Piano SKU: M7.ART-42195 Der spielerisch-leichte Einstieg am Klavier fÃ...(+)
Piano
SKU:
M7.ART-42195
Der
spielerisch-leichte
Einstieg am Klavier
für Kinder ab 6
Jahren. Score with
online audio files. 60
pages. MDS (Music
Distribution Services)
#ART 42195. Published by
MDS (Music Distribution
Services) (M7.ART-42195).
ISBN
9783866421950.
Jens
Rupp ist bekannt als
Autor erfolgreicher
Klavier- und
Keyboardschulen sowie
zahlreicher
Spielbücher für
Klavier. Mit dieser
Erfahrung und der fast
30-jährigen
Tätigkeit als
Klavierdozent hat er eine
neue Klavierschule
geschaffen, die einen
kindgerechten,
spielerisch-leichten
Einstieg in die Welt des
Klavierspiels
ermöglicht.'Der
Pianostarter für
Kinder'ist eine
Klavierschule für
Anfänger, die speziell
für Kinder ab 6 Jahren
konzipiert wurde. Das
methodische Konzept, mit
seinem logisch
strukturierten Aufbau und
den sorgfältig
aufeinander abgestimmten
Lektionen, führt
bereits bei kleinem
Ãœbeaufwand schnell zu
hörbaren und
motivierenden
Erfolgserlebnissen am
Klavier. Mit dem
'Pianostarter' haben
Kinder die Möglichkeit
ihr musikalisches Talent
zu entdecken und das
Klavierspielen auf
einfache Art und Weise
(lieben) zu lernen.
Insgesamt 100 Stücke -
bekannte Lieder mit
Texten und schöne
Eigenkompositionen,
Ãœbungen,
Erklärungen,
Griffbilder sowie weitere
Orientierungshilfen
vermitteln behutsam und
spielerisch die
Grundlagen für das
Musizieren am Klavier.
Diese Klavierschule
bietet auch Eltern die
Möglichkeit, ob mit
oder zunächst ohne
Klavierlehrer, das
Klavierspielen mit zu
erlernen und zeitgleich
herauszufinden, wieviel
Freude das Klavierspielen
ihrem Kind bereitet. 'Der
Pianostarter für
Kinder'beschränkt sich
auf die Tonart C-Dur und
zunächst auf die
Töne der
C-Dur-Grundposition. Im
Violinschlüssel sind
dies die Töne c', d',
e', f', g' und im
Bassschlüssel die
Töne c, d, e, f, g.
Der Tonumfang im
Violinschlüssel wird
gegen Ende der Schule um
die Töne a', h' und
c'' erweitert, während
im Bassschlüssel zwei
weitere Noten, das
große H und das kleine
a hinzukommen. Die
behutsame
Herangehensweise soll
jegliche Ãœberforderung
ihres Kindes vermeiden,
sodass ein kindgerechtes
und didaktisch wertvolles
Lernen möglich ist.
'Der Pianostarter für
Kinder' - die
zeitgemäße
Klavierschule, welche
Kinder motiviert und mit
jeder Menge Spielspaß
schnell und zielgerichtet
zum erfolgreichen
Klavierspielen
führt.
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1175789-010 Grand Overture...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1175789-010
Grand Overture.
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Opening Pieces. Set
(Score & Parts). Composed
2017. De Haske
Publications #DHP
1175789-010. Published by
De Haske Publications
(BT.DHP-1175789-010).
English-German-French-
Dutch.
Glorioso<
/I> was commissioned by,
and is dedicated to, the
‘Siena Wind
Orchestra’. The
work opens after a short
aleatoric intro, with an
energetic and brassy
‘one tone
fanfare’. The note
F acts as an omnipresent
note, and is also used as
a bridge into the second,
rather static movement. A
noble sounding theme
leads to an impressive
climax, shortly followed
by the spectacular and
virtuoso finale, which is
built on the musical
elements that have been
heard before.
Stylistically, this
sparkling finale is
clearly influenced by
Dmitri Shostakovich,
hence the use of the
famous signature used by
the Russian Master: C D E
flat B (or C flat). A
glorious finish to a
special workthat
highlights various facets
of the modern concert
band.
