Piano, Vol. 2 Piano seul Editorial de Musica Boileau
Piano SKU: BO.BC0006 Composed by Pau Casals. Published by Editorial de Mu...(+)
Piano
SKU:
BO.BC0006
Composed by
Pau Casals. Published by
Editorial de Musica
Boileau (BO.BC0006).
Despite a
strong vocation for the
cello, which he studied
and began to play with a
distinctive character,
Pau Casals, like most
ambitious, creative
musicians, wrote at the
piano and for the piano,
as it is the ultimate
teaching instrument,
summarising the full
vision of the creative
process. Any creative
musician habitually
worked at the piano,
whether for this
instrument alone or for
piano accompanied by
other solo instruments.
To date, it has not been
possible to document
whether Casals had
systematic training on
this instrument, although
at that time it was more
common than it is today
because, considering its
qualities of timbre and
combination, it was
particularly attractive
for creating test pieces
and different kinds of
compositions.
Th
e piano works contained
in this second volume
include part of the salon
repertoire, a
continuation of the first
volume, and four sardanas
for piano of diverse
origin: some are
reductions of more
complex forms and others
sketches for instrumental
groups. In the first
group, some works
intended for children are
published, a
demonstration of the
tenderness the
‘cellist felt for
the children of his
closest friends. In the
second case, the sardanas
are works from his first
exile in Prada and show
the nostalgia of the
composer, away from his
country against his
will.
In
general, the works are
not especially complex;
their purpose and nature
are diverse. They come in
the context of salon
music, with the
appearance of creative
entertainments
characterised by a
basically tonal,
transparent language with
a widespread tendency to
modulate to nearby keys
more as a momentary
expressive resource than
as a structural
evolutionary procedure.
They show a lack of
systematic work on the
instrument as well as the
commonplaces of piano
composition of their
time. In some of these
works, the piano thread
breaks, the works do not
have the thrust of
finished products; the
occasional appearance of
chords that are difficult
or impossible to finger
leads us to think of
intentions closer to test
pieces than to products
intended for normal
performance. But not all
these piano works are
circumstantial. There is
also a prelude and a
minuet of a certain piano
writing complexity.
SKU: WD.080689407772 Composed by Allan Douglas. Arranged by Allan Douglas...(+)
SKU:
WD.080689407772
Composed by Allan
Douglas. Arranged by
Allan Douglas and Sarah
Huffmann. Choral,
cantatas. Christmas.
Posters (12-pak). Word
Music #080689407772.
Published by Word Music
(WD.080689407772).
UPC:
080689407772.
For
music ministers looking
for an Easter musical
that is strong on content
and excitement yet easy
to rehearse and perform,
Jesus Is Alive! is your
answer. Created by Dale
Mathews and including
such beloved classics as
Celebrate Jesus, He's
Alive and Gerald Crabb's
The Cross, this
accessible musical
features dynamic original
arrangements by Russell
Mauldin, Gary Rhodes,
Robert Sterling and Lari
Goss, expertly revoiced
by Allan Douglas and
Sarah Huffman for unison
choir with occasional
two-part singing and no
solos. At less than 30
minutes in length, Jesus
Is Alive! is an ideal
addition to your Easter
morning service, allowing
ample time for additional
celebratory observances
and a sermon. Deborah
Craig-Claar has provided
a sensitive
Scripture-based narration
for a single narrator
that beautifully weaves
together the themes of
Jesus' redemptive
sacrifice and His victory
over death. Let Jesus Is
Alive! declare the
eternal truth to your
church this Easter: Jesus
is alive - today and
forevermore!
Urtext. Composed
by George Frideric
Handel. Edited by Ton
Koopman. Folder.
Orchester-Bibliothek
(Orchestral Library). I
want to make an edition
that is not a Koopman
interpretation, but
contains only that which
Handel really wrote. '
(Ton Koopman). Solo
concerto; Baroque. Set of
parts. 6 pages. Duration
8'. Breitkopf and Haertel
#OB 5385-30. Published by
Breitkopf and Haertel
(BR.OB-5385-30).
ISBN
9790004336755. 10 x 12.5
inches.
