Horn in F and Piano SKU: BT.RICL00000500 For Horn In F And Piano (Scor...(+)
Horn in F and Piano
SKU:
BT.RICL00000500
For Horn In F And
Piano (Score and
Part). Composed by
Harold East. Exam
Material. Book Only.
Composed 2000. 22 pages.
Ricordi #RICL00000500.
Published by Ricordi
(BT.RICL00000500).
English.
For
French Horn and Piano.
4 occasional
pieces for Horn in F and
piano. Includes a
separate part for the
horn player.
Piano SKU: BT.MUSMI0376 Composed by Federico Dattino. Tuition. Book and D...(+)
Piano
SKU:
BT.MUSMI0376
Composed
by Federico Dattino.
Tuition. Book and DVD.
Composed 2017. Play Music
Italy #MUSMI0376.
Published by Play Music
Italy (BT.MUSMI0376).
Italian.
Questâ
€™opera ha lo scopo
di farvi scoprire e
suonare diversi tipi di
accompagnamenti per il
pianoforte a base di
accordi e di arpeggi.
Comincerete con le
ritmiche costituite da
accordi placcati e
semi-arpeggiati in cui le
due mani si completano in
modo efficace, sia al
livello ritmico che
armonico. Proseguirete
con gli accompagnamenti
in arpeggio, suonati il
più delle volte dalla
mano destra e completati
dalla sinistra che si
occupa dei bassi. Infine
una terza categoria di
ritmiche vi dar
l’occasione di
utilizzare i rivolti (di
3 poi di 4 suoni) in modo
da imparare ad
ottimizzare gli
spostamenti delle mani
sulla tastiera. Ossia 56
accompagnamenti in tutto
che
costituisconoaltrettanti
standard, da utilizzare a
piacimento in
numerosissimi contesti
musicali, dalla canzone
alla ballata pop passando
per la musica di film.
Accessibili
all’inizio alla
maggior parte dei
pianisti, questi
accompagnamenti diventano
progressivamente più
evoluti man mano che si
va avanti nel testo in
modo da soddisfare
ognuno. Sul disco dati
allegato al metodo,
troverete tantissimi file
audio e video. I video
(mp4) presentano tramite
l’immagine i
numerosi accompagnamenti
così come devono
essere suonati, mentre le
registrazioni audio (mp3)
propongono tutte le basi
musicali corrispondenti,
con poi senza il
pianoforte. Potrete in
questo modo suonare le
ritmiche proposte oppure
sviluppare i vostri
propri accompagnamenti
ispirandovi agli esempi
del metodo.
Aulos Volume I Piano seul - Avancé EMB (Editio Musica Budapest)
Piano - advanced SKU: BT.EMBZ14887 Piano pieces for practising polypho...(+)
Piano - advanced
SKU:
BT.EMBZ14887
Piano
pieces for practising
polyphony. Composed
by Gyorgy Orban.
Educational Tool. Book
Only. Composed 2014. 72
pages. Editio Musica
Budapest #EMBZ14887.
Published by Editio
Musica Budapest
(BT.EMBZ14887).
English-Hungarian.
Aulos to a certain
degree continues
Orbán's easy piano
pieces for children,
which he composed for
Ãgnes Lakos's piano
tutor and which Editio
Musica Budapest published
in a separate volume
entitled Enchanted Forest
in 2011 (Z. 14742). Yet
on this occasion the
composer took on
something which was both
significantly different
and more than his earlier
pieces for children. On
the one hand, he did not
compose for beginners but
for more advanced
students who have studied
piano for at least three
years. On the other, he
did not set developing
the technique of piano
playing as an aim, rather
a systematic presentation
of different polyphonic
genres and compositional
procedures(imitation,
fugue, stretto,
inversion, augmentation
and diminution, double
counterpoint, latent
polyphony, double and
triple fugue, cantus
firmus technique, etc.).
