By Oscar Hammerstein, Richard Rodgers. Arranged by Joy Ondra Hirokawa. (3 Part Treble). Creating Artistry. Size 6.75x10.5 inches. 16 pages. Published by Hal Leonard.

By Giovanni Battista Pergolesi. Edited by Richard Proulx. Arranged by Richard: Realization Proulx. For Voices: SAB. Instruments: Basso continuo (cello, bassoon, double bass); 2 trumpets in B or C (instruments optional). Ars Antiqua Choralis Series Sacred. 6 pages. Published by GIA Publications.
Level: easy.

Composed by Richard A. Williamson. Choral. Octavo. Lorenz Publishing Company #15/3455H. Published by Lorenz Publishing Company (LO.15-3455H).

Discovery Level 2. Composed by John Lennon, Paul McCartney, and Richard Starkey. Arranged by Roger Emerson. Discovery Choral. Pop. Octavo. 16 pages. Published by Hal Leonard

Discovery Level 2. Composed by Richard Rodgers. Arranged by Roger Emerson. Discovery Choral. Jazz, Musicals. Octavo. 16 pages. Published by Hal Leonard

Composed by Richard A. Williamson. Christmas. Octavo. Heritage Music Press #15/3296H. Published by Heritage Music Press (LO.15-3296H).

Composed by Lori True. For SAB choir, cantor, assembly, piano. Celebration Series. Includes guitar chord names. Sacred. Octavo. Text language: English. 8 pages. Published by GIA Publications

Spiritual, for SSA, with Piano. Edited by John A. Richardson. Arranged by John A. Richardson. Text: Anonymous. Treble choir. For SSA Chorus, Piano. Choral. Choral Part(s). 8 pages. Duration 2:45. Published by Theodore Presser Company.

Choral (SAB Choir)

SKU: HL.254392

Composed by Richard Burchard. Gentry Publications. Concert, Festival. Octavo. 12 pages. Gentry Publications #JG2516. Published by Gentry Publications (HL.254392).

UPC: 888680721008. 6.75x10.5 inches.

Commissione d by CODA (Choral Organizations & Developing Artists), composer Richard Burchard selected a poem by Christina Rossetti that celebrates spring in a more pensive way. Speaking poetically of how spring passes ultimately into death, Burchard's music is thoughtful and soothing. Accompanied by piano and French Horn, the piece is primarily SAB, with only slight TB divisions at the very end.

Choral (SSA Choir)

SKU: HL.287107

Andrea Ramsey Choral Series. Composed by Richard Strauss. Arranged by Brandon Williams. Andrea Ramsey Choral Series. Concert, Festival. Octavo. 12 pages. Published by Hal Leonard (HL.287107).

UPC: 888680901349. 6.75x10.5 inches.

The beautiful song from Richard Strauss' first collection of published songs is here skillfully arranged for women's voices. The German “Lied,” elevated in the 19th century by Schubert, was taken to new heights by Strauss in the early 20th century. Here the women sing of their longing for the return of a deceased love.

Choral SSA choir

SKU: CF.CM9580

Composed by Richard Rasch. Arranged by Richard Rasch. Fold. Performance Score. 4 pages. Duration 2 minutes, 42 seconds. Carl Fischer Music #CM9580. Published by Carl Fischer Music (CF.CM9580).

ISBN 9781491154021. UPC: 680160912520. 6.875 x 10.5 inches. Key: D mixolydian. English, Latin. 15th Century Medieval Carol.

The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherds response in the gospel of Luke 2:15, Transeamus. Latin phrase translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pari forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compassthe distance between the highest and lowest noteis at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol.
The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherdas response in the gospel of Luke 2:15, Transeamus. Latin phraseA translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pari forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compassathe distance between the highest and lowest noteais at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol.
The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherd's response in the gospel of Luke 2:15, Transeamus. Latin phrase translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pari forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compass--the distance between the highest and lowest note--is at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol.
The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherd's response in the gospel of Luke 2:15, Transeamus. Latin phrase translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pares forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compass--the distance between the highest and lowest note--is at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol.
The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written.The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherd’s response in the gospel of Luke 2:15, Transeamus.Latin phrase  translation sourceAlleluia Alleluia LaetabundusRes miranda A thing to be wondered at LaetabundusPares forma of equal form LaetabundusGaudeamus Let us rejoice! GaudeamusTranseamus Let us go Luke 2:15The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty.The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists.Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compass—the distance between the highest and lowest note—is at its widest.The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol.