Ton
Koopman's new edition of
all 16 organ concertos by
Handel has drawn to a
close. The quality of
this edition has been
highly praised from all
quarters. Source-critical
responsibility goes hand
in hand with a high level
of performance practice
when Koopman provides
interpretative tips for
the ad libitum passages
in the organ part without
restricting the
creativity of the
interpreter who is
interested in stylistic
matters and prefers to
work out his own
solutions. I want to make
an edition that is not a
Koopman interpretation,
but contains only that
which Handel really
wrote. Nevertheless,
there are occasional
performance suggestions
in small print which are
elucidated in the
Critical Commentary. (Ton
Koopman in Concerto)
Koopman offers a
basically unmarked text,
thus leaving the
performance details up to
the performer. Especially
note-worthy is the clear
printing, extensive
preface and detailed
Critical Notes.
(Katholische
Kirchenmusik) Whoever
wishes to hear the entire
Koopman edition on CD can
look forward to the new
recording by Christian
Schmitt and the
Stuttgarter
Kammerorchester
(Brilliant Classics).
This is the first
recording for which all
16 new Koopman editions
were used as the basis
for the performance.
Silver Moon Orchestre à Cordes [Conducteur et Parties séparées] Carl Fischer
Composed by Nishimura Yukiko. Folio. Score and part(s). 80 Cover pages. Durat...(+)
Composed by Nishimura
Yukiko. Folio. Score and
part(s). 80 Cover pages.
Duration 3 minutes, 2
seconds. Carl Fischer
Music
#YAS192. Published by
Carl
Fischer Music
(P+KRB) SKU: HL.49042459 Composed by Carl Maria von Weber. Edited by Andr...(+)
(P+KRB)
SKU:
HL.49042459
Composed
by Carl Maria von Weber.
Edited by Andreas
Fukerider and Claudia
Theis. This edition:
Full-cloth binding. Sheet
music. Edition Schott.
Score and critical
commentary, complete
edition. 274 pages.
Schott Music #WGA1061.
Published by Schott Music
(HL.49042459).
ISBN
9783795794682.
8.75x12.25x1.022
inches.
Carl Maria
von Weber's fame rests
mainly on 'Der
Freischutz'. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume.Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was not conducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer, critic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities.Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in 10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (6-8 vols.)
are edited in Berlin and
the letters (8-10 vols.)
and other writings (2
vols.) in Detmold. This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Weber's
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based on
all available authentic
sources, accompanied by a
detailed documentation of
the genesis and a list of
variants for each work.
The musicological
importance of the works
will be evaluated by
placing them in their
historical context, the
presentation of their
genesis, history and
Critical Commentaries.
The letters, writings and
diaries will be treated
as inter-related and
relevant to each other in
the commentaries,
therefore readers should
benefit from a wealth of
concise information and
cross-references.
Urtext. Composed
by George Frideric
Handel. Edited by Ton
Koopman. Stapled.
Orchester-Bibliothek
(Orchestral Library).
,I want to make an
edition that is not a
Koopman interpretation,
but contains only that
which Handel really
wrote.' (Ton Koopman)
Solo concerto; Baroque.
Part. 4 pages. Duration
15'. Breitkopf and
Haertel #OB 5215-16.
Published by Breitkopf
and Haertel
(BR.OB-5215-16).
ISBN
9790004331170. 9 x 12
inches.
Ton
Koopman's new edition of
all 16 organ concertos by
Handel has drawn to a
close. The quality of
this edition has been
highly praised from all
quarters. Source-critical
responsibility goes hand
in hand with a high level
of performance practice
when Koopman provides
interpretative tips for
the ad libitum passages
in the organ part without
restricting the
creativity of the
interpreter who is
interested in stylistic
matters and prefers to
work out his own
solutions. I want to make
an edition that is not a
Koopman interpretation,
but contains only that
which Handel really
wrote. Nevertheless,
there are occasional
performance suggestions
in small print which are
elucidated in the
Critical Commentary. (Ton
Koopman in Concerto)
Koopman offers a
basically unmarked text,
thus leaving the
performance details up to
the performer. Especially
note-worthy is the clear
printing, extensive
preface and detailed
Critical Notes.
