Performed by Elton John. For keyboard (right hand only) and voice. Format: easy ...(+)
Performed by Elton John.
For keyboard (right hand
only) and voice. Format:
easy piano/vocal/chords
songbook. With vocal
melody, lyrics, chord
names and big note
notation. Rock and pop
rock. Series: Hal Leonard
E-Z Play Today. 224
pages. 9x12 inches.
Published by Hal Leonard
(Music and Lyrics for 100 Classic Songs). By Various. For Piano/Vocal/Guitar. Pi...(+)
(Music and Lyrics for 100
Classic Songs). By
Various. For
Piano/Vocal/Guitar.
Piano/Vocal/Guitar
Songbook. Softcover. 402
pages. Published by Hal
Leonard
Chorus (with soloists) and orchestra (solos: SAB - choir: SATB - 2.0.0.0 - 0.0.0...(+)
Chorus (with soloists)
and orchestra (solos: SAB
- choir: SATB - 2.0.0.0 -
0.0.0.0 - str - bc)
SKU: BR.BV-209
Composed by Johann
Sebastian Bach. Edited by
Hafner,Klaus and Oswald
Bill. Choir; Linen.
Buchverlag Breitkopf &
Hartel (Music Books).
Mass; Baroque. Book. 64
pages. Duration 38'.
Breitkopf and Haertel #BV
209. Published by
Breitkopf and Haertel
(BR.BV-209).
ISBN
9783765102097. 9 x 14.5
inches. German.
The
Publication in facsimile
of the auto graphic copy
of Johann Sebastian
Bach's Mass in A major
BWV 234 at the occasion
of the Bach Anniversary
Year 1985 has been made
possible thanks to the
generous support of the
publishing house which so
carefully preserved this
precious manuscript in
its archives for almost
200 years. The manuscript
was acquired long ago by
Johann Gottlob Immanuel
Breitkopf, the brilliant
and dynamic forefather of
the publishing house
Breitkopf & Hartel, who
conducted a prosperous
business selling music
transcriptions in
Leipzig. It is still
unclear as to how he
obtained the manuscript.
Perhaps it had belonged
to the estate of Wilhelm
Friedemann Bach, from
whom Breitkopf apparently
acquired a part of his
Bach collection. The
earliest reference to the
manuscript's change of
ownership is found in
Breitkopfs Verzeichniss
Musicalischer Werke of
1761, which includes
Bach's Missa, a 2 Flauti,
2 Violini, Viola 4 Voci,
Organo under the listing
of copies of unpublished
compositions. The copy
was available at the
price of 2 thl. (thalers)
12gl. (groschen). A few
years later, in 1769, the
same offer appeared again
together with other works
by Bach or ascribed to
him in the Verzeichniss
lateinischer und
italianischer
Kirchen-Musiken of
Bernhard Christoph
Breitkopf & Sohn. In more
recent times, the work
has been mentioned in
Wilhelm Hitzig's Katalog
des Archivs von Breitkopf
& Hartel, revised in
1925, together with the
continuo part, which was
included with the copy
and which was also
originally written in
Bach's own hand. The
economic reorganization
of the publishing house
Breitkopf & Hartel after
the Second World War made
it necessary to sell the
manuscript together with
other works from the
publisher's archives.
This manuscript was to
have been put up at
auction by the auction
house J. A. Stargardt.
The catalogue, containing
an informative commentary
by Wolfgang Schmieder,
was already printed, but
before the auction could
take place, the land of
Hesse decided to purchase
all the manuscripts, thus
preventing the dispersion
of this valuable
collection. The
manuscript was officially
handed over to the
Hessische Landes- und
Hochschulbibliothek in
Darmstadt on 29 October
1953. The A major Mass is
still preserved there
today, together with its
fellow piece, the Mass in
G major BWV 236.
