common Worship: Services and Prayers for the Church of England. As liturgical flexibility is one of the key issues of Common Worship O’Regan has attempted to provide as many and as varied permutations as possible and that the Minister might choose the most appropriate. This item is the Service Score and features Vocal Score Organ accompaniment and is also available as a Congregation Part (10 Pack) NOV200321-1.
5.50 GBP - vendu par Musicroom GB |
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| O Saviour of the world
for SSATB Choir (WILLIAMS
RODERICK) Chorale SSATB [Partition] Peters
Par WILLIAMS RODERICK. Composed for unaccompanied SSATB with an English text fro...(+)
Par WILLIAMS RODERICK. Composed for unaccompanied SSATB with an English text from the Book of Common Prayer. This five-minute anthem was written for the UK’s Thomas Tallis Society, having in mind Tallis’s famous work for 5 voices with latin text, Salvator Mundi. The music matches the sense of anguish in the text./ Répertoire / Choeur SSATB
4.60 EUR - vendu par LMI-partitions Délais: Sur commande |
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| James Whitbourn: Agnus
Dei From Missa Carolae:
SATB: Vocal Score Chorale SATB SATB, Orgue [Vocal Score] Chester
POD-James Whitbourn's Agnus Dei From Missa Carolae. Missa Carolae was commission...(+)
POD-James Whitbourn's Agnus Dei From Missa Carolae. Missa Carolae was commissioned by Rochester Cathedral the second oldest cathedral in England to mark the 1400th anniversary ofits foundation. It was first performed there on 24 December 2004 by the Rochester Cathedral Choirs Andy Findon (Fife) the Locke Brass Consort Edmund Aldhouse (Organ) Joby Burgess and Catherine Ring (Percussion) directed byRoger Sayer. The work is intended to invoke a dance-like spirit which is true to the origin of the carol as a simple dance form. The choir parts should be very well-known so that the singers can sing with the whole oftheir bodies and not just their voices. This version is a reduced scoring for SATB (unchanged) with Organ and optional Piccolo and also acts as the vocal score to the full version. In this scoring the Piccolo adds to theeffectiveness of the piece. In either scoring the Piccolo may be replaced with a Flute Fife or even a more rustic Pipe as was used at the first performance. The original scoring for SATB with Piccolo Brass (3 Trumpetsand 3 Trombones) Percussion (2 players) and Organ accompaniment is the preferred version. Full score and parts are available on hire from the publisher or full score on sale (CH71621). The Piccolo part (CH79893-01) is common toboth scorings and is available on sale or hire with the full version. The Organ accompaniment in this score is for performance of the version for SATB Piccolo and Organ only. An A4 spiral-bound version of this score may bepreferable for the organist (CH79893-02). The separate Organ part - available on hire - must be used for the version with instruments.An ad lib. part for the congregation (CH70961 pack of 50) is incorporated into the fullscoring of Missa Carolae. Reference to the entries of the congregation is made in the vocal score for occasions when it is used in conjunction with the full instrumentation.
3.25 GBP - vendu par Musicroom GB |
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| Richard Allain: Night:
SATB: Vocal Score Chorale SATB [Vocal Score] Novello & Co Ltd.
Richard Allain's Night for SATB and Cello. Night Was commissioned by Commotio a...(+)
Richard Allain's Night for SATB and Cello. Night Was commissioned by Commotio and recieved its premiere in Merton College Oxford in June 2007 conducted by Matthew Berry and is available on the Herald label (HAVP340). Composer's Note: Given the long phrase lengths of Night it is suggested that choirs Stagger breathing where necessary. The last page of the score requires some explanation. The singers should split into three separate groups: two equal SATB choirs and an SATB solo quartet. Each group sings their own music - each repetition being separated by a long pause - independent of the othergroups. Thus Choir I will begin and as they finish Choir II will commence etc. The music should continue for about two minutes getting gradually quieter with each repetition. Though a common pulse should be kept the groups begin each repetition as they wish: the music should overlap and blur. Against this the solo Cello plays its fragments of melody. The choirs at the conductor's discretion should end in the order they began leaving the cello to play its last notes as the echoes fade. Duration: 20 minutes
4.50 GBP - vendu par Musicroom GB Délais: En Stock |
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| Richard Allain: Night:
SATB: Parts Chorale SATB [Partition] Novello & Co Ltd.
Richard Allain's Night for SATB and Cello. Night Was commissioned by Commotio a...(+)
Richard Allain's Night for SATB and Cello. Night Was commissioned by Commotio and recieved its premiere in Merton College Oxford in June 2007 conducted by Matthew Berry and is available on the Herald label (HAVP340). Composer's Note: Given the long phrase lengths of Night it is suggested that choirs Stagger breathing where necessary. The last page of the score requires some explanation. The singers should split into three separate groups: two equal SATB choirs and an SATB solo quartet. Each group sings their own music - each repetition being separated by a long pause - independent of the othergroups. Thus Choir I will begin and as they finish Choir II will commence etc. The music should continue for about two minutes getting gradually quieter with each repetition. Though a common pulse should be kept the groups begin each repetition as they wish: the music should overlap and blur. Against this the solo Cello plays its fragments of melody. The choirs at the conductor's discretion should end in the order they began leaving the cello to play its last notes as the echoes fade. Duration: 20 minutes
7.99 GBP - vendu par Musicroom GB |
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| Edwin T. Childs: Almighty
and Most Merciful Father:
Mixed Choir a Cappella: Chorale SATB [Vocal Score] Fred Bock Music Company
Although the title may conjure images of power this sacred anthem is actually a...(+)
Although the title may conjure images of power this sacred anthem is actually a prayer. The composer constructs lovely flowing lines within a chorale style and introduces some delightfully surprising harmonies. The inspirational words come from the Book of Common Prayer. Easy to medium.
