Dance of Uzume Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band - Grade 5 SKU: BT.DHP-1053826-040 For Alto Saxophone and ...(+)
Concert Band - Grade 5
SKU:
BT.DHP-1053826-040
For Alto Saxophone and
Concert Band.
Composed by Piet Swerts.
Solo Spectrum. Solo &
Concerto. Set (Score &
Parts). Composed 2005. 72
pages. De Haske
Publications #DHP
1053826-040. Published by
De Haske Publications
(BT.DHP-1053826-040).
English-German-French-
Dutch.
Dance of
Uzume is a concertino
that is based on a
Japanese myth: out of
anger toward her brother
Susanowa, the storm god,
the sun goddess Amaterasu
hides in a cave. The
goddess of joy, Uzume,
succeeds in luring the
sun goddess out of the
cave by dancing wildly.
The joy and laughter of
the other gods as they
watch Uzume arouses
Amaterasu’s
curiosity and with her
appearance, the light on
earth returns. This
fantastic new original
work will make a much
needed addition to the
advanced repertoire for
saxophone and concert
band. A version for
saxophone and piano is
also
available.
Piet
Swerts componeerde
Dance of Uzume op
verzoek van de Japanse
topsaxofonist Nobuya
Sugawa. Het werk is
gebaseerd op een Japanse
mythe: uit woede op haar
broer Susanowa, de god
van de storm, verschuilt
de zonnegodin
Amaterasuzich in een
grot. De vreugdegodin
Uzume weet de godin van
de zon echter met een
wilde dans uit de grot te
lokken. Het gelach van de
andere goden wekt
namelijk de
nieuwsgierigheid van
Amaterasu en met haar
verschijning komt
hetlicht terug op aarde.
Dit verhaal wordt in de
muziek meesterlijk
weerspiegeld.
Dies
es Concertino für
Altsaxophon und
Blasorchester basiert auf
einer japanischen Sage:
Aus Ärger über
ihren Bruder Susanowa,
den Gott des Sturms,
versteckt sich die
Sonnengöttin Amaterasu
in einer Höhle und
kann erst durch den Tanz
von Uzume, der Göttin
der Freude, wieder
hervorgelockt werden. Mit
ihr kehrt auch das Licht
wieder auf die Erde
zurück. Piet
Swerts’
anspruchsvolles und
abwechslungsreiches Werk
besteht aus einem
konzertanten Dialog
zwischen dem Solisten und
dem Orchester. Lebhafte
und lyrische Themen, ein
sehr melodischer
Mittelteil, Blues und
Marsch ähnliche Motive
sowie östliche
Anklänge sind eine
lohnende Herausforderung
für Saxophonisten und
bieten vielAbwechslung
für das gesamte
Blasorchester.
Dance of
Uzume è un dialogo
virtuoso e lirico tra il
solista e
l’accompagnamento.
La trama si sviluppa su
un tempo unico e rapido.
Questo concertino narra
un episodio della
mitologia giapponese.
Devastata dai misfatti di
suo fratello Susanowo,
Dio del vento e delle
tempeste, Amaterasu, Dea
del Sole, si rifugia in
una caverna, privando il
mondo della luce. Non
sopportando più
l’oscurit , gli
altri Dei si riuniscono
davanti
all’entrata della
caverna per trovare un
mezzo per farla uscire.
Uzume, la Dea della
gioia, inizia una danza
frenetica. Intrigata,
Amaterasu appare
all’entrata e il
mondo ritrova la luce del
sole.
For
Alto Saxophone and
Concert Band.
Composed by Piet Swerts.
De Haske Concert Band.
Solo & Concerto. Score
Only. Composed 2005. De
Haske Publications
#1053826. Published by De
Haske Publications
(HL.44005579).
UPC:
884088058272.
English-German-French-Dut
ch.
Dance of Uzume
is a concertino that is
based on a Japanese myth:
out of anger toward her
brother Susanowa, the
storm god, the sun
goddess Amaterasu hides
in a cave. The goddess of
joy, Uzume, succeeds in
luring the sun goddess
out of the cave by
dancing wildly. The joy
and laughter of the other
gods as they watch Uzume
arouses Amaterasu's
curiosity and with her
appearance, the light on
earth returns. This
fantastic new original
work will make a much
needed addition to the
advanced repertoire for
saxophone and concert
band. A version for
saxophone and piano is
also
available.
Piet
Swerts componeerde
Dance of Uzume op
verzoek van de Japanse
topsaxofonist Nobuya
Sugawa. Het werk is
gebaseerd op een Japanse
mythe: uit woede op haar
broer Susanowa, de god
van de storm, verschuilt
de zonnegodin
Amaterasuzich in een
grot. De vreugdegodin
Uzume weet de godin van
de zon echter met een
wilde dans uit de grot te
lokken. Het gelach van de
andere goden wekt
namelijk de
nieuwsgierigheid van
Amaterasu en met haar
verschijning komt
hetlicht terug op aarde.
Dit verhaal wordt in de
muziek meesterlijk
weerspiegeld.
Dies
es Concertino fur
Altsaxophon und
Blasorchester basiert auf
einer japanischen Sage:
Aus Arger uber ihren
Bruder Susanowa, den Gott
des Sturms, versteckt
sich die Sonnengottin
Amaterasu in einer Hohle
und kann erst durch den
Tanz von Uzume, der
Gottin der Freude, wieder
hervorgelockt werden. Mit
ihr kehrt auch das Licht
wieder auf die Erde
zuruck. Piet Swerts'
anspruchsvolles und
abwechslungsreiches Werk
besteht aus einem
konzertanten Dialog
zwischen dem Solisten und
dem Orchester. Lebhafte
und lyrische Themen, ein
sehr melodischer
Mittelteil, Blues und
Marsch ahnliche Motive
sowie ostliche Anklange
sind eine lohnende
Herausforderung fur
Saxophonisten und bieten
vielAbwechslung fur das
gesamte Blasorchester.
