Choral SATB choir

SKU: CF.CM9705

Composed by Traditional African American Spiritual. Arranged by Abeni Merriweather. 8 pages. Duration 2 minutes, 50 seconds. Carl Fischer Music #CM9705. Published by Carl Fischer Music (CF.CM9705).

ISBN 9781491160015. UPC: 680160918614. Key: F# minor. English. Traditional Spiritual.

New to the Carl Fischer family, Abeni Janae (b. 2001) brings a fresh voice in her arrangement of this wonderfully rich African American spiritual. Accessible for mixed choirs of all sizes and abilities, there is pathos and passion in every phrase.
Keep in mind what this spiritual text represents, especially if you can relate to it on a personal level. Since it is a traditional spiritual, it is important to use appropriate pronunciations. That means it is acceptable not to pronounce some of the words the way we normally would in American English. For example: Do not pronounce the “t” in “little” too much, opting to pronounce it closer to “liddle.” Do not pronounce the “-er” in “longer” too much, opting to pronounce it as “lon-guh.” Whether or not the choir sings with much or minimal vibrato is at the discretion of the conductor/director.Mostly , have fun singing this piece!If you have any further questions about the background of this piece or anything of the sort, feel free to contact me at missabenijanae@gmail.com.

SATB choir - Level 2

SKU: CA.4024021

Composed by Julius Joseph Maier. German title: Ich habe dich geliebet. Secular choral music. Full score. Op. 12, No. 8. 2 pages. Duration 1 minute. Carus Verlag #CV 40.240/21. Published by Carus Verlag (CA.4024021).

ISBN 9790007218164. Key: A minor. Language: German.

Score available separately - see item CA.4024000.

Soprano voice solo, SATB choir, 2 clarino/trumpet, 2 violin, viola, basso continuo

SKU: CA.4003849

Nach Johann Zach. Composed by Wolfgang Amadeus Mozart. Edited by Hellmut Federhofer. Arranged by Eberhard Kraus. This edition: urtext. Stuttgart Urtext Edition: Mozart. Tantum Ergo In B Neu 2002. Sacred vocal music, Corpus Christi, Eucharist, Communion. Single Part, Organ. Composed circa 1772. KV 142 (Anh. 186d). 2 pages. Duration 5 minutes. Carus Verlag #CV 40.038/49. Published by Carus Verlag (CA.4003849).

ISBN 9790007217105. Key: B flat major. Language: Latin.

In 1965 Robert Munster, the Mozart scholar, determined that in a manuscript copy containing 13 settings of the Tantum ergo by Johann Zach (1669-1773), the Director of Music at the Mainz Cathedral, the final Tantum ergo in B flat major was for the most part identical to KV 142. Zach's work is 43 measures long instead of the 63 measures of KV 142, although the Amen coda is missing. For some unknown reason, Mozart made a few changes to Zach's composition and through the addition of the coda extended the work by twenty measures. Score and part available separately - see item CA.4003800.

Solo bass voice, SATB choir, [flute, clarinet], 2 horns, 2 violins, [viola], basso continuo

SKU: CA.2711514

Graduale Exaudi, Dominum und Offertorium Lauda anima mea Dominum fur die Messe in Es-Dur op. 107. Composed by Anton Diabelli. Graduale + Offertorium Zur Missa In Es. Sacred vocal music, Mass sections. Single Part, Cello/Double Bass. Op. 110. 4 pages. Duration 5 minutes. Carus Verlag #CV 27.115/14. Published by Carus Verlag (CA.2711514).

ISBN 9790007200718. Language: Latin.

To commemorate the 150th anniversary of the death of Anton Diabelli we are publishing the two additional movements of his first Country Mass, the remainder of which is already available. These two movements, suitable for use during any period of the Church year, are further cause to perform at church services and in concerts the Mass in E flat major, which despite its simplicity can be impressive in effect. The flexibility in the size of the orchestra intended by the composer makes this work ideal for churches whatever their instrumental resources are. Score and part available separately - see item CA.2711500.

SATB choir (AATB)

SKU: CA.146800

Composed by Martin Luther and Matthaus Le Maistre. Edited by Heinrich Poos. Hymns by Martin Luther: Wir glauben all an einen Gott. German title: Wir glauben all an einen Gott. Sacred, Motets. Full score. Carus Verlag #CV 01.468/00. Published by Carus Verlag (CA.146800).