Glorioso
werd geschreven in
opdracht van en is
opgedragen aan het
Japanse Siena Wind
Orchestra. Het werk opent
na een korte aleatorische
intro met een energieke
‘one tone
fanfare’, waarin
voornamelijk het koper
aan zet is. De noot F,
als een pedaaltoon
alomtegenwoordig, blijft
nog even klinken in het
aansluitende langzame
deel. Na een nobel thema
volgt de spectaculaire en
virtuoze finale, die
voortbouwt op de muzikale
componenten die al eerder
te horen waren.
Stilistisch is in deze
wervelende finale
onmiskenbaar de invloed
van Dmitri Sjostakovitsj
aanwezig, het hoofdmotief
is tot C D Eb B (of Cb)
getransformeerd: het
anagram dat de Russische
meester vaak als
muzikalehandtekening
heeft gebruikt. Een
glorieus slot aan een
bijzonder werk dat
diverse facetten van het
moderne harmonieorkest
aan bod laat komen.
Glorioso
wurde vom Siena Wind
Orchestra in Auftrag
gegeben und ist diesem
gewidmet. Das Werk
beginnt nach einer
kurzen, aleatorischen
Einleitung mit einer
schwungvollen
Blechbläser-Fanfare
auf nur einem Ton. Dabei
ist der Ton F
allgegenwärtig und
leitet in den langsamen,
eher statischen Satz
über. Nachdem das
nobel klingende Thema zu
einem beeindruckenden
Höhepunkt geführt
hat, setzt sich das
fantastische und virtuose
Finale aus den zuvor
erklungenen Elementen
zusammen. Stilistisch ist
dieses schwungvolle
Finale deutlich von
Dmitri Schostakowitsch
beeinflusst, daher wird
die berühmte
musikalische Unterschrift
des russischen Meisters
verwendet, die dieser
oftbenutzte: C D Es H
(oder Ces). Ein
eindrucksvolles Ende
eines besonderen Werkes,
das verschiedene Facetten
des modernen
Blasorchesters
hervorhebt.
Glorioso
è stato
commissionatodalla Siena
Wind Orchestra, ed è a
loro dedicato. Il lavoro
si apre dopo una breve
introduzione aleatoria,
con una fanfara energica
e dai suoni simili agli
ottoni. La nota Fa agisce
come una nota
onnipresente, ed è
anche usata come un ponte
nel secondo movimento
piuttosto statico. Un
tema sonoro nobile porta
ad un climax
impressionante, seguito a
breve distanza dal finale
spettacolare e virtuoso,
che è costruito sugli
elementi musicali che
sono stati ascoltati
precedentemente.
Stilisticamente, questo
frizzante finale è
chiaramente influenzato
da Dmitri Shostakovich,
da qui l'uso della famosa
firma usata dal Maestro
russo: Do Re Mib Si
(oDob). Un finale
glorioso per un'opera
speciale che mette in
risalto varie
sfaccettature della banda
moderna.
Glorioso Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1175789-140 Grand Overture...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1175789-140
Grand Overture.
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Opening Pieces. Score
Only. Composed 2017. 76
pages. De Haske
Publications #DHP
1175789-140. Published by
De Haske Publications
(BT.DHP-1175789-140).
English-German-French-
Dutch.
Glorioso<
/I> was commissioned by,
and is dedicated to, the
‘Siena Wind
Orchestra’. The
work opens after a short
aleatoric intro, with an
energetic and brassy
‘one tone
fanfare’. The note
F acts as an omnipresent
note, and is also used as
a bridge into the second,
rather static movement. A
noble sounding theme
leads to an impressive
climax, shortly followed
by the spectacular and
virtuoso finale, which is
built on the musical
elements that have been
heard before.
Stylistically, this
sparkling finale is
clearly influenced by
Dmitri Shostakovich,
hence the use of the
famous signature used by
the Russian Master: C D E
flat B (or C flat). A
glorious finish to a
special workthat
highlights various facets
of the modern concert
band.