(Katholische
Kirchenmusik) Whoever
wishes to hear the entire
Koopman edition on CD can
look forward to the new
recording by Christian
Schmitt and the
Stuttgarter
Kammerorchester
(Brilliant Classics).
This is the first
recording for which all
16 new Koopman editions
were used as the basis
for the
performance.
,I
want to make an edition
that is not a Koopman
interpretation, but
contains only that which
Handel really wrote.'
(Ton Koopman).
Composed
by Aaron Fryklund. Full
score. 8 pages. Duration
2 minutes, 28 seconds.
Carl Fischer Music
#YAS227F. Published by
Carl Fischer Music
(CF.YAS227F).
ISBN
9781491163092. UPC:
680160921843. Key: A
minor.
This
imperial work smolders
with a stately intensity,
marching forward with a
precise and forceful
energy. Set in A minor
and 2/4 time, engaging
melodic figures unfold
with unflinching focus
while progressing through
sometimes-unexpected
harmonies. Students will
encounter easy
accidentals in first
position and interesting
counterpoint between the
sections as the piece
builds to a powerful
conclusion.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
SATB choir, divisi &
piano (SATB) - Moderately
Difficult
SKU:
OU.9780193529007
Composed by Connor J.
Koppin. Secular Choral -
Mixed Voices. New
Horizons. Vocal score. 16
pages. Duration 4.5'.
Oxford University Press
#9780193529007. Published
by Oxford University
Press (OU.9780193529007).
ISBN 9780193529007. 10
x 7 inches.
For
SATB (with divisions) and
piano This imaginative
through-composed setting
of a poem by 13th-century
Persian poet Jalal ad-Din
Muhammad Rumi is rich in
dramatic potential. The
composer creates a
mysterious and evocative
soundworld that is
fitting for the realm
'where everything is
music' that this ecstatic
poem describes.
About Oxford
New
Horizons
N
ew Horizons showcases the
wealth of exciting,
innovative, and
occasionally challenging
choral music being
written today. It
encompasses the whole
gamut of small-scale
choral genres, both
secular and sacred, and
includes pieces for
upper-voice and mixed
choirs. With titles by
some of the most
accomplished choral
composers active in Great
Britain and abroad, the
series introduces new
repertoire and fresh
talent to a broad
spectrum of choirs. New
Horizons features
composers with growing
reputations for quality
composition reflecting a
strong individual voice.
The series is continually
expanding and should be
the first place to look
for attractive and
performable contemporary
choral music.
(A Workbook for Examinations). By Paul Harris. This edition: Revised. Book; CD; ...(+)
(A Workbook for
Examinations). By Paul
Harris. This edition:
Revised. Book; CD;
Reference Textbooks;
Textbook - Instrumental.
Faber Edition: Improve
Your Aural!. Grade 3;
Grade 3.5; Late
Elementary. Published by
Faber Music
Sea Visions Chorale SSAA SSAA A Cappella Treble Clef Music Press
SSAA, a cappella SKU: SU.80300121 For SSAA, a cappella. Composed b...(+)
SSAA, a cappella
SKU:
SU.80300121
For
SSAA, a cappella.
Composed by Daniel E.
Gawthrop. Vocal/Choral,
Secular Choral. A
cappella. Choral Octavo.
Treble Clef Music Press
#80300121. Published by
Treble Clef Music Press
(SU.80300121).
The central
poem, by Madeleine
L'Engle, depicts Neptune
as a Sea Bishop who
blesses all the creatures
of sea and land.
Gawthrop's vocally
grateful text setting is
particularly strong here,
with occasional imitative
entrances. SSAA a
cappella. Medium. SSAA, a
cappella Published by:
Treble Clef Music Minimum
order quantity: 8
copies.
An American Christmas Chorale SATB SATB divisi, A Cappella [Vocal Score] Oxford University Press
(16 carols and carol arrangements from North America). By Jerry Rubino. For SATB...(+)
(16 carols and carol
arrangements from North
America). By Jerry
Rubino. For SATB choir
(with occasional
divisions) and
piano/unaccompanied.
Mixed Voices. Christmas,
Choral Collection. Vocal
score. 128 pages.