ISBN 9790007004194. Key: D dorian. Language: German.

By Moritz Hauptmann. For SATB Choir. Secular Choral Music. Score. Language: German. 25 no. 3. 4 pages. Duration 2 min. Published by Carus Verlag (German import).

SATB choir

SKU: CA.147100

Composed by Matthaus Le Maistre. Edited by Heinrich Poos. German title: Die Furcht des Herren. Sacred, Motets, Psalms, German. Full score. Carus Verlag #CV 01.471/00. Published by Carus Verlag (CA.147100).

ISBN 9790007004224. Key: G dorian. Language: German.

SATB choir

SKU: CA.146600

Composed by Matthaus Le Maistre. Edited by Heinrich Poos. Hymns by Martin Luther: Es woll' uns Gott genadig sein. German title: Es woll' uns Gott genadig sein. Sacred, Motets. Full score. Carus Verlag #CV 01.466/00. Published by Carus Verlag (CA.146600).

ISBN 9790007004170. Key: E phrygian. Language: German. Text: Luther, Martin.

Mixed choir

SKU: FG.042-08352-9

Composed by Pierre de La Rue. Published by Fennica Gehrman (FG.042-08352-9).

ISBN 979-0-042-08352-9.

Motet for mixed choir. De la Rue was a leading composer at the the Burgundian court of Philip the Handsome. This work dates from ca. 1505, and it shows a variety of textures from four-part imitation to dynamic ostinato sections, rich in overall sonority and colour. The editor has provided useful guidance on the French accentuation of the Latin text. Fazer Editions of Early Music is a choral series under the editorial supervision of Paul Hillier, founder and artistic director of the renowned Hilliard Ensemble. Although each title in this series is the result of careful scholarly research and is a reliable source for musicologists, the series' main purpose is to make practical performing editions available to choirs and other vocal ensembles. The original C clefs have been replaced by G and F clefs and the note values adapted to conform to modern practice. All the works in the series are intended for mixed voices. Each title includes a lengthy introduction in English and notes on the editorial principles. Where necessary, an English translation of the text and a guide to pronunciation are provided.

Composed by Lloyd Larson. Shawnee Sacred. General Worship, Sacred. Octavo. 12 pages. Published by Shawnee Press

By Samuel Adler. For four equal voices (Accompaniment: Keyboard). Spiritual, Concert. Main Key: E Minor. Sacred, Concert. Medium Advanced Adult. Octavo. 12 pages. Duration 1 minute 18 seconds. Published by Hinshaw Music Inc.

Mixed choir

SKU: FG.55011-348-0

Composed by Matthew Whittall. Score. Fennica Gehrman #55011-348-0. Published by Fennica Gehrman (FG.55011-348-0).

ISBN 9790550113480.

Shik i began as a request for a short winter-themed piece for the Hamalais-Osakunnan Laulajat choir in Helsinki. It eventually grew into a four seasons-type cycle on haiku by a 20th century Japanese monk Santoka Taneda.
The music of Shiki is a progression through various states of near-stasis. The main impression the composer wished to convey was the one of absolute stillness at the heart of each scene, of communion with the outer world, as if the viewer were drawing the landscape into him, and at the same time dissolving himself into it. The voices are treated texturally, as well as textually, moving on slow masses, with the soft but precisecely colored vowels of Japanese creating the basic sounds, and the sharper consonants giving them shape and definition.

With Holy, Holy, Holy and Joyful, Joyful, We Adore Thee. Composed by Mark Hayes (1953-). Shawnee Sacred. General Worship, Sacred. Octavo. 16 pages. Published by Shawnee Press

From Mary Poppins Returns. By Emily Blunt and Lin-Manuel Miranda. By Marc Shaiman and Scott Wittman. Arranged by Mark A. Brymer. Disney Choral. Movies, Show Choir, Musicals, Disney, Vaudeville. Octavo. Published by Hal Leonard

(Shining on the Baby). Composed by Sally K. Albrecht and Jay Althouse. Choral Octavo. Alfred Choral Designs. Christmas; Sacred; Winter. 12 pages. Published by Alfred Music (AP.45414).

Mixed choir

SKU: FG.55009-399-7

Composed by Josquin Desprez. Published by Fennica Gehrman (FG.55009-399-7).

ISBN 979-0-55009-399-7.