Glorioso
werd geschreven in
opdracht van en is
opgedragen aan het
Japanse Siena Wind
Orchestra. Het werk opent
na een korte aleatorische
intro met een energieke
‘one tone
fanfare’, waarin
voornamelijk het koper
aan zet is. De noot F,
als een pedaaltoon
alomtegenwoordig, blijft
nog even klinken in het
aansluitende langzame
deel. Na een nobel thema
volgt de spectaculaire en
virtuoze finale, die
voortbouwt op de muzikale
componenten die al eerder
te horen waren.
Stilistisch is in deze
wervelende finale
onmiskenbaar de invloed
van Dmitri Sjostakovitsj
aanwezig, het hoofdmotief
is tot C D Eb B (of Cb)
getransformeerd: het
anagram dat de Russische
meester vaak als
muzikalehandtekening
heeft gebruikt. Een
glorieus slot aan een
bijzonder werk dat
diverse facetten van het
moderne harmonieorkest
aan bod laat komen.
Glorioso
wurde vom Siena Wind
Orchestra in Auftrag
gegeben und ist diesem
gewidmet. Das Werk
beginnt nach einer
kurzen, aleatorischen
Einleitung mit einer
schwungvollen
Blechbläser-Fanfare
auf nur einem Ton. Dabei
ist der Ton F
allgegenwärtig und
leitet in den langsamen,
eher statischen Satz
über. Nachdem das
nobel klingende Thema zu
einem beeindruckenden
Höhepunkt geführt
hat, setzt sich das
fantastische und virtuose
Finale aus den zuvor
erklungenen Elementen
zusammen. Stilistisch ist
dieses schwungvolle
Finale deutlich von
Dmitri Schostakowitsch
beeinflusst, daher wird
die berühmte
musikalische Unterschrift
des russischen Meisters
verwendet, die dieser
oftbenutzte: C D Es H
(oder Ces). Ein
eindrucksvolles Ende
eines besonderen Werkes,
das verschiedene Facetten
des modernen
Blasorchesters
hervorhebt.
Glorioso
è stato
commissionatodalla Siena
Wind Orchestra, ed è a
loro dedicato. Il lavoro
si apre dopo una breve
introduzione aleatoria,
con una fanfara energica
e dai suoni simili agli
ottoni. La nota Fa agisce
come una nota
onnipresente, ed è
anche usata come un ponte
nel secondo movimento
piuttosto statico. Un
tema sonoro nobile porta
ad un climax
impressionante, seguito a
breve distanza dal finale
spettacolare e virtuoso,
che è costruito sugli
elementi musicali che
sono stati ascoltati
precedentemente.
Stilisticamente, questo
frizzante finale è
chiaramente influenzato
da Dmitri Shostakovich,
da qui l'uso della famosa
firma usata dal Maestro
russo: Do Re Mib Si
(oDob). Un finale
glorioso per un'opera
speciale che mette in
risalto varie
sfaccettature della banda
moderna.
(The Easiest Piano Method Ever!). By Christine H. Barden, Gayle Kowalchyk and E....(+)
(The Easiest Piano Method
Ever!). By Christine H.
Barden, Gayle Kowalchyk
and E. L. Lancaster. For
Piano. Book; CD;
Method/Instruction; Piano
Method. Early Elementary.
96 pages. Published by
Alfred Music Publishing
Piano SKU: M7.ART-42220 Einfach Klavier lernen mit bunten Klaviernoten...(+)
Piano
SKU:
M7.ART-42220
Einfach Klavier lernen
mit bunten Klaviernoten
für Kinder & erwachsene
Anfänger. Composed
by Jens Rupp. Score with
online audio files.
Artist Ahead Musikverlag
#ART 42220. Published by
Artist Ahead Musikverlag
(M7.ART-42220).
ISBN
9783866422209.
German.
'Meine
Klavierschule mit bunten
Noten' - die neue
Klavierschule, die einen
erfolgreichen,
spielerisch-leichten
Einstieg in die Welt des
Klavierspiels
ermöglicht. Das
methodische Konzept mit
seinem logisch
strukturierten Aufbau,
den bunten Noten samt
zugehörigen
(wiederablösbaren)
Tastenaufklebern sowie
den sorgfältig
aufeinander abgestimmten
Lektionen, führt bereits
bei kleinem Ãœbeaufwand
schnell zu hörbaren und
motivierenden
Erfolgserlebnissen am
Klavier. 'Meine
Klavierschule mit bunten
Noten' beschränkt sich
auf die Tonart C-Dur und
zunächst auf die Töne
der C-Dur-Grundposition.
