Farewell, Dear Love, How Should I Shew My Love, I Know Not What. Par JONES. Arr. : F. Gosselin / Niveau : Fin 1er Cycle / Recueil / 4 Flûtes à Bec

Dispose de 72 classiques Motown: ABC - Ain't No Mountain High Enough - Baby Love - Ben - Come See About Me - Dancing in the Street - Do You Love Me - facile - une fois dans ma vie - - Heatwave Higher Ground - Puis-je 't - Help Myself I Hear a Symphony I - Il appris par la rumeur - I Second That Emotion - I'll Be There - Jimmy Mack Mercy -, Mercy Me (The Ecology) - My Cherie Amour - Ma fille bébé Ooo Baby - Stop! Au nom de l'amour - Three Times a Lady - - Guerre Where Did Our Love Go - plus! Des lignes mélodiques, accords et paroles, ainsi qu'une section de diagrammes d'accords guitare. / Instruments En Do / 256 pages / Partition

Anonymous Folk Poem-Soprano, Recorder (Soprano, Treble and Tenor Recorders) 1 player-2 playing score. Par FRANCES-HOAD CHERYL. Commissioned by John Turner for Gordon Crosse's 80th Birthday concert at The Martin Harris Centre, Manchester University, 22nd October 2017. Premiered by Lesley-Jane Rogers (soprano) and John Turner (Soprano, Treble and Tenor recorders). I'll have the Whetstone for soprano and recorder was written especially for Gordon on his 80th Birthday. When trying to find a text to set for the work, John Turner suggested I turn to The Guizer by one of Gordon's longtime friends, Alan Garner. In fact this book, which is a collection of stories about fools (!) was dedicated to Gordon! The anonymous folk poem that I chose immediately appealed to me and I had great fun setting the whimsical lines! / Date parution : 2022-02-03/ Répertoire / Flûte à Bec

15 contemporary hits of the holiday season are included in this collection for recorder: Blue Christmas · Do You Hear What I Hear · Frosty the Snow Man · Grown-Up Christmas List · Here Comes Santa Claus (Right down Santa Claus Lane) · I Saw Mommy Kissing Santa Claus · Jingle Bell Rock · The Little Drummer Boy · White Christmas · Winter Wonderland · and more. / Flûte A Bec

arranged very easy. In addition to the very successful series of Hans and Marianne Magolt, they now publish the first volume in the new series 'The Most Beautiful Spirituals & Gospels'. All melodies are very easy arrangements for beginners and can be played at various occasions at home, at the music school, at primary school or in an ensemble. Optionally, the arrangements can be played with an additional second part. Contents: Down by the Riverside, Glory Hallelujah, Go down Moses, O happy day, Rock my soul, He’s got the whole world in his hands, Nobody knows the trouble I’ve seen, Swing low and many more./ Recueil / 1 ou 2 Flûtes à Bec

Neuf classiques de Disney arrangé pour solo ou en duo enregistreur: 'Kiss the Girl? and 'Under the Sea? from The Little Mermaid - 'Be Our Guest? and 'Beauty and the Beast? from Beauty and the Beast - 'Friend like Me? and 'A Whole New World? from Aladdin - 'Can You Feel the Love Tonight,? 'Circle of Life? and 'I Just Can't Wait to Be King? from The Lion King. Includes a helpful fingering chart. / Flûte A Bec

La référence GB4560 de l'éditeur Billaudot dont l'auteur célèbre est Hollinger Roland, qui a pour titre CHRONOGRAPHIE I, a été écrite et composée pour Flûte à bec et plus particulièrement pour Ensemble De Flûtes A Bec. Cette partition musicale appartient à la catégorie Classique. / Ensemble De Flûtes A Bec / Partition

French and Spanish Music. 'The Schott Recorder Consort Anthology' presents a wealth of music from the fifteenth to the seventeenth centuries. Although the bulk of the collection is laid out for a variety of four-part ensembles there are also duets and trios, as well as five- and six-part pieces. The repertoire includes both original instrumental works and transcriptions of vocal pieces. There are lively and stately dances, fantasias, and arrangements of expressive madrigals, catchy chansons and more restrained religious pieces; all are chosen for their effective realization by recorder consorts. 136 Renaissance pieces with notes on sources, editorial technique and interpretation. Volume I contains a valuable introduction to the series and to the art of consort playing. 2-6 recorders: Descant, Treble, Tenor, Bass in various combinations./ Recueil / 2-6 Flûtes à Bec [Aa/St/Stt/SAT/SATB/Attb/Aatt/SSA

Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition TRIO SONATE No I qui a été écrite pourFlûte A Bec Et Piano. Les éditions Billaudot qui ont éditées cette oeuvre l'ont répertoriée sour la référence GB7936. / Flûte A Bec Et Piano / Partition