This is a modern performing edition of the Mass to the Blessed Virgin by Josquin. In the 16th century, this was the best known mass by the most celebrated composer of the day. It is a troped mass, with textual additions to the Gloria making it appropriate for a Marian service. It is also varied in style and demonstrates a mastery which is exemplary of Josquin's late works. Published in the Fazer Editions of Early Music series - a choral series under the editorial supervision of Paul Hillier, founder and artistic director of the renowned Hilliard Ensemble. Although each title in this series is the result of careful scholarly research and is a reliable source for musicologists, the series' main purpose is to make practical performing editions available to choirs and other vocal ensembles. The original C clefs have been replaced by G and F clefs and the note values adapted to conform to modern practice. All the works in the series are intended for mixed voices. Each title includes a lengthy introduction in English and notes on the editorial principles. Where necessary, an English translation of the text and a guide to pronunciation are provided.

Mixed choir

SKU: FG.042-08496-0

Composed by Jean Mouton. Published by Fennica Gehrman (FG.042-08496-0).

ISBN 979-0-042-08496-0.

Fazer Editions of Early Music is a choral series under the editorial supervision of Paul Hillier, founder and artistic director of the renowned Hilliard Ensemble. Although each title in this series is the result of careful scholarly research and is a reliable source for musicologists, the series' main purpose is to make practical performing editions available to choirs and other vocal ensembles. The original C clefs have been replaced by G and F clefs and the note values adapted to conform to modern practice. All the works in the series are intended for mixed voices. Each title includes a lengthy introduction in English and notes on the editorial principles. Where necessary, an English translation of the text and a guide to pronunciation are provided.

Mixed choir

SKU: FG.042-08438-0

Composed by Claudio Monteverdi. Published by Fennica Gehrman (FG.042-08438-0).

ISBN 979-0-042-08438-0.

Modern performing edition by David Nutter. Tears of a Lover in the Tomb of the Beloved for five part mixed chorus with optional basso continuo figures prominently in Monteverdi's Sixth Book of Madrigals (1614). Telling of a shepherd whose nymph has died, the work was ordered by the Duke of Mantua probably in the memory of Caterina Martinelli, a nightingale ward of court who died at the age of 19. Its six movements follow the Sestina form introduced already in the 12th century of six stanzas of six lines each with a closing envoy. Published in the Fazer Editions of Early Music series - a choral series under the editorial supervision of Paul Hillier, founder and artistic director of the renowned Hilliard Ensemble. Although each title in this series is the result of careful scholarly research and is a reliable source for musicologists, the series' main purpose is to make practical performing editions available to choirs and other vocal ensembles. The original C clefs have been replaced by G and F clefs and the note values adapted to conform to modern practice. All the works in the series are intended for mixed voices. Each title includes a lengthy introduction in English and notes on the editorial principles. Where necessary, an English translation of the text and a guide to pronunciation are provided.

Mixed choir

SKU: FG.55011-418-0

Composed by Lars Karlsson. Fennica Gehrman #55011-418-0. Published by Fennica Gehrman (FG.55011-418-0).

ISBN 9790550114180.

The main ingredients of Lars Karlsson's musical expression are free-tonality, traditional forms and natural musicianship that builds on the two. According to the composer: there is no such thing as atonality -- as long as you work with fixed tone pitch. I would rather be inclined to think that tonality is inherent in the structure of tones, whether we want it or not. In other words, we are dealing with a law of nature.
Karlsson's setting of Bergman's poem Mina kallor (My springs) dates from 1974. It is dedicated to the Nordic Choir and its master Hans-Erik Dahlgren.

Mixed choir

SKU: FG.55011-417-3

Composed by Lars Karlsson. Fennica Gehrman #55011-417-3. Published by Fennica Gehrman (FG.55011-417-3).

ISBN 9790550114173.

The main ingredients of Lars Karlsson's musical expression are free-tonality, traditional forms and natural musicianship that builds on the two. According to the composer: there is no such thing as atonality -- as long as you work with fixed tone pitch. I would rather be inclined to think that tonality is inherent in the structure of tones, whether we want it or not. In other words, we are dealing with a law of nature.
Karlsson's setting of Lagerkvists classic Som en vag (Like a wave) dates from 1976. The poem is a love story.

SSATB choir/orchestra (SSATB Choir, Orchestra)

SKU: BA.BA10555

Composed by Johann Pachelbel. Edited by Katharina Larissa Paech. This edition: Edition of selected works, Urtext edition. Linen. Johann Pachelbel. Complete Vocal Works, Volume 5. Edition of selected works, Score, anthology. Baerenreiter Verlag #BA10555_00. Published by Baerenreiter Verlag (BA.BA10555).

