SOLO TUNING See RM722 for Orchestral Tuning The 'Dragonetti Concerto' was first...(+)
SOLO TUNING See RM722 for Orchestral Tuning The 'Dragonetti Concerto' was first published in 1925 by Alphonse Leduc in Paris as No.23 of Edouard Nanny's 'Les Classiques de la Contrebasse'. For many years no one questioned its authenticity, but as more research into Dragonetti's original works for double bass was made, concerns began to arise. Many of Dragonetti manuscripts survive in the British Library, thanks to Vincent Novello who donated them in 1849, three years after Dragonetti's death and on Novello's retirement to Italy, but there is no original manuscript for this work. As bassists began to edit and perform a wide range of Dragonetti's works it became clear that this concerto bore little resemblance to any of his other pieces. The work does, however, have many similarities to Nanny's Concerto for double bass, also to his other solo works and even studies from his Method. Eventually most people came to the conclusion that this work is not an original work by the great Venetian bassist but is by Edouard Nanny, and in the style of the late 18th-century. Having said that, this is still a charming and evocative work which has much player and audience appeal and is very easy on the ears. Many of the challenges for the soloist are technical and, almost a century after its first publication, it is still as popular as ever. Published in 1925, the first movement was performed at London's Wigmore Hall on 15 April the following year by Victor Watson (double bass) and Sidney Crooke (piano), and was described a 'Contrabass Concerto by Dragonetti-Nanny. ERRATA: Piano part: page 8 (1st movement), bar 87 - final chord of bar in right hand should be D/E/G# - a dominant 7th chord in A major Edouard Nanny was an important French double bassist and teacher, also composing and transcribing many works for double bass. He was born in Saint-Germain-en-Laye on 24 March 1872 and he studied at the Paris Conservatoire with Professor Verrimst, also teaching there from 1920-1940. He performed often as a soloist, also working as an orchestral bassist with many orchestras such as the Paris Symphony Orchestra, Concerts Lamoureux and the Orchestra de l'Opera Comique, and in 1901 he founded the Henry Casadeus Society of Old Instruments, chaired by Camille Saint-Saens, and intended to revive the works from the past centuries. Nanny's Method for double bass is still in print, over 90 years since its first publication and both volumes contain a wealth of excellent technical studies and exercises which are as relevant today as they were in the 1920s. His other volumes of studies are mostly out of print and Recital Music plan to reprint some of his orginal works for double bass, transcriptions and educational music to keep alive the name of Edouard Nanny into the 21st-century. Edouard Nanny died in Paris in 1942.
Very little is known about the two sonatas which appear here in their original k...(+)
Very little is known about the two sonatas which appear here in their original keys. They were placed in the library of the Music School in Oxford at the end of the seventeenth century in a form convenient for playing (i.e. unbound). The library was catalogued by Hake between 1850 and 1855 and the sonatas were eventually bound in 1855 with other instrumental and vocal manuscripts of the same period some of which are dated 1698.The sonatas are both inscribed on the title page Sonata à Violone Solo. Col Basso per l'Organo o Cembalo. A third sonata bears the words Sonata à Violino e Violoncino … di Giovannino del Violone. Giovannino(=Little or Young John) must have been a performer and although the third sonata has been copied by a different hand it is conceivable that Giovannino is a connecting link between the three. He cannot however be assumed to be their author.The Violone was a six-stringed instrument with frets and there is evidence to suggest that the Contrabasso of the same period was similar but probably a little larger; the Violoncino (=Little Violone or Violoncello) must have been smaller. The word 'Violone' was also used as a collective term embracing all members of the Viol family which means that the sonatas might well have been written for a tenor or a bass Viol and not necessarily a Violone as such. Indeed when they are played on a Violone or Double Bass the continuo bass line must be played at a lower pitch than the solo instrument to prevent inversion of the intended harmony. (The use of a Violone/Double Bass continuo or 16' organ tone would overcome this problem.)The editor has added no ornaments or embellishments to the solo part as it appears in the original manuscript. It is open to debate whether a Violone player owing to the very nature of his instrument would have used any but the simplest melodic decorations. Nevertheless the performer should acquaint himself thoroughly with those seventeenth century traditions that
Inspired by the use of the bass viol in Bach cantatas as well as jazz groups. In...(+)
Inspired by the use of the bass viol in Bach cantatas as well as jazz groups. Includes two piano reductions: Concert Pitch and Solo Tuning in D. Co-commissioned by 15 orchestras and the International Society of Bassists.
