For 2 Voices and
Ensemble (Score and
Parts). Composed by
Chaya Czernowin. This
edition: Saddle
stitching. Sheet music.
Ensemble. Classical.
Softcover. Composed 2014.
70 pages. Duration 13'.
Schott Music #ED22261.
Published by Schott Music
(HL.49045331).
ISBN
9790001203494. UPC:
841886030664.
9.0x12.0x0.206 inches.
Vocalise.
The cycle
is composed for low alto
and countertenor, but it
is possible to perform it
with the following
voices:- baritone with
falsetto and countertenor
- low alto and
countertenor - 2 matching
countertenors - 2
matching low altos.
Harp Solo. By Sophia Giustani Dussek, Johann Ladislaus Dussek. Arranged by Nican...(+)
Harp Solo. By Sophia
Giustani Dussek, Johann
Ladislaus Dussek.
Arranged by Nicanor
Zabaleta. (Harp).
Schott. Size 9.25x12
inches. 12 pages.
Published by Schott.
Choir Secular SKU: AP.49758 Arranged by Mark Hayes. This edition: SoundTr...(+)
Choir Secular
SKU:
AP.49758
Arranged by
Mark Hayes. This edition:
SoundTrax CD. Choral
Octavo; Performance Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Christmas; Secular. CD.
Alfred Music #00-49758.
Published by Alfred Music
(AP.49758).
UPC:
038081568454.
English.
It's a
dynamic duo of fabulous
'50s holiday hits! Choral
singers will enjoy the
traditional harmonies and
laid-back swing of this
mini-medley that clocks
in at just over three
minutes. The doo-wop
falsetto pops near the
end provide a nifty nod
to nostalgia. For even
more fun, add some
showmanship with Santa
hats, jingle bells, and
riser choreography.
SoundPax includes parts
for a standard rhythm
section.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Leisinger.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Cantatas, End of the
church year, Trinity.
Single Part, Violin 2.
Composed 1726. BWV 52. 8
pages. Duration 18
minutes. Carus Verlag #CV
31.052/12. Published by
Carus Verlag
(CA.3105212).
ISBN
9790007206321. Language:
German/English. Text:
Birkmann,
Christoph.
It only
became apparent a few
years ago that the text
of the soprano cantata
Falsche Welt, dir trau
ich nicht came from the
collection
Gott-geheiligten
Sabbaths-Zehnden by the
Leipzig theology student
and Bach pupil Christoph
Birkmann, printed in 1728
in Nuremberg. Birkmann
was probably therefore
the author of the text.
The cantata was written
for the 23rd Sunday after
Trinity, which fell on 24
November 1726 in the year
of its first performance.
As in other cantatas in
the first annual cycle,
Bach chose an
instrumental sinfonia as
the opening movement -
here the first movement
of the 1st Brandenburg
Concerto. The soprano
soloist has two
recitatives and two
arias, in which the
falsehood of the world is
juxtaposed with trust in
God. The cantata text is
rounded off with the
first verse of the
chorale In dich hab ich
gehoffet, scored for
four-part chorus, as is
usual with Bach. With the
use of two horns and
three oboes added to the
string ensemble, the
cantata has colorful and
varied orchestration.
Score and part available
separately - see item
CA.3105200.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Leisinger.
Stuttgart Urtext Edition:
Bach vocal. Cantatas, End
of the church year,
Trinity. Full score.
Composed 1726. BWV 52. 40
pages. Duration 18
minutes. Carus Verlag #CV
31.052/00. Published by
Carus Verlag
(CA.3105200).
ISBN
9790007181512. Language:
German/English. Text:
Birkmann,
Christoph.
It only
became apparent a few
years ago that the text
of the soprano cantata
Falsche Welt, dir trau
ich nicht came from the
collection
Gott-geheiligten
Sabbaths-Zehnden by the
Leipzig theology student
and Bach pupil Christoph
Birkmann, printed in 1728
in Nuremberg. Birkmann
was probably therefore
the author of the text.
The cantata was written
for the 23rd Sunday after
Trinity, which fell on 24
November 1726 in the year
of its first performance.
As in other cantatas in
the first annual cycle,
Bach chose an
instrumental sinfonia as
the opening movement -
here the first movement
of the 1st Brandenburg
Concerto. The soprano
soloist has two
recitatives and two
arias, in which the
falsehood of the world is
juxtaposed with trust in
God. The cantata text is
rounded off with the
first verse of the
chorale In dich hab ich
gehoffet, scored for
four-part chorus, as is
usual with Bach. With the
use of two horns and
three oboes added to the
string ensemble, the
cantata has colorful and
varied orchestration.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Leisinger.
Stuttgart Urtext Edition:
Bach vocal. Cantatas, End
of the church year,
Trinity. Vocal score.
Composed 1726. BWV 52. 24
pages. Duration 18
minutes. Carus Verlag #CV
31.052/03. Published by
Carus Verlag
(CA.3105203).