Dance of Uzume
(La danse d'Uzume) est un
dialogue virtuose et
lyrique entre le soliste
et l'accompagnement. La
trame se developpe sur un
tempo unique et rapide.
Ce concertino raconte un
episode de la mythologie
japonaise. Ulceree par
les mefaits de son frere
Susanowo, dieu du vent et
des tempetes, Amaterasu,
deesse du Soleil, se
confine dans une caverne,
privant le monde de sa
lumiere. Ne supportant
plus l'obscurite, les
autres dieux se
reunissent devant
l'entree de la caverne
pour trouver un moyen de
la faire sortir. Uzume,
la deesse de la gaiete,
se met alors a danser
frenetiquement.
Intriguee, Amaterasu
parait enfin et le monde
retrouve la lumiere du
soleil.
Dance of
Uzume e un dialogo
virtuoso e lirico tra il
solista e
l'accompagnamento. La
trama si sviluppa su un
tempo unico e rapido.
Questo concertino narra
un episodio della
mitologia giapponese.
Devastata dai misfatti di
suo fratello Susanowo,
Dio del vento e delle
tempeste, Amaterasu, Dea
del Sole, si rifugia in
una caverna, privando il
mondo della luce. Non
sopportando piu
l'oscurita, gli altri Dei
si riuniscono davanti
all'entrata della caverna
per trovare un mezzo per
farla uscire. Uzume, la
Dea della gioia, inizia
una danza frenetica.
Intrigata, Amaterasu
appare all'entrata e il
mondo ritrova la luce del
sole.
Dance of Uzume Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1053826-140 For Alto Saxop...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1053826-140
For Alto Saxophone and
Concert Band.
Composed by Piet Swerts.
Solo Spectrum. Solo &
Concerto. Score Only.
Composed 2005. 72 pages.
De Haske Publications
#DHP 1053826-140.
Published by De Haske
Publications
(BT.DHP-1053826-140).
English-German-French-
Dutch.
Dance of
Uzume is a concertino
that is based on a
Japanese myth: out of
anger toward her brother
Susanowa, the storm god,
the sun goddess Amaterasu
hides in a cave. The
goddess of joy, Uzume,
succeeds in luring the
sun goddess out of the
cave by dancing wildly.
The joy and laughter of
the other gods as they
watch Uzume arouses
Amaterasu’s
curiosity and with her
appearance, the light on
earth returns. This
fantastic new original
work will make a much
needed addition to the
advanced repertoire for
saxophone and concert
band. A version for
saxophone and piano is
also
available.
Piet
Swerts componeerde
Dance of Uzume op
verzoek van de Japanse
topsaxofonist Nobuya
Sugawa. Het werk is
gebaseerd op een Japanse
mythe: uit woede op haar
broer Susanowa, de god
van de storm, verschuilt
de zonnegodin
Amaterasuzich in een
grot. De vreugdegodin
Uzume weet de godin van
de zon echter met een
wilde dans uit de grot te
lokken. Het gelach van de
andere goden wekt
namelijk de
nieuwsgierigheid van
Amaterasu en met haar
verschijning komt
hetlicht terug op aarde.
Dit verhaal wordt in de
muziek meesterlijk
weerspiegeld.
Dies
es Concertino für
Altsaxophon und
Blasorchester basiert auf
einer japanischen Sage:
Aus Ärger über
ihren Bruder Susanowa,
den Gott des Sturms,
versteckt sich die
Sonnengöttin Amaterasu
in einer Höhle und
kann erst durch den Tanz
von Uzume, der Göttin
der Freude, wieder
hervorgelockt werden. Mit
ihr kehrt auch das Licht
wieder auf die Erde
zurück. Piet
Swerts’
anspruchsvolles und
abwechslungsreiches Werk
besteht aus einem
konzertanten Dialog
zwischen dem Solisten und
dem Orchester. Lebhafte
und lyrische Themen, ein
sehr melodischer
Mittelteil, Blues und
Marsch ähnliche Motive
sowie östliche
Anklänge sind eine
lohnende Herausforderung
für Saxophonisten und
bieten vielAbwechslung
für das gesamte
Blasorchester.
Dance of
Uzume è un dialogo
virtuoso e lirico tra il
solista e
l’accompagnamento.
La trama si sviluppa su
un tempo unico e rapido.
Questo concertino narra
un episodio della
mitologia giapponese.
Devastata dai misfatti di
suo fratello Susanowo,
Dio del vento e delle
tempeste, Amaterasu, Dea
del Sole, si rifugia in
una caverna, privando il
mondo della luce. Non
sopportando più
l’oscurit , gli
altri Dei si riuniscono
davanti
all’entrata della
caverna per trovare un
mezzo per farla uscire.
Uzume, la Dea della
gioia, inizia una danza
frenetica. Intrigata,
Amaterasu appare
all’entrata e il
mondo ritrova la luce del
sole.
Composed by Doug Spata.
Masterworks; Performance
Music Ensemble; Single
Titles; String Orchestra.
Highland/Etling String
Orchestra. Masterwork
Arrangement. Score and
Part(s). 128 pages.
Duration 4:50.
Highland/Etling
#00-48096. Published by
Highland/Etling
(AP.48096).
ISBN
9781470656676. UPC:
038081550954.
English.
The
mystical atmosphere of
Greece's coastal caves,
which shine with dazzling
iridescent blue light
through crystal-clear
waters, is the
inspiration of this rich,
cinematic selection.
