The New Real Book is the best-selling legal fake book of all time, with over 100,000 musicians depending on it for accurate, easy-to-read charts for hundreds of the most important tunes in the jazz canon. Don't go to the gig without it!All living composers have approved these charts - many of them are from the composer's own lead sheets.Charts for the standards were derived from a consensus of the best recorded jazz versions.Created by musicians, for musicians. The new standard in fake books! / Instruments En Do

Par BONSOR BRIAN. The best way to learn any instrument is to have lessons from a good, experienced teacher. Although, happily, the number of such teachers is constantly growing, the recorder is still frequently taught by enthusiastic but inexperienced teachers and many players start by teaching themselves. This series of books sets out to help learners of all ages in all three situations. Experienced teachers, who may choose to disregard much of the text as personal demonstration is always clearer than the written word, will find exercises and fine tunes a-plenty to support their own mathod at each stage. The less experienced willbenefit from many valuable teaching hints culled from long experience and may rely on the books to lead to a sound playing technique and a mastery of simple notation. Those learning by themseves - and I started in this way - are urged to work carefully and systematically through the books, taking plenty of time to assimilate each point before moving on. For them, without the personal model provided by a live teacher, it is vitally important to listen as often as possible to fine players, in person or on record, so that they have in their mind's ear a clear notion of the kind of sound they would like to produce. But however they start, I can only wish that all who use these books will derive as much pleasure and musical satisfaction and gain as many lasting and valued friendships as I have through this most subtle, delightful and sociable of instruments. (Brian Bonsor) “...this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken“ (Oliver James, Contact Magazine) These two tutors, with accompanying teacher's books, are for newcomers to the instrument who are beginning on the treble and so assume no previous knowledge either of the instrument or of musical notation. / Pédagogie / Recueil / Flûte à Bec Alto et Piano

With the Playalong 20/20 Recorder sheet music songbook, you get an incomparable collection of 20 of the best pop songs topping the charts of today, as well as demonstrations and backing tracks for each song for you to download. All 20 tunes are beautifully arranged in melody line format for the Recorder.Featuring some of the best pop hits from the current charts, this pop sheet music selection makes these catchy and upbeat songs accessible for the Recorder. Including tunes like 22 by Taylor Swift, Right Place Right Time by Olly Murs and One Direction's What Makes You Beautiful, this book proves that the Recorder is not just for classical music, but can also be a brilliant way to get a unique sound out of popular music. The Playalong 20/20 Recorder book will help recordists of all ages and abilities play some truly perfect pop songs.Not only are there many uptempo and fun pop songs included in this collection, but you'll also get the slower ballads whose melodies will will sound just as beautiful on the Recorder. Tunes like Frozen's Let It Go, Adele's wonderful Someone Like You, Wrecking Ball by Miley Cyrus as well as John Legend's huge heartfelt song All Of Me. Whether you're a pop-loving recordist or you're just looking to reinvigorate and freshen up your repertoire, Playalong 20/20 Recorder sheet music is the collection for you. Not only do you get these 20 pieces of pop Recorder sheet music, you'll also receive an enclosed download card, giving you instant online access to demonstration and backing tracks of every single song. Using the demonstration tracks, with Recorder played by Louise Bradbury, you can hear exactly how songs like Jar Of Hearts and Make You Feel My Love should sound. Then, using the backing tracks, you can take the lead role, playing such gloriously poppy melodies over professionally-recorded backing tracks, ensuring that, during any performance or practice, you sound great. Also included is a really useful Recorder fingering chart, ensuring you never miss a note for any of these brilliant songs.If you're looking to reinvigorate your repertoire with some pure pop perfection, why not check out the Playalong 20/20 Recorder songbook, and start learning these fantastically fun tunes for the Recorder. Use the accompanying download card to hear help you learn each song, then put on your very own performance with the backing tracks. / Flûte A Bec

Play 50 of your favorite pop tunes on your instrument of choice! This collection features arrangements written in accessible keys and ranges with lyrics and chord symbols. Songs include: All My Loving · Blowin' in the Wind · Clocks · Don't Stop Believin' · Every Breath You Take · Fireflies · Hey, Soul Sister · In My Life · Love Story · My Girl · Nights in White Satin · Sweet Caroline · Unchained Melody · Viva La Vida · What a Wonderful World · You've Got a Friend · and more. / Flûte A Bec

Par PURCELL HENRY. Staeps (rightly) believes that the English Baroque is the fountainhead of recorder music, and that Purcell's music is the perfect vehicle. Here, he takes six excerpts from The Fairy Queen (introductions and dances) and fashions a Suite for recorder quartet with basso continuo (keyboard instrument with another bass instrument playing an octave lower than the bass recorder). For advanced quartets. Reprint of the 1957 UE original. / Musique contemporaine / Répertoire / Quatuors de Flûtes à Bec et Clavecin ou Piano