25.00 GBP - vendu par Musicroom GB |
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| Bob Chilcott: We Are:
SATB: Vocal Score Chorale SATB [Vocal Score] Oxford University Press
Bob Chilcott's We Are for SATB. We are is a dynamic and vibrant setting of 'The...(+)
Bob Chilcott's We Are for SATB. We are is a dynamic and vibrant setting of 'The human family' a powerful poem by American poet Maya Angelou. The poet's message that 'we are more alike than we are unalike' is carried through the piece by a compelling rhythmic figure and the a cappella textures and interplay between voices creates an infectious energy. The rich texture of the double choir scoring allows the two groups of singers to work together to create the sense of unity and common purpose the poem speaks to. We are was commissioned by The King's Singers for their 50th anniversary celebrations and features ontheir album 'GOLD' (Signum SIGCD500). The piece was originally presented with the first choir scoring as AATBarBarB but has since been rescored for SATTBB with the option for the second choir to be SA or SATB remaining unchanged.
4.95 GBP - vendu par Musicroom GB |
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| Nocturnes. SATB (Cps) New
Edition (LAURIDSEN
MORTEN) Chorale SATB SATB [Partition] - Intermédiaire/avancé Faber Music Limited
Par LAURIDSEN MORTEN. Nocturnes addresses aspects of the common theme of 'Night'...(+)
Par LAURIDSEN MORTEN. Nocturnes addresses aspects of the common theme of 'Night'. Morten Lauridsen 's setting of Rilke's impassioned and atmospheric Sa Nuit D'été is rich with dense, colourful harmonies, while Soneto De La Noche is quiet, serene and folk-like, reflecting the eloquence with which the poet, Pablo Neruda, speaks of everlasting, eternal love. Sure On This Shining Night is a lyrical, beautiful setting of James Agee's well known love poem. We return to Rilke in the epilogue, Voici Le Soir , bringing the Nocturnes to a quiet end as darkness arrives. A Piano accompaniment is included where required. / Niveau : Intermédiaire à Avancé / Répertoire / SATB
7.40 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Herbert Howells: Hymnus
Paradisi (Full Score):
SATB: Score Chorale SATB SATB, Orchestre [Partition] - Intermédiaire/avancé Novello & Co Ltd.
This is the full score of Herbert Howells' 1950 composition Hymnus Paradisi for...(+)
This is the full score of Herbert Howells' 1950 composition Hymnus Paradisi for Soprano and Tenor Soli SATB chorus and orchestra. Now available for the first time in print this score has been prepared from the known sources revised and edited with critical commentary and includes a preface by Paul Spicer and introductory notes by Sir David Willcocks. Four of the choral movements (II-V) are settings of Latin and English texts. These are drawn from the Psalms and the 'Miss pro defunctis' the book of Common Prayer and are immemorial reflections upon the transient griefs and indestructible hopes of mankind. All are appropriate to the mood and purpose ofa Requiem. Movement VI is a setting of lines from the Salisbury Diurnal used here in the translation by Dr G. H. Palmer appearing at the end of Robert Bridges' Anthology The Spirit of Man. The first performance was at the Three Choirs Festival at Gloucester on 7th September 1950 which the composer conducted. The Bach Choir gave the first London performance early in 1951 and recorded the work in 1970 with the Philharmonia Orchestra under Sir David Willcocks.
49.99 GBP - vendu par Musicroom GB |
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| Nico Muhly: Dominus
Regnavit. Sheet Music for
SATB Choral Organ
Accompaniment Chorale SATB SATB, Orgue [Vocal Score] St Rose Music Publishing
Nico Muhly's Dominus Regnavit for SATB choir and Organ.This work was commissione...(+)
Nico Muhly's Dominus Regnavit for SATB choir and Organ.This work was commissioned by the Master and Fellows of St John's College Cambridge supported by a generous donation from Paul and Joanna Lindsell. It was first performed on 24 May 2014 by the Choir of St John’s College Cambridge Andrew Nethsingha (conductor) and Edward Picton-Turbervill (organist).The Lord is King and hath put on glorious apparel : the Lord hath put on his apparel andgirded himself with strength.He hath made the round world so sure : that it cannot be moved.Ever since the world began hath thy seat been prepared : thou art from everlasting.The floods are risen O Lord the floods have lift up their voice : the floods lift up their waves.The waves of the sea are mighty and rage horribly : but yet the Lord who dwelleth on high ismightier.Thy testimonies O Lord are very sure : holiness becometh thine house for ever. - Dominus Regnavit Psalm 93 Book of Common Prayer
4.50 GBP - vendu par Musicroom GB Délais: En Stock |
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