Im Violinschlüssel
(rechte Hand) sind dies
die Töne C', D', E', F',
G' und im Bassschlüssel
(linke Hand) die Töne C,
D, E, F, G. Der Tonumfang
im Violinschlüssel
(rechte Hand) wird gegen
Ende der Schule um die
Töne A', H' und C''
erweitert, während im
Bassschlüssel (linke
Hand) keine weiteren
Töne hinzukommen. Die
Töne werden ausführlich
vorgestellt und im
Anschluss mit einfachen,
schönen Liedern geübt
und gespielt. Das
beidhändige Spiel wird
sehr behutsam, leicht
verständlich und
gründlich vermittelt.
Ein spielerischer und
gleichzeitig wertvoller
Lernerfolg ist
garantiert. Das ideale
Geschenk für alle
Klavieranfänger! Nutze
den Aufkleberbogen zum
Bekleben der Tasten
deines Klaviers,
Keyboards, deiner Orgel
oder Melodica und Du
kannst sofort loslegen!
Scanne die im Buch
enthaltenen QR-Codes mit
dem Smartphone oder
Tablet und gelange direkt
zu den Hörbeispielen.
Unter
www.artist-ahead-download
.de stehen alle Kinder-
und Weihnachtslieder als
Audio- und MP3-Dateien
zum Download zur
Verfügung.
Edited by Nancy Faber, Randall Faber. For Piano. The Developing Artist. Contents...(+)
Edited by Nancy Faber,
Randall Faber. For Piano.
The Developing Artist.
Contents include: March
in D, March in G and
Polonaise in Gm (C.P.E.
Bach); Minuet in Cm BWV
Anhang 114 (Unknown);
Minuet in Dm BWV Anhang
132 (Unknown); Minuet in
G (Boehm); Minuet in B
BWV Anhang 114 (Pezold);
Minuet in G BWV Anhang
116 (Unknown); Minuet in
Gm BWV Anhang 115
(Pezold); Musette in D
BWV Anhang 126 (Unknown);
Polonaise in Gm Helm 1
(C.P.E. Bach); Polonaise
in Gm BWV Anhang 119
(Unknown). Baroque
Period. Level:
Intermediate. Book.
Published by The FJH
Music Company, Inc.
(Music Reading Activities That Make Learning Even Easier!). By Christine H. Bard...(+)
(Music Reading Activities
That Make Learning Even
Easier!). By Christine H.
Barden, Gayle Kowalchyk,
and E. L. Lancaster. For
Keyboard; Piano. Book;
Keyboard/Piano;
Method/Instruction. Kid's
Piano Course. Children.
Beginner. 48 pages.
Published by Alfred Music
Publishing
By Johann Sebastian Bach. Edited by Griepenkerl, Roitzsch. For Organ. Passacagli...(+)
By Johann Sebastian Bach.
Edited by Griepenkerl,
Roitzsch. For Organ.
Passacaglia and Fugue(c);
Pastorale(F); 6 Trio
Sonatas(E|,c,d,e,C,G)(Urt
ext). Published by C.F.
Peters.
Anleitung f!r eigenst0ndige Realisierung bezifferter Continuo-Stimmen. Mit Ausz!...(+)
Anleitung f!r
eigenst0ndige
Realisierung bezifferter
Continuo-Stimmen. Mit
Ausz!gen und Beispielen
aus der Literatur des 17.
Und 18. Jh. Ausz!ge aus
theoretischen Werken von
C P E Bach, J S Bach, J D
Heinichen, Padre Mattei,
J Mattheson, F E Niedt, J
J Quantz, M Praetorius, G
Ph Telemann. By Herman
Keller. For Piano/
Harpsichord/ Organ.
Playing Score
(paperbound). Published
by Baerenreiter-Ausgaben
(German import).
Portrait of a Clown Orchestre d'harmonie [Conducteur] - Facile Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for middle school and high school bands...(+)
By Frank Ticheli. Concert
band. Suitable for middle
school and high school
bands. Level: Grade 2.