SAB chorus and piano - Medium

SKU: JK.01558

Composed by Traditional. Arranged by Richard W. Smith. Choral SAB, Difficulty Medium, Piano Choir, Seasonal Music Christmas, Christmas, Jesus Christ - Birth. Christian, Inspirational. Duration 4:10. Jackman Music Corporation #01558. Published by Jackman Music Corporation (JK.01558).

Luke 2:8-20.

Traditi onal Christmas carol arranged for mixed chorus (SAB) and piano--from a series titled Christmas Carols for the Contemporary Singer.
Composer: Traditional
Arranger: Richard W. Smith
Difficulty: Medium
Performance time: 4:10
References: Luke 2:8-20.

Choral; Organ (SAB)

SKU: HL.319773

Composed by Sydney H. Nicholson. Arranged by Richard A. Nichols. Fred Bock Publications. General Worship, Sacred. Octavo. 8 pages. Fred Bock Music Company #BG2677. Published by Fred Bock Music Company (HL.319773).

UPC: 888680972752. 6.75x10.5x0.019 inches.

This majestic Easter anthem has been elevated to dramatic regal status by Richard Nichols with a new setting for SAB choir and organ, with optional brass and percussion.

Choral (SSA Choir) - easy

SKU: HL.14025880

(The Little Prince). Composed by Rachel Portman. Arranged by Richard Allain. Music Sales America. Classical, Female Voices. Choral Score. Composed 2005. 12 pages. Chester Music #CH69553. Published by Chester Music (HL.14025880).

ISBN 9781846090509. UPC: 884088441050. 6.75x9.75x0.035 inches. Lyrics by Nicholas Wright.

An arrangement of one of the songs from The Little Prince, a fabulous, moving and melodic opera by Rachel Portman with luxurious counter melodies and placid harmonies. This opera is based on French philosopher and aviator Antoine de Saint-Exupery's novella, Le Petit Prince, an international classic penned in 1943. It was composed by Rachel Portman, the first woman to win an Oscar for a film score (Emma-1996), with text by Nicholas Wright. While Saint-Exupery's moving parable of self-discovery is the foundation of the opera's appeal, it is Portman's music that gives the work its dramatic impact. The characters are brought to life and portrayed with a delicate combination of humour and poignancy. This SSA and Piano arrangement of The Birds by Richard Allain.

Choral (SSA Choir) - easy

SKU: HL.14025878

(The Little Prince). Composed by Nicholas Wright and Rachel Portman. Arranged by Richard Allain. Music Sales America. Classical, Female Voices. Book [Softcover]. Composed 2005. 20 pages. Chester Music #CH69531. Published by Chester Music (HL.14025878).

ISBN 9781846090486. UPC: 884088441012. 6.75x9.75x0.069 inches. Lyrics by Nicholas Wright.

An arrangement of one of the songs from The Little Prince, a fabulous, moving and melodic opera by Rachel Portman with luxurious counter melodies and placid harmonies. This opera is based on French philosopher and aviator Antoine de Saint-Exupery's novella, Le Petit Prince, an international classic penned in 1943. It was composed by Rachel Portman, the first woman to win an Oscar for a film score (Emma-1996), with text by Nicholas Wright. While Saint-Exupery's moving parable of self-discovery is the foundation of the opera's appeal, it is Portman's music that gives the work its dramatic impact. The characters are brought to life and portrayed with a delicate combination of humour and poignancy. This SSA and Piano arrangement of The Lamplighters by Richard Allain.

Choral (SSA Choir)

SKU: HL.14025882

(The Little Prince). Composed by Rachel Portman. Arranged by Richard Allain. Music Sales America. Classical, Female Voices. Choral Score. Composed 2005. 12 pages. Chester Music #CH69520. Published by Chester Music (HL.14025882).

ISBN 9781846090479. UPC: 884088441029. 6.75x9.75x0.04 inches. Lyrics by Nicholas Wright.

An arrangement for upper voices of one of the songs from The Little Prince, a fabulous, moving and melodic opera by Rachel Portman with luxurious counter melodies and placid harmonies. This opera is based on French philosopher and aviator Antoine de Saint-Exupery's novella, Le Petit Prince, an international classic penned in 1943. It was composed by Rachel Portman, the first woman to win an Oscar for a film score (Emma-1996), with text by Nicholas Wright. While Saint-Exupery's moving parable of self-discovery is the foundation of the opera's appeal, it is Portman's music that gives the work its dramatic impact. The characters are brought to life and portrayed with a delicate combination of humour and poignancy. This SSA and Piano arrangement of The Roses by Richard Allain.

