Belle Nuit, Ô Nuit d'Amour (Barcarolle) (à 2 voix Soprano et Mezzo-Sop. ou Contralto). Par OFFENBACH JACQUES. Les Contes D'Hoffmann or The Tales of Hoffmann is an opera fantastique by Jacques Offenbach, based on three supernatural, gothic tales of German author E. T. A. Hoffmann. Appearing as the protagonist, E. T. A. Hoffmann was a world-renowned author of fantastical and supernatural short stories that have had an indelible influence on modern literature. The French libretto for Les Contes D'Hoffmann was written by Jules Barbier. Arranged for Soprano and Mezzo-Soprano or Contralto with Piano Accompaniment. Les Contes D'Hoffmann or The Tales of Hoffmann is an opera fantastique by Jacques Offenbach, based on three supernatural, gothic tales of German author E. T. A. Hoffmann. Appearing asthe protagonist, E. T. A. Hoffmann was a world-renowned author of fantastical and supernatural short stories that have had an indelible influence on modern literature. The French libretto for Les ContesD'Hoffmann was written by Jules Barbier. Arranged for Soprano and Mezzo-Soprano or Contralto with Piano Accompaniment. / Opéra-opérette / Répertoire / Chant

N07:Le Colibri Chant - Mezzo-Soprano Ou Baryton. Par CHAUSSON ERNEST. Ernest Chausson 's Le Colibri (14 melodies no. 7). Edition for Mezzo Soprano and Baritone with Piano accompaniment./ Répertoire / Chant

Par . “Una voce poco profonda”: Curtain up for Trouser Roles and Heroines Whether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential – in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart? Yes, that’s simply part of the game! Feeling nervous? No, because actually nothing can go wrong with OperAria. The best vocal coach for auditions and current theatre practice. Only the voice needs to do its bit. Toi, toi, toi! “Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres.” (Peter Anton Ling and Marina Sandel, editors) OperAria – repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera’s plot an evaluation from the singer’s point of view with “phonetic assistant” and “text assistant” aria texts in the original language spoken by native speakers as an audio file (mp3) aria texts in German and English translations as a text file (pdf) available for download / Date parution : 2022-11-04/ Recueil / Chant et Piano

Pour Mezzo-Soprano & Piano. Par TANGUY ERIC. Poeme De Marceline Desbordes-Valmore/ Répertoire / Chant et Piano

Modern Norwegian composer Rolf Wallin's Drei Gedichte'arranged for the mezzo soprano voice and piano. These three poems were written between 1900 and 1908 and they are very different in terms of form subject matter and atmosphere. Liebes-Lied is about a strong but painful love Buddha in der Glorie a description of religious ecstasy quite unusual in the works of Rilke and Sluss-stück about death which existsin the midst of us in the middle of life.

Gustav Holst has earned a place among the most revered of late 19th and early 20th century composers and is best known for his enduring Orchestral suite The Planets.But before that great work, in his use of Englsh folksongs, Gnostic texts and these Vedic hymns, one can discern Holst's search for a compositional Voice beyond the constraints of the European canon in the early 1900's.Some see composition of the Vedic Hymns as a turning point in Holst's compositional life.The quality is not completely consistent, and Holst remained true to his Western musical inheritance for the most part in setting them, but as art songs they are deeply felt and moving to hear.The nine songs are scored for mezzo-Soprano or baritone Voice.The texts are taken from the Rigveda, one of the four sacred texts of Hinduism and the oldest religious text in the world.The first set of three comprises Ushas, Varuna and Maruts, or Dawn, Sky and Stormclouds respectively.The second includes Indra (God of Storm and Battle), Varuna II (the Waters) and Song of the Frogs.The third group moves into the human sphere with Vac (Speech), Creation and Faith. / Piano Et Voix

Extrait N. 9 De Samson et Dalila. Par SAINT-SAENS CAMILLE. POUR MEZZO-SOPRANO ET PIANO (TRADUZ. ITAL. A. ZANARDINI)/ Répertoire / Chant et Piano

Par SCHUMANN ROBERT. «Vous, qui êtes un homme, avez bien ressenti ces lieder comme n’aurait guère su le faire le coeur féminin le plus sensible! » a écrit un admirateur à Schumann, à propos de son cycle Frauenliebe und Leben. Cette sensibilité à l’égard de l’expression profondément romantique des poèmes d’Adelbert von Chamisso s’ex-plique sans doute également à travers le contexte de la composition du cycle de lieder op. 42 : Schumann l’a en effet écrit dans l’une des périodes les plus heureuses de sa vie, celle précédant directement son mariage avec Clara Wieck. Depuis sa première publication, le cycle Frauenliebe und Leben a constamment joui de la plus grande popularité auprès des chanteuseset des chanteurs. Il paraît aujourd’hui pour la première fois, chez Henle, en tant qu’édition Urtext. L’édition se prête tout autant pour les voix d’homme que de femme de registre intermédiaire (mezzosoprano/baryton). ? / Partition brochée / Répertoire / Chant et Piano