Conductor Full Score.
Duration 2:45. Published
by Manhattan Beach Music.
By Frank Ticheli. Concert band. Suitable for middle school and high school bands...(+)
By Frank Ticheli. Concert
band. Suitable for middle
school and high school
bands. Level: Grade 2.
Conductor score and set
of parts. Duration 2:45.
Published by Manhattan
Beach Music.
SKU: HL.49014551 Composed by Thomson. This edition: Paperback/Soft Cover....(+)
SKU: HL.49014551
Composed by Thomson. This
edition: Paperback/Soft
Cover. Book. Edition
Schott. Classical. 12
pages. Schott Music #ED
11330. Published by
Schott Music
(HL.49014551).
ISBN
9781847611345.
W.
Bergmann * F. Brueggen *
R. Clemencic * F. Conrad
* L. Davenport * C.
Dolmetsch * E. Hunt * B.
Krainis * H.-M. Linde *
D. Munrow * K. Otten * G.
Scheck * C. Taylor * M.
Vetter * Index of names
and groups.
Valerie Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1135412-140 As performed...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1135412-140
As performed by Amy
Winehouse. Composed
by Abigail Harding, Boyan
Chowdhury, David McCabe,
Russell Pritchard, and
Sean Payne. Arranged by
Peter Kleine Schaars.
Peter's Popular
Collection. Pop & Rock.
Score Only. Composed
2012. 16 pages. De Haske
Publications #DHP
1135412-140. Published by
De Haske Publications
(BT.DHP-1135412-140).
9x12 inches.
English-German-French-Dut
ch.
Just a year
after the English rock
band The Zutons had
considerable success with
Valerie in Great
Britain, Mark Ronson and
Amy Winehouse released a
cover version - a version
that was funkier, more
upbeat and, in typical
Winehouse fashion, more
soulful, which shot up
the charts in many
countries. Valerie
is surely one of the hits
that immortalises the
singer who died in 2011
and will find a welcome
place in the repertoire
of every concert
band.
Een jaar na
het grote succes dat de
Engelse rockband The
Zutons in eigen land had
met Valerie,
verscheen de coverversie
van Mark Ronson en Amy
Winehouse. Deze vlotte,
funky versie in
soulstijl, zo typisch
voor Amy Winehouse,
veroverde in snel tempo
de hitlijsten van vele
landen. Het is een
blijvende herinnering aan
de veel te jong overleden
zangeres. Met dit
arrangement van
Valerie
presenteren wij een
onsterfelijke hit die
niet mag ontbreken aan uw
repertoire!
Bereit
s ein Jahr nachdem die
englische Rockband The
Zutons mit Valerie
einen beachtlichen Erfolg
in Großbritannien
hatten, kam die
Coverversion von Mark
Ronson und Amy Winehouse
heraus. Die funkigere,
flottere und - typisch
für Amy Winehouse -
souligere Version des
Songs eroberte rasch die
Charts in vielen
Ländern.
Valerie ist
sicherlich einer der
Hits, die das Andenken an
die 2011 verstorbene
Sängerin unsterblich
machten und gehört
damit in das
unterhaltsame Repertoire
jedes
Blasorchesters.
Appena un anno
dopo aver ottenuto un
buon successo con
Valerie,
nell’interpretazio
ne della rock band
britannica The Zutons,
Mark Ronson la
riadattò con suoni
jazz e con atmosfere
vintage pensando bene di
completare il tutto con
la bellissima voce di Amy
Winehouse. Questa
versione si catapultò
in vetta alle chart di
molti paesi e rimane a
oggi un ricordo
struggente della
straordinaria artista
scomparsa nel 2011.
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1135412-010 As performed...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1135412-010
As performed by Amy
Winehouse. Composed
by Abigail Harding, Boyan
Chowdhury, David McCabe,
Russell Pritchard, and
Sean Payne. Arranged by
Peter Kleine Schaars.
Peter's Popular
Collection. Pop & Rock.
Set (Score & Parts).
Composed 2012. De Haske
Publications #DHP
1135412-010. Published by
De Haske Publications
(BT.DHP-1135412-010).