Exercises For Advancing Players. Par STAEPS HANS ULRICH. These exercises are written to improve finger, articulation and breathing technique as well as to increase in speed. They can be used on treble recorders with either German or English fingerings. As daily exercises, when mastered completely, they should be played through in 40 minutes all together. At each stage compare the time taken with the figure in seconds given at the end of each exercise, and aim at the performance of the complete book within the prescribed time. Of course, any part of it may be used as practice material and in your own time. If nothing else is mentioned, play both legato as well as staccato. The player will notice that each exercise has its own individual structure, melodically, rhythmically or harmonically - he/she is advised to trace and consider these musical features. The mastering of the instrument is reached only when the printed music is formally and harmonically completely absorbed and freely expressed while playing. The composition and the order of the exercises are based on the author's long experience as a teacher. They aim at the extension of daily practice throughout the so long neglected complete chromatic compass of the recorder in order to comply with the demands of modern music./ Méthode / Flûte à Bec

This fun collection of graded repertoire with accompanying CD will appeal to pupils and teachers alike. Featuring well-known tunes plus exciting new pieces by John Pitts in authentic blues, ragtime and boogie styles. Suitable for players who have reached the end of Book 1 in the Recorder From The Beginning teaching scheme. / Flûte A Bec Soprano

A Selection of Renaissance TunesInstrument : treble recorder and pianoNombre de Pages : 56Steven Rosenberg writes in the preface:This book is intended to give recorder players a repertoire of solo pieces from the Renaissance. Solo literature for the recorder is often dominated by music of the baroque era, while the music of Renaissance is primarily preformed by consorts. I hope that this collection will expand the solo repertoire by bringing to recorder players some of the most beautiful melodies of this period. I have performed all of these pieces in public and have taken care only to include music that is of performance quality. Some of the pieces are grouped in suites, but you should feel free to play them in the order of your choice. For those of you equally at home on descant (soprano) and treble (alto), fell free to intersperse pieces from the companion book for descant recorder.The edition is part of the ABRSM Summer 2006 syllabus (grades 1-3) and the Trinity syllabus 2007 (grade 6).Content : Four Elizabethan Masque Dances: 1. The Fairy Masque (Johnson) - Four Elizabethan Masque Dances: 2. Wilson's Love (Anon) - Four Elizabethan Masque Dances: 3. The Witches - Second Dance (Anon) - Four Elizabethan Masque Dances: 4. The King's Mistress (Anon) - Three English Country Dances from John Playford's Dancing Master: 1. The Merry Milkmaids - Three English Country Dances from John Playford's Dancing Master: 2. Dissembling Love (or The Lost Heart) - Three English Country Dances from John Playford's Dancing Master: 3. Newcastle - Two Country Dances from John Playford collection: 1. Bellamira - Two Country Dances from John Playford collection: 2. Pell-mell - Allemande (1) (Susato) - Allemande (2) (Susato) - Lady Bannings Almand (Sturte) - Le coeur est bon (Susato) - Pass et medio (Susato) - Pavane Mille regretz (Susato) - Recercada quinta (Ortiz) - Recercada segunda (Ortiz) - Recercada segunda sobre 'O Felici Occhi Miei' (Ortiz) - Ronde Mon amy (Susato) - Ronde III (Susato) - Ronde IV (Susato) - Ronde V (Susato) - Ronde VI (Susato) - The Leaves be Green (Phalese) - What if a Day (Dowland) - Woodycock (Anon)

Par SUZUKI SHINICHI. Recorder performed by Marion Verbruggen, Viola de gamba performed by Mary Springfels, Harpsichord perfromed by Arther Haas. A collection of 23 pieces, mainly composed by Suzuki or taken from folk and traditional songs. / Pédagogie / Accessoire / Flûte à Bec Alto

Beautiful Airs and Ballads of the British Isles. Par DIEHL MARCIA. This exceptional collection of 41 truly beautiful airs and ballads from the British Isles offers both well-known tunes by the prolific blind Irish harpist, Turlough O?Carolan and rarely heard melodies by anonymous composers; all have stood the test of time. Arranged for soprano or tenor recorder, these include O?Carolan?s classically influenced ?Lord Inchiquin? and ?Eleanor Plunkett? as well as ?O Gentle Dove? and ?Cuckoo Dear?? both examples of the strong tradition of song in Wales. Among other tunes, the haunting modal melodies of ?The Dark Slender Boy? and ?Enchanted Valley? express the melancholic heart and soul of the British Isles. A few of these songs have taken on a life of their own in modern times. ?Bonny at Morn?, a popular traditional tune of northern England and Scotland, was arranged for soprano voice and harp by the 20th century British composer, Benjamin Britten. ?The Skye Boat Song? originally recounted Bonnie Prince Charles Edward Stuart?s journey to the Isle of Skye after his defeat at the historic Battle of Culloden. Later, the song evolved into a lilting lullaby and was more recently used as the theme song for the popular Outlander television series. Departing slightly from recorder notation practice, author Marcia Diehl has judiciously arranged these melodies complete with spare slur markings to aid the amateur player in authentically and musically rendering these tunes. / Date parution : 2022-02-17/ Recueil / Flûte à Bec

Par BONSOR BRIAN. “...this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken“ (Oliver James, Contact Magazine) The edition is part of the Trinity syllabus 2007 (grade 1,2,3) / Pédagogie / Recueil / Flûte à Bec Alto et Piano