Sonate En Français Contrebasse, Piano (duo) Billaudot
La référence GB3633 de l'éditeur Billaudot dont l'auteur célèbre est Lancen...(+)
La référence GB3633 de l'éditeur Billaudot dont l'auteur célèbre est Lancen Serge, qui a pour titre SONATE, a été écrite et composée pour Contrebasse et plus particulièrement pour Contrebasse Et Piano. Cette partition musicale appartient à la catégorie Classique. / Contrebasse Et Piano / Partition
Par . Cet ample volume contient des ?uvres originales et des transcriptions conn...(+)
Par . Cet ample volume contient des ?uvres originales et des transcriptions connues des époques baroque, classique et romantique de Bottesini, Capuzzi, Dragonetti, Eccles, Fauré, Koussevitzky, Lulier, Saint-Saëns, Simandl, Sperger et autres. Le répertoire convient à l'enseignement, aux auditions, aux examens et aux concours. Tous les morceaux sont imprimés en accordage normal de l'orchestre, et des accompagnements de piano pour le jeu en accordage solo sont en outre disponibles en téléchargement. Ainsi, le volume peut être utilisé de manière flexible dans des cours au niveau supérieur des écoles de musique ainsi que dans les études. / Date parution : 2022-05-20/ Recueil / Contrebasse et Piano
Beginning to Intermediate Bass Solos-Virtuoso David Walter plays each of these b...(+)
Beginning to Intermediate Bass Solos-Virtuoso David Walter plays each of these beginning-level solos on double bass. Then you join the professional accompanist and play the same solos in his place. Follow in the footsteps of the master! Includes a high-quality printed music score annotated with performance suggestions and a compact disc with complete versions (with soloist) followed by piano accompaniments to each piece (minus the soloist.) Performed by David Walter double bass Accompaniment: Judith Olson piano
Concerto pour contrebasse Editeur: Tobias Glöckler Réduction pour piano: Chri...(+)
Concerto pour contrebasse Editeur: Tobias Glöckler Réduction pour piano: Christoph Sobanski Doigtés cb.: Tobias Glöckler Cadences: Tobias Glöckler Edition Urtext, réduction pour piano, reliure paperback réduction pour piano in Ut et Ré majeur Partie en accord viennois (La-ré-fa#-la) Après les concertos pour contrebasse de Dittersdorf (HN 759) et de Hoffmeister (HN 721), nous ajoutons à notre catalogue un nouveau sommet de la littérature classique pour l'instrument, l'unique Concerto pour contrebasse de Johann Baptist Vanhal. Cette oeuvre virtuose ne nous est parvenue que par une copie du matériel dans la succession du célèbre contrebassiste Johannes Sperger (1750'1812), laquelle soulève un certain nombre de questions du fait des nombreux ajouts que comporte la partie soliste (s'agissant notamment des indications de jeu à l'octave). Dans notre édition Urtext, Tobias Glöckler répond à ces questions avec un texte musical soigneusement préparé pour l'exécution. La réduction pour piano est présentée dans deux tonalités différentes (Ut et Ré majeur), ce qui permet de jouer le concerto avec l'accord de soliste ou l'accord d'orchestre. En outre, une voix supplémentaire en tablature, spécialement conçue pour l'«accord viennois» en usage à l'époque de Vanhal, permet à l'instrumentiste de jouer directement avec la sonorité puissante de l'accord historique, sans réapprentissage fastidieux.