Orbán introduces his
students to the mysteries
of polyphony in a direct
and practical manner, and
thus actually makes them
familiar with the art of
composition.The
educational use of the
series is significantly
increased by the fact
that before each piece
the composer presents and
clarifies with
demonstrative
illustrations the
polyphonic procedure he
introduces. Orbán's
explanations are not
text-book-like at all,
but are deliberately
personal and subjective,
full of lessons and
individual associations
taken from his practice
as a composer. They were
written in the same
spirit as the works
themselves - while they
perfectly fulfil their
educational purpose they
are equally individual,
witty and inspired pieces
of music that are a joy
to play.
Aulos to
a certain degree
continues Orbáns easy
piano pieces for
children, which he
composed for Ãgnes
Lakoss piano tutor and
which Editio Musica
Budapest published in a
separate volume entitled
Enchanted Forest in 2011
(Z. 14742). Yet on
thisoccasion the composer
took on something which
was both significantly
different and more than
his earlier pieces for
children. On the one
hand, he did not compose
for beginners but for
more advanced students
who have studied piano
for at least threeyears.
On the other, he did not
set developing the
technique of piano
playing as an aim, rather
a systematic presentation
of different polyphonic
genres and compositional
procedures (imitation,
fugue, stretto,
inversion, augmentation
and diminution,double
counterpoint, latent
polyphony, double and
triple fugue, cantus
firmus technique, etc.).
The educational use of
the series is
significantly increased
by the fact that before
each piece the composer
presents and clarifies
with demonstrative
illustrations the
polyphonic procedure he
introduces. Orbáns
explanations are not
text-book-like atall, but
are deliberately personal
and subjective, full of
lessons and individual
associations taken from
his practice as a
composer. They were
written in the same
spirit as the works
themselves - while they
perfectly fulfil their
educational purposethey
are equally individual,
witty and inspired pieces
of music that are a joy
to play.
For Piano. Composed by Jacques Offenbach (1819- 1880). Edited by Jean- Chris...(+)
For Piano. Composed by
Jacques Offenbach (1819-
1880). Edited by Jean-
Christophe Keck. BH
Piano.
Softcover. 20 pages.
Boosey
& Hawkes #M202534731.
Published by Boosey &
Hawkes
Piano (Piano) SKU: HL.14030017 The Village Church. Composed by Jea...(+)
Piano (Piano)
SKU:
HL.14030017
The
Village Church.
Composed by Jean
Sibelius. Music Sales
America. Classical. Book
[Softcover]. 4 pages.
Edition Wilhelm Hansen
#WH18777. Published by
Edition Wilhelm Hansen
(HL.14030017).
ISBN
9788759851562.
8.25x11.75x0.047
inches.
The Piano
music of Jean Sibelius
ranks among the greatest
of Finnish music, and his
1924 set Five
Charactereistic
Impressions demonstrates
his importance. The first
of this set, The Village
Church is a ceremonial
theme bringing to mind
the oaccasions and events
that surround a small
place of worship and that
is perfect for ushering
in the start of a
programme. An
impressionist piece that
captures the imagery of
reality with tonality,
colour and a solemn
pace.
Piano (Piano) SKU: HL.14020986 Composed by Sir Peter Maxwell Davies. Musi...(+)
Piano (Piano)
SKU:
HL.14020986
Composed
by Sir Peter Maxwell
Davies. Music Sales
America. Classical. Book
[Softcover]. Composed
1999. 10 pages. Chester
Music #CH61243. Published
by Chester Music
(HL.14020986).
ISBN
9780711960961. UPC:
884088442330.
9.0x12.0x0.071
inches.
Peter
Maxwell Davies wrote this
set of six short pieces
in 1993 as a gift for a
friend (a double bass
player and composer from
the BBC Philharmonic)who
was celebrating the birth
of his daughter. Despite
the reason for writing
them being most
'occasional', these
pieces are certainly not
lacking in musical
substance as one might
expect an 'occasional'
piece to be. These pieces
are ideal works for young
performers to introduce
them to playing modern
music or even as an
introduction to the broad
range of Maxwell Davies's
work.
