Arrangement for
chamber orchestra (arr.
J. Linckelmann).
Composed by Franz
Schubert. Arranged by
Joachim Linckelmann.
Carus digital: Extra
digital products. Full
Score. D 950. 216 pages.
Duration 50 minutes.
Carus Verlag #4066050.
Published by Carus Verlag
(CA.4066050).
ISBN
9790007294533. Key: E
flat major.
Latin.
Schubertâ??
s Mass in E-flat major is
the last of his six
settings of the
Ordinarium Missae (Mass
ordinary) and also his
most important work in
this genre. The mass is
full of color and drama,
infused with the spirit
of confession. For many
choirs, it is on the wish
list of those works they
would like to sing
someday. But what happens
if you donâ??t have
enough singers, money is
tight, and your venue is
on the small side?
Here the experienced
arranger and orchestral
musician Joachim
Linckelmann has a great
solution. His version for
soloists, choir and
chamber orchestra
requires only 7 winds
rather than the original
13. The string parts,
while identical to the
original, can now also be
scaled back. The vocal
parts (soloists and
chorus) are completely
untouched by the
arrangement, so that the
vocal scores and choral
scores of the Carus
Urtext edition can also
be used for
performanceâ?¢,A
large-scale work now
arranged for smaller
choirs â?¢,13 winds
of the original version
reduced to 7
instrumentsâ?¢,Voca
l scores and choral
scores of the original
version can still be
usedâ?¢,carus plus:
The work (original
version) is available in
the app carus music, the
Choir Coach, as well as
in our Carus Choir Coach
series (audio only)..
Score available
separately - see item
CA.4066000.
A
Symphony-Cantata after
Texts from the Holy
Scriptures. Composed
by Felix Bartholdy
Mendelssohn. Edited by
John Michael Cooper.
Arranged by Felix
Bartholdy Mendelssohn.
This edition: urtext
edition. Paperback.
Barenreiter Urtext. Vocal
Score. Opus 52, MWV A 18.
Baerenreiter Verlag
#BA09092_90. Published by
Baerenreiter Verlag
(BA.BA09092-90).
ISBN
9790006565801. 27 x 19 cm
inches. Text Language:
German, English. Preface:
John Michael Cooper.
Text: Mendelssohn
Bartholdy, Felix (nach
der Luther-Bibel und
Martin Rinckart) /
Monicke, Charles
Henry.
Fairest Lord Jesus, We Love You Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur et Parties séparées + CD] - Intermédiaire Lillenas Publishing Co.
By David Clydesdale. Arranged by David Clydesdale. For SATB choir with vocal sol...(+)
By David Clydesdale.
Arranged by David
Clydesdale. For SATB
choir with vocal solo
(flute 1and2, oboe,
clarinet 1and2, bassoon,
F horn 1/2and3, trumpet
1/2and3, trombone 1and2,
trombone 3/tuba,
percussion 1and2/3and4,
rhythm, harp, violin
1and2, viola, cello,
string bass)
Oratorio in two
Parts. Composed by
George Frideric Handel.
Edited by Michael
Pacholke. Arranged by
Christopher Sokolowski.
This edition: urtext
edition. Paperback.
Barenreiter Urtext. Rome
1707. Vocal Score. HWV
46A. Baerenreiter Verlag
#BA10721_90. Published by
Baerenreiter Verlag
(BA.BA10721-90).
ISBN
9790006568680. 27 x 19 cm
inches. Text Language:
Italian. Preface: Annette
Landgraf. Text: Pamphili,
Benedetto.
Handel
composed his first
Italian oratorioLa
Bellezza ravveduta nel
trionfo del Tempo e del
DisingannoHWV 46a in
1707. It is based on an
allegorical moral
libretto written by
Cardinal Benedetto
Pamphili who also
commissioned this
work.
Disinganno
(Illumination) and Tempo
(Time) try to get the
young, beautiful and
frivolous Bellezza
(Beauty) to recognise the
true values of life and
to act accordingly. The
audience accompanies
Bellezza in her spiritual
development, in which she
increasingly distances
herself from Piacere
(Pleasure) and listens
more and more to Tempo
and
Disinganno.
The
oratorio contains some of
the most beautiful music
Handel ever composed.
This includes the
enchanting ariaLascia la
spina, in which he uses
the music of the
sarabande from the
operaAlmira, composed in
Hamburg in 1704, and
which then achieved
immortal fame
inRinaldo(1711) asLascia
ch'io pianga.