ISBN 9790006553044. 33 x 26 cm inches. Text Language: Latin. Preface: Hirschmann, Wolfgang / Paech, Katharina Larissa / Röder, Thomas.

The Complete Vocal Works Johann Pachelbel is known today as a composer of organ music and of a world-famous instrumental canon which frequently features in concert programmes and recording catalogues. However, the same can be said of only a few of his vocal compositions. At most, the motets appear occasionally in church music repertoire. Pachelbel’s arias, vocal concerti and large-scale Magnificats have received little attention up to now.

Church musicians and musicologists have long wished for a critical edition of these important works, which survive in Pachelbel’s manuscript and were largely composed in his main places of work, Erfurt and Nuremberg . As always with such ventures, new discoveries are to be expected regarding the body of works, source material and the context of the works. This concerns not only beautiful music, but rather a deepening of our understanding of Pachelbel as a key figure between southern and central German traditions, and the recognition of an oeuvre which has all too often been pushed into the shadows by the mighty Bach.


The Critical Edition

The edition aims to make available all of Johann Pachelbel’s surviving vocal works in the best possible form. It is edited by the Institut für Musikwissenschaft at the University of Erlangen-Nuremberg and the Institut für Kirchenmusik at the Kunstuniversität Graz.

Two volumes per year are planned.

As a chronological order is not possible in many cases, the individual works have been arranged according to scoring within their groups. Fragments and works where Johann Pachelbel’s authorship is doubtful appear at the end of the respective group.

Each volume includes an introduction (Ger/Eng) and a Critical Commentary (Ger). Format 25.5 x 32.5 cm; cloth-bound

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Mixed choir

SKU: FG.55009-452-9

Composed by Josquin Desprez. Edited by Ross Duffin. Published by Fennica Gehrman (FG.55009-452-9).

ISBN 979-0-55009-452-9.

This is one of three early renaissance Marian motets, along with Mouton's Nesciens Mater and de la Rue's Gaude Virgo, edited by Ross Duffin. It is a classic example of this great composer's balanced unfolding of motifs, with two-part paired imitation followed by four-voice imitative sections and punctuations in homophony. Especially, striking is the personal supplication at the end, in the words O rnater dei, memento mei. Fazer Editions of Early Music is a choral series under the editorial supervision of Paul Hillier, founder and artistic director of the renowned Hilliard Ensemble. Although each title in this series is the result of careful scholarly research and is a reliable source for musicologists, the series' main purpose is to make practical performing editions available to choirs and other vocal ensembles. The original C clefs have been replaced by G and F clefs and the note values adapted to conform to modern practice. All the works in the series are intended for mixed voices. Each title includes a lengthy introduction in English and notes on the editorial principles. Where necessary, an English translation of the text and a guide to pronunciation are provided.

Mixed choir

SKU: FG.55011-110-3

Composed by Jean Mouton. Published by Fennica Gehrman (FG.55011-110-3).

ISBN 979-0-55011-110-3.

Nesciens mater is an exquisite setting of an antiphon for the Octave of the Nativity, with a tenor voice based on Gregorian melody. It is an undulating tapestry of sonority created, remarkably, by means of a four-voice imitative texture in canon with itself a fifth higher and one bar later. Fazer Editions of Early Music is a choral series under the editorial supervision of Paul Hillier, founder and artistic director of the renowned Hilliard Ensemble. Although each title in this series is the result of careful scholarly research and is a reliable source for musicologists, the series' main purpose is to make practical performing editions available to choirs and other vocal ensembles. The original C clefs have been replaced by G and F clefs and the note values adapted to conform to modern practice. All the works in the series are intended for mixed voices. Each title includes a lengthy introduction in English and notes on the editorial principles. Where necessary, an English translation of the text and a guide to pronunciation are provided.

Composed by Greg Hoepfner. Score. Imagine Music Publishing #VMW184. Published by Imagine Music Publishing

Composed by Beatriz Bilbao. Gentry Publications. Concert, Festival. Octavo. 12 pages. Gentry Publications #JG2509. Published by Gentry Publications

Composed by Maia Aprahamian. Sacred, Christmas. Choral octavo. With Language: English. Published by Musica Russica (MR.OMP-MA001E).