Piano Solo SKU: HL.14024584 Composed by Sir Peter Maxwell Davies. Music S...(+)
Piano Solo
SKU:
HL.14024584
Composed
by Sir Peter Maxwell
Davies. Music Sales
America. Post-1900. Sheet
Music, Instrumental Work.
With Text language:
English. 12 pages. Music
Sales #CP56086. Published
by Music Sales
(HL.14024584).
UPC:
884088815264.
11.0x8.5x0.044
inches.
Peter
Maxwell Davies wrote this
set of six short pieces
in 1993 as a gift for a
friend (a double bass
player and composer from
the BBC Philharmonic) who
was celebrating the birth
of his daughter. Despite
the reason for writing
them being most
'occasional', these
pieces are certainly not
lacking in musical
substance as one might
expect an 'occasional'
piece to be. These pieces
are ideal works for young
performers to introduce
them to playing modern
music or even as an
introduction to the broad
range of Maxwell Davies's
work. This is a special
item which is made to
order. Please e-mail our
Mail Order Department for
further information.
Piano SKU: BT.PWM61310143 Facsimile Hardback. Composed by Frederic...(+)
Piano
SKU:
BT.PWM61310143
Facsimile
Hardback. Composed by
Frederic Chopin.
Classical. Book Only.
Composed 2013. Polskie
Wydawnictwo Muzyczne
#PWM61310143. Published
by Polskie Wydawnictwo
Muzyczne
(BT.PWM61310143).
ISBN
9788361142812.
Polish.
The Mazurka
in A flat major was
written between the
Mazurkas, Opp. 17 and 24
(1833) and the Mazurkas,
Op. 30 (1835). It differs
from those sets, which in
their dimensions,
texture, harmony
(including chromatism),
elaborate ornamentation
(e.g. in Op.17 No. 4),
folk bourdons (Op. 17 No.
1), transferral of the
melody to the left-hand
part (Op. 24 No. 2) and
differentation of
compositional technique.
The Mazurka in A flat
major is not, however, a
bridge between these
opuses, but an
occasionalwork - a gift
for a lady written into
her album. It has a
simple design and
uncomplicated
texture.
Piano, Vol. 2 Piano seul Editorial de Musica Boileau
Piano SKU: BO.BC0006 Composed by Pau Casals. Published by Editorial de Mu...(+)
Piano
SKU:
BO.BC0006
Composed by
Pau Casals. Published by
Editorial de Musica
Boileau (BO.BC0006).
Despite a
strong vocation for the
cello, which he studied
and began to play with a
distinctive character,
Pau Casals, like most
ambitious, creative
musicians, wrote at the
piano and for the piano,
as it is the ultimate
teaching instrument,
summarising the full
vision of the creative
process. Any creative
musician habitually
worked at the piano,
whether for this
instrument alone or for
piano accompanied by
other solo instruments.
To date, it has not been
possible to document
whether Casals had
systematic training on
this instrument, although
at that time it was more
common than it is today
because, considering its
qualities of timbre and
combination, it was
particularly attractive
for creating test pieces
and different kinds of
compositions.
Th
e piano works contained
in this second volume
include part of the salon
repertoire, a
continuation of the first
volume, and four sardanas
for piano of diverse
origin: some are
reductions of more
complex forms and others
sketches for instrumental
groups. In the first
group, some works
intended for children are
published, a
demonstration of the
tenderness the
‘cellist felt for
the children of his
closest friends. In the
second case, the sardanas
are works from his first
exile in Prada and show
the nostalgia of the
composer, away from his
country against his
will.
In
general, the works are
not especially complex;
their purpose and nature
are diverse. They come in
the context of salon
music, with the
appearance of creative
entertainments
characterised by a
basically tonal,
transparent language with
a widespread tendency to
modulate to nearby keys
more as a momentary
expressive resource than
as a structural
evolutionary procedure.