Students will be
challenged to maintain a
balanced, warm tone
throughout, with a slow
tempo and increased part
independence. But they'll
adore the flowing,
interlocking streams of
dreamlike melody in all
the parts and an ominous
sense of tension and
release that builds to a
rewarding conclusion. An
optional harp part is
included. The Blue Caves
of Zakynthos, by Doug
Spata, is a great way for
advanced orchestras to
work on higher-level
musicianship skills, and
it will be a stunning
showpiece in any concert
program. (4:50).
Composed by Doug Spata.
Masterworks; Performance
Music Ensemble; Single
Titles; String Orchestra.
Highland/Etling String
Orchestra. Masterwork
Arrangement. Score. 12
pages. Duration 4:50.
Highland/Etling
#00-48096S. Published by
Highland/Etling
(AP.48096S).
ISBN
9781470656683. UPC:
038081550961.
English.
The
mystical atmosphere of
Greece's coastal caves,
which shine with dazzling
iridescent blue light
through crystal-clear
waters, is the
inspiration of this rich,
cinematic selection.
Students will be
challenged to maintain a
balanced, warm tone
throughout, with a slow
tempo and increased part
independence. But they'll
adore the flowing,
interlocking streams of
dreamlike melody in all
the parts and an ominous
sense of tension and
release that builds to a
rewarding conclusion. An
optional harp part is
included. The Blue Caves
of Zakynthos, by Doug
Spata, is a great way for
advanced orchestras to
work on higher-level
musicianship skills, and
it will be a stunning
showpiece in any concert
program. (4:50).
Watermelon Sugar Instrumentation Flexible [Conducteur] - Facile De Haske Publications
6-Part Flexible Band - Grade 3 SKU: BT.DHP-1206311-215 As performed by...(+)
6-Part Flexible Band -
Grade 3
SKU:
BT.DHP-1206311-215
As performed by Harry
Styles. Arranged by
Mike Sheppard. Flexible 6
Series. Pop and Rock.
Score Only. Composed
2021. 9 pages. De Haske
Publications #DHP
1206311-215. Published by
De Haske Publications
(BT.DHP-1206311-215).
English-German-French-
Dutch.
Watermelo
n Sugar was the
summer hit of the year
2020. It is a song by the
British singer-songwriter
Harry Styles, who felt
inspired by the title of
the American novel In
Watermelon Sugar
(1968) by Richard
Brautigan.The melody of
the chorus had already
taken form during
â??Live on Tourâ??, the
debut tour that Styles
embarked on in September
2017, finishing in July
the following year. On a
free day, Harry and his
band went to The Cave
Studio inNashville, where
they created the chorus
melody. It is said that
the song is about
Stylesâ?? ex-girlfriend
Camille Rowe. Mike
Sheppard arranged this
catchy tune for a
flexible (six-part)
ensemble as a lasting
memory of
theextraordinary year
2020.
Watermelo
n Sugar war der
Sommerhit des Jahres
2020. Das Lied stammt von
dem britischen
Singer-Songwriter Harry
Styles, der sich vom
Titel des amerikanischen
Romans In Watermelon
Sugar (1968) von
Richard
Brautiganinspirieren
lieÃ?. Die Melodie des
Refrains nahm bereits
während seiner
Debüt-Tournee Gestalt
an, die von September
2017 bis zum Juli des
darauffolgenden Jahres
dauerte. An einem freien
Tag ging er mit seiner
Band ins Cave Studioin
Nashville, wo die Melodie
des Refrains entstand.
Das Lied soll von seiner
Ex-Freundin Camille Rowe
handeln. Mike Sheppard
arrangierte diesen
Ohrwurm für ein
flexibles
(sechsstimmiges) Ensemble
als bleibende Erinnerung
an
dasau�ergewöhnliche
Jahr
2020.
Cango Caves Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Alfred Publishing
By Ralph Ford. By Ralph Ford. For Concert Band. Concert Band. Belwin Very Beginn...(+)
By Ralph Ford. By Ralph
Ford. For Concert Band.
Concert Band. Belwin Very
Beginning Band. Level:
Very Easy (grade 1/2-I).
Conductor Score, Parts &
CD. 184 pages. Duration
1:50. Published by Alfred
Publishing.
By Carolyn Miller. For Piano. Composers In Focus. Delightful pieces are sure to ...(+)
By Carolyn Miller. For
Piano. Composers In
Focus. Delightful pieces
are sure to become
favorites with students
everywhere. Contents
include: Sailing; Under
Shooting Stars;
Mysterious Cavern; Dance
of the Leprechauns; Song
for a Princess; A Little
Bit of Jazz. Level: Early
Intermediate. Book.
Published by The FJH
Music Company, Inc.
Secret Caverns Orchestre d'harmonie - Débutant Excelcia Music Publishing
Concert Band - Grade 0.5 SKU: XC.PCB2402 Composed by Sean O'Loughlin. Pre...(+)
Concert Band - Grade 0.5
SKU: XC.PCB2402
Composed by Sean
O'Loughlin. Prelude Grade
.5. Contest/Festival. Set
of parts. Excelcia Music
Publishing #PCB2402.
Published by Excelcia
Music Publishing
(XC.PCB2402).
9 x 12
inches.
Sean
O'Loughlin takes us on a
dark and spooky adventure
through ancient caverns
in this fun, engaging,
and accessible work for
the beginning concert
band. Using only the
first 6 notes of the Bb
scale, this one is sure
to impress your audience
at their first
concert.
Fire Caves of Golgathon Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Alfred Publishing
By Ralph Ford. By Ralph Ford. For Concert Band. Concert Band. Belwin Very Begin...(+)
By Ralph Ford. By Ralph
Ford. For Concert Band.
Concert Band. Belwin Very
Beginning Band. Level:
Very Easy (grade .5).
Conductor Score & Parts.