La référence GB4878 de l'éditeur Billaudot dont l'auteur célèbre est Boismortier Joseph Bodin De, qui a pour titre SONATES I ET II, OPUS 27, a été écrite et composée pour Flûte à bec et plus particulièrement pour Flûte A Bec Et Piano. Cette partition musicale appartient à la catégorie Classique. / Flûte A Bec Et Piano / Partition

During the 1940s I was often involved with musical activities at Morley College where Walter Bergmann was the choir's accompanist. He was a keen recorder player and often asked me (then in my twenties) to write something for him. I must have obliged with this suite, although I have now absolutely no recollection of writing it. Amazingly the manuscript turned up many years later in, of all places, the musical library of Sir Thomas Beecham. Why and how I shall never know! Antony Hopkins (2012) / Flûte A Bec Et Piano

Par BONSOR BRIAN. The best way to learn any instrument is to have lessons from a good, experienced teacher. Although, happily, the number of such teachers is constantly growing, the recorder is still frequently taught by enthusiastic but inexperienced teachers and many players start by teaching themselves. This series of books sets out to help learners of all ages in all three situations. Experienced teachers, who may choose to disregard much of the text as personal demonstration is always clearer than the written word, will find exercises and fine tunes a-plenty to support their own mathod at each stage. The less experienced willbenefit from many valuable teaching hints culled from long experience and may rely on the books to lead to a sound playing technique and a mastery of simple notation. Those learning by themseves - and I started in this way - are urged to work carefully and systematically through the books, taking plenty of time to assimilate each point before moving on. For them, without the personal model provided by a live teacher, it is vitally important to listen as often as possible to fine players, in person or on record, so that they have in their mind's ear a clear notion of the kind of sound they would like to produce. But however they start, I can only wish that all who use these books will derive as much pleasure and musical satisfaction and gain as many lasting and valued friendships as I have through this most subtle, delightful and sociable of instruments. (Brian Bonsor) ?...this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken? (Oliver James, Contact Magazine) These two tutors, with accompanying teacher's books, are for newcomers to the instrument who are beginning on the treble and so assume no previous knowledge either of the instrument or of musical notation./ Recueil / Flûte à Bec et Piano

Par SUZUKI SHINICHI. Recorder performed by Marion Verbruggen, Viola da gamba performed by Mary Springfels, Harpsichord performed by Arthur Haas. Siciliana from Sonata in F Major (Alto key) (III) (G. F. Handel) * Bourree from Fireworks Suite (G. F. Handel) * Passapied from Melpomene Suite (K. Fischer) * Adagio from Sonata in A Minor (Alto key) (III) (G. F. Handel) * Presto from Sonata in G Minor (Alto key) (IV) (G. F. Handel) * Larghetto from Sonata in G Minor (Alto key) (I) (G. F. Handel) * Allegro from Sonata No. 1 (IV) (R. Valentini) * Giga/Allegro from Sonata in F Major (Alto key) (IV) (G. F. Handel) * Minuet (E. C. Jacquet de La Guerre) * Rondeau (E. C. Jacquet de La Guerre) * Larghetto fromSonata in C Major (I) (G. F. Handel) * Tempo di Gavotti from Sonata in C Major (IV) (G. F. Handel) * Allegro from Sonata in F Major (II) (G. F. Handel) * Rondeau from Suite No. 2 in D Minor (J. S. Bach) * Sarabande from Suite No 2 in D Minor (J. S. Bach) * Bourree I and II from Suite No. 2 in D Minor (J. S. Bach)./ Accessoire / Flûte à Bec Alto

Par BONSOR BRIAN. The best way to learn any instrument is to have lessons from a good, experienced teacher. Although, happily, the number of such teachers is constantly growing, the recorder is still frequently taught by enthusiastic but inexperienced teachers and many players start by teaching themselves. This series of books sets out to help learners of all ages in all three situations. Experienced teachers, who may choose to disregard much of the text as personal demonstration is always clearer than the written word, will find exercises and fine tunes a-plenty to support their own mathod at each stage. The less experienced willbenefit from many valuable teaching hints culled from long experience and may rely on the books to lead to a sound playing technique and a mastery of simple notation. Those learning by themseves - and I started in this way - are urged to work carefully and systematically through the books, taking plenty of time to assimilate each point before moving on. For them, without the personal model provided by a live teacher, it is vitally important to listen as often as possible to fine players, in person or on record, so that they have in their mind's ear a clear notion of the kind of sound they would like to produce. But however they start, I can only wish that all who use these books will derive as much pleasure and musical satisfaction and gain as many lasting and valued friendships as I have through this most subtle, delightful and sociable of instruments. (Brian Bonsor) “...this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken“ (Oliver James, Contact Magazine) These two tutors, with accompanying teacher's books, are for newcomers to the instrument who are beginning on the treble and so assume no previous knowledge either of the instrument or of musical notation. / Pédagogie / Recueil / Flûte à Bec Alto et Piano