Utrecht Te Deum Soli, choeur mixte et accompagnement Carus Verlag
Soli SSAATB, Coro SSA(A)T(T)B, Fl, 2 Ob, Fg, 2 Tr, 2 (3) Vl, Va, Vc, Bc SKU: ...(+)
Soli SSAATB, Coro
SSA(A)T(T)B, Fl, 2 Ob,
Fg, 2 Tr, 2 (3) Vl, Va,
Vc, Bc
SKU:
CA.5527803
Composed
by George Frideric
Handel. Edited by Felix
Loy. Stuttgart Urtext
Edition: Handel.
Innovative practice aids,
Sacred vocal music. Vocal
score. HWV 278. Duration
24 minutes. Carus Verlag
#CV 55.278/03. Published
by Carus Verlag
(CA.5527803).
ISBN
9790007188528. Language:
English.
Handel's
Utrecht Te Deum HWV 278
enthralled London
audiences right from its
first performance, and it
continues to do so today
in concert halls and
churches all over the
world. It was performed
for the first time in a
festive service on 13
July 1713 in St. Paul's
Cathedral to celebrate
the Peace marking the end
of the twelve year-long
War of the Spanish
Succession in 1713. The
Te Deum was the first
commission by the English
royal house and was also
Handel's first sacred
work in the English
language. For Handel the
Utrecht Te Deum was an
important milestone at
the beginning of his
London career. The
composition brought him
an annual pension from
Queen Anne and helped him
to establish himself as a
composer of prestigious
music for the English
royal family. Four
further settings of the
Ambrosian hymn of praise
by Handel followed,
including the equally
popular Dettingen Te Deum
(Carus 55.238). The six
soloists required can in
practice be reduced to
four, and the Te Deum
does not contain any
stand-alone arias. The
chorus is scored in five
parts in a few movements
(SSATB), with the
concluding doxology
beginning in double-choir
scoring (SST/AATB). For
this frequently-performed
work Carus offers a
musical text reflecting
the latest scholarly
discoveries. The Critical
Report contains
information on all the
important facts about the
work in a practicable,
compact form. A detailed
foreword contains
insights into the
creation of the work and
its reception. The vocal
score, chorus score, and
orchestral parts provide
for the needs of
practical performance;
these are complemented by
carus music, the choir
app for practising the
choral parts, as well as
the Carus Choir Coach
practice CDs and a Vocal
Score XL in
reader-friendly large
print.
Soli AAB, Coro SSA(A)T(T)B(B), 2 Ob, 2 Tr, 2 (3) Vl, Va, Bc - Level 3 SKU: CA...(+)
Soli AAB, Coro
SSA(A)T(T)B(B), 2 Ob, 2
Tr, 2 (3) Vl, Va, Bc -
Level 3
SKU:
CA.5527919
O be
joyful. Composed by
George Frideric Handel.
Edited by Uwe Wolf. Set
of Orchestra Parts.
Composed 1713. HWV 279.
Duration 17 minutes.
Carus Verlag #5527900.
Published by Carus Verlag
(CA.5527919).
ISBN
9790007293062.
German/English.
Han
del's Utrecht Jubilate
HWV 279 enthralled London
audiences right from its
first performance, and it
continues to do so today
in concert halls and
churches all over the
world, thanks to the wide
range of occasions when
it can be performed. It
was performed for the
first time in a festive
service on 7 July 1713 at
St. Paul's Cathedral to
celebrate the Peace
marking the end of the
twelve year-long War of
the Spanish Succession.
The Utrecht Te Deum and
Jubilate were Handel's
first sacred works in
English and important
milestones at the
beginning of his London
career. The edition is
based on Handel's
autograph (which
unfortunately does not
survive) and on a copy
from Handel's circle,
which in some respects
provides more information
than the autograph and
contains important
details for this edition.
In 1717 Handel revised
the Jubilate in a smaller
scoring for the ensemble
at Cannons (HWV 246) and
preceded it with a
two-part Sinfonia which
is also reproduced in the
Appendix to this edition.
The chorus is mainly
scored in four parts, and
is in eight parts in just
one short movement. In
two other movements the
soprano part divides. The
second alto solo part can
also be sung by a high
tenor. Score and parts
available separately -
see item CA.5527900.