9x12 inches.
English-German-French-Dut
ch.
Just a year
after the English rock
band The Zutons had
considerable success with
Valerie in Great
Britain, Mark Ronson and
Amy Winehouse released a
cover version - a version
that was funkier, more
upbeat and, in typical
Winehouse fashion, more
soulful, which shot up
the charts in many
countries. Valerie
is surely one of the hits
that immortalises the
singer who died in 2011
and will find a welcome
place in the repertoire
of every concert
band.
Een jaar na
het grote succes dat de
Engelse rockband The
Zutons in eigen land had
met Valerie,
verscheen de coverversie
van Mark Ronson en Amy
Winehouse. Deze vlotte,
funky versie in
soulstijl, zo typisch
voor Amy Winehouse,
veroverde in snel tempo
de hitlijsten van vele
landen. Het is een
blijvende herinnering aan
de veel te jong overleden
zangeres. Met dit
arrangement van
Valerie
presenteren wij een
onsterfelijke hit die
niet mag ontbreken aan uw
repertoire!
Bereit
s ein Jahr nachdem die
englische Rockband The
Zutons mit Valerie
einen beachtlichen Erfolg
in Großbritannien
hatten, kam die
Coverversion von Mark
Ronson und Amy Winehouse
heraus. Die funkigere,
flottere und - typisch
für Amy Winehouse -
souligere Version des
Songs eroberte rasch die
Charts in vielen
Ländern.
Valerie ist
sicherlich einer der
Hits, die das Andenken an
die 2011 verstorbene
Sängerin unsterblich
machten und gehört
damit in das
unterhaltsame Repertoire
jedes
Blasorchesters.
Appena un anno
dopo aver ottenuto un
buon successo con
Valerie,
nell’interpretazio
ne della rock band
britannica The Zutons,
Mark Ronson la
riadattò con suoni
jazz e con atmosfere
vintage pensando bene di
completare il tutto con
la bellissima voce di Amy
Winehouse. Questa
versione si catapultò
in vetta alle chart di
molti paesi e rimane a
oggi un ricordo
struggente della
straordinaria artista
scomparsa nel 2011.
And Abschied vom Silbermannschen Clavier. Composed by Dietrich Ewald Grotthus...(+)
And Abschied vom
Silbermannschen Clavier.
Composed by Dietrich
Ewald
Grotthuss and Carl
Philipp
Emanuel Bach (1714-1788).
Edited by Alfred Kreutz.
This edition: Saddle
stitching. Sheet music.
Schott. Composed 1781. 20
pages. Schott Music #ED
4013. Published by Schott
Music
Cole Porter. (Jazz Play-Along Volume 16). By Cole Porter. For E§ Instruments, C...(+)
Cole Porter. (Jazz
Play-Along Volume 16). By
Cole Porter. For E§
Instruments, C
Instruments, B-flat
Instruments. Jazz Play
Along. Play Along.
Softcover with CD. 88
pages. Published by Hal
Leonard
For C instrument and voice. Format: fakebook (spiral bound). With chord names, v...(+)
For C instrument and
voice. Format: fakebook
(spiral bound). With
chord names, vocal melody
and lyrics. Jazz. Series:
Hal Leonard Fake Books.
448 pages. 9x12 inches.
Published by Hal Leonard.
Grade 4 SKU: CL.013-0224-00 March. Composed by Barnhouse. Band. Sc...(+)
Grade 4
SKU:
CL.013-0224-00
March. Composed by
Barnhouse. Band. Score
and set of parts.
Composed 1900. C.L.
Barnhouse #013-0224-00.
Published by C.L.
Barnhouse
(CL.013-0224-00).
The P.E.O, or
The Philanthropic
Educational Organization,
was founded in 1869.
Note: This is a reprint
from a vintage
publication of 1900. No
conductor score is
published for this work.
The Solo Cornet part
serves as a conductor
guide. Due to the era of
this work, saxophone
parts are not published,
but were subsequently
added by our editorial
staff. Parts for Eb Horns
are included; no F Horn
parts are published for
this work. If a C
Piccolo/C Flute part was
not published originally,
one has been subsequently
added by our editorial
staff.