The ?Easy Concert Pieces? series offers a wide spectrum of pieces from the Renai...(+)
The ?Easy Concert Pieces? series offers a wide spectrum of pieces from the Renaissance, Baroque, Classical, Romantic and Modern eras. The repertoire enriches the daily exercises and double bass tutor and is suited for all kinds of auditions. It contains original works for double bass solo as well as orchestral excerpts and arrangements of famous classical masterpieces. Volume 1 (easy) contains pieces in half and first position, with easy rhythms and melodies. It includes easy strokes and articulations such as portato, staccato and legato. Some pieces contain easy Flageolets. This volume offers a broad selection of classical masterpieces in easy arrangements.Volume 2 (easy to intermediate) contains pieces up to the 3rd position. As some new double bass tutors have a different approach in introducing position changes, volume 2 offers several pieces which reach the 2nd position, some pieces using only 1st and 3rd positions and some more difficult pieces which encompass all positions from half to third position. This volume consists of more original works.Volume 3 (intermediate) increases the repertoire up to the 6th position and requires a good control of the lower positions. It makes higher demands on expressive playing and interpretation, velocity and rhythm, as well as bowing techniques with articulation and phrasing./ Recueil / Contrebasse et Piano
Instrument : double bass and pianoNombre de Pages : 58Amazing Solos are amazingl...(+)
Instrument : double bass and pianoNombre de Pages : 58Amazing Solos are amazingly wide-ranging selections of easy pieces. From Bach to Bernstein, a great variety of musical styles is included - folk melodies from England and Peru, baroque and classical 'lollipops', jazz and modern classics. A unique collection of exciting and varied music for the early grades!The edition is part of the Trinity syllabus 2007 (grade 3-6) and of the ABRSM Summer 2006 (grades 2, 4-7).Content : La donna è mobile (Verdi) - Three Moravian Folksongs (Janácek) - Allegro (Mozart) - Allegro (Vivaldi) - Amazing Grace (Trad.) - America (Bernstein) - Basse Danse (Warlock) - Braul, Bucsum Dance (Bartók) - Caprice 24 (Paganini) - Come Neighbours All - Cool (Bernstein) - Ein Jungling liebt ein Madchen (Schumann) - Ein Madchen oder Weibchen (Mozart) - Fiddler's Song (Humperdinck) - Grand March (Verdi) - Green Gravel (Trad.) - Lilliburlero (Trad.) - Minuet (Bach) - Peruvian Dance Tune (Trad.) - Pop goes the Weasel (Trad.) - Solveg's Song (Grieg) - Stars no Moon (Trad.) - There was a Crooked Man (Trad) - Troika (Prokofieff) - Tune Town Shuffle (Basie)
Right From The Start English Contrebasse, Piano (duo)[Double Bass part only] Boosey and Hawkes
Vingt pièces très élémentaires pour les jeunes joueurs écrites et arrangée...(+)
Vingt pièces très élémentaires pour les jeunes joueurs écrites et arrangées par enseignant de chaîne préférée du monde Sheila Nelson. Lecture de la note est introduit un doigt à la fois, construire des doigts pattern 0-1-23-4 (espace de demi-ton entre les doigts de 2ème et 3ème) - le doigt seul schéma utilisé dans ce livre. Un certain nombre de patrons de l'archet rythmiques, énoncée au début du livre peut être pratiqué sur des airs plus tôt, une fois qu'ils ont été mémorisées. Les rythmes sont assimilés par l'élève à l'aide de mots fortement rythmiques, facilement mémorables. Tous les morceaux peut être chanté sur les versets fournis, afin de développer un sentiment sécurisé du rythme et de brai. Elèves apprennent dès le début pour déplacer librement de chaîne à la chaîne, de jouer avec confiance et de prêter attention à la hauteur. / Contrebasse Et Piano
24 Easy Pieces From 5 Centuries Using Half To 3Rd Position. The 'Easy Concert Pi...(+)
24 Easy Pieces From 5 Centuries Using Half To 3Rd Position. The 'Easy Concert Pieces' series presents a varied selection of easy concert pieces for double bass and piano from the Renaissance, Baroque and Classical periods through to the modern era. To facilitate choosing individual pieces for performance and auditions at music schools, competitions or examinations these pieces have been ordered according to level of musical and technical difficulty.