They show a lack of
systematic work on the
instrument as well as the
commonplaces of piano
composition of their
time. In some of these
works, the piano thread
breaks, the works do not
have the thrust of
finished products; the
occasional appearance of
chords that are difficult
or impossible to finger
leads us to think of
intentions closer to test
pieces than to products
intended for normal
performance. But not all
these piano works are
circumstantial. There is
also a prelude and a
minuet of a certain piano
writing complexity.
Piano SKU: BR.EB-6734 Piano Lessons by Ludwig van Beethoven. Compo...(+)
Piano
SKU:
BR.EB-6734
Piano
Lessons by Ludwig van
Beethoven. Composed
by Ludwig van Beethoven.
Edited by Heinz Walter.
Solo instruments;
Softcover. Edition
Breitkopf.
Dances/marches;
Classical. Score. 16
pages. Breitkopf and
Haertel #EB 6734.
Published by Breitkopf
and Haertel (BR.EB-6734).
ISBN 9790004169360. 9
x 12 inches.
This
series of easy piano
pieces for teaching
purposes presents pupils
in the early and
early-middle stages with
a careful selection from
well-known and less-known
compositions by important
masters. The individual
volumes are deliberately
kept small in compass,
since it is more
stimulating for children
if the literature used
for instruction is
changed frequently.
Between 1795 and 1802,
Beethoven composed a
large number of German
dances, contredances and
minuets. He made simple
piano reductions of a
considerable proportion
of these occasional
compositions. The
selection of the present
pieces was made on the
basis of the compositions
that seemed most suitable
for the piano. The piano
arrangements are based on
the scores and the
original piano
reductions, and the marks
of interpretation have
been retained. The
working-out of more
finely-differentiated
interpretations is left
to the performer studying
the pieces. These
grateful little pieces
are equally suitable as
studies and as recital
pieces. Heinz Walter,
Salzburg, Fall 1974.
Piano SKU: HU.HN27 Composed by Johannes Brahms. Edited by Camilla Cai. Piano So...(+)
Piano
SKU: HU.HN27
Composed by Johannes
Brahms. Edited by Camilla
Cai. Piano Solo, Piano
and Keyboard, Repertoire,
Solos. 51 Exercises for
Piano. Classical,
Romantic. Softcover Book.
108 pages. G. Henle
#HN27. Published by G.
Henle
Piano - Advanced SKU: PE.EP5786 Composed by Sergei Prokofiev. Piano Resou...(+)
Piano - Advanced
SKU:
PE.EP5786
Composed by
Sergei Prokofiev. Piano
Resources; Piano Solo;
Piano Supplemental. 20th
Century. Book. Edition
Peters #98-EP5786.
Published by Edition
Peters (PE.EP5786).
ISBN
9790577024295.
The
edition contains the
Waltz from the opera War
and Peace Op. 91 as well
as the Contredanse and
the Mephisto Waltz from
the music for the film
'Lermontov' arranged for
piano by the composer
himself around 1941/42.
Prokofiev occasionally
published individual
movements of large works
before the premiere. This
applies to all three
pieces, as the opera was
only presented to the
public in parts in 1946
and the film music not at
all. The work is suitable
for intermediate and
advanced pianists.
Piano SKU: HU.HN465 Original Version and First Edition of the Early Version. Co...(+)
Piano
SKU: HU.HN465
Original Version and
First Edition of the
Early Version. Composed
by Franz Liszt. Edited by
Maria Eckhardt. Piano
Solo, Piano and Keyboard,
Repertoire, Solos.
Consolations. Classical,
Romantic. Softcover Book.
48 pages. G. Henle
#HN465. Published by G.
Henle (HU.HN465).
(Piano Adventures�®). For Piano/Keyboard. Faber Piano Adventures�®. 3B...(+)
(Piano
Adventures�®). For
Piano/Keyboard. Faber
Piano Adventures�®.
3B. Softcover. 96 pages.