Duration 2:27:00.
Published by Alfred
Publishing.
Recorder Trio (Recorder) - very easy to easy SKU: HL.49008326 Easy Rec...(+)
Recorder Trio (Recorder)
- very easy to easy
SKU: HL.49008326
Easy Recorder Trios
Volume 2. Arranged by
Rainer Butz. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Playing score.
24 pages. Schott Music
#ED9177. Published by
Schott Music
(HL.49008326).
ISBN
9790001126830. UPC:
073999340464.
9.0x12.0x0.1
inches.
This
selection of well-known
and loved folk melodies
is aimed particularly at
teaching ensemble playing
to beginners, either in
class or in smaller
groups. Morning has
broken * Alas my love
(Greensleeves) * A
Londonderry air * The
last rose of summer *
Scarborough Fair *
Amazing grace * My Bonny
is over the ocean *
Should auld acquaintance
be forgot (Auld lang
syne) * I come from
Alabama * Swanee River *
Buffalo Gals * Banks of
the Ohio * Red River
Valley * In a cavern *
She'll be coming round
the mountain * Polly
Wolly Doodle * John
Brown's body * Turkey in
the straw * Garryowen *
Yankee Doodle. For three
soprano recorders.
Cango Caves Orchestre d'harmonie [Conducteur] - Débutant Alfred Publishing
By Ralph Ford. By Ralph Ford. For Concert Band. Concert Band. Belwin Very Beginn...(+)
By Ralph Ford. By Ralph
Ford. For Concert Band.
Concert Band. Belwin Very
Beginning Band. Level: .5
(Very Easy) (grade .5).
Conductor Score. 16
pages. Published by
Alfred Publishing.
Secret Caverns Orchestre d'harmonie [Conducteur] - Débutant Excelcia Music Publishing
Concert Band - Grade 0.5 SKU: XC.PCB2402FS Composed by Sean O'Loughlin. P...(+)
Concert Band - Grade 0.5
SKU: XC.PCB2402FS
Composed by Sean
O'Loughlin. Prelude Grade
.5. Contest/Festival.
Score. Excelcia Music
Publishing #PCB2402FS.
Published by Excelcia
Music Publishing
(XC.PCB2402FS).
9 x 12
inches.
Sean
O'Loughlin takes us on a
dark and spooky adventure
through ancient caverns
in this fun, engaging,
and accessible work for
the beginning concert
band. Using only the
first 6 notes of the Bb
scale, this one is sure
to impress your audience
at their first
concert.
(Traditional Tunes From Scotland and Ireland). By Abby Newton. For Cello. Solos....(+)
(Traditional Tunes From
Scotland and Ireland). By
Abby Newton. For Cello.
Solos. Celtic/Irish.
Beginning-Intermediate.
Book. 64 pages. Published
by Mel Bay Publications,
Inc
Piano SKU: LM.28668D Composed by Charles Herve and Jacqueline Pouillard. ...(+)
Piano
SKU:
LM.28668D
Composed by
Charles Herve and
Jacqueline Pouillard. De
Bach a nos jours.
Classical. CD. Editions
Henry Lemoine #28668D.
Published by Editions
Henry Lemoine
(LM.28668D).
ISBN
9790231701647.
BACH
C.P.E. : Andante - BACH
J.C. : Andante (Sonate
Op.5 n. 2) - BACH W.F. :
Menuet - BACH J.S. :
Gavotte (Suite anglaise
en Sol mineur) - Menuet
(Suite francaise en Si
mineur) - BADINGS :
Scherzo Pastorale -
BARTOK : For Children
Vol.1 n. 29 - For
Children Vol.2 n. 27 -
For Children Vol.2 n. 33
- Lied (Mikrokosmos n.
116) - Nocturne
(Mikrokosmos n. 97) -
BEETHOVEN : Bagatelle
Op.33 n. 3 - Tempo di
menuetto (Sonate n. 20) -
BURGMULLER : Berceuse -
CHOPIN : Polonaise en Sol
mineur - CONSTANTINESCU :
Le Renard et le corbeau -
FRANCK : Canon - GRIEG :
Arietta - HAENDEL :
Courante - HAYDN : Sonate
en Sol majeur (Hob XVI
:G1) - HELLER : Etude
Op.47 n. 9 - HUMMEL :
Scherzo - IBERT : Premier
bal - KULLAK : Tanzchen
im freien - LIGETI :
Musica ricercata (n. IV
Tempo di valse) -
MENDELSOHN : Romance
(Kinderstuck Op.72 n. 2)
- MOZART : Rondo
(Sonatine viennoise en Re
majeur) - PROKOFIEFF :
Cortege de sauterelles -
Sur les pres la lune se
promene - REGER : A
toutes jambes - REGNER :
Dans la caverne - ROSSI :
Andantino - SCHUBERT :
Allegretto en Ut mineur -
SCHULHOFF : Invention
Op.36 n. 10 - SCHUMANN :
Theme et variations (1re
sonatine) - STOLZEL :
Menuet - TCHAIKOVSKI : La
Sorciere dans la foret -
TURINA : L'Enfant
s'endort - Boite a
musique.
Choral SATB choir SKU: CF.CM9606 Composed by Paul Salerni. Fold. Performa...(+)
Choral SATB choir
SKU:
CF.CM9606
Composed by
Paul Salerni. Fold.
Performance. 8 pages.
Duration 3 minutes, 17
seconds. Carl Fischer
Music #CM9606. Published
by Carl Fischer Music
(CF.CM9606).
ISBN
9781491154281. UPC:
680160912780. 6.875 x
10.5 inches. Key: C
major. English. Charles
A. Coffin
(1844-1926).