Chorus (with soloists) and piano (solos: SAB - choir: SATB - 2.0.0.0 - 0.0.0.0 -...(+)
Chorus (with soloists)
and piano (solos: SAB -
choir: SATB - 2.0.0.0 -
0.0.0.0 - str - bc)
SKU: BR.EB-4063
Composed by Johann
Sebastian Bach. Edited by
Salomon Jadassohn.
Arranged by Salomon
Jadassohn. Choir;
Softcover. Edition
Breitkopf. Mass; Baroque.
Piano/Vocal Score. 48
pages. Duration 38'.
Breitkopf and Haertel #EB
4063. Published by
Breitkopf and Haertel
(BR.EB-4063).
ISBN
9790004162224. 7.5 x 10.5
inches.
The
Publication in facsimile
of the auto graphic copy
of Johann Sebastian
Bach's Mass in A major
BWV 234 at the occasion
of the Bach Anniversary
Year 1985 has been made
possible thanks to the
generous support of the
publishing house which so
carefully preserved this
precious manuscript in
its archives for almost
200 years. The manuscript
was acquired long ago by
Johann Gottlob Immanuel
Breitkopf, the brilliant
and dynamic forefather of
the publishing house
Breitkopf & Hartel, who
conducted a prosperous
business selling music
transcriptions in
Leipzig. It is still
unclear as to how he
obtained the manuscript.
Perhaps it had belonged
to the estate of Wilhelm
Friedemann Bach, from
whom Breitkopf apparently
acquired a part of his
Bach collection. The
earliest reference to the
manuscript's change of
ownership is found in
Breitkopfs Verzeichniss
Musicalischer Werke of
1761, which includes
Bach's Missa, a 2 Flauti,
2 Violini, Viola 4 Voci,
Organo under the listing
of copies of unpublished
compositions. The copy
was available at the
price of 2 thl. (thalers)
12gl. (groschen). A few
years later, in 1769, the
same offer appeared again
together with other works
by Bach or ascribed to
him in the Verzeichniss
lateinischer und
italianischer
Kirchen-Musiken of
Bernhard Christoph
Breitkopf & Sohn. In more
recent times, the work
has been mentioned in
Wilhelm Hitzig's Katalog
des Archivs von Breitkopf
& Hartel, revised in
1925, together with the
continuo part, which was
included with the copy
and which was also
originally written in
Bach's own hand. The
economic reorganization
of the publishing house
Breitkopf & Hartel after
the Second World War made
it necessary to sell the
manuscript together with
other works from the
publisher's archives.
This manuscript was to
have been put up at
auction by the auction
house J. A. Stargardt.
The catalogue, containing
an informative commentary
by Wolfgang Schmieder,
was already printed, but
before the auction could
take place, the land of
Hesse decided to purchase
all the manuscripts, thus
preventing the dispersion
of this valuable
collection. The
manuscript was officially
handed over to the
Hessische Landes- und
Hochschulbibliothek in
Darmstadt on 29 October
1953. The A major Mass is
still preserved there
today, together with its
fellow piece, the Mass in
G major BWV 236.
Chorus (with soloists) and orchestra (solos: SAB - choir: SATB - 2.0.0.0 - 0.0.0...(+)
Chorus (with soloists)
and orchestra (solos: SAB
- choir: SATB - 2.0.0.0 -
0.0.0.0 - str - bc)
SKU:
BR.CHB-3477-02
Composed by Johann
Sebastian Bach. Choir;
stapled. Chor-Bibliothek
(Choral Library). Mass;
Baroque. Choral score. 20
pages. Duration 38'.
Breitkopf and Haertel
#ChB 3477-02. Published
by Breitkopf and Haertel
(BR.CHB-3477-02).
ISBN
9790004404218. 6.5 x 9.5
inches.