Book 1 (ED 22551) contains pieces in half and first position. Pieces in each position and some using position changes are presented from each era. Simple techniques such as portato, staccato and legato bowing are introduced along with pizzicato, using rudimentary dynamics ranging from piano to forte, crescendo and decrescendo and simple phrasing. The pieces selected here are varied in character with memorable tunes, a few different time signatures and simple rhythms. / Niveau : Facile / Recueil / Contrebasse et Piano
Les enseignants encore et encore demander faciles à jouer de la contrebasse mus...(+)
Les enseignants encore et encore demander faciles à jouer de la contrebasse musique appropriée pour des cours ou de la compétition Jugend Musiziert. Le compositeur Peter Wittrich de Munich a entrepris cette tâche et composé un cycle varié de sept pièces faciles pour contrebasse et piano. Toutes les pièces ont été essayées et testées en double-bass leçons et sont bien placées sur l'instrument. Certains peuvent même être joué dans la première position. La collection couvre différents styles, notamment les styles de musique populaire comme le blues ou de tango, tout en prenant thèmes bien connus de la musique classique, par exemple, de Bach ou de Beethoven, d'une manière humoristique. La partie de piano est plus exigeant afin que les réclamations faites sur le jeu d'ensemble sont un peu plus élevés. Un ajout intéressant au répertoire des cours et des concerts. / Contrebasse Et Piano
& 1 Solo Piece For Contrabass-Swedish bassist cellist composer and arranger La...(+)
& 1 Solo Piece For Contrabass-Swedish bassist cellist composer and arranger Lars Danielsson is renowned and admired throughout the International jazz world for his lyrical melodies and strong groove. This collection brings together 20 Impromptus For Piano And 1 Solo Piece For Contrabass composed by Danielsson in his idiosyncratic style. Born in 1958 Danielsson originally studied classical Cello at the conservatory in Gothenburg before changing to Bass and jazz. He has since become one of the most in-demand bassists in the world recognised and admired for his rounded sound that's both lyrical and powerful. Having played with avirtually endless list of international stars including Michael and Randy Brecker John Scofield and Charles Lloyd Danielsson's track record as a leader is equally unparalleled bringing his talent for simple and catchy melodies together with his instinct for putting together groups of musicians. If you're a fan of Lars Danielsson or you just want some fantastic jazz tunes to play for Solo Piano with an extra piece for Contrabass this collection of 20 Impromptus has been selected by the artist himself and is sure to satisfy any progressive pianist.
Swedish bassist, cellist, composer and arranger Lars Danielsson is renowned and ...(+)
Swedish bassist, cellist, composer and arranger Lars Danielsson is renowned and admired throughout the International jazz world for his lyrical melodies and strong groove. This collection brings together 20 Impromptus For Piano And 1 Solo Piece For Contrabass, composed by Danielsson in his idiosyncratic style. Born in 1958, Danielsson originally studied classical Cello at the conservatory in Gothenburg before changing to Bass and jazz. He has since become one of the most in-demand bassists in the world, recognised and admired for his rounded sound that's both lyrical and powerful. Having played with a virtually endless list of international stars, including Michael and Randy Brecker, John Scofield and Charles Lloyd, Danielsson's track record as a leader is equally unparalleled, bringing his talent for simple and catchy melodies together with his instinct for putting together groups of musicians. If you're a fan of Lars Danielsson, or you just want some fantastic jazz tunes to play for Solo Piano, with an extra piece for Contrabass, this collection of 20 Impromptus has been selected by the artist himself and is sure to satisfy any progressive pianist.
Accompagnement De Piano Pour Contrebasse Accordée En Ut et En Ré. Par TCHAIKOV...(+)
Accompagnement De Piano Pour Contrebasse Accordée En Ut et En Ré. Par TCHAIKOVSKI PIOTR ILITCH. Composées à la demande de son éditeur et achevées en octobre 1873, les 6 pièces Op. 19 pour piano se situent entre le Sextuor 0p. 18 et le célèbre ballet 'Le Lac des cygnes' Op. 20. La transcription pour contrebasse et piano de Daniel Marillier et Régis Prudhomme, issue des deux versions du Nocturne, est proposée dans une tonalité adaptée au registre de l'instrument. / Niveau : Assez Difficile / Classique (1760-1900) / Répertoire / Contrebasse et Piano
Voici une partition musicale pour Contrebasse et plus spécialement pour Contreb...(+)
Voici une partition musicale pour Contrebasse et plus spécialement pour Contrebasse Et Piano que vous pouvez acquérir pour moins de 10C. Classée dans la catégorie Classique, cette partition dont le titre est FANTAISIE SUR LA SOMNAMBULE a été composée par le célèbre compositeur Bottesini Giovanni. C'est l'éditeur Billaudot sous la référence R15182 qui a les droits pour éditer cette partition. / Contrebasse Et Piano / Partition