Be
thlehem Carol was
the result of a
commission in 2000 from
the Cathedral Church of
the Nativity in
Bethlehem, Pennsylvania.
The request came from the
Cathedrals music
director, Russell
Jackson; he had very much
liked the Italian
Fable cum Violin
Concerto (The Big
Sword and the Little
Broom) I had written in
1997 for the Lehigh
Valley Chamber Orchestra.
Russell chose the text by
Charles Coffin, a French
poet and educator whose
hymn verses were often
translated into English.
My approach toward
setting the poem was my
usual one; that is, to
translate literally the
words into music (note
the dips into the minor
mode for the cave of
Bethlehem and the child
of poverty.) But most of
all, I wanted to capture
the sense of joy and
peace brought by the
arrival of the Christ
Child. Bethlehem
Carol was the result
of a commission in 2000
from the Cathedral Church
of the Nativity in
Bethlehem, Pennsylvania.
The request came from the
Cathedralas music
director, Russell
Jackson; he had very much
liked the Italian
Fable cum Violin
Concerto (The Big
Sword and the Little
Broom) I had written in
1997 for the Lehigh
Valley Chamber Orchestra.
Russell chose the text by
Charles Coffin, a French
poet and educator whose
hymn verses were often
translated into English.
My approach toward
setting the poem was my
usual one; that is, to
translate literally the
words into music (note
the dips into the minor
mode for athe cave of
Bethlehema and athe child
of poverty.a)A But most
of all, I wanted to
capture the sense of joy
and peace brought by the
arrival of the Christ
Child. Bethlehem
Carol was the result
of a commission in 2000
from the Cathedral Church
of the Nativity in
Bethlehem, Pennsylvania.
The request came from the
Cathedral's music
director, Russell
Jackson; he had very much
liked the Italian
Fable cum Violin
Concerto (The Big
Sword and the Little
Broom) I had written in
1997 for the Lehigh
Valley Chamber Orchestra.
Russell chose the text by
Charles Coffin, a French
poet and educator whose
hymn verses were often
translated into English.
My approach toward
setting the poem was my
usual one; that is, to
translate literally the
words into music (note
the dips into the minor
mode for the cave of
Bethlehem and the child
of poverty.) But most of
all, I wanted to capture
the sense of joy and
peace brought by the
arrival of the Christ
Child. Bethlehem Carol
was the result of a
commission in 2000 from
the Cathedral Church of
the Nativity in
Bethlehem, Pennsylvania.
The request came from the
Cathedral's music
director, Russell
Jackson; he had very much
liked the Italian Fable
cum Violin Concerto (The
Big Sword and the Little
Broom) I had written in
1997 for the Lehigh
Valley Chamber Orchestra.
Russell chose the text by
Charles Coffin, a French
poet and educator whose
hymn verses were often
translated into English.
My approach toward
setting the poem was my
usual one; that is, to
translate literally the
words into music (note
the dips into the minor
mode for the cave of
Bethlehem and the child
of poverty.) But most of
all, I wanted to capture
the sense of joy and
peace brought by the
arrival of the Christ
Child. Bethlehem Carol
was the result of a
commission in 2000 from
the Cathedral Church of
the Nativity in
Bethlehem, Pennsylvania.
The request came from the
Cathedral’s music
director, Russell
Jackson; he had very much
liked the Italian Fable
cum Violin Concerto (The
Big Sword and the Little
Broom) I had written in
1997 for the Lehigh
Valley Chamber Orchestra.
Russell chose the text by
Charles Coffin, a French
poet and educator whose
hymn verses were often
translated into English.
My approach toward
setting the poem was my
usual one; that is, to
translate literally the
words into music (note
the dips into the minor
mode for “the cave
of Bethlehem†and
“the child of
poverty.â€) But
most of all, I wanted to
capture the sense of joy
and peace brought by the
arrival of the Christ
Child.
Dragon Fight Orchestre d'harmonie - Facile Hal Leonard
Concert Band (Score) - Level 2.5 SKU: HL.4007993 For Concert Band, Gra...(+)
Concert Band (Score) -
Level 2.5
SKU:
HL.4007993
For
Concert Band, Grade 2.5
Score. Composed by
Otto M. Schwarz. Concert.
Softcover. Duration 435
seconds. Hal Leonard
#SDP0812101. Published by
Hal Leonard (HL.4007993).
At the best
viewpoint over the Alps
of Liechtenstein, the
village of Guflina is
situated. Underneath the
overhanging ledge, there
is said to have been a
cave in the mountain. In
it lived a terrible
dragon that was on the
rampage on the
surrounding meadows,
spreading fear and terror
among the population. At
the same time there lived
a giant man up in
Guflina, who had the
strength of twelve normal
men. The farmers implored
him to help them in their
distress. The giant
ventured to fight the
dragon and was lying in
wait above the cave. When
the dragon refused to
appear, the giant threw
stones into the entrance
of the cave. They got
into a fight, which the
giant only just won with
difficulty. Since that
day, people have lived in
peace and prosperity.
Odysseia Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1084443-140 Based on Homer...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1084443-140
Based on Homer-s
Odyssey. Composed by
Maxime Aulio. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2008. 52
pages. De Haske
Publications #DHP
1084443-140. Published by
De Haske Publications
(BT.DHP-1084443-140).
9x12 inches.
English-German-French-Dut
ch.
Washed up on
the Phaeacian shore after
a shipwreck, Odysseus is
introduced to King
Alcinous. As he sits in
the palace, he tells the
Phaeacians of his
wanderings since leaving
Troy. Odysseus and his
men fi rst landed on the
island of the Cicones
wherethey sacked the city
of Ismarus. From there,
great storms swept them
to the land of the
hospitable Lotus Eaters.
Then they sailed to the
land of the Cyclopes.