ISBN
9790007187637. Language:
German/English. Text:
Birkmann,
Christoph.
It only
became apparent a few
years ago that the text
of the soprano cantata
Falsche Welt, dir trau
ich nicht came from the
collection
Gott-geheiligten
Sabbaths-Zehnden by the
Leipzig theology student
and Bach pupil Christoph
Birkmann, printed in 1728
in Nuremberg. Birkmann
was probably therefore
the author of the text.
The cantata was written
for the 23rd Sunday after
Trinity, which fell on 24
November 1726 in the year
of its first performance.
As in other cantatas in
the first annual cycle,
Bach chose an
instrumental sinfonia as
the opening movement -
here the first movement
of the 1st Brandenburg
Concerto. The soprano
soloist has two
recitatives and two
arias, in which the
falsehood of the world is
juxtaposed with trust in
God. The cantata text is
rounded off with the
first verse of the
chorale In dich hab ich
gehoffet, scored for
four-part chorus, as is
usual with Bach. With the
use of two horns and
three oboes added to the
string ensemble, the
cantata has colorful and
varied orchestration.
Score available
separately - see item
CA.3105200.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Leisinger.
Stuttgart Urtext Edition:
Bach vocal. Oboe 1.
Cantatas, End of the
church year, Trinity.
Single Part, Oboe 1.
Composed 1726. BWV 52. 8
pages. Duration 18
minutes. Carus Verlag #CV
31.052/21. Published by
Carus Verlag
(CA.3105221).
It only
became apparent a few
years ago that the text
of the soprano cantata
Falsche Welt, dir trau
ich nicht came from the
collection
Gott-geheiligten
Sabbaths-Zehnden by the
Leipzig theology student
and Bach pupil Christoph
Birkmann, printed in 1728
in Nuremberg. Birkmann
was probably therefore
the author of the text.
The cantata was written
for the 23rd Sunday after
Trinity, which fell on 24
November 1726 in the year
of its first performance.
As in other cantatas in
the first annual cycle,
Bach chose an
instrumental sinfonia as
the opening movement -
here the first movement
of the 1st Brandenburg
Concerto. The soprano
soloist has two
recitatives and two
arias, in which the
falsehood of the world is
juxtaposed with trust in
God. The cantata text is
rounded off with the
first verse of the
chorale In dich hab ich
gehoffet, scored for
four-part chorus, as is
usual with Bach. With the
use of two horns and
three oboes added to the
string ensemble, the
cantata has colorful and
varied orchestration.
Score and part available
separately - see item
CA.3105200.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Leisinger.
Stuttgart Urtext Edition:
Bach vocal. Oboe 2.
Cantatas, End of the
church year, Trinity.
Single Part, Oboe 2.
Composed 1726. BWV 52. 8
pages. Duration 18
minutes. Carus Verlag #CV
31.052/22. Published by
Carus Verlag
(CA.3105222).
It only
became apparent a few
years ago that the text
of the soprano cantata
Falsche Welt, dir trau
ich nicht came from the
collection
Gott-geheiligten
Sabbaths-Zehnden by the
Leipzig theology student
and Bach pupil Christoph
Birkmann, printed in 1728
in Nuremberg. Birkmann
was probably therefore
the author of the text.
The cantata was written
for the 23rd Sunday after
Trinity, which fell on 24
November 1726 in the year
of its first performance.
As in other cantatas in
the first annual cycle,
Bach chose an
instrumental sinfonia as
the opening movement -
here the first movement
of the 1st Brandenburg
Concerto. The soprano
soloist has two
recitatives and two
arias, in which the
falsehood of the world is
juxtaposed with trust in
God. The cantata text is
rounded off with the
first verse of the
chorale In dich hab ich
gehoffet, scored for
four-part chorus, as is
usual with Bach. With the
use of two horns and
three oboes added to the
string ensemble, the
cantata has colorful and
varied orchestration.
Score and part available
separately - see item
CA.3105200.
4 guitars SKU: M7.DUX-846 Composed by Pharrell. Arranged by Michael Lange...(+)
4 guitars
SKU:
M7.DUX-846
Composed
by Pharrell. Arranged by
Michael Langer. Sheet
music. 8 pages. Edition
Dux Verlag #DUX 846.
Published by Edition Dux
Verlag (M7.DUX-846).
ISBN
9783868492682.
'Hap
py' ist eine moderne
Soul-Funk-Nummer mit
einer Blue-Note-lastigen,
stark synkopierten
Melodie. In dieser
Bearbeitung für 4
Gitarren wird die Melodie
in der Strophe (Teil A)
(Pharrell's
Falsetto-artige
Soulstimme) von der 1.
Gitarre, im Refrain (Teil
B) von der 3. Gitarre
gespielt. Die Bridge
(Teil C) ist im Original
hauptsächlich
perkussiv (mit
Händeklatschen), in
diesem Arrangement werden
Ghost Notes und Guitar
Percussion
eingesetzt.