for Double Bass and Piano-The renowned Czech bass player composer and conductor...(+)
for Double Bass and Piano-The renowned Czech bass player composer and conductor Franti?ek Hertl (1906 1973) led the Double Bass section of the Czech Philharmonic during the Václav Talich era and later taught at the Conservatory and the Academy of Musical Arts in Prague. An outstanding virtuoso he had a consummate mastery of his instrument?s expressive potential and sound qualities. He also wrote successful concert and teaching pieces for his instrument.Composed in 1946 Hertl?s only Sonata For Double Bass And Piano in three movements is a work of artistic and technical challenges that has maintained its place in the Double Bass repertoire to the presentday.New edition of a major repertoire piece for Double Bass.Foreword (Cz/Eng/Ger) by Hertl?s last pupil Jan Balcar
An easy virtuoso work published here for the first time and now much performed. ...(+)
An easy virtuoso work published here for the first time and now much performed. Recorded Slatford/Academy of St Martin-in-the-Fields (EMI). AMEB (Australian Syllabus) 2004. Orchestral material on hire from Yorke Edition (not Spartan).Programme Note:As a young professional player in the 1960s my work as a double bassist with chamber ensembles and small orchestras took me all over the world. This presented an unparalleled opportunity to scour libraries and archives wherever I went. Long before the advent of the photocopier and e-mail research was far more challenging than it is today. Eastern Europe was particularly difficult to access with manycollections kept under lock and key for all but a few hours a week. One quickly found colleagues who were keen to share information gleaned in passing even though they had no specific interest in one's own particular specialism (it is so often the peripheral topics that fascinate as much as the main subject under investigation and one can quickly be side-tracked into political and social issues that have only slender bearing on the job in hand!).In the early 1970s James Brown the then sub-principal oboist of the English Chamber Orchestra with whom I was working at the time stumbled across a small collection of double bass manuscripts at the Royal Danish State Library in Copenhagen. They were by Franz Anton Leopold Keÿper (b. c.1756 d. Copenhagen 7 June 1815) a double bassist of Dutch origin who worked as principal of the Royal Chapel Orchestra in Copenhagen. Keÿper's son was the bassoonist Franz Jacob August Keÿper (1792-1859). The collection included a number of concertos some chamber music and various naïve fragments. Although hardly the work of a Mozart or Haydn the style is characteristic of the period. For an instrument such as the double bass whose 18th century solo repertoire is largely written for tunings that are no longer in everyday use Keÿper's music is easily approachable in its
Sonata Op. 44 En Français Contrebasse, Piano (duo)[Partition] Billaudot
Cette partition SONATA OPUS 44 de Dubugnon Richard a été éditée par les édi...(+)
Cette partition SONATA OPUS 44 de Dubugnon Richard a été éditée par les éditions Billaudot. La référence de cette partition de musique est GB8933. Cette oeuvre d'une durée de 00:18:00 est idéale pour les musiciens pratiquant Contrebasse. Après quelques heures de pratique, cette partition n'aura plus de secret pour vous. / Contrebasse Et Piano / Partition
Um das Repertoire der Romantik für Solo-Kontrabass zu erweitern, hat der ehemal...(+)
Um das Repertoire der Romantik für Solo-Kontrabass zu erweitern, hat der ehemalige Solo-Kontrabassist der Staatsoper Hannover das Rondo (Original für Violoncello) von Dvorak für den Kontrabass bearbeitet. So kann diese wunderbare romantische Komposition nun auch von Kontrabassisten gespielt werden. Die vorliegende Ausgabe behinhaltet die Klavierstimme sowohl für den Kontrabass in Orchester- als auch in Solostimmung. / Contrebasse Et Piano
Suite En Français Contrebasse, Piano (duo)[Partition] Billaudot
La référence CC3254 de l'éditeur Billaudot dont l'auteur célèbre est Souder...(+)
La référence CC3254 de l'éditeur Billaudot dont l'auteur célèbre est Soudere Valérie, qui a pour titre SUITE, a été écrite et composée pour Contrebasse et plus particulièrement pour Contrebasse Et Piano. Cette partition musicale appartient à la catégorie Classique. / Contrebasse Et Piano / Partition
Ii Concerto Per Contrabbasso E Orchestra - Riduzione Per Contrabbasso E Pianofor...(+)
Ii Concerto Per Contrabbasso E Orchestra - Riduzione Per Contrabbasso E Pianoforte. Par MORTARI VIRGILIO. Ii Concerto Per Contrabbasso E Orchestra - Riduzione Per Contrabbasso E Pianoforte / Musique contemporaine / Date parution : 1905-05-31/ Répertoire / Contrebasse et Piano