Odysseus and twelve of
his men entered the cave
of Polyphemus. After the
single-eyed giantmade
handfuls of his men into
meals, Odysseus fi nally
defeated him. He got him
drunk and once he had
fallen asleep, he and his
men stabbed a glowing
spike into the
Cyclop’s single
eye, completely blinding
him. They escaped by
clinging to the belliesof
some sheep. Once aboard,
Odysseus taunted the
Cyclop by revealing him
his true identity.
Enraged, Polyphemus
hurled rocks at the ship,
trying to sink it. After
leaving the
Cyclopes’ island,
they arrived at the home
of Aeolus, ruler of the
winds.Aeolus off ered
Odysseus a bag trapping
all the strong winds
within except one - the
one which would take him
straight back to Ithaca.
As the ship came within
sight of Ithaca, the
crewmen, curious about
the bag, decided to open
it. The winds escapedand
stirred up a storm.
Odysseus and his crew
came to the land of the
cannibalistic
Laestrygonians, who sank
all but one of the ships.
The survivors went next
to Aeaea, the island of
the witch-goddess Circe.
Odysseus sent out a
scouting party butCirce
turned them into pigs.
With the help of an
antidote the god Hermes
had given him, Odysseus
managed to overpower the
goddess and forced her to
change his men back to
human form. When it was
time for Odysseus to
leave, Circe told him to
sail tothe realm of the
dead to speak with the
spirit of the seer
Tiresias. One
day’s sailing took
them to the land of the
Cimmerians. There, he
performed sacrifi ces to
attract the souls of the
dead. Tiresias told him
what would happen to him
next. He thengot to talk
with his mother,
Anticleia, and met the
spirits of Agamemnon,
Achilles, Patroclus,
Antilochus, Ajax and
others. He then saw the
souls of the damned
Tityos, Tantalus, and
Sisyphus. Odysseus soon
found himself mobbed by
souls. He
becamefrightened, ran
back to his ship, and
sailed away. While back
at Aeaea, Circe told him
about the dangers he
would have to face on his
way back home. She
advised him to avoid
hearing the song of the
Sirens; but if he really
felt he had to hear,
thenhe should be tied to
the mast of the ship,
which he did. Odysseus
then successfully steered
his crew past Charybdis
(a violent whirlpool) and
Scylla (a multiple-headed
monster), but Scylla
managed to devour six of
his men. Finally,
Odysseus and hissurviving
crew approached the
island where the Sun god
kept sacred cattle.
Odysseus wanted to sail
past, but the crewmen
persuaded him to let them
rest there. Odysseus
passed Circe’s
counsel on to his men.
Once he had fallen
asleep, his men
impiouslykilled and ate
some of the cattle. When
the Sun god found out, he
asked Zeus to punish
them. Shortly after they
set sail from the island,
Zeus destroyed the ship
and all the men died
except for Odysseus.
After ten days, Odysseus
was washed up on
theisland of the nymph
Calypso.
Nachdem
er an die Küste der
Phäaker gespült
wurde, wird Odysseus dem
König Akinoos
vorgestellt. In dessen
Palast erzählt er den
Phäakern von den
Fahrten nach seiner
Abreise aus Troja.
Odysseus und seine
Männer landen
zunächst auf
denKikonen, einer
Inselgruppe, wo sie die
Stadt Ismaros einnehmen.
Von dort aus treiben sie
mächtige Stürme
zum Land der
gastfreundlichen
Lotophagen
(Lotos-Essern). Dann
segeln sie zum Land der
Kyklopen (Zyklopen).
Odysseus und seine
zwölf Mannenbetreten
die Höhle von
Poloyphem, dem Sohn
Poseidons. Nachdem dieser
einige der Männer
verspeist hat,
überwaÃ…Nltigt
ihn Odysseus, indem er
ihn betrunken macht und
dann mit einem
glühenden Spieß
in dessen einziges Auge
sticht und ihn
somitblendet. Odysseus
und die übrigen
Männer fl iehen an den
Bäuchen von Schafen
hängend. Wieder an
Bord, provoziert Odysseus
den Zyklopen, indem er
ihm seine wahre
Identität verrät.
Wütend bewirft
Polyphem das Schiff mit
Steinen undversucht, es
zu versenken. Nachdem sie
die Insel der Kyklopen
verlassen haben, kommen
Odysseus und seine Mannen
ins Reich von Aiolos, dem
Herr der Winde. Aiolos
schenkt ihm einen Beutel,
in dem alle Winde
eingesperrt sind,
außer dem, der ihn
direktzurück nach
Ithaka treiben soll. Als
das Schiff in Sichtweite
von Ithaka ist, öff
nen die neugierigen
Seemänner den
Windsack. Die Winde entfl
iehen und erzeugen einen
Sturm. Odysseus und seine
Mannschaft verschlägt
es ins Land
derkannibalischen
Laistrygonen, die alle
ihre Schiff e, bis auf
eines, versenken. Die
Ãœberlebenden reisen
weiter nach Aiaia, der
Insel der Zauberin Kirke.