Faber Piano Adventures
#FF3028. Published by
Faber Piano Adventures
Piano SKU: BR.EB-8118 Composed by Richard Wagner. Solo instruments; Softc...(+)
Piano
SKU:
BR.EB-8118
Composed
by Richard Wagner. Solo
instruments; Softcover.
Edition Breitkopf.
Sonata; Romantic. Score.
Composed 1831. 24 pages.
Breitkopf and Haertel #EB
8118. Published by
Breitkopf and Haertel
(BR.EB-8118).
ISBN
9790004175019. 9 x 12
inches.
Richard
Wagner (1813-1883) is
rightly considered as the
19th-century music
dramatist whose formal
and harmonic originality,
for example in Tristan
and Isolde, provided a
significant impetus to
the development of
20th-century music.
Despite Wagner's fame,
his reuvre for piano
remains practically
unknown. Tobe sure, these
primarily early works and
occasional compositions
hardly even hint at the
outstanding
characteristics of the
later works such as
leit-motifs, flowing
transitions or original
forms. Nonetheless,
whoever is acquainted
with Wagner's later music
dramas will undoubtedly
not fail to be impressed
by the individual melodic
and harmonic traits of
his piano works. The
Sonata in B-flat Major
Op. 1 is of special
interest to us today
since it is Wagner's
first published work,
composed in 1831 and
printed in 1832 by
Breitkopf & Hartel. At
that time, Wagner was
studying counterpoint
with Theodor Weinlig, the
choral master and music
director of the
Thomasschule in Leipzig.
Weinlig, however, only
agreed to give Wagner
lessons if he promised to
refrain from composing
for half a year. In the
course of his studies,
Wagner was allowed to
compose the piano sonata
in B-flat Major as a kind
of journeyman-work. His
teacher Weinlig succeeded
in having the work
published by Breitkopf &
Hartel. Hence the
dedication of this piece
to Weinlig is not
surprising, since the
18-year-old Wagner would
otherwise have had great
difficulty finding a
publisher. This Sonata in
B-flat Major, which has
long been out of print,
is a reproduction of the
first edition by
Breitkopf & Hartel (plate
number 10433). For this
reprint, obvious
typographical errors have
been corrected (missing
or wrong accidentals and
dynamic indications). The
work presents a
four-movement classical
sonata form and is
stylistically reminiscent
of Mozart and Beethoven.
Shortly before composing
this sonata, Wagner wrote
a piano reduction of
Beethoven's Ninth
Symphony, which was
easily playable and yet
gratifying to hear. This
helps explain the
octave-doublings typical
of piano reductions.
Wiesbaden, Fall
1980
Respectfully
dedicated to Theodor
Weinlig, the choral
master and music director
of the Thomasschule in
Leipzig.
Piano - Late Elementary SKU: FJ.W9486 Composed by Jeanne Costello. Piano ...(+)
Piano - Late Elementary
SKU: FJ.W9486
Composed by Jeanne
Costello. Piano Solo;
Piano Supplemental.
Written For You. Animals
and Nature. Score. The
FJH Music Company Inc
#98-W9486. Published by
The FJH Music Company Inc
(FJ.W9486).
UPC:
241444417720.
English.
The calm,
quartal harmony creates a
gentle aura for this Late
Elementary solo. Spanning
four octaves with easy
hand shifts, this piece
requires reading ledger
lines above, below and
between the staffs, and
occasional use of the
damper pedal. Young and
old will enjoy playing
this piece.
About FJH
Written For You Piano
Solos
Spar
kling and lyrical pieces
which promote musical
expression.
Piano - Intermediate SKU: AP.48672 Composed by Wynn-Anne Rossi. Duet or D...(+)
Piano - Intermediate
SKU: AP.48672
Composed by Wynn-Anne
Rossi. Duet or Duo; Piano
Duet (1 Piano, 4 Hands);
Solo Small Ensembles.
Duet Recital Suite
Series. Form: Suite.
Score. 8 pages. Alfred
Music #00-48672.
Published by Alfred Music
(AP.48672).
ISBN
9781470643768. UPC:
038081559469.
English.