(Cantata for the 17th Sunday after Trinity). By Johann Sebastian Bach (1685-1750...(+)
(Cantata for the 17th
Sunday after Trinity). By
Johann Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For SATB
vocal soli, SATB choir,
horn, flute, 2 oboes,
[horn], 2 violins, viola,
basso continuo. G-Moll (G
minor). German t Part
Cantatas, Trinity
(Cantata for the 17th Sunday after Trinity). By Johann Sebastian Bach (1685-1750...(+)
(Cantata for the 17th
Sunday after Trinity). By
Johann Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For SATB
vocal soli, SATB choir,
horn, flute, 2 oboes,
[horn], 2 violins, viola,
basso continuo. G-Moll (G
minor). German t Part:
cello/double bass
Cantatas, Trinity
(Cantata for the 17th Sunday after Trinity). By Johann Sebastian Bach (1685-1750...(+)
(Cantata for the 17th
Sunday after Trinity). By
Johann Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For SATB
vocal soli, SATB choir,
horn, flute, 2 oboes,
[horn], 2 violins, viola,
basso continuo. G-Moll (G
minor). German t Part
Cantatas, Trinity
(Cantata for the 17th Sunday after Trinity). By Johann Sebastian Bach (1685-1750...(+)
(Cantata for the 17th
Sunday after Trinity). By
Johann Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For SATB
vocal soli, SATB choir,
horn, flute, 2 oboes,
[horn], 2 violins, viola,
basso continuo. G-Moll (G
minor). German t Part:
viola Cantatas, Trinity
(Cantata for the 17th Sunday after Trinity). By Johann Sebastian Bach (1685-1750...(+)
(Cantata for the 17th
Sunday after Trinity). By
Johann Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For SATB
vocal soli, SATB choir,
horn, flute, 2 oboes,
[horn], 2 violins, viola,
basso continuo. G-Moll (G
minor). German t set of
instrumental parts
(except strings)
Cantatas, Trinity
(Cantata for 25th Sunday after Trinity). By Johann Sebastian Bach (1685-1750). E...(+)
(Cantata for 25th Sunday
after Trinity). By Johann
Sebastian Bach
(1685-1750). Edited by
Anselm Hartinger.
Arranged by Paul Horn.
For SATB vocal soli, SATB
choir, 2 oboe d'amore,
[horn], 2 violins, viola,
basso continuo. Stuttgart
Urtext Edition. German t.
Vocal Score. Cantatas,
End of the church year.
Composed
by Hector Berlioz. Score.
Lucks Music Library
#A2567. Published by
Lucks Music Library
(TM.04544SC).
Chorus I = S,
A. Chorus II = T, B.
Piano not in chorus.
Please specify quantity
for each voice when
ordering - voices sold
separately. Coro Piccolo
available upon request.
Not included in Chorus I
and Chorus II parts. Coro
Piccolo = ATB Soli & ATB
small Chorus.
Composed by George
Frideric Handel. Edited
by Felix Schroeder.
Arranged by Andreas Kohs
and Walter Heinz
Bernstein. This edition:
urtext edition.
Paperback. Barenreiter
Urtext. Vocal Score. HWV
48. Baerenreiter Verlag
#BA11311_90. Published by
Baerenreiter Verlag
(BA.BA11311-90).
ISBN
9790006574469. 27 x 19 cm
inches. Language: German.
Preface: Schütz,
Gudula. Text: Barthold
Heinrich
Brockes.
Handel
composed his only
oratorio in German
between 1716 and 1717
basing it on the then
popular Passion text by
Barthold Heinrich Brockes
entitledDer fur die Sunde
der Welt gemarterte und
sterbende Jesus(The Story
of Jesus, Suffering and
Dying for the Sins of the
World). Handel's affinity
to opera is evident in
the musical realisation
of the emphatic text as
he creates a synthesis
between traditional
Protestant church music
and the depiction of
human passion in the
manner of opera
seria.
This
edition is based on the
corresponding volume of
theHalle Handel
Edition(BA 4021). The
full score, parts and
vocal score have been
newly engraved. The piano
reduction has been
simplified and brought up
to today's standards,
thus making it much more
manageable to
play.
Composed
by Hector Berlioz. Set
Type: A. Set of parts.
Lucks Music Library
#A2567. Published by
Lucks Music Library
(TM.04544SET).
Chorus I = S,
A. Chorus II = T, B.
Piano not in chorus.
Please specify quantity
for each voice when
ordering - voices sold
separately. Coro Piccolo
available upon request.
Not included in Chorus I
and Chorus II parts. Coro
Piccolo = ATB Soli & ATB
small Chorus.