Odysseus sendet einen
Spähtrupp aus, der von
Kirke aber in Schweine
verwandelt wird. Mit
Hilfeeines Gegenmittels
vom Götterboten Hermes
kann Odysseus Kirke
überwaÃ…Nltigen
und er zwingt sie, seinen
Gefährten wieder ihre
menschliche Gestalt
zurückzugeben. Als
er wieder aufbrechen
will, rät Kirke ihm,
den Seher Teiresias in
derUnterwelt aufzusuchen
und zu befragen. Eine
Tagesreise führt
sie dann ins Land der
Kimmerer, nahe dem
Eingang des Hades. Dort
bringt Odysseus Opfer, um
die Seelen der Toten
anzurufen. Teireisas sagt
ihm sein Schicksal
voraus. Dann darf
Odysseusmit seiner Mutter
Antikleia und den Seelen
von Agamemnon, Achilles,
Patroklos, Antilochus,
Ajax und anderen Toten
sprechen. Dann sieht er
die Seelen der Verdammten
Tityos, Tantalos und
Sisyphos. Bald wird
Odysseus selbst von den
Seelen gequält,
kehrtvoll Angst zu seinem
Schiff zurück und
segelt davon. In Aiaia
hatte Kirke ihn vor den
drohenden Gefahren der
Heimreise gewarnt. Sie
riet ihm, den Gesang der
Sirenen zu vermeiden,
wenn er aber unbedingt
zuhören müsse,
solle er sich an denMast
seines Schiff es bindet
lassen, was er dann auch
tut. Dann führt
Odysseus seine Mannschaft
erfolgreich durch die
Meerenge zwischen Skylla
und Charybdis, wobei
Skylla jedoch sechs
seiner Männer
verschlingt.
Schließlich erreichen
Odysseusund die
überlebende
Besatzung die Insel, auf
der der Sonnengott Helios
heiliges Vieh hält.
Odysseus will
weitersegeln, aber seine
Mannschaft
überredet ihn zu
einer Rast. Odysseus
erzählt ihnen von
Kirkes Warnung, aber
kaum, dass
ereingeschlafen ist,
töten die Männer in
gotteslästerlicher
Weise einige Rinder und
verspeisen sie. Als
Helios dies entdeckt,
bittet er Zeus, sie zu
bestrafen. Kurz nachdem
sie die Segel für
die Abreise von der Insel
gesetzt haben,
zerstört Zeusdas
Schiff und alle außer
Odysseus sterben. Nach
zehn Tagen wird Odysseus
an den Strand der Insel
der Nymphe Kalypso
angespült.
Cello SKU: HL.50601597 Cello Solo Exempla Nova 675. Composed by Mi...(+)
Cello
SKU:
HL.50601597
Cello
Solo Exempla Nova
675. Composed by
Michaela Rea Catranis.
String. Classical.
Softcover. 12 pages.
Sikorski #SIK8875.
Published by Sikorski
(HL.50601597).
8.0x11.75
inches.
German
text. The title
“Jeita†has a
double meaning. Firstly,
Jeita is the name of a
district in Lebanon,
noted for the karstic
limestone cavernsin the
almost nine-kilometre
wide Nahr a-Kalb Valley.
Secondly, the roots of
the word
“Jeita†are
also found in the Aramaic
word
“GeÂ’ittsâ€
, which means
“roaring†or
“noiseâ€.
Michaela Rea Catranis had
a cave as the symbol of
isolation and creativity
in mind whilst composing
her work for cello solo.
“A quiet, hidden
place of
self-observationâ€,
as the composer says. In
addition, the
“roaring†in
this piece plays an
important role; Catranis
calls it “a
primordial, energising,
deep-bellied and
life-giving roar, notan
aggressive one. It
represents the impulse of
creative energy: both the
instinct to create and
the flow of energy
awakened throughthe
process of
creation.â€.
Odysseia Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1084443-010 Based on Homer...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1084443-010
Based on Homer-s
Odyssey. Composed by
Maxime Aulio. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2008.
De Haske Publications
#DHP 1084443-010.
Published by De Haske
Publications
(BT.DHP-1084443-010).
9x12 inches.
English-German-French-Dut
ch.
Washed up on
the Phaeacian shore after
a shipwreck, Odysseus is
introduced to King
Alcinous. As he sits in
the palace, he tells the
Phaeacians of his
wanderings since leaving
Troy. Odysseus and his
men fi rst landed on the
island of the Cicones
wherethey sacked the city
of Ismarus. From there,
great storms swept them
to the land of the
hospitable Lotus Eaters.
Then they sailed to the
land of the Cyclopes.
Odysseus and twelve of
his men entered the cave
of Polyphemus. After the
single-eyed giantmade
handfuls of his men into
meals, Odysseus fi nally
defeated him. He got him
drunk and once he had
fallen asleep, he and his
men stabbed a glowing
spike into the
Cyclop’s single
eye, completely blinding
him. They escaped by
clinging to the belliesof
some sheep. Once aboard,
Odysseus taunted the
Cyclop by revealing him
his true identity.
Enraged, Polyphemus
hurled rocks at the ship,
trying to sink it. After
leaving the
Cyclopes’ island,
they arrived at the home
of Aeolus, ruler of the
winds.Aeolus off ered
Odysseus a bag trapping
all the strong winds
within except one - the
one which would take him
straight back to Ithaca.
As the ship came within
sight of Ithaca, the
crewmen, curious about
the bag, decided to open
it. The winds escapedand
stirred up a storm.
Odysseus and his crew
came to the land of the
cannibalistic
Laestrygonians, who sank
all but one of the ships.
The survivors went next
to Aeaea, the island of
the witch-goddess Circe.
Odysseus sent out a
scouting party butCirce
turned them into pigs.
With the help of an
antidote the god Hermes
had given him, Odysseus
managed to overpower the
goddess and forced her to
change his men back to
human form. When it was
time for Odysseus to
leave, Circe told him to
sail tothe realm of the
dead to speak with the
spirit of the seer
Tiresias. One
day’s sailing took
them to the land of the
Cimmerians. There, he
performed sacrifi ces to
attract the souls of the
dead. Tiresias told him
what would happen to him
next. He thengot to talk
with his mother,
Anticleia, and met the
spirits of Agamemnon,
Achilles, Patroclus,
Antilochus, Ajax and
others. He then saw the
souls of the damned
Tityos, Tantalus, and
Sisyphus. Odysseus soon
found himself mobbed by
souls. He
becamefrightened, ran
back to his ship, and
sailed away. While back
at Aeaea, Circe told him
about the dangers he
would have to face on his
way back home. She
advised him to avoid
hearing the song of the
Sirens; but if he really
felt he had to hear,
thenhe should be tied to
the mast of the ship,
which he did. Odysseus
then successfully steered
his crew past Charybdis
(a violent whirlpool) and
Scylla (a multiple-headed
monster), but Scylla
managed to devour six of
his men. Finally,
Odysseus and hissurviving
crew approached the
island where the Sun god
kept sacred cattle.