This
three-movement suite for
one piano, four hands was
inspired by one of the
largest lakes in North
America, bordering
Vermont, New York, and
Quebec. The first
movement, Wind on the
Water, is a flowing piece
in 5/4 meter that uses
broken chords, broken
intervals, and an
expansive melody to
capture the play of waves
on the lake. The second
movement, Mystery of the
Deep, uses two
contrasting sections, one
mysterious and one
cheerfully swinging, to
musically portray a
folkloric monster who
lurks in the depths of
Lake Champlain but also
delights locals with
occasional sightings. The
final movement, Tides of
Revolution, draws upon
the lake's history as a
pivotal battleground
during the American
Revolutionary War.
Driving rhythms, biting
dissonances, changing
meters, and dramatic
exchanges between the
players bring the suite
to an exciting close.
Optional parts for
percussion and
violin/flute are
available for download
for two of the
movements.
Piano (P+KRB) SKU: HL.49042462 No. 1-4. Composed by Carl Maria von...(+)
Piano (P+KRB)
SKU:
HL.49042462
No.
1-4. Composed by Carl
Maria von Weber. Edited
by Markus Bandur. This
edition: Full-cloth
binding. Sheet music.
Edition Schott. Score and
critical commentary,
complete edition. Op.
24+39+49+70. 372 pages.
Schott Music #WGA1071.
Published by Schott Music
(HL.49042462).
ISBN
9783795794637. German -
English.
Carl Maria
von Weber's fame rests
mainly on 'Der
Freischutz'. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume.Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was not conducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer, critic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities.Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in 10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (6-8 vols.)
are edited in Berlin and
the letters (8-10 vols.)
and other writings (2
vols.) in Detmold. This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Weber's
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based on
all available authentic
sources, accompanied by a
detailed documentation of
the genesis and a list of
variants for each work.
The musicological
importance of the works
will be evaluated by
placing them in their
historical context, the
presentation of their
genesis, history and
Critical Commentaries.
The letters, writings and
diaries will be treated
as inter-related and
relevant to each other in
the commentaries,
therefore readers should
benefit from a wealth of
concise information and
cross-references.
Piano solo - Grade 2 SKU: IG.PMS121 Composed by Peter Nostrand. Score. Du...(+)
Piano solo - Grade 2
SKU: IG.PMS121
Composed by Peter
Nostrand. Score. Duration
3 minutes, 35 seconds.
Imagine Music Publishing
#PMS121. Published by
Imagine Music Publishing
(IG.PMS121).
9 x 12 in
inches.
Innocence
is available for either
piano solo or piano and
chamber accompaniment
(flute, clarinet, first
and second violins, viola
and cello). It is a good
learning tool for
aspiring musicians at or
above a beginner's
level.
Technically
, the piece contains
several tertian harmonies
and simple flares of
credenza-like
complexities. The form is
a through composed
inspiration that later
becomes more refined in
terms of symmetry and
balance. Less technically
described, Innocence was
written to demonstrate
the differences and the
compatibility between
traditional and
untraditional harmonic
development. Students
will or should recognize
the two different
approaches.
In the
most traditional
approach, the listener is
typically able to predict
how the melody will
unfold. It is like a
journey down a road where
the passengers can see
all the straight-aways
and turns ahead.
Innocence , however,
while never discarding or
disrespecting musical
grammar, is occasionally
innocently twisted to
hijack the listener into
gently surprising and
unanticipated turns. It
is a good learning tool
to point out the
different approaches to
composition. It is also
simply a fun and
entertaining piece in and
of itself.
Solo Piano SKU: AP.36-M326991 Composed by Max Bruch. Performance Music En...(+)
Solo Piano
SKU:
AP.36-M326991
Composed by Max Bruch.
Performance Music
Ensemble; Solo Piano.
Ludwig Masters. Score and
Part(s). LudwigMasters
Publications #36-M326991.
Published by
LudwigMasters
Publications
(AP.36-M326991).
UPC:
660355184079.
English.