Published by Oxford
University Press
(OU.97801933
Urtext. Composed
by George Frideric
Handel. Edited by Ton
Koopman. Stapled.
Orchester-Bibliothek
(Orchestral Library). I
want to make an edition
that is not a Koopman
interpretation, but
contains only that which
Handel really wrote.'
(Ton Koopman). Solo
concerto; Baroque. Part.
4 pages. Duration 12'.
Breitkopf and Haertel #OB
5252-15. Published by
Breitkopf and Haertel
(BR.OB-5252-15).
ISBN
9790004334027. 9 x 12
inches.
Ton
Koopman's new edition of
all 16 organ concertos by
Handel has drawn to a
close. The quality of
this edition has been
highly praised from all
quarters. Source-critical
responsibility goes hand
in hand with a high level
of performance practice
when Koopman provides
interpretative tips for
the ad libitum passages
in the organ part without
restricting the
creativity of the
interpreter who is
interested in stylistic
matters and prefers to
work out his own
solutions. I want to make
an edition that is not a
Koopman interpretation,
but contains only that
which Handel really
wrote. Nevertheless,
there are occasional
performance suggestions
in small print which are
elucidated in the
Critical Commentary. (Ton
Koopman in Concerto)
Koopman offers a
basically unmarked text,
thus leaving the
performance details up to
the performer. Especially
note-worthy is the clear
printing, extensive
preface and detailed
Critical Notes.
(Katholische
Kirchenmusik) Whoever
wishes to hear the entire
Koopman edition on CD can
look forward to the new
recording by Christian
Schmitt and the
Stuttgarter
Kammerorchester
(Brilliant Classics).
This is the first
recording for which all
16 new Koopman editions
were used as the basis
for the
performance.
,I
want to make an edition
that is not a Koopman
interpretation, but
contains only that which
Handel really wrote.'
(Ton Koopman).
Piano duets (solo: pno- 1.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.EB-10787 ...(+)
Piano duets (solo: pno-
1.2.2.2 - 2.2.0.0 - timp
- str)
SKU:
BR.EB-10787
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Ernst
Herttrich. Solo
instruments; Softcover.
Edition Breitkopf.
In
Cooperation with G. Henle
VerlagEB 10787 is printed
in score form; two copies
are needed for
performance.Our ed
ition EB 8579
contains Ferrucci
Busoni's cadenzas for the
Piano Concerto in C majo.
Solo concerto; Classical.
Piano reduction. 68
pages. Duration 28'.
Breitkopf and Haertel #EB
10787. Published by
Breitkopf and Haertel
(BR.EB-10787).
ISBN
9790201807874. 9.5 x 12
inches.
Composed
under pressure, edited in
peace: K. 491In spring
1786 Mozart was under
pressure: he had only two
weeks between the
composition and first
performance of the
C-minor Piano Concerto K.
491. It is no wonder that
the autograph was written
very hastily and the
piano part occasionally
only sketched. Mozart,
who played the solo part
at the premiere, still
thought about it later.
During subsequent
revisions of the piano
part, he caused a certain
amount of confusion
through corrected
versions and parallel
versions. Editor Ernst
Herttrich thus faced
great challenges when
preparing the Breitkopf
Urtext edition,
especially since printed
editions were only
published posthumously.
But since they contain
readings that play an
important role in the
reception of the work,
they were included in the
new edition as
variants.
Concert Band (Score and Parts) SKU: HL.4007401 Composed by Philip Sparke....(+)
Concert Band (Score and
Parts)
SKU:
HL.4007401
Composed
by Philip Sparke. Anglo
Music Concert Band.
Concert. Hardcover.
Duration 330 seconds.
Anglo Music Press #AMP
493-010. Published by
Anglo Music Press
(HL.4007401).
UPC:
196288023425.
Bacch
analia was commissioned
by the Yokohama Bacchus
Brass Orchestra to
celebrate their 20th
anniversary in 2019. The
band wanted the title of
this short opener to
reflect the reference to
Bacchus in their name, so
Bacchanalia was agreed
upon. The spirit of the
Greek god of wine does
indeed permeate the
piece, with bustling
themes, dance motifs and
occasional harmonic
ambiguity. A lovely piece
of music full of joie de
vivre.