Odysseus wanted to sail
past, but the crewmen
persuaded him to let them
rest there. Odysseus
passed Circe’s
counsel on to his men.
Once he had fallen
asleep, his men
impiouslykilled and ate
some of the cattle. When
the Sun god found out, he
asked Zeus to punish
them. Shortly after they
set sail from the island,
Zeus destroyed the ship
and all the men died
except for Odysseus.
After ten days, Odysseus
was washed up on
theisland of the nymph
Calypso.
Nachdem
er an die Küste der
Phäaker gespült
wurde, wird Odysseus dem
König Akinoos
vorgestellt. In dessen
Palast erzählt er den
Phäakern von den
Fahrten nach seiner
Abreise aus Troja.
Odysseus und seine
Männer landen
zunächst auf
denKikonen, einer
Inselgruppe, wo sie die
Stadt Ismaros einnehmen.
Von dort aus treiben sie
mächtige Stürme
zum Land der
gastfreundlichen
Lotophagen
(Lotos-Essern). Dann
segeln sie zum Land der
Kyklopen (Zyklopen).
Odysseus und seine
zwölf Mannenbetreten
die Höhle von
Poloyphem, dem Sohn
Poseidons. Nachdem dieser
einige der Männer
verspeist hat,
überwaÃ…Nltigt
ihn Odysseus, indem er
ihn betrunken macht und
dann mit einem
glühenden Spieß
in dessen einziges Auge
sticht und ihn
somitblendet. Odysseus
und die übrigen
Männer fl iehen an den
Bäuchen von Schafen
hängend. Wieder an
Bord, provoziert Odysseus
den Zyklopen, indem er
ihm seine wahre
Identität verrät.
Wütend bewirft
Polyphem das Schiff mit
Steinen undversucht, es
zu versenken. Nachdem sie
die Insel der Kyklopen
verlassen haben, kommen
Odysseus und seine Mannen
ins Reich von Aiolos, dem
Herr der Winde. Aiolos
schenkt ihm einen Beutel,
in dem alle Winde
eingesperrt sind,
außer dem, der ihn
direktzurück nach
Ithaka treiben soll. Als
das Schiff in Sichtweite
von Ithaka ist, öff
nen die neugierigen
Seemänner den
Windsack. Die Winde entfl
iehen und erzeugen einen
Sturm. Odysseus und seine
Mannschaft verschlägt
es ins Land
derkannibalischen
Laistrygonen, die alle
ihre Schiff e, bis auf
eines, versenken. Die
Ãœberlebenden reisen
weiter nach Aiaia, der
Insel der Zauberin Kirke.
Odysseus sendet einen
Spähtrupp aus, der von
Kirke aber in Schweine
verwandelt wird. Mit
Hilfeeines Gegenmittels
vom Götterboten Hermes
kann Odysseus Kirke
überwaÃ…Nltigen
und er zwingt sie, seinen
Gefährten wieder ihre
menschliche Gestalt
zurückzugeben. Als
er wieder aufbrechen
will, rät Kirke ihm,
den Seher Teiresias in
derUnterwelt aufzusuchen
und zu befragen. Eine
Tagesreise führt
sie dann ins Land der
Kimmerer, nahe dem
Eingang des Hades. Dort
bringt Odysseus Opfer, um
die Seelen der Toten
anzurufen. Teireisas sagt
ihm sein Schicksal
voraus. Dann darf
Odysseusmit seiner Mutter
Antikleia und den Seelen
von Agamemnon, Achilles,
Patroklos, Antilochus,
Ajax und anderen Toten
sprechen. Dann sieht er
die Seelen der Verdammten
Tityos, Tantalos und
Sisyphos. Bald wird
Odysseus selbst von den
Seelen gequält,
kehrtvoll Angst zu seinem
Schiff zurück und
segelt davon. In Aiaia
hatte Kirke ihn vor den
drohenden Gefahren der
Heimreise gewarnt. Sie
riet ihm, den Gesang der
Sirenen zu vermeiden,
wenn er aber unbedingt
zuhören müsse,
solle er sich an denMast
seines Schiff es bindet
lassen, was er dann auch
tut. Dann führt
Odysseus seine Mannschaft
erfolgreich durch die
Meerenge zwischen Skylla
und Charybdis, wobei
Skylla jedoch sechs
seiner Männer
verschlingt.
Schließlich erreichen
Odysseusund die
überlebende
Besatzung die Insel, auf
der der Sonnengott Helios
heiliges Vieh hält.
Odysseus will
weitersegeln, aber seine
Mannschaft
überredet ihn zu
einer Rast. Odysseus
erzählt ihnen von
Kirkes Warnung, aber
kaum, dass
ereingeschlafen ist,
töten die Männer in
gotteslästerlicher
Weise einige Rinder und
verspeisen sie. Als
Helios dies entdeckt,
bittet er Zeus, sie zu
bestrafen. Kurz nachdem
sie die Segel für
die Abreise von der Insel
gesetzt haben,
zerstört Zeusdas
Schiff und alle außer
Odysseus sterben. Nach
zehn Tagen wird Odysseus
an den Strand der Insel
der Nymphe Kalypso
angespült.