Max Bruch
(1838-1920) was a German
composer and contemporary
of Johannes Brahms, with
a style very much in the
same Romantic classicism
camp as that of his
better known friend.
Best known for his
violin concerti and
choral works, his chamber
works are also revived
occasionally. This
reprint collection of
short Romantic works for
piano include the
following: I. Andante
sostenuto, II. Andante
con moto, III. Impromptu.
Allegretto, IV.
Moderato, V. Walzer.
Grazioso, and VI. Andante
con larghezza.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Piano solo (Piano solo) - Henle Level 6-7 SKU: HL.51481307 Piano Solo<...(+)
Piano solo (Piano solo) -
Henle Level 6-7
SKU:
HL.51481307
Piano
Solo. Composed by
Ludwig van Beethoven.
Edited by Otto von Irmer.
Sheet Music. Paperbound.
Henle Music Folios.
Single Edition from HN
12. Classical. Softcover.
12 pages. G. Henle
#HN1307. Published by G.
Henle (HL.51481307).
ISBN 9790201813073.
UPC: 888680662950.
9.25x12.0x0.054
inches.
At first
glance, this spirited
work does not seem to fit
the picture that
Beethoven's
contemporaries have
passed down to us, this
is why the work was long
looked upon deprecatingly
as a “salon
pieceâ€. In fact, it
is an
“occasionalâ€
piece in the best sense
of the word, having been
written in winter 1814/15
for the Russian Czar
Alexander I's wife, a
great admirer of
Beethoven's music. The
Czarina was sojourning in
the Austrian capital at
the time of the Congress
of Vienna. The
superficial impression of
simple, stylized dance
music disguises Beethoven
at his most
“genuineâ€,
waiting to reveal some
subtle motivic and
thematic material.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Arranged by Nancy & Randall Faber. For Piano. PreTime to BigTime Piano Supplemen...(+)
Arranged by Nancy &
Randall Faber. For Piano.
PreTime to BigTime Piano
Supplementary Library.
Pieces remain in Middle C
Position with an
occasional sharp or flat.
No eighth notes.
Includes: Penguin Blues,
Jazz Walk, Hound Dog
Blues, and more. Jazz &
Blues. Level: Primer.
Book. Published by The
FJH Music Company Inc.
Klaviersuite Piano seul - Intermédiaire Furore Verlag
Piano - Level 3 SKU: FV.FUE-10077 Composed by Barbara Heller. Edited by S...(+)
Piano - Level 3
SKU:
FV.FUE-10077
Composed
by Barbara Heller. Edited
by Sontraud Speidel.
Sound Research of Women
Composers: Contemporary
Music C186. Sound
Research of Women
Composers: Contemporary
Music C186. Contemporary.
Score. Duration 13'.
Furore Verlag #FUE 10077.
Published by Furore
Verlag (FV.FUE-10077).
ISBN
979-0-50182-077-1.
Within this work Heller
already establishes
herself as a composer who
possesses and
demonstrates a clear
sense of form, as well as
a feel for creating arcs
of tension and contrasts.
The work is pianistically
challenging, even though
it fits the hands well.
It requires, in
particular, careful
listening with regard to
the structures and
harmonic sequences. This
thoroughly entertaining
piece of music is set to
benefit both
up-and-coming musicians
and concert pianists, and
deserves to be included
in the standard
repertoire. The piano
suite composed in 1956 by
the 20 year-old Barbara
Heller is a major
accomplishment. Within
this work Heller already
establishes herself as a
composer who possesses
and demonstrates a clear
sense of form, as well as
a feel for creating arcs
of tension and contrasts.
Stylistically, the work
belongs to the moderate
modernist trend, which
arose sometime after
Hindemith. However, this
piano suite has charms of
its own; at times it is
the emphatic shaping of
phrases, which bring
about moments of
dissonance and
occasionally, it is the
harsh and unwilling
gestures. The charm of
this piece also lies
within its deep-rooted
earnestness and its
frequent seasoning of
humour.