The
Publication in facsimile
of the auto graphic copy
of Johann Sebastian
Bach's Mass in A major
BWV 234 at the occasion
of the Bach Anniversary
Year 1985 has been made
possible thanks to the
generous support of the
publishing house which so
carefully preserved this
precious manuscript in
its archives for almost
200 years. The manuscript
was acquired long ago by
Johann Gottlob Immanuel
Breitkopf, the brilliant
and dynamic forefather of
the publishing house
Breitkopf & Hartel, who
conducted a prosperous
business selling music
transcriptions in
Leipzig. It is still
unclear as to how he
obtained the manuscript.
Perhaps it had belonged
to the estate of Wilhelm
Friedemann Bach, from
whom Breitkopf apparently
acquired a part of his
Bach collection. The
earliest reference to the
manuscript's change of
ownership is found in
Breitkopfs Verzeichniss
Musicalischer Werke of
1761, which includes
Bach's Missa, a 2 Flauti,
2 Violini, Viola 4 Voci,
Organo under the listing
of copies of unpublished
compositions. The copy
was available at the
price of 2 thl. (thalers)
12gl. (groschen). A few
years later, in 1769, the
same offer appeared again
together with other works
by Bach or ascribed to
him in the Verzeichniss
lateinischer und
italianischer
Kirchen-Musiken of
Bernhard Christoph
Breitkopf & Sohn. In more
recent times, the work
has been mentioned in
Wilhelm Hitzig's Katalog
des Archivs von Breitkopf
& Hartel, revised in
1925, together with the
continuo part, which was
included with the copy
and which was also
originally written in
Bach's own hand. The
economic reorganization
of the publishing house
Breitkopf & Hartel after
the Second World War made
it necessary to sell the
manuscript together with
other works from the
publisher's archives.
This manuscript was to
have been put up at
auction by the auction
house J. A. Stargardt.
The catalogue, containing
an informative commentary
by Wolfgang Schmieder,
was already printed, but
before the auction could
take place, the land of
Hesse decided to purchase
all the manuscripts, thus
preventing the dispersion
of this valuable
collection. The
manuscript was officially
handed over to the
Hessische Landes- und
Hochschulbibliothek in
Darmstadt on 29 October
1953. The A major Mass is
still preserved there
today, together with its
fellow piece, the Mass in
G major BWV 236.
Chorus (with soloists) and orchestra (solos: SAB - choir: SATB - 2.0.0.0 - 0.0.0...(+)
Chorus (with soloists)
and orchestra (solos: SAB
- choir: SATB - 2.0.0.0 -
0.0.0.0 - str - bc)
SKU: BR.BV-217
Composed by Johann
Sebastian Bach. Choir;
Linen. Buchverlag
Breitkopf & Hartel (Music
Books). Mass; Baroque.
Book. 64 pages. Duration
38'. Breitkopf and
Haertel #BV 217.
Published by Breitkopf
and Haertel (BR.BV-217).
ISBN 9783765102172. 9
x 14.5 inches.
English.
The
Publication in facsimile
of the auto graphic copy
of Johann Sebastian
Bach's Mass in A major
BWV 234 at the occasion
of the Bach Anniversary
Year 1985 has been made
possible thanks to the
generous support of the
publishing house which so
carefully preserved this
precious manuscript in
its archives for almost
200 years. The manuscript
was acquired long ago by
Johann Gottlob Immanuel
Breitkopf, the brilliant
and dynamic forefather of
the publishing house
Breitkopf & Hartel, who
conducted a prosperous
business selling music
transcriptions in
Leipzig. It is still
unclear as to how he
obtained the manuscript.