Choral (SSA Choir) - easy

SKU: HL.14025879

(The Little Prince). Composed by Rachel Portman. Arranged by Richard Allain. Music Sales America. Classical, Female Voices. Choral Score. Composed 2005. 12 pages. Chester Music #CH69542. Published by Chester Music (HL.14025879).

ISBN 9781846090493. UPC: 884088447526. 6.75x9.75x0.052 inches. Lyrics by Nicholas Wright.

An arrangement of one of the songs from The Little Prince, a fabulous, moving and melodic opera by Rachel Portman with luxurious counter melodies and placid harmonies. This opera is based on French philosopher and aviator Antoine de Saint-Exupery's novella, Le Petit Prince, an international classic penned in 1943. It was composed by Rachel Portman, the first woman to win an Oscar for a film score (Emma-1996), with text by Nicholas Wright. While Saint-Exupery's moving parable of self-discovery is the foundation of the opera's appeal, it is Portman's music that gives the work its dramatic impact. The characters are brought to life and portrayed with a delicate combination of humour and poignancy. This SSA and Piano arrangement of Look At The Stars by Richard Allain.

SAB choir, assembly, organ accompaniment, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, horn in f, trombone 1, trombone 2, tuba, timpani, 3, 4, or 5 octaves handbells, 3, 4, or 5 octaves handchimes - Early intermediate

SKU: GI.G-9188

Concertato on THAXTED. Composed by Gustav Holst. Arranged by Richard Proulx. Thanksgiving Day, Christ the King, OT 18 A, Pentecost. Choral. Tune Name: Thaxted. Sacred. Octavo. 12 pages. GIA Publications #9188. Published by GIA Publications (GI.G-9188).

UPC: 785147918806. English. Text Source: Text I: Michael Perry, 1942-1996, Text II: Delores Dufner, OSB. Text by Michael Perry.

The instrument parts are optional. The trombone I part is a substitue for horn in F.

SAB choir, assembly, organ accompaniment, 3, 4, or 5 octaves handbells, 3, 4, or 5 octaves handchimes, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, horn in F, trombone 1, trombone 2, tuba, timpani

SKU: GI.G-9188INST

Concertato on THAXTED. Composed by Gustav Holst. Arranged by Richard Proulx. Tune Name: Thaxted. Sacred. Full score and parts. 34 pages. GIA Publications #9188INST. Published by GIA Publications (GI.G-9188INST).

UPC: 785147918899. English. Text Source: Text I: Michael Perry, 1942–1996, Text II: Delores Dufner, OSB. Text by Michael Perry.

The instrument parts are optional. The organ accompaniment is printed in the full score. The trombone I part is a substitue for horn in F.

By Richard Wienhorst. For SAB choir. (Mixed Voices). General, Psalm. Psalm 98:1-3. Choral. 8 pages. Published by Ione Press.

By Heinrich Isaac. Edited by Richard Proulx. Arranged by Leonard Lechner. For Voices: SAB. Piano reduction. Ars Antiqua Choralis Series Sacred. Level: easy. 3 pages. Published by GIA Publications.

By Richard Rodgers, words by Lorenz Hart. Arranged by Jay Althouse. Choir Secular. 3-Part Mixed Choir (SAB). Choral Octavo. Pop Choral. Choral Octavo. 12 pages

(No. 3 of Three Polish Folk Songs for Treble Voices). By Stanislaw Wiechowicz. Arranged by Richard Zielinski. For SSA Choir (a cappella). Janet Galvan Women's Choral Series. Octavo. Published by Roger Dean Publishing

Choral SSA Choir and Piano

SKU: CF.CM7521

Composed by Richard Lane. With Standard notation. 4 pages. Duration 3 minutes, 20 seconds. Carl Fischer Music #CM7521. Published by Carl Fischer Music (CF.CM7521).

ISBN 9780825890291. UPC: 798408090296. Key: D major. English.

William Blake's text is set to a sweet lullaby in the women's voices. Cradle Song ends in a whisper.

By Richard Storrs Willis. Arranged by T. Chemain Evans. For SSA choir. Christmas, Sacred. Medium. Octavo. Duration 3:10. Published by Jackman Music Corporation

Composed by Richard A Williamson. For 3-part mixed choir and piano. Octavo. Heritage Music Press #15/3269H. Published by Heritage Music Press

By Richard O'brien. Arranged by Andy Beck. Choir Secular. 3-Part Mixed Choir (SAB). Choral Octavo. Pop Choral. Movie. 16 pages. Published by Alfred Music Publishing

By Richard Adler and Jerry Ross. Arranged by Greg Gilpin. Choir Secular. 3-Part Mixed Choir (SAB). Choral Octavo. Pop Choral. Broadway; Latin. 12 pages. Published by Alfred Music Publishing