117 Fun, Exciting, Singable Songs for Younger Children. Edited by Thomas Fettke,...(+)
117 Fun, Exciting,
Singable Songs for
Younger Children. Edited
by Thomas Fettke, Ken
Bible. Arranged by Thomas
Fettke, Ken Bible.
(unison). This edition:
MD492. Suggested Use: For
children pre-school to
third grade. Use at
Sunday school, children's
choir, children's church,
VBS, camps, Christian
schools, and home.
Lillenas Publications.
Great resource for
working with younger
kids. Sacred.
Book/Split-Channel
Accompaniment Cassette
Combo. 144 pages.
Published by Lillenas.
Concert band - Grade 3 SKU: MH.1-59913-054-8 Composed by Bob Margolis. Su...(+)
Concert band - Grade 3
SKU:
MH.1-59913-054-8
Composed by Bob Margolis.
Suitable for advanced
middle school, high
school, community and
college bands. Conductor
score and set of parts.
Duration 4:45. Published
by Manhattan Beach Music
(MH.1-59913-054-8).
ISBN
9781599130545.
Roya
l Coronation Dances is
the first sequel to the
Fanfare Ode & Festival,
both being settings of
dance music originally
arranged by Gervaise in
the mid 16th-century (the
next sequel is The
Renaissance Fair, which
uses music of Susato and
Praetorius). Fanfare Ode
& Festival has been
performed by many tens of
thousands of students,
both in high school and
junior high school. I
have heard that some of
them are amazed that the
music they are playing
was first played and
danced to over 400 years
ago. Some students tend
to think that music
started with Handel and
his Messiah to be
followed by Beethoven and
his Fifth Symphony, with
naught in between or
before of consequence.
Although Royal Coronation
Dances is derived from
the same source as
Fanfare Ode & Festival,
they are treated in
different ways. I
envisioned this new suite
programmatically -- hence
the descriptive movement
titles, which I imagined
to be various dances
actually used at some
long-ago coronation. The
first movement depicts
the guests, both noble
and common, flanked by
flag and banner bearers,
arriving at the palace to
view the majestic event.
They are festive, their
flags swirling the air,
their cloaks brightly
colored. In the second
movement, the queen in
stately measure moves to
take her place on the
throne as leader and
protector of the realm.
In the third movement,
the jesters of the court
entertain the guests with
wild games of sport.
Musically, there are
interesting sonorities to
recreate. Very special
attention should be given
to the tambourine/tenor
drum part in the first
movement. Their lively
rhythms give the movement
its power. Therefore they
should be played as
distinctly and
brilliantly as possible.
The xylophone and
glockenspiel add clarity,
but must not be allowed
to dominate. Observe
especially the differing
dynamics; the intent is
to allow much buzzing
bass to penetrate. The
small drum (starting at
meas. 29) should be
played expressively, with
attention to the notated
articulations, with the
brass light and detached,
especially in a lively
auditorium. It is of some
further interest that the
first dance is extremely
modal. The original is
clearly in G mixolydian
mode (scale:
G-A-B-C-D-E-F-G).
However, other editors
might put in F-sharps in
many places (changing the
piece almost to G major),
in the belief that such
ficta would have been
automatically put in by
the 16th-century
performers as they
played. I doubt it. I
have not only eschewed
these within the work,
but even at the cadences.
So this arrangement is
most distinctly modal
(listen to the F-naturals
in meas. 22 and 23, for
instance), with all the
part-writing as Gervaise
wrote it. In the second
movement, be careful that
things do not become too
glued together. In the
16th century this music
might have been played by
a consort of recorders,
instruments very light of
touch and sensitive to
articulation. Concert
band can easily sound
heavy, and although this
movement has been scored
for tutti band, it must
not sound it. It is
essential, therefore,
that you hear all the
instruments, with none
predominating. Only when
each timbre can be heard
separately and
simultaneously will the
best blend occur, and
consequently the greatest
transparency. So aim for
a transparent, spacious
tutti sound in this
movement. Especially have
the flutes, who do this
so well, articulate
rather sharply, so as to
produce a chiffing sound,
and do not allow the
quarter-notes to become
too tied together in the
entire band. The entrance
of the drums (first
tenor, then bass) are
events and as such should
be audible. Incidentally,
this movement begins in F
Major and ends in D
Minor: They really didn't
care so much about those
things then. The third
movement (one friend has
remarked that it is the
most Margolisian of the
bunch, but actually I am
just getting subtler, I
hope) again relies upon
the percussion (and the
scoring) to make its
points. Xylophone in this
movement is meant to be
distinctly audible.