Perhaps it had belonged
to the estate of Wilhelm
Friedemann Bach, from
whom Breitkopf apparently
acquired a part of his
Bach collection. The
earliest reference to the
manuscript's change of
ownership is found in
Breitkopfs Verzeichniss
Musicalischer Werke of
1761, which includes
Bach's Missa, a 2 Flauti,
2 Violini, Viola 4 Voci,
Organo under the listing
of copies of unpublished
compositions. The copy
was available at the
price of 2 thl. (thalers)
12gl. (groschen). A few
years later, in 1769, the
same offer appeared again
together with other works
by Bach or ascribed to
him in the Verzeichniss
lateinischer und
italianischer
Kirchen-Musiken of
Bernhard Christoph
Breitkopf & Sohn. In more
recent times, the work
has been mentioned in
Wilhelm Hitzig's Katalog
des Archivs von Breitkopf
& Hartel, revised in
1925, together with the
continuo part, which was
included with the copy
and which was also
originally written in
Bach's own hand. The
economic reorganization
of the publishing house
Breitkopf & Hartel after
the Second World War made
it necessary to sell the
manuscript together with
other works from the
publisher's archives.
This manuscript was to
have been put up at
auction by the auction
house J. A. Stargardt.
The catalogue, containing
an informative commentary
by Wolfgang Schmieder,
was already printed, but
before the auction could
take place, the land of
Hesse decided to purchase
all the manuscripts, thus
preventing the dispersion
of this valuable
collection. The
manuscript was officially
handed over to the
Hessische Landes- und
Hochschulbibliothek in
Darmstadt on 29 October
1953. The A major Mass is
still preserved there
today, together with its
fellow piece, the Mass in
G major BWV 236.
Performed by Elton John. For voice and piano. Format: easy piano/vocal songbook....(+)
Performed by Elton John.
For voice and piano.
Format: easy piano/vocal
songbook. With easy piano
notation, lyrics and
chord names. Rock and Pop
Rock. 136 pages. 9x12
inches. Published by Hal
Leonard.
Women's Edition. Composed by Various. Vocal Collection. Piece for the NFMC Vocal...(+)
Women's Edition. Composed
by Various. Vocal
Collection. Piece for the
NFMC Vocal event with the
National Federation of
Music Clubs (NFMC)
Festivals Bulletin
2008-2009-2010. Broadway.
Songbook (softcover).
With vocal melody, piano
accompaniment, lyrics and
chord names. 240 pages.
Published by Hal Leonard
Edited by Amy Appleby. Music Sales America. Baroque, Classical Period and World....(+)
Edited by Amy Appleby.
Music Sales America.
Baroque, Classical Period
and World. Softcover
collection (spiral
bound). With fingerings
(does not include words
to the songs). 240 pages.
Music Sales #AM967440.
Published by Music Sales
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.416415760
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Prof. Peter
Schickele. Study Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576. Published by
Theodore Presser Company
(PR.416415760).
UPC:
680160636532. 9 x 12
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Score and Parts Oboe; Percussion; Piano (Score & Parts) SKU: HL.48024348 ...(+)
Score and Parts Oboe;
Percussion; Piano (Score
& Parts)
SKU:
HL.48024348
Two
Pianos, Percussion, Oboe
Score and Parts.
Composed by Ursula
Mamlok. Boosey & Hawkes
Chamber Music. Classical.
Softcover. 56 pages.
Duration 900 seconds.
Bote & Bock #M202535059.
Published by Bote & Bock
(HL.48024348).
Her oboe
concerto was used by
Ursula Mamlok over the
course of several
decades. The first
version with orchestra
she wrote between 1974
and 1976, it was first
performed in 2013 in
Gottingen. In 1980, the
composer created the
second version for oboe,
two piano andpercussion,
which is now available
here as a purchase
edition; this version was
premiered in 1982 at the
Manhattan School of Music
in New York, where Ursula
Mamlok worked for a long
time as a teacher, with
the oboist Henry Schuman
as a soloist. Finally,
Mamlok wrote a third
version with chamber
orchestra accompaniment
in 2003. The three
movements played without
pause still hint at the
structure of the
classical solo concert,
and the oboe also emerges
with several solo
cadenzas. However, the
tonal language is
decidedly modern, with
frequent use of
multiphonics and
dramatic-noisy
percussion.