Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc-Antoine Charpentier’s best-known composition after the Te Deum H 146. The special appeal of this “Mass for the Midnight Service on Christmas Eve” lies in its use of no fewer than ten traditional French carols while impressively revealing Charpentier’s mastery of the concertante style.The eight solo vocalists (SSAATTBB) can easily be taken from the chorus. They are divided into three groups – one group of two sopranos and two groups each comprising alto tenor and bass – which interact with the chorusand instruments. This new edition represents the current state of scholarship and offers a completely revised Urtext of Charpentier’s masterpiece.- Urtext based on the latest scholarly research- Straightforward and easy-to-play keyboard reduction- Duration: approx. 25 minutes- Full score & parts (BA7592) and vocal score (BA7592-90) available for sale

Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc-Antoine Charpentier’s best-known composition after the Te Deum H 146. The special appeal of this “Mass for the Midnight Service on Christmas Eve” lies in its use of no fewer than ten traditional French carols while impressively revealing Charpentier’s mastery of the concertante style.The eight solo vocalists (SSAATTBB) can easily be taken from the chorus. They are divided into three groups – one group of two sopranos and two groups each comprising alto tenor and bass – which interact with the chorusand instruments. This new edition represents the current state of scholarship and offers a completely revised Urtext of Charpentier’s masterpiece.- Urtext based on the latest scholarly research- Straightforward and easy-to-play keyboard reduction- Duration: approx. 25 minutes- Full score & parts (BA7592) and vocal score (BA7592-90) available for sale

The ?Petite Messe Solennelle? is the finest work of Rossini?s late years. He composed it between 1863 and 1864 at the age of 71 as a commission for Countess Louise Pillet-Will for the consecration of her private chapel where the work received its first performance in March 1864. Together with the ?Stabat mater? the mass is one of the composer?s most important sacred works.The unusual instrumentation with two Pianos and Harmonium is entirely in keeping with the Neapolitan Keyboard tradition of the 18th century which was cultivated in France in Rossini?s day. It forms a distinct contrast to the style of large-scale sacred compositionsas written by for example Liszt and Bruckner. Rossini explained that he wrote the later Orchestral version of the work dating from 1867 out of concern that if he did not do this other composers might orchestrate the mass too heavily in later arrangements.The Piano reduction by Andreas Köhs is extremely idiomatic and largely preserves the charming character of the unusual instrumentation.- Based on the Urtext of the series ?Works of Gioachino Rossini?.- Foreword in two languages (Eng/Ger).- With a separate Harmonium part and one part for Pianos I and II.

The 'Petite Messe Solennelle' is the finest work of Rossini's late years. He composed it between 1863 and 1864 at the age of 71 as a commission for Countess Louise Pillet-Will for the consecration of her private chapel where the work received its first performance in March 1864. Together with the 'Stabat mater' the mass is one of the composer's most important sacred works.The unusual instrumentation with two Pianos and Harmonium is entirely in keeping with the Neapolitan Keyboard tradition of the 18th century which was cultivated in France in Rossini's day. It forms a distinct contrast to the style of large-scale sacred compositionsas written by for example Liszt and Bruckner. Rossini explained that he wrote the later Orchestral version of the work dating from 1867 out of concern that if he did not do this other composers might orchestrate the mass too heavily in later arrangements.The Piano reduction by Andreas Köhs is extremely idiomatic and largely preserves the charming character of the unusual instrumentation.- Based on the Urtext of the series 'Works of Gioachino Rossini'.- Foreword in two languages (Eng/Ger).- With a separate Harmonium part and one part for Pianos I and II.

Par MOZART WOLFGANG AMADEUS. Ausgaben Für Die Praxis Nach Der Neuen Mozart-Ausgabe. Urtext/ Répertoire / Solistes (SATB), Choeur Mixte (SATB), Orchestre et

Par MOZART WOLFGANG AMADEUS. Ausgaben Für Die Praxis Nach Der Neuen Mozart-Ausgabe. Urtext/ Répertoire / Soprano, Choeur Mixte (SATB), Orchestre et Orgue

Par ORFF CARL. Ludi Scaenici/ Répertoire / Solistes (ST), Choeur Mixte (SSAATTBB), 4 Pianos,

Ein Deutsches Weihnachtsliederspiel Nach Oberbayerischen und Tiroler Weisen. Par HAAS JOSEPH. Das Weihnachtsliederspiel Christnacht des Komponisten und Pädagogen Joseph Haas gehört zu den Klassikern des geistlichen Spiels. Haas hatte den Mangel an für Laien spielund singbarer weihnachtlicher Oratorienliteratur beklagt. ?Nichts lag näher, als die altbekannten lieben weihnachtlichen Volksweisen zu einem einheitlichen Liederspiel zu vereinigen. Als ich den Plan durchdachte, wurde es mir klar, dass sich nur solche Melodien, die der gleichen deutschen Landschaft angehören, zu einem stilistisch einwandfreien Organismus verbinden können. Der mir befreundete Münchener Gesangspädagoge Professor Anton Schiegg, ein gründlicher Kenner süddeutscher Volkskunst, machte mich auf den kostbaren Schatz der bezaubernden oberbayerischen und Tiroler Krippenlieder aufmerksam?, so beschreibt Joseph Haas die Anregung zu seinem Spiel, das für Kinder ab 10 Jehren und für Jugendliche geeignet ist. Eine Aufnahme des Werkes ist bei TYXart erschienen und kann hier bestellt werden. / Niveau : 2 / Répertoire / Solistes, Ch?ur Mixte SATB et Orgue

Version Hellmann/Glöckner. Par BACH JOHANN SEBASTIAN. This is a revised edition of Diethard Hellmann’s reconstruction of the St. Mark Passion of 1723 based on parodies. It contains a new foreword by Andreas Glöckner which deals with the present state of research on the Passion. The edition now includes all 16 chorales which have been handed down and which appear in facsimile in this edition. This new edition serves the needs of practical performance as well as the interest in the history of the Passion as it has been handed down to the present day. / Oratorio / Répertoire / Solistes SAT, Choeur SATB, 2 Flûtes Traversières,