Therefore, be especially
sure that the xylophone
player is secure in the
part, and also that the
tambourine and toms sound
good. This movement must
fly or it will sink, so
rev up the band and
conduct it in 1 for this
mixolydian jesting. I
suppose the wildly
unrelated keys (clarinets
and then brass at the
end) would be a good
16th-century joke, but to
us, our
put-up-the-chorus-a-half-
step ears readily accept
such shenanigans.
Ensemble instrumentation:
1 Full Score, 1 Piccolo,
4 Flute 1, 4 Flute 2 & 3,
2 Oboe 1 & 2, 2 Bassoon 1
& 2, 1 Eb Clarinet, 4 Bb
Clarinet 1, 4 Bb Clarinet
2, 4 Bb Clarinet 3, 2 Eb
Alto Clarinet, 1 Eb
Contra Alto Clarinet, 3
Bb Bass & Bb Contrabass
Clarinet, 2 Eb Alto
Saxophone 1, 2 Eb Alto
Saxophone 2, 2 Bb Tenor
Saxophone, 2 Eb Baritone
Saxophone, 3 Bb Trumpet
1, 3 Bb Trumpet 2, 3 Bb
Trumpet 3, 4 Horn in F 1
& 2, 2 Trombone 1, 4
Trombone 2 & 3, 3
Euphonium (B.C.), 2
Euphonium (T.C.), 4 Tuba,
1 String Bass, 1 Timpani
(optional), 2 Xylophone &
Glockenspiel, 5
Percussion.
E Pluribus Unum Orchestre d'harmonie [Conducteur] - Facile C.L. Barnhouse
Grade 3 SKU: CL.026-4065-01 March. Composed by Jewel. Arranged by ...(+)
Grade 3
SKU:
CL.026-4065-01
March. Composed by
Jewel. Arranged by A.
Clark. Concert Band.
Build-A-Band. Extra full
score. Composed 2011.
Duration 2 minutes, 51
seconds. C.L. Barnhouse
#026-4065-01. Published
by C.L. Barnhouse
(CL.026-4065-01).
Fred Jewell's E
Pluribus Unum march has
been a staple of bands
for decades, and Andy
Clark's new arrangement
for the Barnhouse
Build-A-Band Series
finally brings this
classic American march
into the grasp of very
small groups or bands
with severe
instrumentation
problems.. This
toe-tapping march gem
will be a favorite of
audiences and performers
alike. Includes an
optional keyboard part
which can add to the
effect. First class in
every way!
About
Build-A-Band
Series
The
Build-A-Band Series
provides educational and
enjoyable music for bands
with incomplete or
unbalanced
instrumentation. Written
using just four or five
parts (plus percussion),
these effective
arrangements will work
with any combination of
brass, woodwind, string
and percussion
instruments as long as
you distribute the parts
so that each of the five
parts is covered. All of
the publications in the
Build-A-Band Series have
been arranged to be
playable with any
instrumentation as long
as each part is used: 1st
Part, 2nd Part, 3rd Part,
4th Part, and Bass Part.
(Please note: In some of
these arrangements the
4th Part, and the Bass
Part are the same, making
it possible to play those
arrangements with only 4
parts.)
By Matt Turner. For string orchestra (violin I, violin II, violin III (viola T.C...(+)
By Matt Turner. For
string orchestra (violin
I, violin II, violin III
(viola T.C.), viola,
cello, bass, drums,
piano). Score and parts.
Duration 3 minutes, 06
seconds. Published by
Carl Fischer
By Andrew D. Gordon. For All Instruments. This edition: All Instruments. Pop. Le...(+)
By Andrew D. Gordon. For
All Instruments. This
edition: All Instruments.
Pop. Level: Intermediate.
Book With Cd. 62 pages.
Published by ADG
Productions.